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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
This book is not only a fascinating biography of one of the
greatest painters of the seventeenth century but also a social
history of the colorful extended family to which he belonged and of
the town life of the period. It explores a series of distinct
worlds: Delft's Small-Cattle Market, where Vermeer's paternal
family settled early in the century; the milieu of shady
businessmen in Amsterdam that recruited Vermeer's grandfather to
counterfeit coins; the artists, military contractors, and
Protestant burghers who frequented the inn of Vermeer's father in
Delft's Great Market Square; and the quiet, distinguished "Papists
Corner" in which Vermeer, after marrying into a high-born Catholic
family, retired to practice his art, while retaining ties with
wealthy Protestant patrons. The relationship of Vermeer to his
principal patron is one of many original discoveries in the
book.
The invention of the printing press led to an explosion of cheap
printed materials in the sixteenth and seventeenth centuries.
Ballads were no longer confined to the soapbox. Mass communication
was now possible. The broadsides pasted on walls and disseminated
among the masses, together with the written ballads hawked at
street corners, represented the zeitgeist of popular culture in
early modern Europe. Frequently designed in 'blackletter' gothic
type and accompanied with distinctive woodcut illustrations, this
dynamic, lively form encompassed the obsessions and characteristic
humour of the times. This beautifully designed book with a foreword
by Reece Shearsmith highlights some of the most striking and
amusing examples from the British Library's collections and
provides brief commentary on the political and social background of
the times. Frequent topics of illustration include monsters,
witches, criminals, drinking, war and politics.
2019, 450 years after the Old Master's death, will be celebrated as
the Year of Bruegel, culminating in the exhibition 'The Age of
Bruegel' at The Royal Museum of Fine Arts (KMSKA), Antwerp. In the
run up to the numerous exhibitions and festivities that are planned
for next year, Lannoo Publishers releases this glossy guidebook. It
contains images of the Old Master's paintings with astonishing
detail. It contains expert commentary by Till-Holger Borchert,
director of all Bruges-based museums. Also available in the series:
Masterpiece: Peter Paul Rubens (ISBN: 9789401441612) and
Masterpiece: Jan Van Eyck (ISBN: 9789401441629).
Venice at the start of the sixteenth century was Europe's
undisputed capital of culture: home to some of the finest artists
of the Italian Renaissance, whose importance stretched far beyond
the region. The first great painter to emerge was also the most
mysterious: little is known about Giorgio Barbarelli da
Castelfranco, known as Giorgione (1478-1510), and few works have
been attributed to him with any certainty, yet he painted what is
considered to be the first landscape in Western art history, and
his influence was profoundly felt by contemporaries including
Lorenzo Lotto and Titian. This sumptuous volume brings together
many of the works attributed to Giorgione, along with other
masterpieces of the Venetian School, demonstrating the
extraordinary richness of colour and mood for which these artists
were famed. This book brings to life an extraordinary moment in the
history of European art.
Few paintings inspire the kind of intense study and speculation as
Garden of Earthly Delights, the world famous triptych by
Netherlandish master Hieronymus Bosch. The painting has been
interpreted as a heretical masterpiece, an opulent illustration of
the Creation and a premonition of the end of the world. In this
book, renowned art historian Hans Belting offers a radical
reinterpretation of the work, which he sees not as apocalyptic, but
utopian, portraying how the world would exist had the Fall not
happened. Taking readers through each panel, Belting discusses
various schools of thought and explores Bosch's life and times.
This fascinating study is an important contribution to the
literature and theory surrounding one of the world's most enigmatic
artists.
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