From The New Yorker contributor and @drawingolive Instagrammer Olivia de Recat comes a heartwarming look at love, in its many forms. Drawing on interviews with "the best couples she knows"-young and old, from all walks of life-de Recat explores the question: what makes love work? But instead of trying to solve the puzzle of all relationships, ever, Drawn Together simply reflects the world back to itself, with stories of love and belonging, from pet names, to first date anxieties, to the enduring tales of life-long partnership. Throughout, Olivia gracefully weaves in her own experiences, exploring how sometimes finding love can mean learning to embrace yourself. A perfect gift for a partner, a couple celebrating an anniversary, or a friend who just went through a break up, Drawn Together is a hopeful, humorous, entertaining book that will inspire even the shiest among us to take a chance on love.

For nearly thirty years Annie Tempest has entertained 'Country Life' magazine readers with her weekly strip cartoon, Tottering-by-Gently, reaching much greater audiences worldwide through the associated merchandise, including book compilations such as this new volume on the subject of drink. A whole generation has grown up following the gentle everyday observations of this very British extended family with their dogs, daily struggles and difficulties in adapting to the fast-paced, technological and now woke world. Cheers to all! Onwards and upwards without spilling a drop. Snifters at Tottering Hall is the eagerly awaited, post-lockdown offering from Lord and Lady Tottering on the subject of liquid refreshment. It is well-timed to put a smile back on our faces after a notably unamusing confinement. Annie Tempest's superb cartoons, depicting this delightfully eccentric couple, remind us that life must be celebrated and taken with a pinch of salt and a stiff upper lip.

Filipino comic artist and three-time National Book Awardee Manix Abrera, in cooperation with ABLAZE, presents "12". Twelve remarkable stories, weird and surreal, thought-provoking yet funny, sometimes disturbing, others terrifying, but nonetheless always enchanting. Twelve genuinely touching stories, all drawn in Manix's simplistic style, devoid of words, but communicate loudly and resonate wildly with your emotions. Each story presents itself in its own charm, with intriguing twists - a young man spends his entire life searching for answers but shock awaits when he finally gets that eureka moment; someone finds love that unexpectedly finds somebody else; two men argue over who goes first on an escalator; a mother and daughter fight over a cockroach; a drunk man urinates on a tree and gets a big surprise - making you wonder how these mundane plots can turn out bizarrely, prompting you to reflect and crave for more! One story reveals a mysterious horror encountered in gloomy desolate highways. Another shows how some group of scientists acquire superpowers because someone hesitated to dissect a frog. A young girl attaches her eyes to a balloon so she can look for her mother above a crowd. What is the meaning of life? Is finding happiness worth it when you lose what really matters the most? Would you even know what matters the most? Embrace pain and sorrow. Hope for love and will for hope. Manix Abrera's 12 breaks all language barriers in the world of storytelling, but cuts straight into your soul, touches your heart in several dimensions you can and cannot imagine. Allow this collection of wordless comic stories speak to you in your own voice and transport you into a whole new exciting universe, at your own pace and power.

Our second volume begins with "Peanuts' third full year and a cast of eight: Charlie Brown, Shermy, Patty, Violet, Schroeder, Lucy, the recently born Linus, and Snoopy. By the end of 1954, this will have expanded to nine. Linus still doesn't speak (except, on a few occasions, to himself), but Schulz begins laying the foundation for his emergence as the most complex and arguably most endearing character in the strip: garrulous and inquisitive, yet gentle and tolerant. And he evens acquires his "security blanket" in this volume! Meanwhile, Lucy, an infant just a year ago, has forcefully elbowed herself to the front of the cast, proudly wearing her banner as a troublemaker or, in Schulz's memorable phrase, "fussbudget," The strong, specific relationships she sets up with each character further contributes to making her central to the strip. (She has earned her cover status on this volume.) Charlie Brown is clearly in transition. Although his eventual, best-known persona (the lovable, perpetually humiliated round-headed loser) is in evidence in many strips, his brasher, more prankish side as seen in the previous volume (foreshadowing Bill Watterson's future Calvin) shows up, too. This period's significant new character is Pigpen, who would remain one of the main cast members throughout the decade. And then there's Snoopy. To readers unfamiliar with the early days of the strip, Snoopy's appearances here will no doubt come as the biggest surprise. Although Snoopy has started thinking to himself, he does no imitations (except for one brief shark impression), he doesn't sleep atop his doghouse (much less type or fly a Sopwith Camel), and has no fantasy life--in fact, he doesn't even walkupright! But as we know, he is merely biding his time, and his evolution continues its fascinating course within these pages. This book collects 730 daily and Sunday comic strips, the vast majority of which are not currently available in any in-print "Peanuts collection, and over one hundred of which have never been reprinted since their initial appearance in papers over 50 years ago. "The Complete Peanuts is produced in full cooperation with United Media, Charles M. Schulz Creative Associates, and Mr. Schulz's widow, lean Schulz. Each volume in the series presents two years of strips along with supplementary material in a three-tier page format that accommodates three dailies or one Sunday strip per page. Award-winning graphic novelist Seth is designing the series so that each individual book is sharply recognizable and yet clearly part of a consistent series. Using archival-quality syndicate proofs for virtually every strip in its history, the series boasts the best-looking, crispest reproduction for a classic comic strip ever achieved. "Peanuts is the most successful comic strip in the history of the medium as well as one of the most acclaimed strips ever published. Charles Schulz's characters have become American icons. "A Charlie Brown Christmas is as much an annual holiday ritual for families as "It's A Wonderful life. A United Media poll in 2002 found "Peanuts to be one of the most recognizable cartoon properties in the world, recognized by 94 percent of the total U.S. consumer market and a close second only to Mickey Mouse (96 percent), and higher than other familiar cartoon properties like Spider-Man (75 percent) or the Simpsons (87 percent). In "T.V. Guide's "Top 50 GreatestCartoon Characters of All-Time" list, Charlie Brown and Snoopy ranked #8.

Carol Gray combines stick-figures with "conversation symbols" to illustrate what people say and think during conversations. Showing what people are thinking reinforces that others have independent thoughts a concept that spectrum children don't intuitively understand. Children can also recognize that, although people say one thing, they may think something quite different another concept foreign to "concrete-thinking" children. Children can draw their own "comic strips" to show what they are thinking and feeling about events or people. Different colors can represent different states of mind. These deceptively simple comic strips can reveal as well as convey quite a lot of substantive information. The author delves into topics such as: What is a Comic Strip Conversation? The Comic Strip Symbols Dictionary Drawing "small talk" Drawing about a given situation Drawing about an upcoming situation Feelings and COLOR

Peanuts creator Charles M. Schulz insisted good ol' Charlie Brown and his friends were neither "great art" nor "significant." Yet Schulz's acclaimed daily comic strip-syndicated in thousands of newspapers over five decades-brilliantly mirrored tensions in American society during the second half of the 20th century. Focusing on the strip's Cold War roots, this collection of new essays explores existentialism, the reshaping of the nuclear family, the Civil Rights Movement, 1960s counterculture, feminism, psychiatry and fear of the bomb. Chapters focus on the development of Lucy, Peppermint Patty, Schroeder, Franklin, Shermy, Snoopy and the other characters that became American icons.

Wielding her layered and comically absurd style, Markoe takes readers back through her time as a Girl Scout, where she learned that "scouting" was really more about learning housewifery skills, to her earliest crushes on uniquely awful boys and her growing obsession with television. Much has changed in our world since Markoe wrote in her diaries, or has it? Climate change wasn't yet a rallying call, but the growing hole in the ozone preoccupied Markoe's young mind. No one was flocking to the desert for Burning Man, but Markoe readily partook in the Ken Kesey Acid Test. As she charts the divide between her adolescence and adulthood, Markoe questions and berates her younger self, revealing how much is opaque to us in those young years. Perfect for fans of Roz Chast, Allie Brosh, and Lynda Barry, We Saw Scenery is a laugh-out-loud story of a girl growing up, told from the perspective of the woman she became, and it will speak to all who wanted to understand themselves in the midst of their own maturing.

Celebrating an exhibit of ten years of Sunday comics featuring the beloved boy and his tiger, Calvin and Hobbes: Sunday Pages 1985-1995 is sure to bring back memories. New York Times best-seller! Everyone misses Calvin and Hobbes. It reinvented the newspaper comic strip at a time when many had all but buried the funnies as a vehicle for fresh, creative work. Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun--just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that. This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content. When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist. Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears. On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson. --Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

It's fun being in the Foreign Legion, unless of course you're stuck in a desolate fort under the tyrannical rule of a Commandant called Vermin P. Crock then it's just hell! Welcome to the desolate fort of Commandant Vermin p. Crock.

NEW YORK TIMES BESTSELLING AUTHOR! At its heart, Pearls Before Swine is the comic strip tale of two friends: an arrogant Rat who thinks he knows it all and a slow-witted Pig who doesn't know any better. Together, this pair offers caustic commentary on humanity's quest for the unattainable. Dilbert cartoonist Scott Adams says that Pearls is "one of the few comics that make me laugh out loud."

Die Groot Drie bied 'n sonderlinge blik op die opkoms, hoogbloei en uiteindelike ondergang van Afrikaner-nasionalisme vanuit die perspektief van drie wereldklas-satirici: D.C. Boonzaier, T.O. Honiball en Fred Mouton. Die Burger is in 1915 in die lewe geroep om as mondstuk te dien vir Afrikaners wat aan die begin van die 20ste eeu op hul kniee gedwing is deur die Anglo-Boereoorlog, verstedeliking en grootskaalse armoede. In die eerste honderd jaar van die koerant se bestaan het net die drie kunstenaars diens gedoen as spotprenttekenaars. Boonzaier het skerp en raak aanvalle op opponente van die Nasionale Party geloods, en die karikatuurkuns ten volle bemeester; die veelsydige Honiball het lesers se empatie gewek met sy speelse styl; en Mouton se uitbeelding van tipies Suid-Afrikaanse tonele het van hom 'n gewilde humorskepper en belangrike meningsvormer gemaak. In hierdie boek gee Francois Verster, Naspers se maatskappy-argivaris, 'n historiese asook onderhoudende oorsig van die bydrae wat elk van die spotprenttekenaars gelewer het.

Sent home to Britain after her parents fail to establish a new life in Australia, Jean Everidge is forced to rely on family charity, moving in with her Aunt, Uncle and cousin Carol, successful gymnast, beloved of teachers and pupils alike, and all round charming "top girl". Jean has one solace left to her - skateboarding, surfing the concrete pavement, while forgetting all her troubles, and feel free. But Jean's freestyling talent soon attracts attention, and if there's one thing Carol can't stand, it's being out of the spotlight. With the new skatepark freestyle contest coming up, just how far will Carol go to stay number one?

This hardcover collection celebrates the incredible art of Popeye illustrated by scores of artists over the years with a special focus on the Popeye's Cartoon Club by King Features Syndicate. Also included are highlights from The National Cartoonists Society's celebration of Popeye's 90th year, and a collection of rare cover illustrations by popular counter-culture artists done for IDW comics.

Owlturd Comics playfully documents the ironies and weirdnesses of millennial life. Like a male Sarah's Scribbles, Owlturd Comics frankly and fearlessly finds humor in failures of career, romance, anger management, sleep habits, and more. In a casually weird, super relatable, pop-culture-inflected observational style perfectly attuned to the adulting generation, Owlturd Comics is full of heart. Life is often personified as a buff dude that Shen combats on a day-to-day basis. So are student loans, winter, and many, many other things. Shen's art style is visually distinctive, popular with young people, and emotionally expressive. In addition, his frequent considerations of larger questions like randomness, fate, death, and the might of Cthulhu make him relatable for audiences far beyond young adults.

Jumpin jacksnipes Duckburg s richest tycoon is on the hunt for legendary square eggs and he s bringing Donald, Huey, Dewey, and Louie along It s our second complete, chronological book of Duck adventures by internationally celebrated fan favorite Don Rosa following in the footsteps of Disney legend Carl Barks with his own distinctive style Famed for his prizewinning Life and Times of Scrooge McDuck, Rosa wrote and drew two decades worth of ripping Duck yarns and is among the world s most beloved modern cartoonists. Star stories in our second Rosa book include Return to Plain Awful, Rosa s sequel to Barks Lost in the Andes. Then, in His Majesty McDuck, Scrooge beats the IRS by seceding from the Union... only to have his new country colonized by the Beagle Boys Plus more Presented with a rich archive of Rosa s cover art and behind-the-scenes factoids, these Duckburg epics are getting a definitive, comprehensive North American edition for the very first time at a bargain price worthy of Scrooge himself "

The perfect gift for baby showers and for those already in the throes of parenting, Fowl Language: Children are a Gift is here to let you know that you're not alone. Parenting is hard and often gross. Laughing about it helps. Everyone's favorite parenting cartoon featuring ducks presents a comprehensive view of the early parenting years in all of their maddening cuteness and sanity-depriving chaos. The new collection will include fifty comics that have appeared on the website and will feature fifty never-before-seen cartoons. Fowl Language: Children are a Gift is organized into 10 thematic chapters-including Babies: Oh Dear God, What Have we Done?; Pooping: Get Your S*** Together; and Holidays: Magic Traditions and Tragic Overeating-each of which begins with a hilarious, illustrated 500-word essay.

What would happen if the Planet Express crew and the citizens of New York City in the 31st Century met the Simpsons and the citizens of Springfield . . . and how is it even possible? Prepare yourself for a Simpsons saga filled with Futurama! A Futurama fable suffused with the Simpsons! Featuring a plethora of pleasing plot devices including: evil brain spawn, lactose-intolerant space aliens, a giant ball of yarn, flying cars, mistaken identities, world domination, the brittle fabric of reality torn asunder, a comic book-collecting sentient planet, the Dewey Decimal system, self-eating watermelons, slave labor, space pirates, power-crazed vampires, super hero battles, unflattering underwear, mad science run amok, and much, much more! This is the epic story that you've been waiting for . . . a story so big, so ambitious, so sweeping that it can only be told in a 208-page, large format, slip-cased edition, complete with new material, supplemental stories, preliminary sketches, character designs, and a pin-up gallery featuring the talents of comics industry luminaries Alex Ross, Sergio Aragones, Geof Darrow, Kyle Baker, Peter Kuper, and Bernie Wrightson, among others. It's a comic convergence on a reality ripping, time altering, space traveling, intergalactic scale! It's The Simpsons Futurama Crossover CrisisUncut and all comedy! First published in 2002 and 2005 as two two-part, comic book mini-series (Futurama/Simpsons Infinitely Secret Crossover Crisis and The Simpsons/Futurama Crossover Crisis II), these four hard-to-find comics are collected together for the first time in a hardcover collection, encased in a die-cut slipcase, and packaged with a reprint of the very first Eisner Award-winning issue of Simpsons Comics from 1993. "Abrams' initial release is a beautifully designed package, a glossy hardcover in a glossier slipcover, as bright and colorful as a grab-bag bin in a candy-store."-The Onion AV ClubFrom Publishers Weekly Two classic animated series are brought together in a comic that offers many surprises, including how well it all works when transported to a new medium. Although both sources are the creation of cartoonist Matt Groening, the broadcast runs of each series referred to the other as works of fiction within their own universes, perhaps seeking to avoid the temptation of an attention grabbing crossover. And yet somehow this assemblage ably accomplishes just such a task while remaining faithful to the source materials. When Futurama's crew from the Planet Express delivery service become trapped in the fictional world of a Simpsons comic book, they must escape from Springfield. But shortly afterward they open a rift that brings the Simpsons characters into the Planet Express world, where the fictional characters must be rescued and returned to the pages of their comic book. Boothby's writing excels at letting each universe and the characters in them maintain their subtly distinct identities even when they blend. The overarching story for the book is designed to easily allow opportunities for affectionate references to comics, to science fiction, and to notable works of fiction. While the Simpsons comics included in the collection are not as strong, the crossover story takes what could have been a simple throwaway gag and instead crafts a funny, intricately detailed story. (Apr.) Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Sherman the dim-witted shark and his cast of characters in Sherman's Lagoon provide enough laughs for a barrel of monkeys, not that they've ever seen any. The Lagoonies, as they're known to regular comic strip readers, are a motley crew-mostly of sea life-known for their acerbic humor. There's Megan, Sherman's wife (a soft-touch despite the tough exterior). Fillmore the sea turtle makes up for Sherman's lack of intellect. Hawthorne the hermit crab resides in a beer can and is always in a "crabby" mood. Ernest the fish is a computer whiz, and Thornton the polar bear stumbled upon the island while floating by on an iceberg. Captain Quigley is the only human (or "beach ape") who resides in Sherman's Lagoon. He lost his leg to Sherman and is now out for revenge, but never quite gets close enough. To round out the cast there's Bob the bottom dweller. Enough said.

Readers love Sherman and his friends for their hilarious reflections of human behavior as seen through a seawater lens. Jim balances the lighthearted antics of this quirky group by promoting the importance of marine conservation. Sherman's Lagoon is quite a catch!

Sherman's Lagoon has been in syndication since 1991, currently by King Features, and boasts a circulation of more than 200 daily newspapers on five continents.

Decades before Jurassic Park, Doc Dustibones brings Mickey to Cave-Man Island a lost world where fossil monsters survive alive From stampeding brontosaurs to saber-tooth tigers, all of Goofy s least favorite Stone Age scares are here... and Dustibones is building a blimp to carry them to America What could possibly go wrong? Floyd Gottfredson produced a canon of legendary, rip-roaring tales starring Mickey as a daring, two-fisted hero in a world-famous series of legendary adventures Lost in Lands of Long Ago also includes several other stories and more than 30 pages of prehistoric extras You ll enjoy rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a clan of Disney cave bears. Rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson s Mickey Mouse."