After 25 years, Madam & Eve is still going strong and are back with more hilarious cartoons looking back at another year of the crazy rollercoaster that is COVID-restricted daily life and mixed with politics in South Africa.

Madam & Eve cartoons appear regularly in the Mail & Guardian, The Star, The Saturday Star, Herald, Mercury, Witness, Daily Dispatch, Cape Times, Pretoria News, Diamond Fields Advertiser, Die Volksblad, EC Today, Kokstad Advertiser and The Namibian.

Madam & Eve is South Africa’s best reminder that we need to laugh at ourselves as a society. The perfect gift for anyone wanting to understand South African politics.

After 25 years Madam & Eve is still going strong. The duo is back with more hilarious cartoons reflecting on another year of the crazy rollercoaster that is daily life and politics in South Africa.

This year we are in for a treat: After 25 years, Madam & Eve is still going strong and are back with more hilarious cartoons looking back at another year of the crazy rollercoaster that is daily life and politics in South Africa. Madam & Eve cartoons appear regularly in the Mail & Guardian, The Star, The Saturday Star, Herald, Mercury, Witness, Daily Dispatch, Cape Times, Pretoria News, Diamond Fields Advertiser, Die Volksblad, EC Today, Kokstad Advertiser and The Namibian.

Zapiro comes of age in this 21st annual.

Zuma once again takes centre stage for all the wrong reasons along with his cronies the Guptas and his nemesis Malema. It’s the year of the hashtag. #RhodesMustFall begat #FeesMustFall, also #Racism/#Sexism and #ZumaMustFall. With Nenegate and SARS wars, it’s the rand that’s really falling. Meanwhile, Pravin and Thuli fight the good fight.

Each cartoon is worth a thousand words and helps us make sense of our crazy, beautiful country where fact is indeed stranger than fiction.

Met sy fyn oog sien Fred Mouton álles raak. Sy vlymskerp spotprente lewer raakvat sosiale kommentaar en is al vir 50 jaar stapelvoedsel vir duisende Afrikaanse koerantlesers. 50 Jaar met Fred bevat meer as 400 van sy beste sketse en etse. Met sy fyn oog sien Fred Mouton álles raak. Sy vlymskerp spotprente lewer raakvat sosiale kommentaar en is al vir 50 jaar stapelvoedsel vir duisende Afrikaanse koerantlesers. 50 Jaar met Fred bevat meer as 400 van sy beste sketse en etse. Die boek is as’t ware ’n aaneenlopende strokiesprent van Suid-Afrika se wel en wee oor die afgelope vyf dekades – dit dek alles van groot politieke storms en sportdramas tot omstrede figure en huismoles.

In sy sketse wys Fred ook die alledaagse dinge wat mense raak. Die droogtes en die landreën, inflasie wat elke keer net-net voor die verbruiker by die petrolpomp opdaag, die Springbokke wat verloor en dan weer wen. Fred het tussendeur ook vir Landbouweekblad, Huisgenoot, Weg! en dosyne ander publikasies geteken. Sy humor is kurkdroog, sy sketse komies – en soms ontstellend, maar altyd só bekend.

Zapiro needs no introduction. His 19th annual speaks for itself.

No year would be complete without Zapiro’s annual collection of cartoons, and in this latest book of sharp-witted and well-timed cartoons, Zapiro once again proves himself a satirical genius, ensuring that no event passes by without comment … or a laugh.

Die geliefde dominee Barend Vos se sketse oor die lewe van ’n predikant en sy gesin in ’n plattelandse gemeente het tot op hede in vyf bundels verskyn. Dié sketse verskyn die afgelope tien jaar elke maand in die tydskrif LIG, met illustrasies deur Fred Mouton.

In Liefdegroete, Grootseun word ’n dertigtal van Vos se Grootseun-stukke wat die afgelope jare in Lig verskyn het, byeen gebring as keur van die meer as 100 wat sedert sy laaste versameling verskyn het. Elke rubriek word aangebied as ’n brief wat deur “Grootseun” geskryf word aan sy ouers. Die sketse het meestal ’n sterk humoristiese aanslag en gefokus op ’n plattelandse kerkgemeenskap waarvolgens “Grootseun” die Jongdominee van die gemeente is. Die ruimte is dus plattelands, kerklik en geskryf met ’n deernisvolle aanbod wat eie is aan Vos se skryfstyl.

A delightful new collection of comics from Pusheen in all of her adorable forms - from the classic gray tabby you know and love, to her unicorn, dragon, alien, mermaid, dinosaur, and even dog alter egos - Pusheen always lives life to the fullest! We all know Pusheen, the pleasantly plump cat who has warmed hearts and tickled funny bones of millions worldwide with her signature animated bops, bounces, and tail wiggles. Now you can learn what makes her purr and find out why so many have already fallen in love with her. This delightful collection of comics and illustrations features some of the most popular and purr-fectly adorable Pusheen comics you know and love, plus a healthy serving of never-before-seen material. The Many Lives of Pusheen the Cat is a treat for cat lovers and comics fans alike.

1979 was a year of momentous events. In Britain, it began with the so-called Winter of Discontent, as rubbish piled high in the streets and the dead went unburied. Later, guerillas stormed the US Embassy in Tehran, Margaret Thatcher entered Downing Street, and Sid Vicious died of a heroin overdose while on trial for stabbing his girlfriend to death. Elsewhere, murderous dictator Saddam Hussein rose to power in Iraq, America's Three Mile Island nuclear plant went into meltdown, and there was an anthrax epidemic in Russia following an accident at a biological weapons plant. But it's all swings and roundabouts, because 1979 also saw the first issue of Viz Comic going on sale. And now, with a rousing brass fanfare to celebrate its 40th year as the country's most flatulent magazine, Viz is puffing out its cheeks to release its latest annual - The Trumpeter's Lips. Within the 226 pages of this lavishly produced hardback you will find the very best bits from issues 262-271, including * Cartoons: The Fat Slags, Sid the Sexist, Mrs Brady Old Lady, Roger Mellie, Eight Ace, Buster Gonad, Big Vern and many, many more * Informative features: Let's Go Dogging!, Secrets of the White House Shite House, How Did Henry VIII Mow His Lawn?, Who's Who at a Car Boot Sale, and A Day in the Life of a Model Railway Enthusiast * Edge-of-your-seat adventures: In Search of the Giant Squid of Sumatra, The Crown Jewels Mystery, Wally Walton's Emergency Scorpion Squad and Wall to Wall Carpet Warehouse, Ballet Nurse on a Pony, Pip of the Peloton, and Bad Bob the Randy Wonder Dog * More articles, spoof ads, Readers' Letters and Top Tips than you could shake a really big stick at Just like our rubbish and dead were piled up in the streets four decades ago, Viz - The Trumpeter's Lips will be piled up in shops and internet retailers this Christmas, guaranteeing a "Winter of This Content" (as specified above) for everyone.

Desperate Times is the brilliant and unfl inching new collection of sketches of contemporary political life by The Times's master of satire, Peter Brookes. Within these pages, the multiple winner of the British Press Awards Cartoonist of the Year showcases the standout pieces from his political cartoons in The Times, up to the minute and breathtaking in their bite and wit. Cataloguing two of the most turbulent years on record, Desperate Times provides an unsparing critique of political leaders and events at home and abroad. From Brexit and Megxit to Trump's departure and the arrival of the Covid-19 pandemic, this collection of exquisitely crafted cartoons provides vivid proof, were it needed, that we are indeed living through desperate times.

Artist Norman Thelwell is best known for his cartoons depicting plump, petulant ponies and their young riders, but The Effluent Society shows another aspect of his work and character. Thelwell was passionate about the countryside and nature. During his life he became increasingly concerned about the impact of development, pollution and society's treatment of the environment. When The Effluent Society was first published in 1971, his concerns were way ahead of their time. Today, environmental and conservation issues are in the mainstream and have become a global priority. Although the cartoons focus on a serious topic there is no mistaking Thelwell's inimitable style. He used his talent and humour to convey a powerful message: the need to protect the environment. He also takes a wry look at modern life and so-called progress. Thelwell admitted that out of all his books, The Effluent Society was the one that gave him the greatest 'personal satisfaction' and, as such, the re-issue of this title is a fitting tribute to the artist.

Soldiers disguised as a herd of cows, cork bath mats for troops crossing streams and a tank with a piano attachment for camp concerts are just some of the absurd inventions to be found in this book of cartoons designed to keep spirits up during the Second World War. These intricate comic drawings poke gentle fun at both the instruments of war and the indignity of the air-raid shelter in Heath Robinson's inimitable style.