Do you think that the Ozone Hole is a grunge rock club? Or that the Food Web is an online restaurant guide? Or that the Green Revolution happened in Greenland?

Then you need The Cartoon Guide to the Environment to put you on the road to environmental literacy.

The Cartoon Guide to the Environment covers the main topics of environmental science: chemical cycles, life communities, food webs, agriculture, human population growth, sources of energy and raw materials, waste disposal and recycling, cities, pollution, deforestation, ozone depletion, and global warming -- and puts them in the context of ecology, with discussions of population dynamics, thermodynamics, and the behavior of complex systems.

Luann DeGroot is a 16 year old girl who's full of spirited personalityAand agonizing confusion.

Like all teens, she's happy if she can stumble through a day without totally embarrassing herself. She lives with typical parents and an annoying older brother. Luann and her best buds, Bernice and Delta, along with a lively cast of characters from Pitts School, struggle with the euphoric highs and devastating lows that torment the life of a contemporary teen. From small events (a pop quiz) to large (a daring fire rescue), "Luann 3" delivers the kind of poignant, honest, amusing stories that have made "Luann" a reader favorite for 21 years.

"Luann" is featured in 400 newspapers worldwide, and LuannsRoom.com receives 80,000 hits a day. "Luann" consistently ranks in the top five in newspaper surveys and is often number one with female readers. "Luann, the Musical," from Pioneer Drama, has been performed by hundreds of theater groups across the country.

'So impossibly funny, clever, demented, charming and altogether wonderful that I was a convert within three pages. Buy it for everyone you know, regardless of what you think they like. Brilliant stuff' Lucy Mangan, Stylist Books of the Year 'An eye-opener... The more I think about this, the higher I esteem it' - Nicholas Lezard, Guardian Books of the Year *Winner of the British Book Design and Production Award for Graphic Novels* *Winner of the Neumann Prize in the History of Mathematics* *Nominated for the 2016 Eisner Award for Best Graphic Album and Best Writer/Artist* In The Thrilling Adventures of Lovelace and Babbage Sydney Padua transforms one of the most compelling scientific collaborations into a hilarious set of adventures Meet two of Victorian London's greatest geniuses... Ada Lovelace, daughter of Lord Byron: mathematician, gambler, and proto-programmer, whose writings contained the first ever appearance of general computing theory, a hundred years before an actual computer was built. And Charles Babbage, eccentric inventor of the Difference Engine, an enormous clockwork calculating machine that would have been the first computer, if he had ever finished it. But what if things had been different? The Thrilling Adventures of Lovelace and Babbage presents a delightful alternate reality in which Lovelace and Babbage do build the Difference Engine and use it to create runaway economic models, battle the scourge of spelling errors, explore the wider realms of mathematics and, of course, fight crime - for the sake of both London and science. Extremely funny and utterly unusual, The Thrilling Adventures of Lovelace and Babbage comes complete with historical curiosities, extensive footnotes and never-before-seen diagrams of Babbage's mechanical, steam-powered computer. And ray guns.

The superhero Wolverine time travels and changes storylines. On Torchwood, there's a pill popped to alter memories of the past. The narrative technique of retroactive continuity seems rife lately, given all the world-building in comics. Andrew J. Friedenthal deems retroactive continuity, or ""retconning,"" as a force with many implications for how Americans view history and culture. Friedenthal examines this phenomenon in a range of media, from its beginnings in comic books and now its widespread shift into television, film, and digital media. Retconning has reached its present form as a result of the complicated workings of superhero comics. In comic books and other narratives, retconning often seems utilized to literally rewrite some aspect of a character's past, either to keep that character more contemporary, to erase stories from continuity that no longer fit, or to create future story potential. From comics, retconning has spread extensively, to long-form, continuity-rich dramas on television, such as Buffy the Vampire Slayer, Lost, and beyond. Friedenthal explains that in a culture saturated by editable media, where interest groups argue over Wikipedia pages and politicians can immediately delete questionable tweets, the retcon serves as a perfect metaphor for the ways in which history, and our access to information overall, has become endlessly malleable. In the first book to focus on this subject, Friedenthal regards the editable Internet hyperlink, rather than the stable printed footnote, as the de facto source of information in America today. To embrace retroactive continuity in fictional media means accepting that the past itself is not a stable element, but rather something constantly in contentious flux. Due to retconning's ubiquity within our media, we have grown familiar with narratives as inherently unstable, a realization that deeply affects how we understand the world.

From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel's chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel's character Howard the Duck running for president during America's bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books-from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day-to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics.

When Pat Brady puts pen to paper, readers can't resist following his original images and tight story lines. This creator pulls more material from the one-child Gumbo family than other cartoonists can with five times the number of characters and settings.

That magic comes through in Brady's seventh collection, Rose is Rose Running on Alter Ego. The lively series of daily and Sunday strips revolves around Rose-devoted wife and doting mother-who, try as she might, just can't keep her biker chick fantasies totally in check. Rose never knows, as she manages her blue-collar husband, Jimbo, and their energy-fired son, Pasquale, when Vicki the Biker may show up. But when the long-haired, short-skirted babe surfaces, it's always with a breath of fresh air and a fresh take on "normal" family life.

Besides appearing on the cover, Rose as Vicki shines throughout the collection, in six new full-page drawings created just for the book. Each shows the seemingly satisfied housewife's alter ego performing some mundane chore demanded by Rose's less adventurous life, while Brady's usual mix of family fun, frolic, and fancy gives Gumbo fans plenty of delight.

Sit on the couch. Speak. Engage in witty banter and share ideas with friends who really understand your predicaments. Sounds like the perfect cafA(c). Especially if you're a dog.

Pooch CafA(c) is the home away from home for Poncho and his canine buddies. No Collar, No Service marks the second collection of the hip hit strip Pooch CafA(c), named for the place where Poncho, Boomer, and the rest of their pals regularly gather to discuss life among the humans and to hatch their plans to catapult all the world's cats into space. But you won't find this spot on Main Street. Its actual location is a canine secret compromised just once when they tried to get a pizza delivered.

Poncho is as passionate about his love for his master, Chazz, as he is about his distaste for kitties. When Poncho and Chazz move in with Carmen and her medley of cats, Poncho pals up with "Fish," a goldfish who conveniently speaks dog, to learn the lay of the land. Poncho views his master's new life as a threat to the sacred man-dog bond, despite Carmen's efforts to make peace with Poncho using love, tenderness, and cheese. Good thing there's always the gang at the cafA(c).

No Collar, No Service is the latest saga of a strip that captures the intensity of the human-dog bond in a way that resonates with pet lovers everywhere.

In the world that Calvin and his tiger Hobbes share, treasures can be found in the most unlikely places, from the outer regions where Spaceman spiff travels to the rocks in the backyard--this curious duo roams their world in search of fortunes (and misfortunes ) to be experienced. Whether "Calvin and Hobbes" are blasting off on another interplanetary adventure or approaching warp speed on a downhill wagon ride, their capers are repartee consistently charm and refresh their readers' days. On his own, Calvin is prey to the insidious killer bicycle, is the arbiter of the dad poll, is the creator of a legion of snowmen who provide an incisive social commentary, and Hobbes is always there as the perfect companion. Watterson's talent is evidenced by the range of thought provoking emotions the strip encompasses in addition to the laughs it induces: the loyalty and friendship between "Calvin and Hobbes," the challenge of being a patient parents, and the sardonic viewpoint of a cynical six-year-old ("I'm a 21st-century kid trapped in a 19th-century family," laments Calvin) combine to make this one of the best-loved strips in cartoon history.

Syndicated comic strip Red and Rover appears in over 70 newspapers and growing, and the fact that it has rarely been dropped from any newspaper is a testament to the fierce loyalty of its fans.Why are readers so dedicated to this simple comic about a boy and his dog? That simplicity itself is one of the best-loved characteristics of the strip. Ten-year-old Red and his lab-mix mutt Rover are a metaphor for friendship, and their shared adventures hearken back to a simpler time that holds a strong nostalgic appeal for modern readers.The other feature of Red and Rover that draws fans to the strip is the realness of Rover's character. Rover is not a talking dog; he and Red communicate through thought bubbles. Moreover, Rover's facial expressions and body language are drawn with an authenticity, recognized and lauded by dog lovers, that communicates volumes about what he's thinking and feeling.As proclaimed on the popular family-oriented Web site infodad.com, "Well focused, well thought out, and well drawn in something of a 'retro' style, Red and Rover is the most heartwarmingly funny new comic strip in years. Cynics, go elsewhere. Red and Rover is for the rest of us."

A complete critical guide to the history, form and contexts of the genre, Children's and Young Adult Comics helps readers explore how comics have engaged with one of their most crucial audiences. In an accessible and easy-to-navigate format, the book covers such topics as: - The history of comics for children and young adults, from early cartoon strips to the rise of comics as mainstream children's literature - Cultural contexts - from the Comics Code Authority to graphic novel adaptations of popular children's texts such as Neil Gaiman's Coraline - Key texts - from familiar favourites like Peanuts and Archie Comics to YA graphic novels such as Gene Luen Yang's American Born Chinese and hybrid works including the Diary of a Wimpy Kid series - Important theoretical and critical approaches to studying children's and young adult comics Children's and Young Adult Comics includes a glossary of crucial critical terms and a lengthy resources section to help students and readers develop their understanding of these genres and pursue independent study.

When he was a child, Darby Conley used to wonder what his beloved pooch was thinking. That curiosity led to his creation of the hilarious strip Get Fuzzy in 1999, which has rapidly become one of the most popular cartoons in newspaper syndication. Showcasing the relationship between Bucky, a temperamental cat with an attitude; the sweet and sensitive dog Satchel; and their mild-mannered human companion, Rob Wilco, Get Fuzzy has cornered the market on anthropomorphic antics.Anyone who finds animals both amazing and amusing will find this new Get Fuzzy collection one of the most bitingly funny books ever printed.

THREE BOOKS IN ONE A TRIPLE HELPING OF GARFIELD HUMOR
MEANS THREE TIMES THE FUN!
He used to be perfect, but now he's even better! Garfield, the fat cat with the super sized ego, is back in the spotlight, dissing his dimwitted owner Jon - even pilfering his pants. Some cats chase mice; Garfield prefers to take legal action. When down on the farm, the city kitty puts up with-and puts down-Jon and his barnyard brother. No wonder Garfield's often in a bad mood.
But no matter what, he's always in the mood for food!
The GARFIELD FAT CAT 3-PACK series collects the GARFIELD comic-strip compilation books in a new, full-color format. Garfield may have gone through a few changes, but one thing has stayed the same: his enormous appetite for food and fun. So enjoy some super sized laughs with the insatiable cat, because too much fun is never enough!
GARFIELD BEEFS UP
GARFIELD GETS COOKIN'
GARFIELD EATS CROW

Like best friends who've been together year after year, through thick and thin, Cathy and her adoring public have created a solid and stable relationship. Faithful readers count on their cartoon heroine to tell it like it is, whether the subject is relationships, shopping, or parental responsibilities.

In "Shoes: Chocolate for the Feet," women immediately comprehend this connection between two of Cathy's downfalls-food and shopping. Cathy continues to battle the bulge, constantly losing the tug-of-war between her thin clothes and a well-stocked refrigerator. Millions of women have hilariously identified with Cathy's struggles with the four basic guilt groups: food, love, mother, and career.

In the early days of "Baby Blues," Darryl and Wanda were surprised at the unexpected demands of parenting. Now, however, the nonstop antics of their lovably active kids, Zoe and Hamish, keep them hopping. Darryl and Wanda have accepted, and even learned to laugh at, the general upheaval of their lives.

In "I Shouldn't Have to Scream More than Once ," the MacPhersons continue their quest to raise their two small children. One day, Zoe asserts she needs her mother to teach her how to jump rope-""It's a girl thing,"" she tells Darryl. Later, Wanda and Darryl are happy their son has gone to the potty himself, until Zoe queries, ""Don't you want me to tell you where he went?"" And Wanda resorts to feeding Hammie on the floor after Zoe spots him picking up old peas. At the MacPherson household, it's all fodder for fun that has a delightful edge of truth for parents the world over.

Darryl and Wanda have the parenting thing down all right, but they still continue to be surprised by the delightfully devilish antics of their two live-wire children. From first steps to bedtime snacks, from shopping adventures to sibling rivalry, Zoe and Hamish keep their parents on the move and the rest of us in stitches.
"Baby Blues" chronicles the chaotic entertaining lives of the MacPherson clan as they chart a course through the everyday demands of family life. In a style that speaks to parents and nonparents alike, "Baby Blues" charms its followers with scenes of child-rearing mayhem and devotion. In "Lift and Separate," Wanda and Darryl continue to confront the ever-changing challenges of raising two active youngsters.

When a passel of extra-sneaky, extra-ornery high-tech cattle rustlers strikes, Donald Duck bravely dons a badge to become the Sheriff of Bullet Valley. Fortified by the know-how he s gained watching Hollywood Westerns, our ever-intrepid Duck sets out to solve the perplexing mystery of how Blacksnake McSquirt s brand keeps showing up on the cattle of the honest ranchers. Sheriff of Bullet Valley is the second entry in our new line of affordable kid-friendly Donald Duck books: just-right, half-height books packed with fun, laughs, and adventure. Each story is complete with all the original artwork (no panels have been dropped or altered). Bonus: Donald s always-exasperating cousin Gladstone Gander returns in, um, Gladstone Returns. All stories written and drawn by Disney legend Carl Barks "