Bernard Faure's previous works are well known as guides to some
of the more elusive aspects of the Chinese tradition of Chan
Buddhism and its outgrowth, Japanese Zen. Continuing his efforts to
look at Chan/Zen with a full array of postmodernist critical
techniques, Faure now probes the "imaginaire, " or mental universe,
of the Buddhist Soto Zen master Keizan Jokin (1268-1325). Although
Faure's new book may be read at one level as an intellectual
biography, Keizan is portrayed here less as an original thinker
than as a representative of his culture and an example of the
paradoxes of the Soto school. The Chan/Zen doctrine that he avowed
was allegedly reasonable and demythologizing, but he lived in a
psychological world that was just as imbued with the marvelous as
was that of his contemporary Dante Alighieri.
Drawing on his own dreams to demonstrate that he possessed the
magical authority that he felt to reside also in icons and relics,
Keizan strove to use these "visions of power" to buttress his
influence as a patriarch. To reveal the historical, institutional,
ritual, and visionary elements in Keizan's life and thought and to
compare these to Soto doctrine, Faure draws on largely neglected
texts, particularly the "Record of Tokoku" (a chronicle that begins
with Keizan's account of the origins of the first of the
monasteries that he established) and the "kirigami," or secret
initiation documents.
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