The final legacy of the Nobel Prize-winning author of The Labyrinth of Solitude
Itinerary records the evolution of the political ideas of Octavio Paz, the great Mexican writer who was awarded the Nobel Prize for Literature in 1990. It is an intellectual autobiography, in a sense, but also a sentimental and even passionate one. In his thoughts Paz realized the past was inseparable from the present. And so he tells the story of his journey through time, from youth to adulthood. It is not a straight line, nor is it a circle; it is instead a spiral that turns ceaselessly over, bringing into view a time seventy years in the past and the actions of today. It is the final work by a great thinker and a magnificent writer.

Presented in Eliot Weinberger's excellent new translation with the Spanish texts en face, this is the 1957 poem "that definitively established Paz as a major international figure" (Sagetrieb). Written as a single cyclical sentence (at the end of the poem the first six lines are written again), Sunstone is a tour de force of momentum. It takes as its structural basis the circular Aztec calendar, which measured the synodic period of the planet Venus (584 days the number of lines of Sunstone). But, as The New Republic noted, "this esoteric correlative design...does not circumscribe its subject. It is] a lyrically discursive exploration of time and memory, of erotic love, or art and writing."

"Brimming with insight, thoughtfulness, and sincerity . . . a poetic road map to the past, present, and future of love" is how Kirkus Reviews praised The Double Flame, Nobel Laureate Octavio Paz's exploration of the intimate connection between sex, eroticism, and love. Illuminating and provocative, these essays examine everything from taboo to repression, providing an accessible, engaging discourse on what Paz calls our "share of paradise".

The final legacy of the Nobel Prize-winning author of The Labyrinth of Solitude
Itinerary records the evolution of the political ideas of Octavio Paz, the great Mexican writer who was awarded the Nobel Prize for Literature in 1990. It is an intellectual autobiography, in a sense, but also a sentimental and even passionate one. In his thoughts Paz realized the past was inseparable from the present. And so he tells the story of his journey through time, from youth to adulthood. It is not a straight line, nor is it a circle; it is instead a spiral that turns ceaselessly over, bringing into view a time seventy years in the past and the actions of today. It is the final work by a great thinker and a magnificent writer.

Nobel Laureate Octavio Paz is incontestably Latin America's foremost living poet. The Collected Poems of Octavio Paz is a landmark bilingual gathering of all the poetry he has published in book form since 1952, the year of his premier long poem, Sunstone (Piedra de Sol) here translated anew by Eliot Weinberger made its appearance. This is followed by the complete texts of Days and Occasions (Dias Habiles), Homage and Desecrations (Homenaje y Profanaciones), Salamander (Salamandra), Solo for Two Voices (Solo a Dos Voces), East Slope (Ladera Este), Toward the Beginning (Hacza el Comienzo), Blanco, Topoems (Topoemas), Return (Vuelta), A Draft of Shadows (Pasado en Claro), Airborn (Hijos del Aire), and Paz's most recent collection, A Tree Within (Arbol Adentro). With additional translations by Elizabeth Bishop, Paul Blackburn, Lysander Kemp, Denise Levertov, John Frederick Nims, and Charles Tomlinson."

As well as the nine essays on his country's psyche and history that make up 'The Labyrinth of Solitude', this highly acclaimed volume also includes 'The Other Mexico', Paz's heartfelt response to the government massacre of over three hundred students in Mexico City in 1968, and 'Return to the Labyrinth of Solitude', in which he discusses his famous work with Claude Fell. The two final essays contain further reflections on the Mexican government.

The difficulty (and necessity) of translation is concisely described in Nineteen Ways of Looking at Wang Wei, a close reading of different translations of a single poem from the Tang Dynasty-from a transliteration to Kenneth Rexroth's loose interpretation. As Octavio Paz writes in the afterword, "Eliot Weinberger's commentary on the successive translations of Wang Wei's little poem illustrates, with succinct clarity, not only the evolution of the art of translation in the modern period but at the same time the changes in poetic sensibility."

B+En 1957B; , escribe Octavio Paz, B+hice algunas traducciones de breves textos de clasicos chinos. El formidable obstaculo de la lengua no me detuvo y, sin respeto por la filologia, traduje del ingles y del frances. Me parecio que esos textos debian traducirse al espanol no solo por su belleza -construcciones a un tiempo geometricas y aereas, fantasias templadas siempre por una sonrisa ironica- sino tambien porque cada uno de ellos destila, por decirlo asi, sabiduria. Me movio un impulso muy natural: compartir el placer que habia experimentado al leerlos... Creo que Chuang-TzuB; , como los otros poetas que recoge esta breve antologia, B+no solo es un filosofo notable sino un gran poeta. Es el maestro de la paradoja y del humor, puentes colgantes entre el concepto y la iluminacion sin palabrasB; .

"Gabriel Zaid . . . is a jewel of Latin American letters, which is no small thing to be. Read him--you'll see."--Paul Berman

The first appearance in English of the poetry of Gabriel Zaid, this book comprises forty-two poems (in both English and the original Spanish), translated by a variety of English-speaking poets. Renowned in Mexico as one of his country's leading writers, Zaid has published two books in English, "So Many Books" and "The Secret of Fame" (both from Paul Dry Books).

Late Again
Translated by Eliot Weinberger

"It's so hard to coordinate:
one hand over your head
like a halo
the other
perpendicular
to your navel."

"Nevertheless it's a universal law:
people begin soaping
at their bellies
while other worlds
turn around in their heads."

"Think with your stomach,
said the happy Buddha.
But we
ruminate with our heads."

Gabriel Zaid's poetry, essays, social and cultural criticism, and business writings have been widely published throughout the Spanish-speaking world. He lives in Mexico City, Mexico, with the artist Basia Batorska, her paintings, three cats, and ten thousand books. Paul Dry Books has published his "So Many Books" and "The Secret of Fame."

Engrossing essays that reflect the author's vast and subtle knowledge of the world. Topics range from the religious rites of the Aztecs to modern american painting, from Eastern art and religion to love and eroticism. Translated by Helen Lane.

Written with a poet's sensibility and a diplomat's sense of history, these essays view a contemporary world poised between the upheaval of the 1960s and the uncertainties of the 1980s. "Essays at once eloquent and slashing, urgent and erudite" (Publishers Weekly). Translated by Helen Lane.

The first major book of short prose poetry in Spanish, Eagle or Sun? (Aguila o Sol?) exerted an enormous influence on modern Latin American writing. Written in 1949-50 by Nobel Laureate Octavio Paz, Eagle or Sun? has as its mythopoeic "place" Mexico a country caught up in its pre-Columbian past, the world of modern imperialism, and an apocalyptic future foretold by the Aztec calendar. Indeed, three personae of the book--the goddess Itzapaplotl, the prophet clerk, the poet are manifestations of the threefold aspects of the land. Paz himself explains: "Eagle or Sun? is an exploration of Mexico, yes, but at the same time, and above all, it is an exploration of the relations between language and the poet, reality and language, the poet and history."

Configurations was his first major collection to be published in this country, and includes in their entirety Sun Stone (1957) and Blanco (1967). Paz himself translated many of the poems from the Spanish. Some distinguished contributors to this bilingual edition include, among others, Paul Blackburn, Lysander Kemp. Denise Levertov, and Muriel Rukeyser. Paz's poems, although rooted in the mythology of South America and his native Mexico, nevertheless have an international background, transfiguring the images of the contemporary world. Powerful, angry, erotic, they voice the desires and rage of a generation.

A discourse on the connection between sex, eroticism and love in literature by the Nobel Prize-winning poet and essayist.

The speech delivered by Paz in acceptance of the 1990 Nobel Prize for Literature, in which he discusses gratitude, separateness, and modernity. Published in a handsome bilingual edition. Translated by Anthony Stanton.

Octavio Paz launches a far-ranging excursion into the "incestuous and tempestuous" relations between modern poetry and the modern epoch. From the perspective of a Spanish-American and a poet, he explores the opposite meanings that the word "modern" has held for poets and philosophers, artists, and scientists. Tracing the beginnings of the modern poetry movement to the pre-Romantics, Paz outlines its course as a contradictory dialogue between the poetry of the Romance and Germanic languages. He discusses at length the unique character of Anglo-American "modernism" within the avant-garde movement, and especially vis-a-vis French and Spanish-American poetry. Finally he offers a critique of our era's attitude toward the concept of time, affirming that we are at the "twilight of the idea of the future." He proposes that we are living at the end of the avant-garde, the end of that vision of the world and of art born with the first Romantics.

Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.

Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.

Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.

Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.

In The Bow and the Lyre Octavio Paz, one of the most important poets writing in Spanish, presents his sustained reflections on the poetic phenomenon and on the place of poetry in history and in our personal lives. It is written in the same prose style that distinguishes The Labyrinth of Solitude. The Bow and the Lyre will serve as an important complement to Paz's poetry.

Paz's discussions of the different aspects of the poetic phenomenon are not limited to Spanish and Spanish American literature. He is almost as apt to choose an example from Homer, Vergil, Blake, Whitman, Rimbaud as he is from Lope de Vega, Jimenez, Dario, Neruda. In writing these essays, he draws on his vast storehouse of knowledge, revealing a world outlook of ample proportions. In reading these essays, we share the observations of a searching, original, highly cultivated mind.

Here is a new voice-new to us-reaching across a gap of three hundred years. Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually. Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds. The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.