Bestselling author of The Gospel According to Peanuts Robert Short reveals what man's best friend can teach us about life. Dogs do much more than just keep us company and give us love and attention--they are models for how we can live better lives as humans. From humility and obedience to singleness of purpose and unconditional love, Short shows us how we can learn from the remarkable qualities of dogs. Using examples from more than forty classic comic strips, including Peanuts, Blondie, Family Circus, Luann, Mother Goose & Grimm, Fred Basset, and more, as well as charming photographs of real dogs, The Gospel According to Dogs is a delight-fully entertaining book for dog lovers, comic enthusiasts, and anyone looking for reassuring wisdom for the good life.

A look at the culture and fanaticism of book lovers, from beloved New York Times illustrator Grant Snider   It’s no secret, but we are judged by our bookshelves. We learn to read at an early age, and as we grow older we shed our beloved books for new ones. But some of us surround ourselves with books. We collect them, decorate with them, are inspired by them, and treat our books as sacred objects. In this lighthearted collection of one- and two-page comics, writer-artist Grant Snider explores bookishness in all its forms, and the love of writing and reading, building on the beloved literary comics featured on his website, Incidental Comics. With a striking package including a die-cut cover, I Will Judge You By Your Bookshelf is the perfect gift for bookworms of all ages.

Among the cultural figures of the Old West, Frederick Remington stands head and shoulders above the rest-literally. A good-natured ogre by size and appetite, the artist portrays the West with such skill that the American government entrusts his safety to Lucky Luke. Looking after such a national treasure is not usually an easy task, but Luke will soon discover that Remington hardly needs protecting-except maybe from his own excessive impulses...

Liz Prince, author of the world's cutest relationship comic, "Will You Still Love Me If I Wet the Bed?", returns with a new comic about being - gasp! - SINGLE. Finally bringing her popular webcomic to printed form, Alone Forever explores the joys of flying solo, free to focus on what really matters: comics, punk rock, and cute boys with beards. Drawn in Liz Prince's ultra-charming style, filled with self-deprecation and cats, there's something for everyone to relate to in this celebration of self-reliance in the age of OkCupid.

Tell your friends how much they mean to you with this customizable gift book, which pairs 46 endearing fill-in-the-blank prompts with humorous illustrations of the Peanuts gang. Once completed, this interactive fill-in book becomes a personalized gift full of funny, memorable, and sweet expressions of appreciation that friends and loved ones will cherish for years to come.

In this latest collection, romance is in the air. Charlie Brown's attempt at flirting in class sends him to the school nurse, while Linus is thwarted in his attempt to woo 'Lydia' of the many names. Other storylines include Snoopy's sojourn in the hospital for a hockey-related knee injury, Sally's bumpy career as a playwright, and Snoopy's 'kiss-and-tell' book. Plus Rerun, Spike, Peppermint Patty and Marcie . . . and Snoopy's feathered Beagle Scouts!

From the author of the #1 New York Times bestseller Snug and the bestselling Little Moments of Love comes an all-new collection, In Love & Pajamas by Catana Chetwynd of Catana Comics! The book includes 2 pages of stickers in the back! When you've reached that sweatpants-wearing cozy place in your relationship, it's all In Love & Pajamas! This brand-new collection of Catana Comics presents 50 percent never-before-seen comics and some fan favorites that delight and amuse readers of all ages. Wholesome, sweet, feel-good humor, a perfect gift for your other half and a welcome add-on to any wedding, anniversary, or Valentine's Day gift.

We've all played that game. 'Well, if I were in charge...' We've all imagined what we'd do if we were president of this or minister of that. For Iznogoud, though, it's not just a game. As Grand Vizier, he can pretty much decide that he will be anything he wants to ...except Caliph, of course. But, since it's Iznogoud, every single one of his decisions is inevitably going to go astray and bring disaster - and that's how we like it!

A complete critical guide to the history, form and contexts of the genre, Children's and Young Adult Comics helps readers explore how comics have engaged with one of their most crucial audiences. In an accessible and easy-to-navigate format, the book covers such topics as: - The history of comics for children and young adults, from early cartoon strips to the rise of comics as mainstream children's literature - Cultural contexts - from the Comics Code Authority to graphic novel adaptations of popular children's texts such as Neil Gaiman's Coraline - Key texts - from familiar favourites like Peanuts and Archie Comics to YA graphic novels such as Gene Luen Yang's American Born Chinese and hybrid works including the Diary of a Wimpy Kid series - Important theoretical and critical approaches to studying children's and young adult comics Children's and Young Adult Comics includes a glossary of crucial critical terms and a lengthy resources section to help students and readers develop their understanding of these genres and pursue independent study.

#1 New York Times Bestseller 2014 National Book Award Finalist Winner of the inaugural 2014 Kirkus Prize in nonfiction Winner of the National Book Critics Circle Award Winner of the 2014 Books for a Better Life Award Winner of the 2015 Reuben Award from National Cartoonists Society The #1 New York Times bestselling award-winning graphic memoir by New Yorker cartoonist Roz Chast about her parents' final years, now with the author's celebrated new epilogue. In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents. While the particulars are Chast-ian in their idiosyncrasies--an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades--the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; and hiring strangers to provide the most personal care. An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant shows the full range of Roz Chast's talent as cartoonist and storyteller.

Hot flashes. Vaginal atrophy. Social stigma. The comics in this unapologetic anthology prove that when it comes to menopause and its attendant symptoms, no one needs to sweat it alone. Featuring works by comics luminaries such as Lynda Barry, Joyce Farmer, Ellen Forney, and Carol Tyler, Menopause is the perfect antidote to the simplistic, cheap-joke approach that treats menopause as a cultural taboo. This anthology challenges stereotypes with perspectives from a range of life experiences, ages, gender identities, ethnicities, and health conditions. Other contributors include Maureen Burdock, Jennifer Camper, KC Councilor, MK Czerwiec, Leslie Ewing, Ann M. Fox, Keet Geniza, Roberta Gregory, Teva Harrison, Rachael House, Leah Jones, Monica Lalanda, Cathy Leamy, Ajuan Mance, Jessica Moran, Mimi Pond, Sharon Rosenzweig, Joyce Schachter, Susan Merrill Squier, Emily Steinberg, Nicola Streeten, A. K. Summers, Kimiko Tobimatsu, Shelley L. Wall, and Dana Walrath.

Gemma Gene's adorable comics celebrate fur-parenthood and the extreme love you experience when you look into your dog's eyes. If you are never alone when you go to the bathroom, are forced to share your food, and find your life ruled by a sassy fur ball, Living With Mochi is the perfect book for you. When architect-turned-cartoonist Gemma Gene first met her pet pug, Mochi, she felt as if time stopped. This dramatic moment and her adoring relationship with the rambunctious pug led her to begin chronicling her adventures with Mochi in a series of incredibly cute webcomics that have gained a social media following of half a million loyal readers. The comics chronicle Mochi's life from puppyhood to adulthood, featuring Mochi's unrequited dog friendships, his jealousy of his two dog-brothers, and his love of food. Readers and dog parents will love this humorous tale of a sincerely loyal friendship between one grumpy pug and his adoring owner.

Milt Gross (1895-1953), a Bronx-born cartoonist and animator, first found fame in the late 1920s, writing comic strips and newspaper columns in the unmistakable accent of Jewish immigrants. By the end of the 1920s, Gross had become one of the most famous humorists in the United States, his work drawing praise from writers like H. L. Mencken and Constance Roarke, even while some of his Jewish colleagues found Gross' extreme renderings of Jewish accents to be more crass than comical.

Working during the decline of vaudeville and the rise of the newspaper cartoon strip, Gross captured American humor in transition. Gross adapted the sounds of ethnic humor from the stage to the page and developed both a sound and a sensibility that grew out of an intimate knowledge of immigrant life. His parodies of beloved poetry sounded like reading primers set loose on the Lower East Side, while his accounts of Jewish tenement residents echoed with the mistakes and malapropisms born of the immigrant experience.

Introduced by an historical essay, Is Diss a System? presents some of the most outstanding and hilarious examples of Jewish dialect humor drawn from the five books Gross published between 1926 and 1928--"Nize Baby," "De Night in de Front from Chreesmas," "Hiawatta, Dunt Esk," and "Famous Fimmales"--providing a fresh opportunity to look, read, and laugh at this nearly forgotten forefather of American Jewish humor.

Norman Thelwell took his first kitten home in a shopping-bag slung from the handlebars of his bicycle at the age of ten. He still has the scars to prove it. Magnificat is a comic tribute to the mysterious relationship human beings have long had with the feline species.

Calvin, cheeky, hyperactive and mischievous, and Hobbes, his cuddly toy tiger who, as far as Calvin is concerned is very much alive and kicking, are two of the most loveable and hilarious characters to grace the comic strip in years. Sit back and enjoy...

Genndy Tartakovsky is widely regarded as a pioneer in contemporary Western animation of the 20th and 21st centuries. His groundbreaking and prolific output, ranging from Dexter's Laboratory to Samurai Jack and Sym-Bionic Titan, has become a mainstay of contemporary animated programming, and collectively, the cornerstone of both titans of the industry such as Cartoon Network and Adult Swim. This open access book draws attention to the comparatively mysterious figure of this creator, while simultaneously celebrating his singular vision, mastery of formal technique, genre sensitivity, personal stylistic flair, and how these aesthetic and narrative elements combine to produce what the author calls an 'animation of sincerity' in all his works. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com.

A Darkly Humorous Collection of Cartoons Rejected by The New Yorker

Join in the chaotic fun with the MacPherson family in this thirty-first "Baby Blues" cartoon collection
Child-rearing reaches an entirely new level of delightfully messy chaos in "Baby Blues: Wetter, Louder, Stickier." Battle-ready and perpetually exhausted, Daryl and Wanda team up to navigate a new front of challenges, like Zoe's enthusiasm over the "Smoochy Boyz" concert, deciphering baby Wren's attempts at language, and determining Hammie's place as a colon in the school play---whether "colon" refers to punctuation or digestion remains undetermined. Armed with "performance-enhancing substances" (a.k.a., chocolate donuts), the perfectly normal MacPherson family will surely bring a barrage of smiles and laughter to familiar fans with their perfectly chaotic lives.
"Baby Blues" has enchanted new parents, grandparents, and kids alike since it first appeared on the comics pages in 1990. As the years passed, the list of newspapers carrying the feature has grown almost as fast as the MacPhersons' kids "Baby Blues" now appears in more than 1,200 newspapers worldwide, and the adventures of America's favorite first-time parents have also been chronicled in 31 anthologies and four treasuries. In 1995, the National Cartoonists Society recognized "Baby Blues" as "Best Comic Strip of the Year."

For several generations, comics were regarded as a boy's club-created by, for, and about men and boys. In the twenty-first century, however, comics have seen a rise of female creators, characters, and readers. While this sudden presence of women and girls in comics is being regarded as new and noteworthy, the observation is not true for the genre's entire history. Throughout the first half of the twentieth century, the medium was enjoyed equally by both sexes, and girls were the protagonists of some of the earliest, most successful, and most influential comics. In Funny Girls: Guffaws, Guts, and Gender in Classic American Comics, Michelle Ann Abate examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. She treats characters ranging from Little Orphan Annie and Nancy to Little Lulu, Little Audrey of the Harvey Girls, and Li'l Tomboy-a group that collectively forms a tradition of funny girls in American comics. Abate demonstrates the massive popularity these funny girls enjoyed, revealing their unexplored narrative richness, aesthetic complexity, and critical possibility. Much of the humor in these comics arose from questioning gender roles, challenging social manners, and defying the status quo. Further, they embodied powerful points of collection about both the construction and intersection of race, class, gender, and age, as well as popular perceptions about children, representations of girlhood, and changing attitudes regarding youth. Finally, but just as importantly, these strips shed light on another major phenomenon within comics: branding, licensing, and merchandising. Collectively, these comics did far more than provide amusement-they were serious agents for cultural commentary and sociopolitical change.