"Calvin and Hobbes" touched the hearts (and funny bones) of the millions who read the award-winning strip. One look at this "Calvin and Hobbes" collection and it is immediately evident that Bill Watterson's imagination, wit, and sense of adventure were unmatched.
In this collection, Calvin and his tiger-striped sidekick Hobbes are hilarious whether the two are simply lounging around philosophizing about the future of mankind or plotting their latest money-making scheme. Chock-full of the familiar adventures of Spaceman Spiff, findings of Dad's popularity poll, and time travel to the Jurrassic Age, "Scientific Progress Goes "Boink"" is guaranteed to set scientific inquiry back an eona "and advance the reading pleasure of all" Calvin and Hobbes" fans.

This is a mongrel mix of prose, poem, cartoon strip, letter, and limerick. Musings upon his mum, his chum, his love, his love's loss, and salvation at the paws of his chum's mum's Welsh Border Collie. This collection of verse and drawings from the man dubbed "comedy's poet laureate" combines Hegley's skills as a stand-up poet, puppeteer, and cartoonist. The work is, by turns, both touching and funny. ""

Rick and Morty: Pocket Like You Stole It is the fan-favorite comic book miniseries based on the popular Adult Swim television series and inspired by the Pocket Mortys mobile game! Morty is on a quest to free himself (and all the other Mortys) from the clutches of Ricks, who collect Mortys and force them to battle one another for schmeckles and glory. Along the way, he'll discover the grisly history of Morty battling, the dastardly lengths that Ricks are willing to stoop to in order to win, and perhaps... the strength in himself that's needed to free the Mortys once and for all?

Free-Range Fun Meister! Garfield's always hatching a new plan to prank his poor owner. Whether he's garnishing Jon's soup with cat hair, putting a goldfish in his shoe (it was Jon's birthday!), or hiding the car, Garfield rules the roost!

GRIN and BEAR IT debuted for the first time in 1932 and has been running in newspapers ever since. George Lichty's "smear" style creation delivers a dose of light satire and observational humor with the morning coffee. (The cartoon is currently drawn by Fred Wagner and written by Ralph Dunagin.) The GRIN and BEAR IT cartoon was awarded the National Cartoonists Society Newspaper Panel Cartoon Award four times-1956, 1960, 1962, and 1964. The print version measures 5.5in x 8.5in with each panel weighing in at a whopping 4.1in wide. The cartoons themselves have each been digitally remastered to provide the largest, crispest panels possible. The eBook version features a Quick Link table of contents and 124 of the sharpest classic cartoons to ever hit an eReader screen.

At its peak, the Mr. Mum cartoon strip circulated through 180 different newspapers in 22 countries. Mr. Mum was one of the first captionless strips in mass publication and is thought by some to have paved the way for Larson's strip, The Far Side. This book is a large 5.5" x 8.5" format and has had pixel-level remastering of all the cartoons. It contains all 121 cartoons originally published in 1954. As a bonus, this book is a Motley Edition. It provides a 25-cartoon taste of one of Mr. Mum's single-panel peers--Brother Juniper as he was in The Whimsical World of Brother Juniper by Justin McCarthy.

Since Kate Beaton appeared on the comics scene in 2007 her cartoons have become fan favourites and gathered an enormous following, appearing in the New Yorker, Harper and the LA Times, to name but a few. Her website, Hark! A Vagrant, receives an average of 1.2 million hits a month, 500 thousand of them unique. Why? Because she's not just making silly jokes. She's making jokes about everything we learned in school, and more. Praised for their expression, intelligence and comic timing, her cartoons are best known for their wonderfully light touch on historical and literary topics. The jokes are a knowing look at history through a very modern perspective, written for every reader, and are a crusade against anyone with the idea that history is boring. It's pretty hard to argue with that when you're laughing your head off at a comic about Thucydides. They also cover whatever's on her mind that week - be it the perils of city living or the pop-cultural infiltration of Sex and the City, featuring an array of characters, from a mischievous pony, to reinvented superheroes, to a surly teen duo who could be the anti-Hardy-Boys. Perceptive, sharp and wonderfully irreverent, Hark! A Vagrant is as informative as it is hilarious, and a comic collection to treasure.

At home, work, and out in our ever-changing world, we're all just doing our best. In this modern parody, Frog and Toad are here to commiserate and lend some laughter. Full of wry humor and deep compassion for our modern vulnerabilities, the stories in Frog and Toad Are Doing Their Best perfectly capture the heartwarming authenticity of Lobel's famous amphibian friends while revealing razor-sharp truths about the world we live in today. Through Frog and Toad, we see the anxieties that are woven throughout our everyday existence, from our well-meaning but often-failed attempts at practicing self-care to our struggle to balance the gifts and burdens of technology. Toad ponders a variety of questionable schemes to pay off his credit cards, while Frog spends too much time scrolling through the newsfeed on his phone. But despite their daily frustrations and existential concerns, they know that having a friend to share life's burdens makes even the darkest days brighter. "I love children's literature, so of course I love Frog and Toad and I laughed out loud reading this spoof about the pair's new adventures." -GRETCHEN RUBIN, five time New York Times bestselling author

A complete critical guide to the history, form and contexts of the genre, Children's and Young Adult Comics helps readers explore how comics have engaged with one of their most crucial audiences. In an accessible and easy-to-navigate format, the book covers such topics as: - The history of comics for children and young adults, from early cartoon strips to the rise of comics as mainstream children's literature - Cultural contexts - from the Comics Code Authority to graphic novel adaptations of popular children's texts such as Neil Gaiman's Coraline - Key texts - from familiar favourites like Peanuts and Archie Comics to YA graphic novels such as Gene Luen Yang's American Born Chinese and hybrid works including the Diary of a Wimpy Kid series - Important theoretical and critical approaches to studying children's and young adult comics Children's and Young Adult Comics includes a glossary of crucial critical terms and a lengthy resources section to help students and readers develop their understanding of these genres and pursue independent study.

The Dilbert Principle: The most ineffective workers will be systematically moved to the place where they can do the least damage -- management.

Since 1989, Scott Adams has been illustrating this principle each day, lampooning the corporate world in Dilbert, his enormously popular comic strip. In the potato-shaped, abuse-absorbing Dilbert, he has given voice to the millions of Americans buffeted by the many adversities of the workplace.

He has now taken the next step, attacking corporate culture head-on in this insanely insightful management book. Packed with 400 Dilbert  cartoons, the book takes a look at corporate America in all its glorious lunacy, exploring its zeitgeist of ever-changing management fads, overbearing egos, management incompetence, bottomless bureaucracies, petrifying performance reviews, information traffic jams and more. With sharp eyes, and an even sharper wit, Adams exposes and skewers the bizarre absurdities of everyday corporate life. Readers will be convinced that he must be spying on their bosses, The Dilbert Principle rings so true!

Popular Instagram cartoonist and Muslim-American Huda Fahmy presents a hilarious, relatable, and painfully honest new collection of comics that break down barriers and show how universal our everyday problems, worries, and joys actually are. At some point in our lives, we've all felt a little out of place. Huda Fahmy has found it's a little more difficult to fade into the crowd when wearing a hijab. In Yes, I'm Hot in This, Huda navigates the sometimes-rocky waters of life from the unique perspective of a Muslim-American woman, breaking down misconceptions of her culture one comic at a time. From recounting the many questions she gets about her hijab every day (yes, she does have hair) and explaining how she runs in an abaya (just fine, thank you) to dealing with misconceptions about Muslims, Yes, I'm Hot in This tackles universal feelings from an point of view we don't hear from nearly enough. Every one of us have experienced love, misunderstanding, anger, and a deep desire for pizza. In Yes, I'm Hot in This, Huda's clever comics demonstrate humor's ability to bring us together, no matter how different we may appear on the surface.

The superhero Wolverine time travels and changes storylines. On Torchwood, there's a pill popped to alter memories of the past. The narrative technique of retroactive continuity seems rife lately, given all the world-building in comics. Andrew J. Friedenthal deems retroactive continuity, or ""retconning,"" as a force with many implications for how Americans view history and culture. Friedenthal examines this phenomenon in a range of media, from its beginnings in comic books and now its widespread shift into television, film, and digital media. Retconning has reached its present form as a result of the complicated workings of superhero comics. In comic books and other narratives, retconning often seems utilized to literally rewrite some aspect of a character's past, either to keep that character more contemporary, to erase stories from continuity that no longer fit, or to create future story potential. From comics, retconning has spread extensively, to long-form, continuity-rich dramas on television, such as Buffy the Vampire Slayer, Lost, and beyond. Friedenthal explains that in a culture saturated by editable media, where interest groups argue over Wikipedia pages and politicians can immediately delete questionable tweets, the retcon serves as a perfect metaphor for the ways in which history, and our access to information overall, has become endlessly malleable. In the first book to focus on this subject, Friedenthal regards the editable Internet hyperlink, rather than the stable printed footnote, as the de facto source of information in America today. To embrace retroactive continuity in fictional media means accepting that the past itself is not a stable element, but rather something constantly in contentious flux. Due to retconning's ubiquity within our media, we have grown familiar with narratives as inherently unstable, a realization that deeply affects how we understand the world.

Second volume of the Wildcat anarchist comics series.