On Trinidad, the island of the steel pan, calypso, and carnivals, Annabelle Castello grows up in the impoverished Bristol Village before circumstances transport her to the affluent city of Port-of-Spain. At an early age, Annabelle achieves more than she could have ever imagined in her wildest dreams-- wealth, power, and fame--due to her youth and bewitching beauty. As she grows older and her looks begin to fade, however, Annabelle yearns to embrace the simple values and happiness she once knew.

Forty-five years after leaving for the city, Annabelle impulsively abandons everything and heads back to Bristol Village in search of her past, the only man she has ever loved, and the baby girl she left behind. But as she arrives in the village with the hope of reuniting with her love Ricardo, Annabelle is distraught when she learns he has died. Just as she finds solace in the fact that she still has her daughter, Annabelle receives devastating news that will change her life forever.

In this poignant tale, a woman embarks on a heartfelt journey back to her past where she soon discovers that nothing is ever as it once was.

"Joseph has obvious empathy for his characters and the remarkable ability to slip into and out of the persona of each character and maintain voice and tone."--Foreword/Clarion Review

This book examines the evolution of Black Power activism at the local level. Comprised of essays that examine Black Power's impact at the grassroots level in cities in the North, South, Mid-West and West, this anthology expands on the profusion of new scholarship that is taking a second look at Black Power, connecting grassroots activism to national struggles for black self-determination and international African independence movements, and actively rewriting postwar African American history.

The Caliban-Prospero encounter in Shakespeare's The Tempest has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed Indian and Scottish heritage from Trinidad. The works chosen are set in England where the writers and their characters experience a double displacement, the alienation of the exiled in the country that once colonized their own islands. They are outsiders: unwelcome in Prospero's home country. The novels dramatize the theme of physical and psychological exile. Rhys's characters need mirrors in which they search for an assurance of identity; Lamming's are torn by the conflict inherent in "the tragic sense of life"; and Selvon's ironic language expresses the deepest sense of exile: exile from one's own self. Other Caribbean writers are included in the analysis, and the volume concludes by examining contemporary writers for whom Caliban's role in literature appears to be changing. Novelists like Earl Lovelace and Jamaica Kincaid demonstrate that it is possible to be an outsider in one's own country, and that issues of class can be as corrosive as issues of race. The focus has moved beyond physical exile, but the spirit and strength of Caliban continue to pervade the new literature. In giving expression to their anguish, both the earlier and new Caribbean writers have created highly interesting and successful fiction. This well crafted thematic study of Caribbean literature willbe of great value to students, teachers, scholars, and readers of Third World, post-colonial, and multicultural literature.

This book examines the evolution of Black Power activism at the local level. Comprised of essays that examine Black Power's impact at the grassroots level in cities in the North, South, Mid-West and West, this anthology expands on the profusion of new scholarship that is taking a second look at Black Power, connecting grassroots activism to national struggles for black self-determination and international African independence movements, and actively rewriting postwar African American history.

tic knowledge, a multidisciplinary approach is indis Over the past 60 years, radiology has progressively uncovered the human body. At first a fleshless skele pensable: clinicians, radiologists, surgeons, radio therapists, and pathologists must all contribute their ton for global study, the body then appeared in slices, until with present techniques its smallest respective inputs for every patient referred. More over, experience is acquired through knowledge of structures are revealed. The physician at the com cases whose diagnosis is certain, and with which new puter console is constantly amazed at the never ending series of organ sections and their mUltiple cases can be compared. In this way a data base is created, whether in the physician'S memory or in images arising through manipulation of the signal. Cerebral convolutions, orbital content, bone mar that of the computer, which is helpful in making row, the face and all its bones can now be made visi diagnoses. ble without any danger to the patient. A lesion can be detected, located and identified; it can be ob Dr."