This is a survey of the history of Taoism from approximately the third century B.C. to the fourteenth century A.D. For many years, it was customary to divide Taoism into "philosophical Taoism" and "religious Taoism." The author has long argued that this is a false division and that "religious" Taoism is simply the practice of "philosophical" Taoism. She sees Taoism as foremost a religion, and the present work traces the development of Taoism up to the point it reached its mature form (which remains intact today, albeit with modern innovations).
The main aim of this history of Taoism is to trace the major lines of its doctrinal evolution, showing the coherence of its development, the wide varieties of factors that came into play over a long period of disconnected eras, the constant absorptions of outside contributions, and the progress that integrates them. The author shows how certain recurrent themes are treated in different ways in different eras and different sects. Among these themes are the Ultimate Truth, immortality, the Sage, the genesis and the end of the world, retribution for good and evil acts, representations of heavens and hells, and the connections between life and the spirit, between life and death, between man and society, and between mystical experience and the social form of religion.
The plan of the book is chronological, but the chronology is somewhat fluid given the way Taoism evolved; as it assimilated new features in the course of its growth, it never ceased to continue to develop the old ones. Thus the Celestial Masters sect, which is chronologically the first to attain a structure, is treated at the outset of the book though it exists down to our day, and the Shangqing tradition took shape in the fourth century though its glory years were under the Tang (618-907).

This is a survey of the history of Taoism from approximately the third century B.C. to the fourteenth century A.D. For many years, it was customary to divide Taoism into "philosophical Taoism" and "religious Taoism." The author has long argued that this is a false division and that "religious" Taoism is simply the practice of "philosophical" Taoism. She sees Taoism as foremost a religion, and the present work traces the development of Taoism up to the point it reached its mature form (which remains intact today, albeit with modern innovations).
The main aim of this history of Taoism is to trace the major lines of its doctrinal evolution, showing the coherence of its development, the wide varieties of factors that came into play over a long period of disconnected eras, the constant absorptions of outside contributions, and the progress that integrates them. The author shows how certain recurrent themes are treated in different ways in different eras and different sects. Among these themes are the Ultimate Truth, immortality, the Sage, the genesis and the end of the world, retribution for good and evil acts, representations of heavens and hells, and the connections between life and the spirit, between life and death, between man and society, and between mystical experience and the social form of religion.
The plan of the book is chronological, but the chronology is somewhat fluid given the way Taoism evolved; as it assimilated new features in the course of its growth, it never ceased to continue to develop the old ones. Thus the Celestial Masters sect, which is chronologically the first to attain a structure, is treated at the outset of the book though it exists down to our day, and the Shangqing tradition took shape in the fourth century though its glory years were under the Tang (618-907).

Collection of British comedies from the 1930s. Lupino Lane directs 'Letting in the Sunshine' (1933) in which Albert Burdon stars as Nobby Green, a window cleaner. When he bumps into his old flame Jane (Renee Gadd) they conspire to outwit a band of jewel thieves. In 'Lucky to Me' (1939), directed by Thomas Bentley, Potty (Stanley Lupino), a clerk at a legal firm, marries secretary Minnie (Barbara Blair) in secret. To keep their marriage hidden from their colleagues the pair plan a one-night honeymoon. However, even this comes under threat when Potty's boss orders him to go on a business trip!

Bernard Faure's previous works are well known as guides to some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. Continuing his efforts to look at Chan/Zen with a full array of postmodernist critical techniques, Faure now probes the "imaginaire, " or mental universe, of the Buddhist Soto Zen master Keizan Jokin (1268-1325). Although Faure's new book may be read at one level as an intellectual biography, Keizan is portrayed here less as an original thinker than as a representative of his culture and an example of the paradoxes of the Soto school. The Chan/Zen doctrine that he avowed was allegedly reasonable and demythologizing, but he lived in a psychological world that was just as imbued with the marvelous as was that of his contemporary Dante Alighieri.

Drawing on his own dreams to demonstrate that he possessed the magical authority that he felt to reside also in icons and relics, Keizan strove to use these "visions of power" to buttress his influence as a patriarch. To reveal the historical, institutional, ritual, and visionary elements in Keizan's life and thought and to compare these to Soto doctrine, Faure draws on largely neglected texts, particularly the "Record of Tokoku" (a chronicle that begins with Keizan's account of the origins of the first of the monasteries that he established) and the "kirigami," or secret initiation documents.

At the tender age of eleven, JENNIFER STEVENS knew first hand. From paper dolls to sexual horror, and unable to break her silence for reasons clearly made, her cries for help were mysteriously heard as she stumbled onto a way to save herself from the bona fide boogie man. While struggling with a rather dysfunctional family and seemingly uncaring father, who's only aim in life was to bed as many women no matter the consequence, she had finally found solace. Through it all, Jenny's strong will to live had given her the ability to intergrate a whole new world which possessed all the needed love and protection she so desperately craved. Or could have been there all along, just waiting for her, and the many, many others destined to follow her path. How else could it be explained what she wrote in her diary prior to the last attack or the fact that FRAN, the one to come to her rescue, really did exist. What provided PEPPER, the mischievous family pet, who has always been painted as a useless good for nothing mutt, the motive to bring on judgment day? Did this little hero have a stake in it too? Through the tragedy, triumph and karma, it seemed that life went on nevertheless, even when living it had stopped...........somewhere.

Marking a complete break with previous scholarship in the field, this book rewrites the history of early Chan (Zen) Buddhism, focusing on the genealogy and doctrine of one of its dominant strains, the so-called Northern school that flourished at the turn of the eighth century.
The traditional interpretation of the Northern school was heavily influenced by the polemics of one of its opponents, the monk Shenhiu, who characterized the Northern school's teaching as propounding the belief that enlightenment occurred gradually, was measurable, and could be expressed in conventional language. To all this, Shenhiu and his teaching of "sudden enlightenment" were opposed, and Shenhiu's school and its version of history would later prevail. On the basis of documents found at Dunhuang, this book shows how the traditional view is incorrect, that Shenhiu's imposition of a debate between gradual and sudden conceals the doctrinal continuity between the two schools and the diversity of Chan thought in the period. The author buttresses his conclusions by placing the evolution of early Chan in the intellectual, political, social, and economic context of the mid-Tang.
The book is in three parts. The first part treats the biography and thought of the "founder" of the Northern school, Shenxiu, the nature of his followers, and his affinities for Buddhistic scholasticism. The second part studies the way in which the Northern school, after Shenxiu, adapted to new circumstances: changes in imperial policies, the rise of rival schools, and changes in the nature of its followers. The third part focuses on the internecine struggles around the genealogy of Chan as reflected in the "Lengqie shizi ji" (Record of the Masters and Disciples of the Lankavatara School]) by the monk Jingjue. A close reading of this work reveals that it foreshadowed many of the themes and issues that would later come to the forefront in Zen, and contributes significantly to our reassessment of the teachings and practices of "pre-classical" Chan.