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The Sopranos and Philosophy - I Kill Therefore I Am (Paperback): Richard Greene, Peter Vernezze The Sopranos and Philosophy - I Kill Therefore I Am (Paperback)
Richard Greene, Peter Vernezze; Foreword by Vincent Pastore
R353 Discovery Miles 3 530 Ships in 12 - 17 working days

Covering everything from Aristotle to ziti, this title explores such topics as: is Tony Soprano a good man?; is Carmella a feminist?; morally speaking who is the worst person on "The Sopranos"; is watching "The Sopranos" harmful to your mental or moral health? and should Tony have read Machiavelli instead of Sun Tzu? The chapters cover topics from each of the traditional branches of western philosophy: metaphysics (the problem of evil, philosophical psychology), epistemology (self-knowledge), value theory (ethics, aesthetics, political philosophy), as well as eastern philosophy (Sun Tzu), history of philosophy (Plato, Nietsche, Machiavelli), and contemporary postmodern themes (feminism and identity issues). "The Sopranos" is rich in philosophical content and complex human interactions and accurately summarizes the human condition, so it is natural for philosophical treatment. No prior philosophical qualifications or mob connections are required to follow all the arguments, which are presented with the same vibrancy, humour and verve that has made "The Sopranos" itself a hit.

Bob Dylan and Philosophy - It's Alright Ma (I'm Only Thinking) (Paperback): Carl J Porter, Peter Vernezze, William... Bob Dylan and Philosophy - It's Alright Ma (I'm Only Thinking) (Paperback)
Carl J Porter, Peter Vernezze, William Irwin
R490 R408 Discovery Miles 4 080 Save R82 (17%) Ships in 10 - 15 working days

The legions of Bob Dylan fans know that Dylan is not just a great composer, writer, and performer, but a great thinker as well. In Bob Dylan and Philosophy, eighteen philosophers analyze Dylan’s ethical positions, political commitments, views on gender and sexuality, and his complicated and controversial attitudes toward religion. All phases of Dylan’s output are covered, from his early acoustic folk ballads and anthem-like protest songs to his controversial switch to electric guitar to his sometimes puzzling, often profound music of the 1970s and beyond. The book examines different aspects of Dylan’s creative thought through a philosophical lens, including personal identity, negative and positive freedom, enlightenment and postmodernism in his social criticism, and the morality of bootlegging. An engaging introduction to deep philosophical truths, the book provides Dylan fans with an opportunity to learn about philosophy while impressing fans of philosophy with the deeper implications of his intellectual achievements.

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