It's more important than ever for every American to know exactly what the Constitution, the Bill of Rights, and the Declaration of Independence actually says. Here is the essential, 45-page, pocket-size edition. The greatest gifts from our Founding Fathers are the two most fundamental documents in American politics. This quick, easy reference for our federal government's structure, powers, and limitations includes: The Constitution of the United States The Bill of Rights All Amendments to the Constitution The Declaration of Independence Whether you are a Democrat, Republican, or independent, whether you are a support of Donald Trump or not, if you live and vote in the United States of America, you understand that The Constitution of the United States and The Declaration of Independence are two of the most important documents in American history. They convey the principles on which the country was founded and provide the ideals that still guide American politics today. Signed by the members of the Constitutional Convention in Philadelphia on September 17, 1787, The Constitution outlines the powers and responsibilities of the three chief branches of the federal government (executive branch, judicial branch, legislative branch), as well as the basic rights of the citizens of the United States (freedom of speech, freedom of the press, freedom of religion, etc.) The Declaration of Independence was crafted by Thomas Jefferson in June of 1776 and it provides the foundation of American political philosophy. "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness." Collected here in one affordable, pocket-sized volume are some of the most valued pieces of writing in the history of our country. This edition contains The Constitution of the United States of America, including The Bill of Rights and all of the subsequent amendments, as well as The Declaration of Independence. These are word-for-word facsimiles of significant documents... Every American should own a copy.

College football is a massive enterprise in the United States, and southern teams dominate poll rankings and sports headlines while generating billions in revenue for public schools and private companies. Southern football fans worship their teams, often rearranging their personal lives in order to accommodate season schedules. The Origins of Southern College Football sheds new light on the South's obsession with football and explores the sport's beginnings below the Mason-Dixon Line in the decades after the Civil War. Military defeat followed by a long period of cultural unrest compelled many southerners to look to northern ideas and customs for guidance in rebuilding their beleaguered society. Ivy League universities, considered bastions of enlightenment and symbols of the modernizing spirit of the age, provided a particular source of inspiration for southerners in the form of organized or "scientific" football that featured standardized rules and scoring. Transported to the South by men educated at northern universities, scientific football reinforced cultural values that had existed in the region for centuries, among them a tolerance for violence, respect for martial displays, and support for traditional gender roles. The game also held the promise of a "New South" that its supporters hoped would transform the region into an industrial powerhouse. Students and townspeople alike embraced the new sport, which served as a source of pride for a region that lagged woefully behind its northern counterpart in terms of social equity and economic prowess. The Origins of Southern College Football is an entertaining history of the South's most popular sport cast against a broader narrative of the United States during the Gilded Age and Progressive Era, two momentous periods of change that gave rise to the game we recognize today.

RESPONDING TO a near-constant flow of requests, George and Martha Washington sat for about two dozen portraits from 1789 to 1797, collected here in this elegantly illustrated volume. From miniatures executed on ivory for family and friends to a historical portrait that depicts Washington during the Revolution, the../images vary widely in treatment and setting. What they all reflect, Ellen Miles suggests, is the great need the new republic had for portraits of its first chief executive, often to stand in for Washington himself. In the portraits, Martha Washington is usually dressed plainly, her round face composed in a benign but cheerful expression. Portraits of George Washington often show him in military uniform, the pin of the Society of the Cincinnati on his lapel; others have him in black velvet, wearing a simple ruffled white shirt, his hair tied back in a queue. Most observers agreed that Martha was short and pleasant-looking, and that George was nearly six feet tall, had a long nose, large and penetrating light eyes, and a noble forehead. The state of his teeth affects his appearance in some portraits.

Washington responded to having his likeness taken with a characteristic mixture of pride in his position and mild irritation. Once, a painter in Boston hid behind a church pulpit to sketch him. Washington's mild chafing at requests for him to sit illustrates the conflict he felt between his obligation to the nation and his desire to return to private life. As Edmund Morgan writes in his preface, Washington "succeeded in clothing the new government with his own honor and left the presidency with a heritage of independence and respect which, despite the antics of so many of his successors, has never quite left it." George and Martha Washington: Portraits from the Presidential Years offers, quite literally, a unique portrait of the original First Couple.

The first comprehensive oral history of September 11, 2001—a panoramic narrative woven from the voices of Americans on the front lines of an unprecedented national trauma.

Over the past eighteen years, monumental literature has been published about 9/11, from Lawrence Wright’s The Looming Tower, which traced the rise of al-Qaeda, to The 9/11 Commission Report, the government’s definitive factual retrospective of the attacks. But one perspective has been missing up to this point—a 360-degree account of the day told through the voices of the people who experienced it.

Now, in The Only Plane in the Sky, award-winning journalist and bestselling historian Garrett Graff tells the story of the day as it was lived—in the words of those who lived it. Drawing on never-before-published transcripts, recently declassified documents, original interviews, and oral histories from nearly five hundred government officials, first responders, witnesses, survivors, friends, and family members, Graff paints the most vivid and human portrait of the September 11 attacks yet.

Beginning in the predawn hours of airports in the Northeast, we meet the ticket agents who unknowingly usher terrorists onto their flights, and the flight attendants inside the hijacked planes. In New York City, first responders confront a scene of unimaginable horror at the Twin Towers. From a secret bunker underneath the White House, officials watch for incoming planes on radar. Aboard the small number of unarmed fighter jets in the air, pilots make a pact to fly into a hijacked airliner if necessary to bring it down. In the skies above Pennsylvania, civilians aboard United Flight 93 make the ultimate sacrifice in their place. Then, as the day moves forward and flights are grounded nationwide, Air Force One circles the country alone, its passengers isolated and afraid.

More than simply a collection of eyewitness testimonies, The Only Plane in the Sky is the historic narrative of how ordinary people grappled with extraordinary events in real time: the father and son working in the North Tower, caught on different ends of the impact zone; the firefighter searching for his wife who works at the World Trade Center; the operator of in-flight telephone calls who promises to share a passenger’s last words with his family; the beloved FDNY chaplain who bravely performs last rites for the dying, losing his own life when the Towers collapse; and the generals at the Pentagon who break down and weep when they are barred from rushing into the burning building to try to rescue their colleagues.

At once a powerful tribute to the courage of everyday Americans and an essential addition to the literature of 9/11, The Only Plane in the Sky weaves together the unforgettable personal experiences of the men and women who found themselves caught at the center of an unprecedented human drama. The result is a unique, profound, and searing exploration of humanity on a day that changed the course of history, and all of our lives.

With 52 color illustrations and 280 historical photographs

In The American Frontier, historian William C. Davis masterfully chronicles the history of the territory beyond the Mississippi, with particular attention to exploration, expansion, conflict, and settlement. In 1804 the frontier of the "West of opportunity" was St. Louis, from which Lewis and Clark set out on their journey of discovery. Their first bold steps provided the key to the greatest adventure of them all, inspiring the emergence of a nation in a momentous century of migration and settlement.

Attention turned to the Southwest after Mexico broke free of Spain in 1821. In the next two decades both Texas and California fought to be free of Mexican rule, receiving recognition as republics in their own right. These years also saw the slow spread westward, marked by the Mormons in Utah, the '49ers in California, and the development of stage routes, railways, and other overland trails. Butterfield, Wells Fargo, and Pony Express are names redolent of this age.

With the end of the Civil War, in 1865, people of all nations and tongues spread to the West. The story Davis tells is above all one of land and people: the vast plains between the Mississippi River and the Rocky Mountains; the pioneers, trappers, entrepreneurs, buffalo hunters, miners, soldiers, gamblers, cowboys, lawmen, gunfighters -- people prepared to fight hostile elements to create a place for themselves; and the Indians of the Great Plains, whose land was usurped and who ultimately would be displaced.

The American Frontier portrays their lives through artifacts from the collections of the Buffalo Bill Historical Center, Cody, Wyoming. Gathered and displayedfor the first time in more than thirty outstanding color spreads, they provide a timely, memorable evocation of frontier America, showing both the legend and the reality of the West as it has never been seen before.

Presents a program designed for English learners to introduce and reinforce social studies terms and skills. In this title, each lesson presents material with a globally and culturally relevant format though beautiful images and engaging content, such as Primary Source documents and graphic organizers.

In both words and images, A Texas Sampler is a tribute to the multicultural heritage of Texas. Thirty-two historically important pieces of art are integrated with thirty-two primary source documents. Together with the art, the excerpts from diaries, memoirs, letters, and tales preserve the pre-Civil War history of Texas and the diverse population that settled it. Among the voices included are: a German housewife, a slave, a Comanche chief, a pioneer mother of ten, a blacksmith, a mustanger, as well as historical figures such as Davy Crockett and William Barrett Travis. Art by Frederic Remington, George Catlin, George Caleb Bingham, William Henry Huddle, and William Tylee Ranney are among the pieces that illustrate historical events. The collection is arranged chronologically beginning with Cabeza de Vaca's encounter with the Karankawas and ending with Governor Sam Houston's refusal to swear allegiance to the Confederacy.

A richly illustrated celebration of the paintings of President Barack Obama and First Lady Michelle Obama From the moment of their unveiling at the National Portrait Gallery in early 2018, the portraits of Barack and Michelle Obama have become two of the most beloved artworks of our time. Kehinde Wiley's portrait of President Obama and Amy Sherald's portrait of the former first lady have inspired unprecedented responses from the public, and attendance at the museum has more than doubled as visitors travel from near and far to view these larger-than-life paintings. After witnessing a woman drop to her knees in prayer before the portrait of Barack Obama, one guard said, "No other painting gets the same kind of reactions. Ever." The Obama Portraits is the first book about the making, meaning, and significance of these remarkable artworks. Richly illustrated with images of the portraits, exclusive pictures of the Obamas with the artists during their sittings, and photos of the historic unveiling ceremony by former White House photographer Pete Souza, this book offers insight into what these paintings can tell us about the history of portraiture and American culture. The volume also features a transcript of the unveiling ceremony, which includes moving remarks by the Obamas and the artists. A reversible dust jacket allows readers to choose which portrait to display on the front cover. An inspiring history of the creation and impact of the Obama portraits, this fascinating book speaks to the power of art-especially portraiture-to bring people together and promote cultural change. Published in association with the Smithsonian's National Portrait Gallery, Washington, DC

From the earliest stirrings of southern nationalism to the defeat of the Confederacy, analysis of European nationalist movements played a critical role in how southerners thought about their new southern nation. Southerners argued that because the Confederate nation was cast in the same mold as its European counterparts, it deserved independence. In Newest Born of Nations, Ann Tucker utilizes print sources such as newspapers and magazines to reveal how elite white southerners developed an international perspective on nationhood that helped them clarify their own national values, conceive of the South as distinct from the North, and ultimately define and legitimize the Confederacy. While popular at home, claims to equivalency with European nations failed to resonate with Europeans and northerners, who viewed slavery as incompatible with liberal nationalism. Forced to reevaluate their claims about the international place of southern nationalism, some southerners redoubled their attempts to place the Confederacy within the broader trends of nineteenth-century nationalism. More conservative southerners took a different tack, emphasizing the distinctiveness of their nationalism, claiming that the Confederacy actually purified nationalism through slavery. Southern Unionists likewise internationalized their case for national unity. By examining the evolution of and variation within these international perspectives, Tucker reveals the making of a southern nationhood to be a complex, contested process.

Civil Rights and Beyond examines the dynamic relationships between African American and Latino/a activists in the United States from the 1930s to the present day. Building on recent scholarship that explores black-Latino/a relations in the United States, this book pushes the timeframe for the study of interactions between blacks and a variety of Latino/a groups beyond the standard chronology of the civil rights era. As such, the book merges a host of community histories-each with their own distinct historical experiences and activisms-to explore group dynamics, differing strategies and activist moments, and the broader quests of these communities for rights and social justice. This book is framed around the concept of "activism," which most fully encompasses the relationships that blacks and Latinos have enjoyed throughout the twentieth century. Wide ranging and pioneering, Civil Rights and Beyond explores black and Latino/a activism from California to Florida, Chicago to Bakersfield-and a host of other communities and cities-to demonstrate the complicated nature of African American-Latino/a activism in the twentieth-century United States.

Gunfighter Nation completes Richard Slotkin's trilogy, begun in Regeneration Through Violence and continued in Fatal Environment, on the myth of the American frontier. Slotkin examines an impressive array of sources - fiction, Hollywood westerns, and the writings of Hollywood figures and Washington leaders - to show how the racialist theory of Anglo-Saxon ascendance and superiority (embodied in Theodore Roosevelt's The Winning of the West), rather than Frederick Jackson Turner's thesis of the closing of the frontier, exerted the most influence in popular culture and government policy making in the twentieth century. He argues that Roosevelt's view of the frontier myth provided the justification for most of America's expansionist policies, from Roosevelt's own Rough Riders to Kennedy's counterinsurgency and Johnson's war in Vietnam.

An essential gift for every history buff, this boldly illustrated book maps out the events that have shaped our world - from the dawn of human civilization to the present day. A comprehensive and accessible guide to the history of human civilisation, World History profiles everything from the emergence of Homo Sapiens to the Greek and Roman empires, through Chinese dynasties, the rise of the Vikings, and the Renaissance, to the Industrial Revolution and World War I and II. Offering a concise and insightful overview of key historical milestones that have occurred over the course of the last century, the book also covers more recent events such as the rise of ISIS, the Arab Spring, and Brexit and populism in the Western world.

With general introductions, and in some cases, new translations, this collection comprises all of the 38 principle narratives, written from 1634 to 1810, describing the Mohawk valley and its Iroquois inhabitants. It provides a detailed look at an American Indian nation.

"The Battlefields of the Civil War" tells the stories of thirteen of the most important battles, including First Manassas, Shiloh, Antietam, Vicksburg, Gettysburg, and the Wilderness.

William C. Davis not only describes the events and outcomes of those great engagements, but also delves into the characters of the army commanders, revealing in many cases just how much their personalities influenced the actions of their subordinates - and ultimately the outcome of the battles themselves. Rounding out the narrative are 35 full-page color photograph spreads of Civil War artifacts (including flags, uniforms, artillery projectiles, and arms), 28 color paintings of soldiers in various regiment uniforms, and 166 historical photographs.

This book showcases for the first time the personalized Zippo engravings by American soldiers made during the Vietnam War (1964-1973). Drawn from the collection of American artist Bradford Edwards and other private collections, the chrome-plated brass bears witness to the uncensored feelings of young men at war; their testimony is shocking, and both hilarious and poignant in its bitter satire. Soldiers engraved love, death, sex, drugs and rock'n'roll onto the canvases of their Zippo lighters, in a real-life version of the war portrayed in Francis Ford Coppola's epic film Apocalypse Now. Of the thousands of documents on the Vietnam War, none is so raw, so immediate and so resonant today.

It began with plutonium, the first element ever manufactured in quantity by humans. Fearing that the Germans would be the first to weaponise the atom, the United States marshalled brilliant minds and seemingly inexhaustible bodies to find a way to create a nuclear chain reaction of inconceivable explosive power. In a matter of months, the Hanford nuclear facility was built to produce the enigmatic and deadly new material that would fuel atomic bombs. In the desert of eastern Washington State, far from prying eyes, scientists Glenn Seaborg, Enrico Fermi and thousands of others-the physicists, engineers, labourers and support staff at the facility-manufactured plutonium for the bomb dropped on Nagasaki, and for the bombs in the current American nuclear arsenal, enabling the construction of weapons with the potential to end human civilisation. With his characteristic blend of scientific clarity and storytelling, Steve Olson asks why Hanford has been largely overlooked in histories of the Manhattan Project and the Cold War. Olson, who grew up just twenty miles from Hanford's B Reactor, recounts how a small Washington town played host to some of the most influential scientists and engineers in American history as they sought to create the substance at the core of the most destructive weapons ever created. The Apocalypse Factory offers a new generation this dramatic story of human achievement and ultimately, of lethal hubris. *2020 marks the 75th anniversary of the United States' detonation of nuclear weapons over the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August 1945.