Exploring prize textiles known as tiraz, whose meaning and materiality illuminate the interwoven communities of the medieval Islamic world Social Fabrics looks at tiraz-highly prized textiles enhanced with woven, embroidered, or painted inscriptions in Arabic-to trace the structure of medieval Egyptian society during a transformative period. It reveals a story as interwoven and complex as these delicate objects themselves. A foundational introduction to the topic, this exhibition catalogue combines richly illustrated entries with essays on the history of Egypt at the time, the meaning and materiality of tiraz, and the history of collecting these objects in US institutions. Created throughout the region (including lands now in Iran, Iraq, and Yemen) in the centuries following the Arab Muslim conquest of Egypt, inscribed textiles were a visual form of communication in a society that was ethnically, linguistically, and religiously diverse. Those with inscriptions regulated by the government were particularly valued, proclaiming their owners' membership in the ruling elite. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (January 22-May 8, 2022)

The McCarl Coverlet Collection is made up of a colorful assortment of textiles woven by weavers of many different traditions and backgrounds. Weavers from England, Ireland, and Scotland created coverlets woven in a double weave style. This technique featured two sets of warps woven together to create two pieces of cloth joined together. They were generally woven with blue and white threads. This technique was not unanimously used by weavers from these regions, as you will see throughout the book, but it does dominate weavings from these regions.

In Persia the Parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his "History of Persia." In some sculptures--of a very Egyptian character, by the way--the figure of a king appears attended by a slave, who carries over his head an Umbrella, with stretchers and runner complete. In other sculptures on the rock at Takht-i-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an Umbrella borne over his head by an attendant.

In Persia the Parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his "History of Persia." In some sculptures--of a very Egyptian character, by the way--the figure of a king appears attended by a slave, who carries over his head an Umbrella, with stretchers and runner complete. In other sculptures on the rock at Takht-i-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an Umbrella borne over his head by an attendant.

Women's knickers have long been the subject of shame, secrecy, titillation and amusement. 'History Drawers On' charts the development of these most private garments from their surprisingly recent origins in the nineteenth century through to the present day. Jackie Stuart draws on over thirty years of research and her extensive personal collection of antique and vintage costume and underwear to throw much needed light on this neglected area of costume history.

1852 Reprint of the Vintage Book about Costumes: "Costumes of Europe with Descriptions of the People, Manners, and Customs. By a traveller through Europe." Illustrated with 24 Engravings.

Dress as it has been, is, and will be - 1883 Reprint

Publishers Weekly Review: This basic guide to oriental rugs is organized to the advantage of the novice collector. A comprehensive section describes and illustrates the 41 most common motifs (geometric, floral and medallion styles and their variations) and the geographic areas where these motifs are produced. Once the motif of a rug is identified, readers can find a listing of the villages or tribes that characteristically employ that design, and can further discriminate according to the type of weave used in each region. Persian, Caucasian, Turkish and Turkoman rugs are covered, as well as those made in India, Pakistan and Roumania. BACKCOVER: There are numerous "Coffee table" art books available that serve as a catalogue of some Oriental rugs. Although useful, most of these books tend to leave people confused and are more akin to a museum catalogue than serving as a useful working book for one intending to purchase or identify oriental rugs. Invaluable for the prospective owner and experienced collector, the "Beginner's Guide to Oriental Rugs" presents clear illustrations of many of the most common designs found in Oriental rugs. Along with these designs are descriptions of the various rug makers that use the designs. To help refine things, the designs are followed by a detailed description of the rugs produced by each of the major rug producing tribes or towns. Complete advice is also given on evaluating a carpet, what makes one carpet more valuable than another, and how to take care of a carpet once you have it. Other useful features include a glossary, maps of all major rug producing areas, the history of Oriental rugs and how the carpets are made, etc. Here is the one book you will need to identify, evaluate and purchase oriental rugs. AUTHOR BIO: Linda Kline has been collecting Oriental rugs for almost two decades and has traveled extensively in her endeavor. She has encountered hundreds of people in this profession and offers the Beginner's Guide to Oriental Rugs as a way to reduce the amount of time, money and effort the average person faces when considering purchasing oriental rugs. Table of Contents Introduction 5 History &. Making of Oriental Rugs 9 Choosing Your Rug 19 Motifs 29 Persian Rugs 75 Caucasian Rugs. 127 Turkish Rugs 151 Turkoman Rugs.171 Chinese Rugs. 185 India, Pakistan, Roumania. 199 Glossary. 203 Index 218 Motif Illustrations: Barber Pole Stripe 33 Butterfly. 34 Candlestick 35 Caucasian Border 36 Chinese Fret 37 Chinese Wave 38 Cloud Band 39 Cock. 40 Cross 41 Cypress 42 Dog. 43 Endless Knot. 44 Fish. 45 Guli Hinnai 46 Herati Border. 47 Jug & Comb. 48 Latch Hook 49 Link 50 Lotus 51 Medallion. 52 Mini Khani. 53 Mir 54 Mirhab 55 Octagon 56 Palmette. 57 Pole Medallion 58 Pomegranate 59 Rosette. 60 Scorpion. 61 Serrated Leaf. 62 Snake 63 Star 64 Swastika. 65 Trantula. 66 Triangle 67 Tree of Life 68 Trefoil . 69 Turkoman Gul . 70 Weeping Willow . 71 Yin Yang . 72 Zig Zag 73

Hints On Female Accomplishments And Manners, And Directions For The Preservation Of Health And Beauty.

In Persia the Parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his "History of Persia." In some sculptures--of a very Egyptian character, by the way--the figure of a king appears attended by a slave, who carries over his head an Umbrella, with stretchers and runner complete. In other sculptures on the rock at Takht-i-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an Umbrella borne over his head by an attendant.

This book collects three early texts with full illustrations on lacemaking: Old Point Lace, and How to Copy It (1878), by Daisy Waterhouse Hawkins; Point and Pillow Lace (1899), by A. Mary Sharp; Lace: Its Origin and History (1904), by Samuel L. Goldenberg. These texts review patterns, descriptions, and histories of a wide range of laces.

Set in Wales in a cottage by the sea. A ruined poet returns home to his ruined friends - Aaron of the phantom daughters, the sea-wracked, Johnny Conch, Black Branwen, Olga the Ever-Ready, who battle for the poet's survival or destruction. Who wins in the end?

The Handbook Of Dressmaking - 1845 Reprint.

Hints On Female Accomplishments And Manners, And Directions For The Preservation Of Health And Beauty.

Miss Brooke is a well known as an authority on historical costume. In this single volume she covers a history of dress in England from earliest times. The book contains an ample text, four coloured plates, and nearly three hundred drawings in line. This book will prove to be a fascinating read for anyone with an interest in the subject, providing a vast amount of information and detail that will be of use to theatrical designers, both professional and amateur. Contents Include: William The Conqueror to Edward III 1066-1327; Edward III to Henry VII 1327-1485; Early Tudors, Henry VII to Elizabeth 1485-1558; Elizabeth to James I 1558-1625; Charles I to James II 1625-84; James II to George III 1685-1760; George III to George IV 1760-1820; George IV, William IV and Victoria 1820-50; Victoria 1850-80; Victoria 1880-1900.

Presents a selection of more than 100 furnishing textiles and designs that range from a spectacular printed hanging designed by the Wiener Werkstatte artist, Dagobert Peche, between 1911 and 1918, to a series of dramatic woven, silk and metal wall coverings Les Colombes designed by Henri Stephany for the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes. The Art Deco period is well represented by the works of Raoul Dufy, Alberto Lorenzi, Robert Bonfils, Alfred Latour, Emile Alain Seguy and Paul Dumas. Although the majority of pre-Second World War textiles are of French origin, the exhibition also includes some rare British furnishing fabrics from the 1930s, in particular the iconic and very elegant Magnolia Leaf by Marion Dorn, woven in off-white and silver viscut by Warner & Sons in 1936. During this period, Britain attracted talented European designers, such as Jacqueline Groag and Marian Mahler who had trained with Josef Hoffmann at the Vienna Kunstgewerbeschule. They became highly influential in creating a 'New Look' that took hold of Britain after the austerities of the Second World War. 'The Festival of Britain,' held in 1951, was epitomised by Calyx which launched the career of its designer, Lucienne Day and is now considered to be a landmark of post-War design. So great was its success that several versions were produced as well as contemporary copies, all of which are reproduced here in spectacular colour. Two great textiles from the 1950s - Seaweed designed by Ashley Havinden in 1954 for Arthur Sanderson and Grecian by Alec Hunter in 1956 for Warner & Sons - bridge the gap between the spirit and elegance of the inter-War period and the new 'contemporary' look of the 1950s. Britain maintained its pre-eminent position in textile design throughout the 1950s, 1960s and early 1970s. This was because firms like Edinburgh Weavers, Heal & Sons and Hull Traders and museums such as the Whitworth Art Gallery in Manchester (the centre of the British textile industry) worked hard at integrating and promoting great design, often by well-known artists within the industry. Among the artists who worked with Edinburgh Weavers were Marino Marini, Victor Vasarely and Alan Reynolds. Britain was not alone in applying art to industry. An elegant example of Op Art is the work of the German artist, Wolf Bauer, whose 1969/70 designs for one of the leading American manufacturers, Knoll Textiles, is a highlight of this book.

"Alligators, Old Mink & New Money" is a celebration of the clothes that capture our memories and imaginations, that leave their indelible stamp on each of our lives. Alison Houtte--a former fashion model who runs the beloved Brooklyn, New York, boutique Hooti Couture--knows that every article of vintage clothing has a story behind it, and she uses these items as a springboard to explore such universal topics as relationships, self-image, the bond between mothers and daughters, and that elusive thing called style.

Whether you're a flea market veteran who savors the thrill of the hunt, a couture shopper with a "Vogue" budget, or are simply drawn to the de rigueur world of vintage, "Alligators, Old Mink & New Money" offers a shopping adventure--through auctions, estate sales, flea markets, and clothing racks all over the world--to be savored, and inspired by!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

In Persia the Parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his "History of Persia." In some sculptures--of a very Egyptian character, by the way--the figure of a king appears attended by a slave, who carries over his head an Umbrella, with stretchers and runner complete. In other sculptures on the rock at Takht-i-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an Umbrella borne over his head by an attendant.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The history of textiles, more than that of any other artefact, is the history of human ingenuity. From the very earliest needles of 25,000 years ago, to the "techno textiles" used in Space Shuttle parachutes, they have been fundamental to human existence and achievement, and - as this book demonstrates - have informed developments in many other areas from agriculture to metallurgy. Textiles are truly global commodities, common to every culture and for a long time the motivation for trade, the exchange of ideas and sometimes even conflict, between these cultures. Silks from China, carpets from Persia, ikats from Indonesia, cottons from India, fine linens from Flanders - each one of these transactions has helped to shape the modern world. Written as a chronological survey spanning prehistory to the early 21st century, this book is organized around five themes - materials, methods, trade, technology and social structures - which allow textiles from all ages to be investigated from many angles: how they are made, what they are made from, how they function in society, the ways in which they are valued and given meaning, and the messages they contain. This approach shows the intricate re

Rare and authentic, this vintage guide to the intricacies of Victorian needlecraft features step-by-step instructions for mastering an array of techniques and patterns. Scores of diagrams and photos illustrate a rich and varied repertoire of needlework projects and related crafts. Aspiring or accomplished, needleworkers at every level of expertise will find many projects here to love, all abounding in old-fashioned charm. Featured projects include Bulgarian, Catalan, Hungarian, and Baro embroidery; a lesson in netting; hemstitching; making fringes; Berlin wool-work; Rhodes embroidery and punched work; Bohemian, Carrickmacross, Innishmacsaint; and reticella lace; and beads and beadwork. Approx. 87 b/w illustrations.