Oftentimes, the owners and entrepreneurs whose small businesses are undergoing financial problems suffer high emotional costs. These individuals can experience significant setbacks in their entrepreneurial journeys as well as depression and other negative emotions from the stress of crisis episodes. However, businesses that are in crisis also provide valuable learning opportunities for adapting and changing in order to successfully face future challenging situations. Cases on Small Business Economics and Development During Economic Crises presents a diverse range of perspectives and insights into global developments in entrepreneurship and captures a diverse collection of methodologies and outcomes from various countries in the realm of small business economics and their development. Including case studies that discuss the COVID-19 pandemic, risk management, and entrepreneurial resiliency, this case book serves as an excellent companion for entrepreneurs, small business owners, managers, executives, economists, business professionals, academicians, students, and researchers.

Mechanisms of Taste Transduction introduces a number of topics essential to a complete understanding of taste. These topics range from the control of food intake to the biophysical mechanisms of transduction and the design of food flavors in the food industry. The responses and organization of special sensory pathways are described in regard to their development, morphology, composition, electrophysiological and biochemical responses. Details are presented at several levels to appeal to researchers in molecular biology, membrane biophysics, human psychophysics, neuroanatomy, and chemistry. Current research is described in the context of what preceding studies have revealed, and the chapter authors are among today's most active and highly respected researchers in the field of chemical senses.

Every Child Matters represents the most radical change to education and welfare provision in almost two decades. This book moves beyond a descriptive ?how to? framework to examine the underlying political and social aims of this policy agenda.

The authors? analysis reveals that Every Child Matters represents the Government's attempt to codify perceived risks in society and to formulate their responses. In doing so, children are made the strategic focus of much wider social policy reform, the effects of which are first felt in education. Does Every Child Matter? explores the ramifications of this along three key lines of analysis:

• the restructuring of the state beyond its welfare functions
• changes in governance and the creation of new binaries
• a redefining of the education sector around the needs of the child.

This book provides a unique and insightful critique of Every Child Matters and its contribution to understandings of New Labour social policy. It locates the genesis of the policy in terms of its social, political and historical contexts and questions the validity of constructing social policy around issues of child welfare. Students, academics and researchers in education studies and education policy will find this book of great interest.

Every Child Matters represents the most radical change to education and welfare provision in almost two decades. This book moves beyond a descriptive how to framework to examine the underlying political and social aims of this policy agenda.

The authors analysis reveals that Every Child Matters represents the Government s attempt to codify perceived risks in society and to formulate their responses. In doing so, children are made the strategic focus of much wider social policy reform, the effects of which are first felt in education. Does Every Child Matter? explores the ramifications of this along three key lines of analysis:

• the restructuring of the state beyond its welfare functions
• changes in governance and the creation of new binaries
• a redefining of the education sector around the needs of the child.

This book provides a unique and insightful critique of Every Child Matters and its contribution to understandings of New Labour social policy. It locates the genesis of the policy in terms of its social, political and historical contexts and questions the validity of constructing social policy around issues of child welfare. Students, academics and researchers in education studies and education policy will find this book of great interest.

This new edition of A Student's Guide to Education Studies is an essential resource for any undergraduate making their first explorations into the fascinating world of education. It explores a wide range of alternative visions of education encouraging students to challenge the perceived notions about learning and knowledge. Offering new perspectives and powerful ideas for discussion on a variety of long-standing topics such as class, race and gender, the book is organised around five enduring themes: Policy and Politics, Global and Environmental Education, Knowledge and Learning, Childhood and Youth, Professionalism and Employment. With a distinctive international and global focus, this new edition has been extensively updated to reflect the latest research and thinking in the field and features new chapters on: The sociology of education and the philosophy of education Inclusion Childhood and youth Professionalism and work-based learning Populism in politics Including summary points, questions for discussion and annotated suggestions for further reading, this book provides the theoretical background needed to carry out a critical analysis of education policy and practice and is an essential resource for all students of Education Studies.

Mechanisms of Taste Transduction introduces a number of topics essential to a complete understanding of taste. These topics range from the control of food intake to the biophysical mechanisms of transduction and the design of food flavors in the food industry. The responses and organization of special sensory pathways are described in regard to their development, morphology, composition, electrophysiological and biochemical responses. Details are presented at several levels to appeal to researchers in molecular biology, membrane biophysics, human psychophysics, neuroanatomy, and chemistry. Current research is described in the context of what preceding studies have revealed, and the chapter authors are among today's most active and highly respected researchers in the field of chemical senses.

This schools' edition of Mark Haddon's multi-award-winning novel adapted for the stage of the National Theatre by Simon Stephens is perfect for Key Stages 3 and 4. Featuring the play script from the Modern Plays edition but with the language adjusted for school use*, this edition includes a wealth of classroom activities for the English and drama classrooms. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: > meets the requirements at KS3 and GCSE > features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis > places pupils' understanding of the learning process at the heart of the activities > will help pupils to boost English GCSE success and develop high-level skills at KS3 > will save teachers considerable time devising their own resources. Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. * The instances of stronger language have been tempered in this edition specifically for school use. Teachers may still wish to satisfy themselves that it is suited to the age of their pupils.

'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.' Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage. This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.

I have kind of become invisible. Nobody looks at me. Not like they used to. You reach an age. Like my age and people stop looking at you. They stop checking you out. In Greenwich Village a generation or so ago, the city is alive. Joni Mitchell sings, friends and lovers come and go, and the regulars change at the White Horse Tavern. As 50 years pass, one woman's life is revealed in all its complexity, mystery and possibility in this enthralling world premiere about mothers and daughters, beginnings and endings in New York City. Simon Stephens's new play, commissioned by MTC, premiered off-Broadway in November 2021 starring Blair Brown, Edie Falco and Marin Ireland.

My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale. This edition contains some strong language and may not be suitable for all school curricula. Other editions are available.

"Stephens writes dramas set in uncaring, uncompromising worlds, whose characters speak in a language at once naturalistic and yet artificially pared-down and whose uncertain attempts to assert their own identities sometimes lead to gratuitous and brutal acts of violence." - Financial Times A fifth collection of plays by one of Britain's most prolific contemporary playwrights, Simon Stephens, charting his work from 2011-2016, ranging from London's Royal Court Theatre, Manchester's Royal Exchange and Broadway. Wastwater (2011) "Metaphoric, allusive, and thoroughly disturbing in its evocation of suspicion and uncertainty, Wastwater is a thought-provoking play whose quiet intensity stays with you for days - its effect is like that of a ugly stone dropped into a pool, which results in constant ripples of dirty water lapping at your subconscious" (Aleks Sierz) Birdland (2014) "Mega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken world" (Michael Billington, Guardian) Blindsided (2014) "the dialogue has a rare quality of moment-by-moment intensity" (Telegraph) Song From Far Away (2015) "a meditative monologue - a searching study of impotently self-aware emotional insufficiency" (Independent) Heisenberg (2016) "Mr. Stephens ... is an uncannily subtle dramatist who never wears his depths on the surface ... he probes cliches until they fall apart, before reassembling them into solid but transformed shapes, reminding us why such cliches have become enduring elements of our collective mythology." (Ben Brantley, New York Times)

"Noel Coward's glittering gem" - The Times Elyot Chase and Amanda Prynne, recently divorced from one another after a five-year marriage, coincidentally arrive at the same French hotel... where they are both honeymooning with their respective new spouses. Jarred by this encounter, Elyot and Amanda realise that they still very much horrified and fascinated by the other. Frequently performed and revived in the West End, Private Lives is comedy of manners that remains one of Coward's most popular plays. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Simon Stephens.

Written specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign. In addition to some on-page explanatory notes and the play text itself, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.

This new edition of A Student's Guide to Education Studies is an essential resource for any undergraduate making their first explorations into the fascinating world of education. It explores a wide range of alternative visions of education encouraging students to challenge the perceived notions about learning and knowledge. Offering new perspectives and powerful ideas for discussion on a variety of long-standing topics such as class, race and gender, the book is organised around five enduring themes: Policy and Politics, Global and Environmental Education, Knowledge and Learning, Childhood and Youth, Professionalism and Employment. With a distinctive international and global focus, this new edition has been extensively updated to reflect the latest research and thinking in the field and features new chapters on: The sociology of education and the philosophy of education Inclusion Childhood and youth Professionalism and work-based learning Populism in politics Including summary points, questions for discussion and annotated suggestions for further reading, this book provides the theoretical background needed to carry out a critical analysis of education policy and practice and is an essential resource for all students of Education Studies.

Three new plays from three of the UK's most celebrated playwrights. All rooted in West London, the plays explore race, identity and our sense of place and purpose, presented together as one piece, Out West. The Overseas Student by Tanika Gupta London. 1888. An 18-year-old Gandhi has just arrived from India to study Law. Miles from home, his wife and his family, we see him navigate a time of uncertainty, growth and opportunity. As he builds a new life, he explores the joys of money, food and women whilst facing the struggles of class and imperialism. Gupta's sharp and profound play is an insight into the teenage years of a man we know will grow up to be one of the most significant figures in history. Blue Water and Cold and Fresh by Simon Stephens London. 2020. A walk back in time. A walk that may change everything he's ever believed. In the wake of city lockdown living and the Black Lives Matter protests, one man's journey across London raises difficult truths he has to confront. The death of a loved one. His father's racism. His own white privilege. This heartfelt piece explores what it means to be a father, husband and son. Go, Girl by Roy Williams London. 2020. Working as a security guard at Westfield and a mother to a teenage daughter, Donna sees her life as unremarkable. Why have things not turned out how she pictured when she was a young girl, inspired by the words of Michelle Obama? The hope and excitement she once felt has now become isolation and judgement of the choices she has made. Until one night Donna gets a call from her daughter that makes her rethink her entire life. As their bravery and humanity is tested, Donna realises just how remarkable they both truly are. A celebration of Black women, everyday heroism and female resilience.

First collection from the 2004 Pearson Award-winning playwright Simon Stephens Plays: 1 brings together four of the early plays from the winner of the 2002 Pearson Best New Play Award. Since Bluebird in 1998, Stephens has gained recognition for humane plays that display a sharp observation and compassionate response to the lives of ordinary people in urban locations. Bluebird: Cabbie Jimmy overhears the weird, wonderful and violent tales of his passengers he confronts his past and his estranged wife. 'A rough gem of a play' - The Times Christmas: One night in an East end pub, four men confront their past and brace themselves for an uncertain future. 'Beautifully crafted' - What's On Herons: The disturbing story of one teenager on a violent estate in London, which saw Stephens nominated for an Olivier Award for Most Promising Playwright in 2001. Port: One woman's struggle to cope with and finally escape her life in Stockport. (Winner of Pearson Award for Best New Play.) 'A brilliant writer of immense imagination with an acute observation of people's foibles' - Independent

LOOK ME IN THE EYE AND TELL ME YOU'LL NEVER LEAVE ME. A woman wakes up with a stranger beside her. A student argues with his lover. A single mother fights to feed her baby. A married man flirts with two younger women. And far away, one devastating event is about to change all their lives forever. Artistic Director Sarah Frankcom says goodbye to the Royal Exchange with an extraordinary new play by Simon Stephens, with original music by Jarvis Cocker. Connecting five relatives in five disparate English towns, from Blackpool to Durham, LIGHT FALLS is a richly layered play about life in the face of death, about how our love survives us after we've gone - and about how family, community and kindness help the North survive.

'Everything human beings do finishes up bad in the end. Everything good human beings ever make is built on something monstrous. Nothing lasts. We certainly won't...' Based on his experience as a teacher, Stephens describes his play as 'The History Boys on crack'. It explores the underlying tensions and potential violence in a group of affluent, articulate seventeen year old students. Contemporary and unnerving, with elements of The Catcher in the Rye, Punk Rock follows the story of seven sixth-formers as they face up to the pressures of teenage life, while preparing for their mock A-level exams and trying to get into Oxbridge. They are a group of educated, intelligent and aspirational young people but step-by-step, the dislocation, disjunction and latent violence simmering under the surface of prosperity is revealed.

This third collection of plays by Simon Stephens showcases the development of one of the most exciting and impressive theatre talents of recent years. The range of plays in this volume displays a tough sensibility and a courage to confront the more unsettling challenges of our times.
"Harper Regan" follows a woman's road trip through the heart of England in a violent and comic exploration of the moralities of sex and death. Quietly harrowing, this play is a barometer for our times exploring dark secrets and familial estrangement.

"Marine Parade" is a musical about sex, betrayal and hope, set in a run-down B&B on Brighton's waterfront. A moving and poignant play, it 'captures the peculiar aroma of Brighton, with its mix of the bracing and the melancholy' ("Guardian)."
Olivier award-winning play "On the Shore of the Wide World" is an epic piece about love, family, Roy Keane and the size of the galaxy.
"Punk Rock "is based Stephens' experience as a teacher and he describes this play as '"The History Boys" on crack'. It explores the underlying tensions and potential violence in a group of affluent, articulate seventeen year old students.

This second collection of plays by Simon Stephens, winner of the 2005 Olivier Award for Best New Play for On the Shore of the Wide World, perfectly showcases the development of one of the most exciting and impressive theatre talents of recent years. The range of plays in this volume displays a tough sensibility and a courage to confront the more unsettling challenges of our times. One Minute, first produced in 2003 and revived in London in 2008, has an uncomfortable resonance as it follows five characters variously affected by the disappearance of Daisy, an 11-year-old girl, from Seven Dials, Covent Garden. Country Music spotlights four fateful moments in the life of Jamie Carris during and after the prison sentences he has served for glassing one man and for killing another. Motortown, written in response to the War on Terror, is a blistering account of a young soldier's return home from Basra to an England he no longer recognises or connects with. Pornography captures Britain as it crashes from the euphoria and promise of the 2012 Olympics announcement into the devastation of the London bombings of 7/7. The final play, Sea Wall, is a one-act monologue about grief, following the drowning of a young child.

Oftentimes, the owners and entrepreneurs whose small businesses are undergoing financial problems suffer high emotional costs. These individuals can experience significant setbacks in their entrepreneurial journeys as well as depression and other negative emotions from the stress of crisis episodes. However, businesses that are in crisis also provide valuable learning opportunities for adapting and changing in order to successfully face future challenging situations. Cases on Small Business Economics and Development During Economic Crises presents a diverse range of perspectives and insights into global developments in entrepreneurship and captures a diverse collection of methodologies and outcomes from various countries in the realm of small business economics and their development. Including case studies that discuss the COVID-19 pandemic, risk management, and entrepreneurial resiliency, this case book serves as an excellent companion for entrepreneurs, small business owners, managers, executives, economists, business professionals, academicians, students, and researchers.

Simon Stephens' explosive play Rage was written as a counterpoint for Elfriede Jelinek's Wut. Composed as 31 high-energy scenes, each one is based on a series of photos by Joel Goodman which captured the excitement and the mayhem of New Year's Eve 2015/16 in Manchester city centre. Published in the Manchester Evening News the photos quickly went viral in capturing a vital cross-section of a country on the edge. As the clock strikes twelve the celebratory mood turns into violence, racism, marriage proposals and the opening of portals. Enter the madness and get whisked into the hedonism of youth. Rage premiered at the Thalia Theatre, Hamburg in Autumn 2016 and had its UK premiere at the Royal Welsh School of Music and Drama in 2018.

Chekhov's celebrated masterpiece is given vibrant new life in this dynamic new version by Olivier Award-winning playwright Simon Stephens. Switching effortlessly between the ridiculous and the profound, The Seagull forensically examines the transcendence and destructiveness of love. The burning need to create art and how harshly that need can be crushed permeates the play. Simon Stephens' new adaption of The Seagull received its premiere at the Lyric Hammersmith, London on 3 October 2017.