DELMORE SCHWARTZ: from his glorification as the golden boy of the American literary scene to his untimely death in 1966, alone and destitute. JAMES LAUGHLIN: founder of New Directions, publisher and editor of the modernists. This collection chronicles a correspondence that began with the poet's first unsolicited submission to New Directions in 1937, and continued throughout the tempestuous friendship that lasted until the poet's death. The relationship that developed between them was both literary, steeped in their own work and that of their contemporaries, and personal: gifted storytellers, they delighted each other with factual and fictional observations. The two remained friends and colleagues until the mental illness that eventually claimed him began to destroy Schwartz's ability to trust even those closest to him. Here follows the highs and lows of a relationship between two extraordinary personalities.

The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, the author develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Buuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker's book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography.

The last quarter of the twentieth century was a very important period in history of education. Beginning with the so-called 'Great Debate', the period witnessed intense public and political interest in educational issues, culminating in an almost unprecedented amount of education-related legislation, the most symbolic of which was the Education Reform Act of 1988. Some scholars have rightly claimed that the education system was 'transformed' during this period, pointing to major changes in the ways in which schools, further education colleges and universities were organised, managed and controlled. Others have claimed that these changes altered the power relationships which had underpinned the education system since 1944. Given the sheer scale and pace of the education-policy related reforms of this period, this edited collection brings together some of the leading scholars in education to reflect on the major legislative and structural changes in education over the past few decades. Published in the year of the twenty-fifth anniversary of Callaghan's Ruskin College speech in 1976, it provides a definitive contemporary history of education policy in the late twentieth century. The editors bring together some of the leading educationalists to reflect on the major legislative and structural changes in the field over the last twenty five years. The book will be of use to education students on undergraduate and postgraduate courses, as well as students and academics working in social policy.

The last quarter of the twentieth century was a very important period in history of education. Beginning with the so-called 'Great Debate', the period witnessed intense public and political interest in educational issues, culminating in an almost unprecedented amount of education-related legislation, the most symbolic of which was the Education Reform Act of 1988. Some scholars have rightly claimed that the education system was 'transformed' during this period, pointing to major changes in the ways in which schools, further education colleges and universities were organised, managed and controlled. Others have claimed that these changes altered the power relationships which had underpinned the education system since 1944. Given the sheer scale and pace of the education-policy related reforms of this period, this edited collection brings together some of the leading scholars in education to reflect on the major legislative and structural changes in education over the past few decades. Published in the year of the twenty-fifth anniversary of Callaghan's Ruskin College speech in 1976, it provides a definitive contemporary history of education policy in the late twentieth century. The editors bring together some of the leading educationalists to reflect on the major legislative and structural changes in the field over the last twenty five years. The book will be of use to education students on undergraduate and postgraduate courses, as well as students and academics working in social policy.

Written by a range of history professionals, including HMIs, this book provides excellent ideas on the teaching, learning and organization of history in primary and secondary schools.

The Oxford Handbook of Pricing Management is a comprehensive guide to the theory and practice of pricing across industries, environments, and methodologies. The Handbook illustrates the wide variety of pricing approaches that are used in different industries. It also covers the diverse range of methodologies that are needed to support pricing decisions across these different industries. It includes more than 30 chapters written by pricing leaders from industry, consulting, and academia. It explains how pricing is actually performed in a range of industries, from airlines and internet advertising to electric power and health care. The volume covers the fundamental principles of pricing, such as price theory in economics, models of consumer demand, game theory, and behavioural issues in pricing, as well as specific pricing tactics such as customized pricing, nonlinear pricing, dynamic pricing, sales promotions, markdown management, revenue management, and auction pricing. In addition, there are articles on the key issues involved in structuring and managing a pricing organization, setting a global pricing strategy, and pricing in business-to-business settings.

Written by a range of history professionals, including HMIs, this book provides excellent ideas on the teaching, learning and organization of history in primary and secondary schools.

We have grown accustomed to two beliefs: the first, that only experts can be designers; the second, that our everyday activities are harming the natural world. Yet, with new platforms, digital communication and engaged online communities, the products we can now design - and truly need - can be made by anyone for social and environmental good. Social design can see that primary school children learn to code, and uses local information in off-grid locations to create global change. Open-source design is enabling us to re-make our world right now. Structured into eight areas of application, from healthcare to education, this book showcases over sixty projects - not the kind you see in glossy magazines or online, but the ones that have made a genuine difference to communities and lives around the world. Rather than being client-driven, as commercial design often is, each project here is the result of designers who reach out, communities who get involved and the technologies that helping people to realize ideas together. From a playground-powered water pump in South Africa to a DIY budget cellphone, each of these groundbreaking projects is presented through fascinating and life-affirming stories, diagrams that reveal the mechanisms and motivations behind each design approach, and photography that celebrates the humanity of the endeavour.

In Virtual Activism: Sexuality, the Internet, and a Social Movement in Singapore, cultural anthropologist Robert Phillips provides a detailed, yet accessible, ethnographic case study that looks at the changes in LGBT activism in Singapore in the period 1993-2019. Based on extensive fieldwork conducted with activist organizations and individuals, Phillips illustrates key theoretical ideas - including illiberal pragmatics and neoliberal homonormativity - that, in combination with the introduction of the Internet, have shaped the manner by which LGBT Singaporeans are framing and subsequently claiming rights. Phillips argues that the activism engaged in by LGBT Singaporeans for governmental and societal recognition is in many respects virtual. His analysis documents how the actions of activists have resulted in some noteworthy changes in the lives of LGBT Singaporeans, but nothing as grand as some would have hoped, thus indexing the "not quite" aspect of the virtual. Yet, Virtual Activism also demonstrates how these actions have encouraged LGBT Singaporeans to fight even harder for their rights, signalling the "possibilities" that the virtual holds.

Robert Phillips is a prominent figure in what has been called America's neglected "transition generation"--poets born in the late 1930s and early 1940s. "Spinach Days" is his sixth full-length collection, following his critically acclaimed "Breakdown Lane" (Johns Hopkins, 1994), named a Notable Book of the Year by the "New York Times." In content and in its various use of forms, "Spinach Days" is Phillips' most innovative book yet. There are long narratives and short lyrics, villanelles and somonkas, haiku and found poems, free verse and eclogues, on subjects ranging from St. Francis to the Holocaust, from Jung's concept of the "anima" to a particular bit of American folklore on the gangster John Dillinger. Throughout, the poet's memory is the cohesive force, mixing events of childhood with adulthood, rural life with big-city life, love with loss, and humorous events with tragic ones. Phillips reveals himself to be a master of closure, and he writes as one who delights in the liveliness of language and wordplay.

The authors trace the development of one of the most well-known directors of the New German Cinema that flourished in the 1970s and early 1980s. Examining Wim Wenders' career from his early film school productions through his mature works of the 1970s, this book also analyses the most recent works, as well as the themes and preoccupations that unite his oeuvre. As the authors note, Wenders' works have been profoundly influenced by American films, especially the 'road movie' genre. His own work often features characters who are always on the move, in an attempt to capture a glimpse of their identity and place in the world. They also represent a generation of postwar Germans seeking to redeem themselves and the history of their country by turning to American popular culture, particularly its music and movies.