The first half of this book presents the fundamentals of Stephen Mitchell's Action/ReAction technique for actors that is unique, innovative and effective in developing a 'seasoned' actor in a very short time. The second half of the book describes Stephen's history in Hollywood encountering some of the greats in the film business, including Marlon Brando and Steve McQueen, and producing independent and innovative movies and TV shows that led to his creation of Action/ReAction.

Elizabeth Taylor's electrifying performance in Who's Afraid of Virginia Woolf? The milkshake scene in There Will be Blood. Leonardo DiCaprio's turn as Arnie in What's Eating Gilbert Grape? What makes these performances so special? Eloquently written and engagingly laid out, Murray Pomerance answers the tough question as to what makes an exceptional, or virtuosic performance. Pomerance intensively explores virtuosic performance in film, ranging from classical works through to contemporary production, and gives serious consideration to structural problems of dramatization and production, actorial methods and tricks, and contingencies that befall performers giving stand-out moments. Looking at more than 40 aspects of the virtuosic act, and using an approach based in careful meditation and discursion, Virtuoso moves through such themes as showing off, effacement, self-consciousness, performative collapse, spontaneity, acting as dream, acting and femininity, virtuosity and torture, secrecy, improvisation, virtuosic silence, and others; giving special attention to the labors of such figures as Fred Astaire, Johnny Depp, Marlene Dietrich, Basil Rathbone, Christopher Plummer, Leonardo DiCaprio, Alice Brady, Ethel Waters, James Mason, and dozens more. Numerous scenic virtuosities are examined in depth, from films as far-ranging as Singin' in the Rain and The Bridge on the River Kwai, and My Man Godfrey. As the first book about virtuosity in film performance, Virtuoso offers exciting new angles from which to view film both classical and contemporary.

An Artist's Nightmare depicts the story of a professional theatre artist's return to his roots after a quarter century of a successful career in the big city. With his family in tow and a big dream to help rejuvenate a lackluster old automobile town, he forgot one thing: small town mentality. From the moment he opens his performing arts center in this provincial capital city, the theatre artist is dumbstruck by the mean-spirited rejection he receives at every turn. Local academic theatre persons ridicule his resume of real world experience, local directors dismiss his offers to collaborate, and the local media ignore his shows and exclude his work from local theatre awards while hypocritically treating his work with an odd discrimination that never gets explained. Fortunately he's good. And he survives the slim odds to succeed by finding students and families that believe in his work. An Artist's Nightmare is a thirty minute play-let that explores broad questions about the arts and community through the eyes of two local small town women; it is designed to provoke thought and ask larger universal questions regarding how the arts are played out in a provincial setting especially when mixing with the real world experience of an artist who has been to the heights of professional international experience.