Miss Brooke is a well known as an authority on historical costume. In this single volume she covers a history of dress in England from earliest times. The book contains an ample text, four coloured plates, and nearly three hundred drawings in line. Of great interest to the general reader, it provides a vast amount of information and detail that should be of use to theatrical designers, both professional and amateur.Contents Include: William The Conqueror to Edward III 1066-1327 Edward III to Henry VII 1327-1485 Early Tudors, Henry VII to Elizabeth 1485-1558 Elizabeth to James I 1558-1625 Charles I to James II 1625-84 James II to George III 1685-1760 George III to George IV 1760-1820 George IV, William IV and Victoria 1820-50 Victoria 1850-80 Victoria 1880-1900

Set in Wales in a cottage by the sea. A ruined poet returns home to his ruined friends - Aaron of the phantom daughters, the sea-wracked, Johnny Conch, Black Branwen, Olga the Ever-Ready, who battle for the poet's survival or destruction. Who wins in the end?

Miss Brooke is a well known as an authority on historical costume. In this single volume she covers a history of dress in England from earliest times. The book contains an ample text, four coloured plates, and nearly three hundred drawings in line. This book will prove to be a fascinating read for anyone with an interest in the subject, providing a vast amount of information and detail that will be of use to theatrical designers, both professional and amateur. Contents Include: William The Conqueror to Edward III 1066-1327; Edward III to Henry VII 1327-1485; Early Tudors, Henry VII to Elizabeth 1485-1558; Elizabeth to James I 1558-1625; Charles I to James II 1625-84; James II to George III 1685-1760; George III to George IV 1760-1820; George IV, William IV and Victoria 1820-50; Victoria 1850-80; Victoria 1880-1900.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

In Persia the Parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his "History of Persia." In some sculptures--of a very Egyptian character, by the way--the figure of a king appears attended by a slave, who carries over his head an Umbrella, with stretchers and runner complete. In other sculptures on the rock at Takht-i-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an Umbrella borne over his head by an attendant.

Persian textiles from the late nineteenth to the early twentieth century display a multitude of techniques as well as many different kinds of illustrations. Besides, they are used in a number of different ways. As the subtitle indicates, they range from precious brocades (Zar-baft) to printed cloths (Qalamkar), from opulent oriental floral patterns to narrative depictions, from hangings, covers, and garments to ones that are used for very special purposes--for example, cloths on which ceremonial meals are served and ones employed as chair and saddle covers, or animal trappings. In this richly illustrated publication, Marie-Louise Nabholz-Kartaschoff presents examples from a highly diversified private collection.

The history of textiles, more than that of any other artefact, is the history of human ingenuity. From the very earliest needles of 25,000 years ago, to the "techno textiles" used in Space Shuttle parachutes, they have been fundamental to human existence and achievement, and - as this book demonstrates - have informed developments in many other areas from agriculture to metallurgy. Textiles are truly global commodities, common to every culture and for a long time the motivation for trade, the exchange of ideas and sometimes even conflict, between these cultures. Silks from China, carpets from Persia, ikats from Indonesia, cottons from India, fine linens from Flanders - each one of these transactions has helped to shape the modern world. Written as a chronological survey spanning prehistory to the early 21st century, this book is organized around five themes - materials, methods, trade, technology and social structures - which allow textiles from all ages to be investigated from many angles: how they are made, what they are made from, how they function in society, the ways in which they are valued and given meaning, and the messages they contain. This approach shows the intricate re

Quilts are bold and beautiful, treasured by family members, valued by museums and collectors, and exciting to view. Exceptional quilts were produced by the innovative quilt makers of Lancaster County, Pennsylvania. This book features a spectacular array of quilts made by Amish, Mennonite, and other Pennsylvania German groups, but also spotlights significant contributions from the Scots-Irish Presbyterians and the English Quakers. The quilts are presented in 225 gorgeous color photographs, enhanced by close-up details, tools, accessories, and the people surrounding their creation. Carefully researched text breathes life into these individual works of art, and includes accounts of quilt makers that are as vibrant, intricate, and rich as the quilts themselves. For students of the distinct heritage of Lancaster County, this special book is a fascinating perspective of families and folk art. For students of the art of quilting, it is a colorful treasury of timeless and elegant designs. This is the second in a series of four books being produced by the Heritage Center Museum of Lancaster County and Schiffer Publishing to provide extensively illustrated works on the arts of the Pennsylvania Germans to a broad audience.

This important book examines the history, process and significance of official portrait making during Korea's Joseon dynasty (1392-1910)-the country's last and longest-ruling Confucian dynasty. By highlighting significant pieces in the Asian Art Museum of San Francisco's collection, including draft portraits of Bunmu meritorious officials and the portrait of Song Siyeol (1607-1689), it also discusses the complex philosophies and delicate techniques in the art of portrait making. With more than 95 photos and illustrations, Likeness and Legacy in Korean Portraiture is the ultimate guide to this specialized art form and its history. The inclusion of contemporary works that are related to or inspired by the portrait-making tradition will demonstrate to readers that this practice is still thriving in the modern art scene. See the Likeness and Legacy in Korean Portraiture exhibit at the Asian Art Museum of San Francisco: April 10 - August 16, 2020.

Exploring prize textiles known as tiraz, whose meaning and materiality illuminate the interwoven communities of the medieval Islamic world Social Fabrics looks at tiraz-highly prized textiles enhanced with woven, embroidered, or painted inscriptions in Arabic-to trace the structure of medieval Egyptian society during a transformative period. It reveals a story as interwoven and complex as these delicate objects themselves. A foundational introduction to the topic, this exhibition catalogue combines richly illustrated entries with essays on the history of Egypt at the time, the meaning and materiality of tiraz, and the history of collecting these objects in US institutions. Created throughout the region (including lands now in Iran, Iraq, and Yemen) in the centuries following the Arab Muslim conquest of Egypt, inscribed textiles were a visual form of communication in a society that was ethnically, linguistically, and religiously diverse. Those with inscriptions regulated by the government were particularly valued, proclaiming their owners' membership in the ruling elite. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (January 22-May 8, 2022)

Quilts bear witness to the American experience. With a history that spans the early republic to the present day, this form of textile art can illuminate many areas of American life, such as immigration and settlement, the development of our nation's textile industry, and the growth of mass media and marketing. In short, each quilt tells a story that is integral to America's history. Comfort and Glory introduces an outstanding collection of American quilts and quilt history documentation, the Winedale Quilt Collection at the Briscoe Center for American History at the University of Texas at Austin. This volume showcases 115 quilts-nearly one-quarter of the Winedale Collection-through stunning color photographs (including details) and essays about each quilt's history and construction. The selections span more than two hundred years of American quiltmaking and represent a broad range of traditional styles and functions. Utility quilts, some worn or faded, join show quilts, needlework masterpieces, and "best" quilts saved for special occasions. Texas quilts, including those made in or brought to Texas during the nineteenth century, constitute a significant number of the selections. Color photographs of related documents and material culture objects from the Briscoe Center's collections-quilting templates, a painted bride's box, sheet music, a homespun dress, a brass sewing bird, and political ephemera, among them-enrich the stories of many of the quilts.

Art takes many forms. In this selection of Asian court attire, dating from the Qing dynasty (1644-1911), the phrase "you are what you wear" resonates. Vollmer journeys back to the thirteenth-century Chinese Empire, where ancestors of the ruling Manchu conquerors dressed fittingly. These exquisite costumes remind us that royalty once set fashion standards the way that celebrities do today, but that these garments also promoted distinct national and political messages that helped keep a ruling minority in power for nearly three centuries. Dressed to Rule is a guide to the exhibit, of the same name, that appeared at the University of Alberta in 2007.

Arkansas Made is the culmination of the Historic Arkansas Museum's exhaustive investigations into the history of the state's material culture past. Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over the sate. The work of these artisan groups documented and collected here has been the driving force of the Historic Arkansas Museum's mission to collect and preserve Arkansas's creative legacy and rich artistic traditions.Arkansas Made demonstrates that Arkansas artists, artisans, and their works not only existed, but are worthy of study, admiration, and reflection.

'Life-affirming, emotional and fun! A fabulous roller coaster of a read. I loved it!' Heidi Swain 'A fabulous, fun and flirty summer read!' Jenni Keer A wedding dress. A love letter. A secret that will change everything... When Maggie Burnett discovers her mother's beautiful wedding dress just days after she passes away, she wonders why she'd been told it was missing... Pinned to the waistband is a note that reads: 'E, je t'aime. LS x' . 'E' must be Elizabeth, her mother, but who is 'LS'? Could he be the father she's never known? As Maggie's seemingly happy life in London unravels, she decides it's time to go home to Norfolk and figure out the truth once and for all. Even if it means running into Nick Forster, her secret childhood crush. What if this journey to the past is the key to a new beginning? Warm and uplifting, The Love Note is perfect for fans of Lia Louis and Olivia Beirne. See what readers are saying: 'Sweet, special and very relatable with the various events that occur throughout this book. This has all the best ingredients for a perfect romance novel. Loved it' 'I absolutely adored this book! Stunning, a page-turner which stays long in the memory!' 'Perfect for a sunny day beach read' 'This story moves quickly and is an easy read. I really enjoyed it' 'The character development was fantastic and the between the two main characters was amazing. I could not put this book down.. I cannot wait for the next book!'

This new book provides an organized, chronological guide to the evolution and development of the myriad types of soft headgear worn by the SS. As the pre- and war-years progressed, geographical areas of operation changed, and the composition of the SS divisions evolved. So also, did the headgear worn by these troops. This reference illustrates a great number of these examples with over 600 photos including more than half in color. The overwhelming majority of these pictures including many rare original candid period snapshots have never been seen before in any previous publication.

Chinese textiles go back thousands of years. The Silk Road was named for the extensive trade in these fine materials. Due to China's size and history of successive wealthy dynasties, a vast amount of textile art is available for study today. Great tombs have yielded beautiful and dateable pieces worn and used by elite members of Chinese society. These and other fragile examples reside in museums and a few private collections. Other examples of antique Chinese textiles are found still to be in the marketplace. While it is impossible to look at these beautiful examples and not admire the skill of the weaver and embroiderer, until now there has been little information about their history or value. This comprehensive guide to collectible Chinese textiles with an extensive number of examples and with an understandable grading system that relates to what constitutes value. This book is beautifully illustrated with over 500 detailed photos of ceremonial court robes, badges, and decorative textiles dating from the Ming dynasty (1368-1644) through the Ching dynasty, (1644-1911). It is designed for historians, Asian studies sholars, and textile collectors, from beginning to advanced, as a real-world representation of available pieces and an indepth study. It is a must for appraisers and connoisseurs alike.

The motifs and design elements of lighting, furnishings, and everyday household implements have long served as teachers, offering clues and insight into the lives of the people who created and owned them. Here is a comprehensive tour of figured coverlets made between 1817 and 1869. These antique woven bedcovers, with their graphic and colorful images of trains, animals, buildings, heroes and patriotic symbols, provide a wonderful and perhaps unique snapshot of the bright optimism that was the 19th-century spirit of America. Over 100 coverlets are shown in full, in color, and on both sides. They include many early and rare pieces, offering an unprecedented reference on the subject. Nearly all are dated and/or identified, and represent all the major coverlet producing states.

Every Persian carpet has a story to tell -- from the remote villages of Afghanistan and Iran, down the ancient trade routes traveled for centuries, to the bazaars of Tehran and the markets of the Western world. Carpet-making is one of this tumultuous region's few constants, an art form that transcends religious and political turmoil. Part travelogue and part exploration into the meaning and worth of these mystical artifacts, "The Root of Wild Madder" presents practical information about carpets while exploring the artistic, religious, and cultural complexities of these enigmatic lands.

Rare and authentic, this vintage guide to the intricacies of Victorian needlecraft features step-by-step instructions for mastering an array of techniques and patterns. Scores of diagrams and photos illustrate a rich and varied repertoire of needlework projects and related crafts. Aspiring or accomplished, needleworkers at every level of expertise will find many projects here to love, all abounding in old-fashioned charm. Featured projects include Bulgarian, Catalan, Hungarian, and Baro embroidery; a lesson in netting; hemstitching; making fringes; Berlin wool-work; Rhodes embroidery and punched work; Bohemian, Carrickmacross, Innishmacsaint; and reticella lace; and beads and beadwork. Approx. 87 b/w illustrations.

Housed in the former sixteenth-century convent of Santo Domingo Church, now the Regional Museum of Oaxaco, Mexico, is an important collection of textiles representing the area's indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many now considered rare. This book details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection. The book contains 145 color photographs as well as a wealth of information on weaving, cultural contexts, and conservation issues.