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This is the first comprehensive overview of gender in the ANE that deals equally with both men and women. The overviews of ANE history and contemporary gender theory make it accessible to students with no background in these areas, allowing ANE students to learn about gender, and gender studies students to access the ancient material.

Italy's Lost Greece is the untold story of the modern engagement with the ancient Greek settlements of South Italy--an area known since antiquity as Magna Graecia. This "Greater Greece," at once Greek and Italian, has continuously been perceived as a region in decline since its archaic golden age, and has long been relegated to the margins of classical studies. Giovanna Ceserani's evocative and nuanced analysis recovers its significance within the history of classical archaeology. It was here that the Renaissance first encountered an ancient Greek landscape, and during the "Hellenic turn" of eighteenth-century Europe the temples of Paestum and the painted vases of South Italy played major roles, but since then, Magna Graecia--lying outside the national boundaries of modern Greece, and sharing in the complicated regional dynamic of the Italian Mezzogiorno--has fitted awkwardly into the commonly accepted paradigms of Hellenism. The unfolding of this process provides a unique insight into three developments: the humanist investment in the ancient past, the evolution of modern Hellenism, and the making of classical archaeology. Drawing on antiquarian and archaeological writings, histories and travelogues about Magna Graecia, and recent rewritings of the history and imagining of the South, Italy's Lost Greece sheds new light on well known figures in the history of archaeology while recovering forgotten ones. This is an Italian story of European resonance, which transforms our understanding of the transition from antiquarianism to archaeology, of the relationship between nation-making and institution-building in the study of the ancient past, and of the reconstruction of classical Greece in the modern world.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

The ancient Greeks established the very blueprint of Western civilization—our societies, institutions, art, and culture—and thanks to remarkable new findings, we know more about them than ever, and it's all here in this up-to-date introductory volume. Ancient Greece chronicles the rise, decline, resurgence, and ultimate collapse of the Greek empire from its earliest stirrings in the Bronze Age, through the Dark Ages and Classical period, to the death of Cleopatra and the conquests by Macedon and Rome (roughly 3000 B.C.E. to 30 B.C.E.). Drawing on the latest interpretations of artifacts, texts, and other evidence, this handbook takes both newcomers and long-time Hellenophiles inside the process of discovery, revealing not only what we know about ancient Greece but how we know it and how these cultures continue to influence us. There is no more authoritative or accessible introduction to the culture that gave us the Acropolis, Iliad and Odyssey, Herodotus and Thucydides, Sophocles and Aeschylus, Plato and Aristotle, and so much more.

This volume presents a series of studies by scholars working in Middle Eastern archaeology who actively apply social theory to interpret their fieldwork. It aims to highlight the value of using social theory in the interpretation of field work in a region where, traditionally, such approaches have not played a major role.There are a number of factors that account for why social theory is often under-exploited by archaeologists in this part of the world. In many countries, where large numbers of the foreign archaeologists are involved, a division between those doing fieldwork and those undertaking archaeological interpretation can easily arise. Or, the lack of interest in social theory may stem from a legacy of positivism that overrides other approaches. There is also the fact that archaeology and anthropology often belong to separate academic departments and are considered two separate disciplines disconnected from each other. In some cases the centrality of historical paradigms has precluded the use of social theory.There are also divisions between universities and other research institutions, such as departments of antiquities, which is not conductive to interdisciplinary cooperation. This factor is especially debilitating in contexts of rapid destruction of sites and the exponential growth of salvage excavations and emergency surveys.The papers integrate a wide range of perspectives including 'New' or 'Processual' archaeology, Marxist, 'Post-Processual', evolutionist, cognitive, symbolic, and Cyber- archaeologies and touch on many topics including 3D representation, GIS, mapping and social theory, semiotics and linguistics, gender and bioarchaeology, social and technical identities, and modern historical modellingy and social practices in Middle Eastern archaeology.

Esther is the most visual book of the Hebrew Bible and was largely crafted in the Fourth Century BCE by an author who was clearly au fait with the rarefied world of the Achaemenid court. It therefore provides an unusual melange of information which can enlighten scholars of Ancient Iranian Studies whilst offering Biblical scholars access into the Persian world from which the text emerged. In this book, Lloyd Llewellyn-Jones unlocks the text of Esther by reading it against the rich iconographic world of ancient Persia and of the Near East. Ancient Persia and the Book of Esther is a cultural and iconographic exploration of an important, but often undervalued, biblical book, and Llewellyn-Jones presents the book of Esther as a rich source for the study of life and thought in the Persian Empire. The author reveals answers to important questions, such as the role of the King's courtiers in influencing policy, the way concubines at court were recruited, the structure of the harem in shifting the power of royal women, the function of feasting and drinking in the articulation of courtly power, and the meaning of gift-giving and patronage at the Achaemenid court.

Presenting a new perspective on human-animal relations in the ancient Near East, this volume considers how we should understand equids (horses, donkeys, onagers and various hybrids) as animals that are social actors. Recht brings together a wealth of new data, including Bronze Age Near Eastern material culture from a range of archaeological contexts with equid remains as well as iconography and texts. She looks in particular at finds of equids themselves from burials, sacred space and settlements alongside associated artefacts such as chariots and harnesses. This is the first time the agency of animals is recognized. The study is essential reading for prehistorians, archaeologists and those studying early animal domestication, showcasing how humans encounter and interact with other animals, and how those animals in turn interact with humans. Recht outlines the broader implications for human involvement with their environment, both today and in the past, and points to further study in a number of focused appendices.

Goto introduces the diverse and multilayered skylore and cultural astron- omy of the peoples of the Japanese Archipelago. Going as far back as the Jomon, Yayoi, and Kofun periods, this book examines the significance of constellations in the daily life of farmers, fishermen, sailors, priests, and the ruling classes throughout Japan's ancient and medieval history. As well as covering the systems of the dominant Japanese people, he also explores the astronomy of the Ainu people of Hokkaido, and of the people of the Ryukyu Islands. Along the way he discusses the importance of astronomy in official rituals, mythol- ogy, and Shinto and Buddhist ceremonies. This book provides a unique overview of cultural astronomy in Japan and is a valuable resource for researchers as well as anyone who is inter- ested in Japanese culture and history.

This volume presents a collection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

This is the first synthesis on Egyptian enigmatic writing (also referred to as "cryptography") in the New Kingdom (c.1550-1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. This first volume consists of studies by the main specialists in the field. The second volume is a lexicon of all attested enigmatic signs and values.

Gifts for the Gods is an enlightening and richly illustrated book on animal mummies from ancient Egypt. Introducing readers to the wealth of animal mummies in British museums and private collections, this fascinating collection focuses on the prevalent type of animal mummy to be found in Britain: the votive offering. In a series of chapters written by experts in their field, Gifts for the Gods details the role of animals in ancient Egypt and in museum collections. It concentrates on the unique relationship of British explorers, travellers, archaeologists, curators and scientists with this material. The book describes a best-practice protocol for the scientific study of animal mummies by the Ancient Egyptian Animal Bio Bank team, whilst acknowledging that the current research represents only the beginning of a much larger task.

This book transforms archaeological knowledge of Nazareth by publishing over 80 years of archaeological work at the Sisters of Nazareth convent, including a detailed re-investigation in the early twenty-first century under the author's direction. Although one of the world's most famous places and of key importance to understanding early Christianity, Nazareth has attracted little archaeological attention. Following a chance discovery in the 1880s, the site was initially explored by the nuns of the convent themselves - one of the earliest examples of a major programme of excavations initiated and directed by women - and then for decades by Henri Senes, whose excavations (like those of the nuns) have remained almost entirely unpublished. Their work revealed a complex sequence, elucidated and dated by twenty-first century study, beginning with a partly rock-cut Early Roman-period domestic building, followed by Roman-period quarrying and burial, a well-preserved cave-church, and major surface-level Byzantine and Crusader churches. The interpretation and broader implications of each phase of activity are discussed in the context of recent studies of Roman-period, Byzantine, and later archaeology and contemporary archaeological theory, and their relationship to written accounts of Nazareth is also assessed. The Sisters of Nazareth Convent provides a crucial archaeological study for those wishing to understand the archaeology of Nazareth and its place in early Christianity and beyond.

Archaeologists date the Bronze Age in Europe from about the 5th to the last millennium BC. That span of time saw dramatic changes in civilizations from the Atlantic Ocean to the Black Sea, and from Scandinavia to the Aegean. The discovery of Bronze, an alloy of copper and tin, was a remarkable technological development, permitting the casting of much stronger tools and weapons. Across Europe, the people of the Bronze Age forged metal and traded its products, raised monolithic standing stones, practised similar funerary and religious rites, and decorated their products with the same motifs and symbols. From Cretan palaces to Swiss lakeside dwellings, a common culture arose. In this text the authors explore the story of the Bronze Age, tracing it back beyond the borders of history.

Widely regarded as major visible field monuments of the Iron Age, hillforts are central to an understanding of later prehistoric communities in Britain and Europe from the later Bronze Age. With such a range of variants represented, no single explanation of their function or social significance could satisfy all possible interpretations of their role. While they are conventionally viewed as defence settlements or regional centres controlled by a social elite, this role has been challenged in recent years, and instead hillforts are being considered primarily as expressions of social identity with strong ritual and cosmological associations. Current hillfort interpretations are in danger of reflecting contemporary social sensitivities more strongly than any recognizable Iron Age priorities, and the need for critical analysis of basic archaeological evidence is paramount. Critically reviewing the evidence of hillforts in Britain, in the wider context of Ireland and continental Europe, the volume focuses on their structural features, chronology, landscape context, and their social, economic and symbolic functions, and is well illustrated throughout with site plans, reconstruction drawings, and photographs. Harding reviews the changing perceptions of hillforts and the future prospects for hillfort research, highlighting aspects of contemporary investigation and interpretation.

The Irish tower house examines the social role of castles in late-medieval and early modern Ireland. It uses a multidisciplinary methodology to uncover the lived experience of this historic culture, demonstrating the interconnectedness of society, economics and the environment. Of particular interest is the revelation of how concerned pre-modern people were with participation in the economy and the exploitation of the natural environment for economic gain. Material culture can shed light on how individuals shaped spaces around themselves, and tower houses, thanks to their pervasiveness in medieval and modern landscapes, represent a unique resource. Castles are the definitive building of the European Middle Ages, meaning that this book will be of great interest to scholars of both history and archaeology. -- .

Dunhuang studies refer to a discipline focusing on Dunhuang Manuscripts, Dunhuang grotto art, the theory of Dunhuang studies, and Dunhuang history and geography. It is a broad subject of studying, excavating, sorting, and protecting the cultural relics and documents in the Dunhuang area of China. The General Theory of Dunhuang Studies explores the basic concept of Dunhuang studies. It presents a more comprehensive and systematic study of six aspects of Dunhuang, covering the background of Dunhuang studies in orientalism, the history of Dunhuang, Dunhuang grotto art, the scattering of Dunhuang cultural relics, Dunhuang manuscripts, and the history of Dunhuang studies, and discussing and summarizing the relevant national and international research. The General Theory of Dunhuang Studies has extensively absorbed the research achievements of domestic and foreign academic circles and the author's decades of academic research experience. As a comprehensive and systematic academic monograph with both academic depth and extensive readability, the book provides descriptions, theory and objective comments written in a clear and straightforward style; the book is intended for professional scholars, graduates and general readers. It is an excellent teaching and learning resource for those interested in understanding and learning about Dunhuang studies. However, it is also a helpful reference book for readers interested in Dunhuang culture.

Burton Dassett Southend, Warwickshire investigates Southend, one of the five medieval settlements in Burton Dassett parish, Warwickshire. The summary narrative and thematic discussions (focused upon material culture, spatial organisation, buildings and economy) in this volume are supplemented by detailed stratigraphic description and specialist reports available online through the Archaeology Data Service.

Representations of Antiquity in Film offers an introduction to how the ancient world is represented in film and especially Hollywood cinema. McGeough considers the potential that movies have for helping us think about antiquity and their relationship to more traditional academic historical work. The book shows how contemporary issues are drawn out through the cinematic presentations of the past and how modern values are naturalized through their presentation in ancient settings. Through discussion of films from the silent film era to the present, McGeough traces the formative role that films of various genres have had in shaping our perceptions of Egypt, Mesopotamia, the Holy Land, Greece, Rome, barbarian Europe, and the Maya. Not ignoring the traditional historical epic film, the book also presents detailed analyses of comedies, action films, art house fare, exploitation flicks and any type of movie in which audiences experience depictions of the past. By considering cinematic narrative as well as various elements of film design, McGeough presents a comprehensive overview of the topic designed for students and scholars with varying backgrounds in media studies, archaeology, religious studies, and ancient history.

A Story of YHWH investigates the ancient Israelite expression of their deity, and tracks why variation occurred in that expression, from the early Iron Age to the Persian period. Through this text, readers will gain a better appreciation for the complexities and contexts in the development of YHWH, from its earliest origins to the Persian period. Two interpretive frameworks-cultural translation and subversive reception-are offered for filtering through the textual data and contexts. Comparative study with ancient Near Eastern deities and select biblical texts lead readers through early YHWHism, YHWH's original outsider status, and the eventual impact of urbanization on the expression. Perceived and real pressures then challenge urbanite YHWHism and invite new directions for forming a unique expression of divinity in the ancient world. This book is intended for those interested in the study of ancient divinity broadly as well as those who study ancient Israel and the Hebrew Bible. The work provides generalists with a better appreciation for the particular challenges in working in the ancient Near East and with the bible specifically, while it provides specialists with a broad theory that can be continually tested. For both, the study provides two reading lenses to work through similar questions and an accounting of why the many contextually driven and varied constructions of YHWH may have occurred.

The discovery of 17,000 tablets at the mid-third millennium BC site of Ebla in Syria has revolutionized the study of the ancient Near East. This is the first major English-language volume describing the multidisciplinary archaeological research at Ebla. Using an innovative regional landscape approach, the 29 contributions to this expansive volume examine Ebla in its regional context through lenses of archaeological, textual, archaeobiological, archaeometric, geomorphological, and remote sensing analysis. In doing so, they are able to provide us with a detailed picture of the constituent elements and trajectories of early state development at Ebla, essential to those studying the ancient Near East and to other archaeologists, historians, anthropologists, and linguists. This work was made possible by an IDEAS grant from the European Research Council.