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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Art techniques & materials
Graffiti School is the world's first fully illustrated graffiti
coursebook for college use. It opens with an exploration of
graffiti's background and history, from Pompeii to the Hip Hop
revolution to the present day, as well as how to stay on the right
side of the law. It then introduces modern-day graffiti media and
terminology, going on to conduct the reader through the process of
designing graffiti, setting out the possibilities and skills needed
to create a successful work on paper, ready to be transferred to a
wall. The author explains the practical techniques of using a spray
can, and the step-by-step methods and skills required to create
artistic graffiti. The final section is a manual designed
specifically to be of use to teachers. It gives ideas for running
both theoretical and practical graffiti lessons and units, as well
as providing suggestions on the details, such as marking schemes
and ideas for class trips.
Following in the successful paw and hoof prints of "The Daily
Zoo: Volume One" comes another exotic menagerie of creative fauna
from Hollywood artist Chris Ayers. "The Daily Zoo Year 2 "offers
more furry and feathered friends along with continuing reflections
on his life as an artist and cancer survivor. And, as with Volume 1
and perhaps more so, regardless of your artistic experience, this
book will leave you inspired to grab the nearest pencil, pen, brush
or crayon and start drawing ... for fun and perhaps as a way to
bring healing!
The male form is the focus here--twisting, leaping and tumbling in
dramatic action sequences! Master manga and anime artist Kyachi
shows you the secrets professional Japanese artists use to create
dynamic motion on the page. A series of detailed tutorials show you
how to draw the male form in every possible position. Individual
lessons cover standing, sitting, reclining, walking, running,
kicking, pitching, swimming, dribbling and sparring. A rogues'
gallery is also presented, showing how to create dastardly
villains, armed with weapons and ready to rumble. With the help of
this complete guide, you'll be able to: Populate the page or screen
with eye-catching movement and powerful action poses Master
Kyachi's methods through step-by-step progressions--before it's
time to try it on your own Follow along with charming caricature
guides who offer essential tips and steer you clear of pitfalls It
can be intimidating to draw people as a beginning artist, but Learn
to Draw Manga Men is meant to dispel those exact fears and wipe
away any hesitations you may have. Begin with a blank page or empty
screen and start populating it with people. Before you know it,
your characters will come to life before you! Kyachi has distilled
her specialized knowledge of the skeleton, muscles and physical
structures, explaining and analyzing the most difficult aspects of
figure drawing and presenting it to you in a clear and simple way.
With the help of this fantastic resource, you'll soon master
detailed male characters to include in your own comic strip or
graphic novel! *Recommended for artists 16 & up*
This beautifully illustrated reference work is the only source of
information on American women sculptors as a group. Virginia
Watson-Jones presents the accomplishments of more than 350
contemporary American women sculptors through photographs of their
major works and detailed information about their lives and careers.
For each artist information is provided on her birthplace and birth
year, education, preferred media, major exhibitions, location of
work in public collections, awards, selected private collectors,
professional interests other than sculpture, teaching position (if
applicable), and mailing address. Each entry also includes a
statement by the sculptor and her signature.
Art & Fear is about the way art gets made, the reasons it often
doesn't get made, and the nature of the difficulties that cause so
many artists to give up along the way. Drawing on the authors' own
experiences as two working artists, the book delves into the
internal and external challenges to making art in the real world,
and shows how they can be overcome every day. First published in
1994, Art & Fear quickly became an underground classic, and
word-of-mouth has placed it among the best-selling books on
artmaking and creativity. Written by artists for artists, it offers
generous and wise insight into what it feels like to sit down at
your easel or keyboard, in your studio or performance space, trying
to do the work you need to do. Every artist, whether a beginner or
a prizewinner, a student or a teacher, faces the same fears - and
this book illuminates the way through them.
Tell your own story in comic-book form with this blank
journal--already formatted with panels! An intro from art
instruction superstar Christopher Hart will get you started.
Whether they're interested in producing comic strips, manga, or
graphic novels, aspiring illustrators can begin their own artistic
journey with this specially produced journal. Every page features
blank, black-framed panels formatted in the comic-book style, and
separate sections throughout allow artists to create several
different stories. Those with more experience can use the journal
to flesh out their narrative and visual ideas, while beginners can
experiment with the format and see where it takes them. The
possibilities for self-expression are endless!
This beautiful book combines the author's extensive ecological
knowledge with art, and her passion for drawing with ink. It is
packed with clear instruction and inspirational illustrations, and
will be treasured by artists, illustrators, scientists and
ecologists alike. Practical advice is given on using a range of
materials and equipment for illustrating in pen and ink, as well as
the collection and preservation of subject matter and reference
material. Detailed instruction is given on how to create essential
mark-making techniques that will enhance your illustrations through
accurate depiction of shape, form, texture and pattern, and in the
principles and elements of design. Subject-themed chapters include
plants, strandline and marine specimens, fossils, invertebrates,
and mammals. There are step-by-step exercises suitable for all
skill levels, and case studies describing working practice as a
professional illustrator.
'This is a thorough and thoughtful guide that delivers on every
count.' Artbookreview.net With a passion for animals that is
evident throughout, animal portrait artist Dave White, also offers
basic advice for beginners along with more advanced techniques
suitable for experienced artists who wish to capture the spirit and
character of dogs in their portraits. Beginning with detailed
guidance on composition, colour and choosing your reference
material, Dave White teaches you the essential painting techniques
you'll need to start creating your own artworks - from producing an
outline and underpainting to capturing the three-dimensional
qualities of your pet that will make your paintings truly stand
out, such as realistic hair and whiskers, getting the shine on a
nose and a glint in an eye, and whether to show ears up or down or
the tongues in or out. To follow, the author then offers three
step-by-step projects of varying subjects - including a
short-haired dog, a long-haired dog and a group portrait - which
have been specially designed to encourage you to tackle the
essential poses you'll need to start painting your own pooches. The
book ends with a short section providing practical advice on
setting up and running your own pet portrait business.
Acrylics are a versatile and exciting medium, but how can you get
the most from these paints? This book shows you how. With
step-by-step examples, it explains the core brush skills for a
beginner. For those with more experience, it introduces a range of
techniques so you can learn, for example, how to blend your
colours, use transparent washes to create tones, and paint multiple
layers of thick and thin textures to give your work subtlety. The
paints are so forgiving that there are no rules, just opportunities
to have fun and experiment with their great potential. There are
eleven classic paint techniques featured. With Ian's clear
instruction, this book guides you through the principles of
handling the paint, which can be applied to any style of painting,
however loose, expressive or abstract it may be.
Award-winning illustrator Gabriel Campanario first introduced
his approach to drawing in "The Art of Urban Sketching," a showcase
of more than 500 sketches and drawing tips shared by more than 100
urban sketchers around the world. Now, he drills down into specific
challenges of making sketches on location, rain or shine, quickly
or slowly, and the most suitable techniques for every situation, in
"The Urban Sketching Handbook" series.
It's easy to overlook that ample variety of characters that walk
the streets everyday. From neighbors, dog walkers and shoppers to
dancers and joggers, the people that move through the cities and
towns are fascinating subjects to study and sketch. In "The Urban
Sketching Handbook: People and Motion" Gabriel lays out keys to
help make the experience of drawing humans and movements fun and
rewarding. Using composition, depth, scale, contrast, line and
creativity, sketching out citizens and the way they move has never
been more inspirational and entertaining. This guide will help you
to develop your own creative approach, no matter what your skill
level may be today. As much as "The Urban Sketching Handbook:
People and Motion" may inspire you to draw more individuals, it can
also help to increase your appreciation of the folks around you.
Drawing our postal workers, shopkeeps and neighbors, is a great way
to show your appreciation and creativity.
Arthur Wesley Dow taught at major American arts training
institutions for 30 years including Teachers College, Columbia
University; the Art Students League of New York; Pratt Institute;
and his own Ipswich Summer School of Art. His ideas were quite
revolutionary for the period, he taught that rather than copying
nature, art should be created by elements of the composition, like
line, mass and color. He taught many of America's leading artists
and craftspeople, including Georgia O'Keeffe, Charles J. Martin,
two of the Overbeck Sisters and the Byrdcliffe Colony.
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