Britain's best-loved basset hound returns in this all-new collection of witty cartoon strips from the Daily Mail Keep an eye on any unguarded sausages, because the gang is back! Join Fred and his friends as they embark on a whole new collection of lively adventures and light-hearted mischief, and prepare to discover the delights of life on four paws. Fred Basset first sauntered onto the pages of the Daily Mail in July 1963, and over more than half a century he has made himself a household name with readers all over the world. Nearly six decades after his debut, Fred and his friends continue to delight and entertain us with their trademark mix of wholesome humour, wry wit and shrewd observation. Their familiar faces and new adventures offer readers a source of comfort, contentment and amusement in our increasingly hectic, fast-paced world. This is classic Fred Basset and an essential read for all fans.

More stories of mayhem from the world's favourite dysfunctional family - the Simpsons! In 'The Absent-Minded Protester', it's Grampa's turn to take to the streets of Springfield in the guise of his graffitti-writing, outlaw, alter-ego, El Grampo! And in 'Dullards to Donuts' Homer's favourite food becomes strangely addictive, as Mr Burns introduces his own unique brand to the power plant. Finally, in 'Sense and Censorability', Homer and Comic Book Guy plead the First Amendment to defend their right to read comics. A worthy cause.. but then you knew that, right?

As D:Ream famously sang in their 1994 chart-topper, "Things Can Only Get Bigger" ... and here, to prove how right they were is the 2019 Viz annual The Pieman's Wig. Hot on the heels of last year's biggest ever Viz annual, this year's is even biggester, with 220 pages of * Cartoons: Fat Slags, Roger Mellie, 8 Ace, Mrs Brady, Big Vern and many more * Articles: Sex Robots, the Joy of Flatpack Furniture, Stephen Hawkins' A Brief History of Time Travel and Who's Who in the 1970s School Playground. * Adventure stories: Pest Force Alaska, Tiny Cox the Pocket Physicist, Drill Sergeant Jumbo and The Binman that Fear Forgot. Plus more hilarious letters, Top Tips and spoof ads than you can shake a stick 10% bigger than last year's at. Now in its 33rd year, the Viz annual is as much a part of the festive season as the Queen's Speech*, overcooked sprouts, and ironic Christmas jumpers. And The Pieman's Wig is funnier than all of those things. Except for ironic Christmas jumpers, which really are very funny indeed. *Her majesty still alive at the time of going to press.

a comic about dinosaurs finding meaning, together from the international bestselling team behind dinosaur therapy, @dinosandcomics including exclusive, never-before-seen bonus comics posing questions such as 'do I exist?', 'how should I live?', 'what is beauty?' in each comic, dinosaur characters explore how to exist in the modern world and meditate on what it means to 'live well'. suitable for grown-ups.

Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse Audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor.Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity-how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them-including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens-and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.

Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Kohlert, Tahneer Oksman, Seamus O'Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet's and Bell's comics together in this volume housed in a series devoted to single-creator studies, the book shows how despite the importance of finding ""a place inside yourself"" to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.

The hilarious and heartwarming companion to international bestselling author Liz Climo's You're Mum. DAAAAAAAAAAAAAAAAAAAAAAAD! Oh, hello! Now that I have your attention... You must be dad! You're probably pretty busy. Being a dad isn't easy. Maybe you already know this. Maybe you will soon. Perhaps you've been preparing for this day for a long time. Perhaps you haven't. And if you have a little one on the way you might feel a little anxious. Maybe even a bit scared. There's a lot to prepare and plan. Because, let's face it - being a dad is a huge responsibility. But, it's worth it. Now the real fun begins. From new dads to those who've been around the block, dads who go to work to those who are at home, and all the dads in between, You're Dad is a touching tribute to fathers everywhere. With humour, heart and adorable drawings, Liz Climo celebrates fatherhood in all its shapes and sizes (and species). Featuring different types of dads and the paths they may travel, Climo's whimsical animal illustrations take us through the adventures of fatherhood, commemorating the laughter and the tears as well as the stumbles and the triumphs. Perfect for dads, the dad-like, any and all parents and the people who love them, this sweet collection of fatherly love will move and delight.