This book focuses on designing and being a designer of immersive education. It introduces readers to the human experiences within immersive learning environments and contributes research evidence on the effectiveness of immersive technologies in K-12 and post-secondary contexts. Through the chapters, illustrative contextual examples and vignettes demonstrate immersive learning in real-world educational practice. Readers will be equipped to design engaging and culturally relevant immersive experiences for learning in a post-COVID world. Immersive Education: Designing for Learning brings researchers, designers, and educators together to offer pedagogical strategies and design guidelines. The originality lies in integrating theoretical and practical knowledge to design meaningful immersive experiences, with attention to sustainability, community, and creativity. Valuable insights are provided to support students and teachers as immersive learning designers and storytellers.

Sixty years after Understanding Media, Marshall McLuhan remains one of the best known and most influential intellectuals of the twentieth century. Far beyond academia, readers (and non-readers) recognize his coinages, such as 'the Gutenberg era', the 'global village' and 'the medium is the message'. A literary scholar by profession, McLuhan was one of the first academics to recognize the new opportunities offered by radio and television to reach audiences beyond the readerships of scholarly journals. His talks and appearances ushered in public intellectual debate concerning the 'electronic age'. Although his reputation waned in the 1970s, the recent making-available to the public of his extraordinary personal library of some six thousand books enables new kinds of analyses of McLuhan as a reader, thinker, and cultural force. The essays here focus not so much on his media theory per se as on the habits and practices that animated his reading, and on the larger questions of what reading and not reading mean. We don't need to agree with everything McLuhan says to make valuable use of his work. New resources offer us an unprecedented opportunity to revisit one fallible human reader whose texts and ideas are good to think with (and against). This book was originally published as a special issue of the journal, Textual Practice.

The period 1678-1730 was a decisive one not only in Western political history but also in the history of the British press. Changing conditions for political expression and an expanding book trade enabled unprecedented opportunities for political activity. The Women of Grub Street argues that women already at work in the London book trade were among the first to seize those new opportunities for public political expression. Synthesizing areas of scholarly inquiry previously regarded as separate, and offering a new model for the study of the literary marketplace, The Women of Grub Street examines not only women writers, but also printers, booksellers, ballad-singers, hawkers, and other producers and distributors of printed texts. Original both in its sources and in the claims it makes for the nature, extent, and complexities of women's participation in print culture and public politics, it provides a wealth of new information about middling and lower-class women's political and literary lives, and shows that these women were not merely the passive distributors of other people's political ideas. The central argument of the book is that women of the widest possible variety of socioeconomic backgrounds and religio-political allegiances in fact played so prominent a role in the production and transmission of political ideas through print as to belie simultaneous powerful claims that women had no place in public life. The first full-length study to suggest the degree of involvement of women in the entire process of print creation at this important moment, The Women of Grub Street supports a number of important revisionary arguments with a broad range of literary and archival evidence. It will be of interest to readers of literature, social and publishing history, women's studies and feminism, and the history of democracy and public discourse.

The period 1678-1730 was a decisive one not only in Western political history but also in the history of the British press. Changing conditions for political expression and an expanding book trade enabled unprecedented opportunities for political activity. The Women of Grub Street argues that women already at work in the London book trade were among the first to seize those new opportunities for public political expression. Synthesizing areas of scholarly inquiry previously regarded as separate, and offering a new model for the study of the literary marketplace, The Women of Grub Street examines not only women writers, but also printers, booksellers, ballad-singers, hawkers, and other producers and distributors of printed texts. Original both in its sources and in the claims it makes for the nature, extent, and complexities of women's participation in print culture and public politics, it provides a wealth of new information about middling and lower-class women's political and literary lives, and shows that these women were not merely the passive distributors of other people's political ideas. The central argument of the book is that women of the widest possible variety of socioeconomic backgrounds and religio-political allegiances in fact played so prominent a role in the production and transmission of political ideas through print as to belie simultaneous powerful claims that women had no place in public life. The first full-length study to suggest the degree of involvement of women in the entire process of print creation at this important moment, The Women of Grub Street supports a number of important revisionary arguments with a broad range of literary and archival evidence. It will be of interest to readers of literature, social and publishing history, women's studies and feminism, and the history of democracy and public discourse.

Just as today's embrace of the digital has sparked interest in the history of print culture, the rise of commercial print culture in eighteenth-century Britain inspired reflection at the time on the traditions that had seemingly preceded it. And so it was, as Paula McDowell shows in this book, that what we know as oral culture was identified and soon celebrated during the very period of the British book trade's ascendancy. McDowell recreates a world in which everyone from clergymen to fishwives, philosophers to street hucksters, competed for space and audiences in taverns, marketplaces, and the street. Their encounters forged new conceptions of the oral, as McDowell demonstrates through an impressive array of sources, including travel narratives, elocution manuals, theological writings, ballad collections, and legal records. Challenging traditional models of oral versus literate societies and key assumptions about culture's ties to the spoken and the written word, this landmark study reorients critical conversations across eighteenth-century studies, media and communications studies, the history of the book, and beyond.