Ever since their saga started on the streets of L.A.’s underground racing scene, Dom Toretto (Vin Diesel) and his family have overcome impossible odds to outsmart, out-nerve and outdrive every foe. Yet when the team took down a nefarious kingpin back in Brazil, they had no idea his son Dante (Jason Momoa) was watching from the shadows.

More lethal than any other enemy they’ve faced, Dante now rises as a terrifying new nemesis who’s fueled by revenge and determined to shatter their family and destroy everything and everyone Dom loves. From London and Brazil to Antarctica and Rome, new alliances are forged and old enemies resurface.

But everything changes after Dom discovers his 8-year-old son is Dante’s ultimate target.

Charlize Theron, Nicole Kidman and Margot Robbie star in this OSCAR-nominated drama directed by Jay Roach.

Based on true events, the film focuses on the female journalists at Fox News who came forward with sexual harassment allegations against the company's CEO Roger Ailes (John Lithgow).

During the 2016 presidential election, news anchor Megyn Kelly (Theron) generates national headlines when she questions candidate Donald Trump's treatment of women during a live debate.

Meanwhile, Gretchen Carlson (Kidman) prepares to file a sexual harassment lawsuit against Ailes but must find other victims willing to come forward if the case is to succeed.

The sole survivor of a home invasion where she famously witnessed the death of her mother and sisters, Libby Day lives with the knowledge that her testimony as a 7-year-old sentenced her brother, Ben, to life in prison for the horrific crime.

Twenty-five years later Libby meets Lyle, the head of a group of true-crime enthusiasts, The Kill Club, who convince her to re-examine the events of that night.

As new memories and old suspects flood back into her life, Libby begins to question her own testimony and sets out to discover the truth of her tragic past.

Based on the novel by Gillian Flynn, bestselling author of Gone Girl.

Hanna
Academy Award nominee Saoirse Ronan (Atonement, The Lovely Bones) stars as Hanna, in this action-packed suspense-thriller about a girl who was brought-up to be the perfect assassin. Raised and trained by her father (Eric Bana), an ex-CIA agent, Hanna is sent out into the world on a mission. As she travels across Europe, Hanna is pursued by agents working for a ruthless intelligence operative with secrets of her own (Academy Award winner Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.

Atomic Blonde
Oscar-winner Charlize Theron stars as elite MI6’s most lethal assassin and the crown jewel of Her Majesty’s Secret Intelligence Service, Lorraine Broughton. When she’s sent on a covert mission into Cold War Berlin, she must use all of the spycraft, sensuality and savagery she has to stay alive in the ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. Broughton must navigate her way through a deadly game ofspiesto recover a priceless dossier while fighting ferocious killers along the way in this breakneck action-thriller from director David Leitch (John Wick).

Lucy
Lucy (Scarlett Johansson), is tricked by her boyfriend into delivering a briefcase where she is grabbed and held hostage by the merciless Mr Jang (Choi Min-Sik). His thugs sergically implant a package loaded with a powerful synthetic sunstance in her to smuggle it across the border. The package leaks and she develops superhuman traits. Lucy enlists the help of professor Samuel Norman (Morgan Freeman), whose decades or research on the brain’s potential makes him unparalleled in the field and the only person with the ability to see where this might lead. Relentlessly persued by her former captors Lucy begins to turn the tables and transform into a warrior evolved beyond human logic.

Numerous opportunities have come and gone over the past 20 years of democracy in South Africa for the State to engage with Civil Society and bring development closer to its intended beneficiaries. Civil Society, through its advocacy initiatives, has secured for itself a great-er voice and choice in development, and every role player therein should continuously endeavour to make a difference by participating actively and meaningfully in development. Authentic, sustainable grassroots transformation and development, however, is not possible without public participation, social learning, self-reliance and empowerment.

Development, the State and Civil Society in South Africa addresses the practical reality of the development consultant, government and public sector change agent, politician and policy maker. Departing from a humanist and people-centred perspective, it captures the fundamentals upon which most development theory, policy, programmes/projects and practices are based, namely cooperation, participatory planning and public participation.

The book follows a holistic, multidisciplinary approach to assessing development management principles and strategies. Important challenges in development management and related practice and policy interventions are also functionally integrated.

Contents include the following:

• Development theories, management and the democratic developmental State
• Promoting people-centred development and good governance
• The role of developmental non-governmental organisations
• The private sector and social responsibility
• The role of trade unions and international development agencies
• Micro-level development and public participation
• Integrated Development Planning (IDP)
• Social development research

Chapter review questions test knowledge and understanding of issues discussed, and encourage critical examination from different perspectives. The final chapter provides guidelines for writing scientific documents and using basic social research methodology – essential skills for all researchers and practitioners in development management.

Hancock
John Hancock (Smith) is a conflicted, alcoholic superhero whose heroics have saved many lives. Unfortunately, the damage he always leaves in his wake has caused him to lose the support of the public. When Hancock saves the life of PR executive, Ray Embrey (Jason Bateman), Ray makes it his mission to change Hancock's image and help him regain the support of the people. Hancock grudgingly accepts and Ray convinces him to turn himself into the authorities who subsequently imprison him for his lawless behaviour. As the crime rate begins to increase, the people of Los Angeles realise just how important Hancock was to the safety of the city. With his reputation restored, everything seems right again... until Hancock meets Ray's wife (Charlize Theron), a woman with similar powers to his own, who may hold the key to his secret past.

Men In Black
After chasing a fugitive with an advanced alien weapon, New York cop James Edwards (Will Smith) finds himself recruited to the MiB, a top secret agency in charge of alien immigration on Earth. He is partnered with K (Tommy Lee Jones), and sent to investigate an alien prediction of the end of the world. They have to track down a hostile alien life form currently wearing the human skin of a country hick named Edgar.

Men In Black 2
Some four years after the Men in Black averted a major intergalactic disaster, K (Tommy Lee Jones) has returned to a civilian life, working as a postman and quite unaware of his former heroics alongside Agent J (Will Smith). But when J uncovers a secret alien plot organised by the seemingly seductive Serleena (Lara Flynn Boyle) he has to call on K again. Unfortunately K has no memory of his former role as 'Saver-of-the-World', but somewhere in his head is the expertise that can save the Earth, if only J can get him onside in time.

Die skrywer Erika Murray-Theron wou weet waar die vroue in haar familie vandaan kom. Wat kry ’n mens van wie? Waar kom alles wat jý is vandaan? Hoe is die vroue in haar familie se lewe geraak deur trauma en groot wêreldgebeurtenisse waaroor hulle geen beheer gehad het nie? Theron se ouma Issie is op 3 Mei 1885 gebore; 133 jaar gelede. In hierdie verhaalbiografie gaan soek Theron in ou kookboeke, aantekeninge, foto’s, herinneringe, albums, briewe en geslagsregisters na haar ouma Issie se storie. ’n Lewe ontvou wat geraak is deur die verlies van ouers, die Anglo-Boereoorlog, die Rebellie van 1914 en daarna die energie wat dit verg om ’n groot huisgesin te behartig. ’n Skerfie glas wys hoe die verlede, selfs die verre verlede, spore op latere geslagte laat.

Solidarity Road tells the story of Jan Theron’s involvement in the Food and Canning Workers Union (FCWU) during apartheid South Africa. Part memoir, part history this fascinating tale will reveal what working conditions were like in the 1970’s. It outlines the very beginnings of the Congress of South African Trade Unions (COSATU).

Theron states, ‘Solidarity in a trade union does not simply mean standing by your members, or by organised workers. It means solidarity with your class. At the time, in 1976, the working class was fragmented. Working for a trade union was part of a project to unite a fragmented class, and to give it a voice. This was the historical project to which a number of people from a certain intellectual background were drawn. This would be our contribution to the struggle: what we did to end apartheid. It was a struggle for democracy, but democracy did not just mean everyone getting to vote every so often in national elections. People also had to eat.

The most obvious way in which the working class was then fragmented was in terms of race. The Union put its commitment to solidarity into practice by uniting workers of different races in factories manufacturing food. To do so it had to overcome divisions among workers created by the ways in which government had structured employment, in terms of the law, which the bosses were able to exploit. Nowadays ‘bosses’ seems like a dated term, yet this is the term workers used to refer to the people for whom they actually worked. It is also no less important today than it was then to differentiate between those who control the factories and mines and those who operate at their behest.

Despite best intentions, the reality is that "development" is still conceptualised, planned and "delivered" by change agents and their institutions in a top-down manner. This is problematic for both the beneficiaries and government change agents as it amplifies rather than lessens service delivery challenges and does not lead to a grassroots planning partnership. Development, change and the change agent - facilitation at grassroots contextualises the change agent through his or her relationship with the local beneficiaries of development. This updated second edition, previously titled The development change agent - a micro-level approach to development, consists of thirteen chapters contributed by seventeen authors representing nine universities. The key theme is the challenge to establish authentic and empowering participation, and the importance of change agent and local development beneficiary engagement and partnerships in achieving this. It covers an interdisciplinary field of development-related foci using a holistic, people-centred approach which includes grassroots facilitation, capacity building, empowerment and participation, developmental local government and good governance, and national development planning. It also incorporates social capital, indigenous knowledge systems, action research methodology and project management. Scholars, development practitioners, development consultants, those working for NGOs and CBOs, development corporations/agencies, and politicians and government officials, specifically local ones, will find the publication relevant in confronting contemporary developmental challenges. Francois Theron is a senior lecturer at the School of Public Leadership at Stellenbosch University. Trained in anthropology and development studies, he fully supports interdisciplinary research. In 2014, he co-edited Development, the State and Civil Society in South Africa (Van Schaik Publishers) with Ismail Davids. Ntuthuko Mchunu is a project manager for community-based tourism development at the City of Cape Town municipality. In addition to his public and development management qualifications at Stellenbosch University, he has extensive practical experience in the local government sphere as a change agent. Theron and Mchunu have partnered in numerous previous projects, leading to this 2016 publication.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In 2001 verander Erika Murray-Theron se lewe onherroeplik toe haar man, Tom, met parkinsonsiekte gediagnoseer word.

Erika begin haar vertelling eers in 2011, toe Tom in ’n meer gevorderde stadium van die siekte verkeer. Dit is die rou optekening van saamleef met ’n geliefde met parkinsons: die ervaring om die fisieke en intellektuele aftakeling van jou lewensmaat te aanskou, die fisieke eise wat met die versorging van so iemand gepaard gaan, en die emosionele inspanning wat dit kos om jouself te staal teen dramatiese en stadige verlies.

The development change agent contextualises the development change agent through his or her relationship with the local beneficiaries of development. The focus is on change agents as "enablers" or "facilitators" of development at micro or grassroots level, and the key theme is the call for the establishment of a partnership in planning between change agents and the beneficiaries of development. In most chapters the authors challenge conventional thinking on the particular issue under discussion. New options are generated for development change agents, the beneficiaries of development, policy makers and politicians to consider. Popular but contentious development concepts and approaches like holism, a people-centred approach, capacity building, empowerment and participation are explained and applied, and approaches relevant to social capital, indigenous knowledge systems and action research methodology are introduced. This title is relevant to a broad range of potential readers: students at universities (development studies, public and development management, anthropology, sociology, social work, forestry, community health), development practitioners, development consultants, those working for NGOs and CBOs, development corporations/agencies, and politicians and government officials.

Charlize Theron stars in this comedy drama from director/writer duo Jason Reitman and Diablo Cody, the team behind the 2007 film 'Juno'. Spoiled, self-centred 37-year-old former prom queen Mavis Gray (Theron) returns to her hometown in the deluded hope of rekindling a relationship with her childhood sweetheart, Buddy Slade (Patrick Wilson), who is now married to Beth (Elizabeth Reaser) and has just become a father for the first time. Despite these sizeable obstacles, Mavis refuses to take no for an answer and proceeds to bulldoze her way through town, offending and upsetting pretty much everyone she meets as she obstinately pursues her dream.

Die ware verhaal van 'n ma se stryd om met onvoorwaardelike liefde te aanvaar dat haar kind gay is. Die skrywer se doel met hierdie boek is om ander gesinne in soortgelyke omstandighede hoop te gee. Sy vertel van die skok wat sy en haar man moes verwerk toe hulle lieflingdogter aankondig sy is verlief op 'n vrou. Lidia Theron beskryf die pad wat hulle moes loop om tot volle aanvaarding te kom.

Participatory development in South Africa: a development management perspective, follows a holistic, multidisciplinary approach in assessing development management principles and strategies in South Africa. The authors represent a broad teaching, research and management background, which allows them to functionally integrate some of the most important challenges in development management and related practice and policy interventions in this title. The work therefore captures the fundamental basis upon which most development projects and practices are based, namely cooperation, collaboration and public participation.