Oftentimes, the owners and entrepreneurs whose small businesses are undergoing financial problems suffer high emotional costs. These individuals can experience significant setbacks in their entrepreneurial journeys as well as depression and other negative emotions from the stress of crisis episodes. However, businesses that are in crisis also provide valuable learning opportunities for adapting and changing in order to successfully face future challenging situations. Cases on Small Business Economics and Development During Economic Crises presents a diverse range of perspectives and insights into global developments in entrepreneurship and captures a diverse collection of methodologies and outcomes from various countries in the realm of small business economics and their development. Including case studies that discuss the COVID-19 pandemic, risk management, and entrepreneurial resiliency, this case book serves as an excellent companion for entrepreneurs, small business owners, managers, executives, economists, business professionals, academicians, students, and researchers.

Mechanisms of Taste Transduction introduces a number of topics essential to a complete understanding of taste. These topics range from the control of food intake to the biophysical mechanisms of transduction and the design of food flavors in the food industry. The responses and organization of special sensory pathways are described in regard to their development, morphology, composition, electrophysiological and biochemical responses. Details are presented at several levels to appeal to researchers in molecular biology, membrane biophysics, human psychophysics, neuroanatomy, and chemistry. Current research is described in the context of what preceding studies have revealed, and the chapter authors are among today's most active and highly respected researchers in the field of chemical senses.

"Stephens writes dramas set in uncaring, uncompromising worlds, whose characters speak in a language at once naturalistic and yet artificially pared-down and whose uncertain attempts to assert their own identities sometimes lead to gratuitous and brutal acts of violence." - Financial Times A fifth collection of plays by one of Britain's most prolific contemporary playwrights, Simon Stephens, charting his work from 2011-2016, ranging from London's Royal Court Theatre, Manchester's Royal Exchange and Broadway. Wastwater (2011) "Metaphoric, allusive, and thoroughly disturbing in its evocation of suspicion and uncertainty, Wastwater is a thought-provoking play whose quiet intensity stays with you for days - its effect is like that of a ugly stone dropped into a pool, which results in constant ripples of dirty water lapping at your subconscious" (Aleks Sierz) Birdland (2014) "Mega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken world" (Michael Billington, Guardian) Blindsided (2014) "the dialogue has a rare quality of moment-by-moment intensity" (Telegraph) Song From Far Away (2015) "a meditative monologue - a searching study of impotently self-aware emotional insufficiency" (Independent) Heisenberg (2016) "Mr. Stephens ... is an uncannily subtle dramatist who never wears his depths on the surface ... he probes cliches until they fall apart, before reassembling them into solid but transformed shapes, reminding us why such cliches have become enduring elements of our collective mythology." (Ben Brantley, New York Times)

Every Child Matters represents the most radical change to education and welfare provision in almost two decades. This book moves beyond a descriptive ?how to? framework to examine the underlying political and social aims of this policy agenda.

The authors? analysis reveals that Every Child Matters represents the Government's attempt to codify perceived risks in society and to formulate their responses. In doing so, children are made the strategic focus of much wider social policy reform, the effects of which are first felt in education. Does Every Child Matter? explores the ramifications of this along three key lines of analysis:

• the restructuring of the state beyond its welfare functions
• changes in governance and the creation of new binaries
• a redefining of the education sector around the needs of the child.

This book provides a unique and insightful critique of Every Child Matters and its contribution to understandings of New Labour social policy. It locates the genesis of the policy in terms of its social, political and historical contexts and questions the validity of constructing social policy around issues of child welfare. Students, academics and researchers in education studies and education policy will find this book of great interest.

Every Child Matters represents the most radical change to education and welfare provision in almost two decades. This book moves beyond a descriptive how to framework to examine the underlying political and social aims of this policy agenda.

The authors analysis reveals that Every Child Matters represents the Government s attempt to codify perceived risks in society and to formulate their responses. In doing so, children are made the strategic focus of much wider social policy reform, the effects of which are first felt in education. Does Every Child Matter? explores the ramifications of this along three key lines of analysis:

• the restructuring of the state beyond its welfare functions
• changes in governance and the creation of new binaries
• a redefining of the education sector around the needs of the child.

This book provides a unique and insightful critique of Every Child Matters and its contribution to understandings of New Labour social policy. It locates the genesis of the policy in terms of its social, political and historical contexts and questions the validity of constructing social policy around issues of child welfare. Students, academics and researchers in education studies and education policy will find this book of great interest.

"Noel Coward's glittering gem" - The Times Elyot Chase and Amanda Prynne, recently divorced from one another after a five-year marriage, coincidentally arrive at the same French hotel... where they are both honeymooning with their respective new spouses. Jarred by this encounter, Elyot and Amanda realise that they still very much horrified and fascinated by the other. Frequently performed and revived in the West End, Private Lives is comedy of manners that remains one of Coward's most popular plays. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Simon Stephens.

Mechanisms of Taste Transduction introduces a number of topics essential to a complete understanding of taste. These topics range from the control of food intake to the biophysical mechanisms of transduction and the design of food flavors in the food industry. The responses and organization of special sensory pathways are described in regard to their development, morphology, composition, electrophysiological and biochemical responses. Details are presented at several levels to appeal to researchers in molecular biology, membrane biophysics, human psychophysics, neuroanatomy, and chemistry. Current research is described in the context of what preceding studies have revealed, and the chapter authors are among today's most active and highly respected researchers in the field of chemical senses.

Spanning some 350 years, the Thomson Collection of historic ship models contains examples of exquisite workmanship and some of the masterpieces of the genre. Pride of the collection are the rare British dockyard models made to scale for affluent 18th-century clients closely associated with the Navy. A large number of models- made from wood and bone, with rigging of human hair- were made by some of the 120,000 French and other prisoners of the Napoleonic Wars. The diverse collection also includes tugs, dredgers, trawlers, cargo vessels, passenger steamers, private yachts, corvettes, battleships, cruisers, torpedo boat destroyers and two aircraft carriers. The author (curator at the National Maritime Museum, Greenwich) considers the rich history and the artistry of model shipbuilding. New photography captures the incredible workmanship - the carving, casting, gilding and stitching - that such model-making demands.

Written specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign. In addition to some on-page explanatory notes and the play text itself, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.

My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale. This edition contains some strong language and may not be suitable for all school curricula. Other editions are available.

This new edition of A Student's Guide to Education Studies is an essential resource for any undergraduate making their first explorations into the fascinating world of education. It explores a wide range of alternative visions of education encouraging students to challenge the perceived notions about learning and knowledge. Offering new perspectives and powerful ideas for discussion on a variety of long-standing topics such as class, race and gender, the book is organised around five enduring themes: Policy and Politics, Global and Environmental Education, Knowledge and Learning, Childhood and Youth, Professionalism and Employment. With a distinctive international and global focus, this new edition has been extensively updated to reflect the latest research and thinking in the field and features new chapters on: The sociology of education and the philosophy of education Inclusion Childhood and youth Professionalism and work-based learning Populism in politics Including summary points, questions for discussion and annotated suggestions for further reading, this book provides the theoretical background needed to carry out a critical analysis of education policy and practice and is an essential resource for all students of Education Studies.

'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.' Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage. This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.

This schools' edition of Mark Haddon's multi-award-winning novel adapted for the stage of the National Theatre by Simon Stephens is perfect for Key Stages 3 and 4. Featuring the play script from the Modern Plays edition but with the language adjusted for school use*, this edition includes a wealth of classroom activities for the English and drama classrooms. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: > meets the requirements at KS3 and GCSE > features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis > places pupils' understanding of the learning process at the heart of the activities > will help pupils to boost English GCSE success and develop high-level skills at KS3 > will save teachers considerable time devising their own resources. Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. * The instances of stronger language have been tempered in this edition specifically for school use. Teachers may still wish to satisfy themselves that it is suited to the age of their pupils.

First collection from the 2004 Pearson Award-winning playwright Simon Stephens Plays: 1 brings together four of the early plays from the winner of the 2002 Pearson Best New Play Award. Since Bluebird in 1998, Stephens has gained recognition for humane plays that display a sharp observation and compassionate response to the lives of ordinary people in urban locations. Bluebird: Cabbie Jimmy overhears the weird, wonderful and violent tales of his passengers he confronts his past and his estranged wife. 'A rough gem of a play' - The Times Christmas: One night in an East end pub, four men confront their past and brace themselves for an uncertain future. 'Beautifully crafted' - What's On Herons: The disturbing story of one teenager on a violent estate in London, which saw Stephens nominated for an Olivier Award for Most Promising Playwright in 2001. Port: One woman's struggle to cope with and finally escape her life in Stockport. (Winner of Pearson Award for Best New Play.) 'A brilliant writer of immense imagination with an acute observation of people's foibles' - Independent

The wind gathers, rising up suddenly. Two men on a fragile boat, a trip to sea - a few drinks, a bite to eat - when one of them decides to push on to the open ocean. Suddenly there they are: among the distant islands, the threatening fog and gathering swell of the sea, bound together on an odyssey into the unknown. Jon Fosse's work includes novels, poetry, essays and books for children. He is one of the most produced playwrights in Europe and his plays have been translated into forty languages. Oberon Books publishes Nightsongs and The Girl on the Sofa, and his other plays in the following collections: Plays One, Plays Two, Plays Three, Plays Four and Plays Five. Plays Six is forthcoming in 2012. Oberon Books also publishes The Luminous Darkness: The Theatre of Jon Fosse by Leif Zern (translated by Ann Henning-Jocelyn).

'There has been no more terribly acute critic of America than this steel-conscious and death-conscious Spaniard, with his curious passion for the modernities of nickel and tinfoil and nitre . . .' So wrote Conrad Aiken of Lorca's violent response to the New York he encountered as a student at Columbia University in 1929 and 1930. Born and brought up in Andalusia, Lorca's reaction to the brutality and loneliness of the vast city was one of amazement and indignation. His poetry moved away from the lyricism of the early Romanceros and became a vehicle for experimental techniques through which he expressed tortured feelings of alienation and dislocation. Based on a new edition of the original text, Greg Simon's and Steven White's new translation brings to life Lorca's arresting imagery. Christopher Maurer, a leading authority on Lorca's work, provides an enlightening introduction placing Poet in New York in context, and there are translations of Lorca's letters as well as a lecture he gave about the work. Illustrated with archive photographs, this comprehensive volume will make Lorca's masterpiece available to a whole new generation of readers.

From about the middle of the seventeenth century the Navy's administrators began to commission models of their ships that were accurately detailed and, for the first time, systematically to scale. These developed a recognised style, which included features like the unplanked lower hull with a simplified pattern of framing that emphasised the shape of the underwater body. Exquisitely crafted, these were always rare and highly prized objects-indeed, Samuel Pepys expressed a profound desire to own one-and today they are widely regarded as the acme of the ship modeller's art. Today examples form the highlights of collections across the world, valued both as art objects and as potential historical evidence on matters of ship design. However, it was only recently that researchers began to investigate the circumstances of their construction, their function, and the identities of those who made them. This book, by two curators who have worked on the world's largest collection of these models at the National Maritime Museum in Greenwich, summarises the current state of knowledge, outlines important discoveries, and applies this new-found understanding to many of the finest models in the collection. As befits its subject, _Navy Board Ship Models_ is visually striking, with numerous colour photographs that make it as attractive as it is informative to anyone with an interest in modelmaking or historic ships.

I'll gather my breath. I'll walk out of my room. I'll know exactly where I'm going to go. The voice in my head tells me exactly where to go. In the opulent grandeur of a European city, a renowned singer abandons the opera house for the truth of the streets. A gorgeous prostitute. A tough-talking taxi driver. A global trader. A teenage dreamer. Everyone's looking for something. Simon Stephens's strange and beautiful play re-imagines Bizet's opera Carmen and the possibility of love in a fractured urban world. Carmen Disruption received its world premiere at the Deutsche Schauspielhaus, Hamburg, in March 2014 and its UK premiere at the Almeida Theatre on 10 April 2015.

"A major new voice in British theatre" (Scotsman) Stockport 1988-2002. Rachel Keats is growing up in town she doesn't like. Abandoned by her mother, her family life is torn to tatters as she is left to bring up her younger brother, who, increasingly is drawn to the excitement out on the streets. When her new partner starts to abuse her, and those she loves leave her behind, will she stay or will she find the strength to make her own way in the world? Praise for Herons: "filled with a sense of life's miraculous potential. It deals with damaged characters yet is imbued with a poetic lyricism" (Guardian) Port is published to tie in with the production at the Royal Exchange Theatre, Manchester in November 2002. Simon Stephens is presently writer-in-residence at the Royal Court Theatre, London.

'Everything human beings do finishes up bad in the end. Everything good human beings ever make is built on something monstrous. Nothing lasts. We certainly won't...' Based on his experience as a teacher, Stephens describes his play as 'The History Boys on crack'. It explores the underlying tensions and potential violence in a group of affluent, articulate seventeen year old students. Contemporary and unnerving, with elements of The Catcher in the Rye, Punk Rock follows the story of seven sixth-formers as they face up to the pressures of teenage life, while preparing for their mock A-level exams and trying to get into Oxbridge. They are a group of educated, intelligent and aspirational young people but step-by-step, the dislocation, disjunction and latent violence simmering under the surface of prosperity is revealed.

Oftentimes, the owners and entrepreneurs whose small businesses are undergoing financial problems suffer high emotional costs. These individuals can experience significant setbacks in their entrepreneurial journeys as well as depression and other negative emotions from the stress of crisis episodes. However, businesses that are in crisis also provide valuable learning opportunities for adapting and changing in order to successfully face future challenging situations. Cases on Small Business Economics and Development During Economic Crises presents a diverse range of perspectives and insights into global developments in entrepreneurship and captures a diverse collection of methodologies and outcomes from various countries in the realm of small business economics and their development. Including case studies that discuss the COVID-19 pandemic, risk management, and entrepreneurial resiliency, this case book serves as an excellent companion for entrepreneurs, small business owners, managers, executives, economists, business professionals, academicians, students, and researchers.

Fatherland is a bold, ambitious show about contemporary fatherhood in all its complexities and contradictions. Created by Frantic Assembly's Scott Graham, Karl Hyde from Underworld and playwright Simon Stephens (Punk Rock, The Curious Incident of the Dog in the Night-Time), this daring collage of words, music and movement confronts the complexities and contradictions of contemporary fatherhood. A vivid, urgent and deeply personal portrait of 21st-century England at the crossroads of past, present and future, the play is inspired by conversations with fathers and sons from the writers' home towns in the heart of the country. Tender and tough, honest and true, Fatherland is a vital and necessary show about what we were, who we are and what we'd like to become. The world premiere of Fatherland took place at the Royal Exchange Theatre, Manchester on 5 July 2017 as part of Manchester International Festival. This is a revised version of the original text which coincides with performances in London at the Lyric Hammersmith as part of LIFT 2018.

Simon Stephens' explosive play Rage was written as a counterpoint for Elfriede Jelinek's Wut. Composed as 31 high-energy scenes, each one is based on a series of photos by Joel Goodman which captured the excitement and the mayhem of New Year's Eve 2015/16 in Manchester city centre. Published in the Manchester Evening News the photos quickly went viral in capturing a vital cross-section of a country on the edge. As the clock strikes twelve the celebratory mood turns into violence, racism, marriage proposals and the opening of portals. Enter the madness and get whisked into the hedonism of youth. Rage premiered at the Thalia Theatre, Hamburg in Autumn 2016 and had its UK premiere at the Royal Welsh School of Music and Drama in 2018.