This last year has been one of great turmoil as wars, epidemics and extreme climate events have ravaged the globe. Sometimes it has felt as if the old certainties that have shored up our worldview for so long are being swept away in an unstoppable torrent of disaster, chaos, and disarray. But one thing has stolidly and steadfastly resisted the foaming tides of time: Viz. No matter what cataclysms and catastrophes lay waste to our fragile planet, the potty-mouthed comic's loyal readers know they can expect an annual packed full of stuff about toilets, second-rate celebrities and unfeasibly large testicles to take their mind off oncoming Armageddon. And this year - as Viz's latest annual The Zookeeper's Boot goes on sale - is no exception to that rule. A stout and glossy 226-page hardback, The Zookeeper's Boot is stuffed with the hilarious stuff that has made Viz the country's fourth* or fifth** favourite humorous magazine (* ** possibly sixth) for well over four decades... * Edge-of-seat Adventures: Jack Black to the Future, The Titanic Mystery, The Death of Nelson and Bad Bob the Randy Wonderdog * Cartoons: The Fat Slags, Sid the Sexist, Biffa Bacon, Mrs Brady Old Lady, Johnny Fartpants, The Real Ale Twats and Roger Mellie * Readers' letters and Top Tips, spoof ads, quizzes, games, Roger's Profanisaurus and much more So this Christmas, let The Zookeeper's Boot tread its muck across your festive threshold (and those of all your friends, relatives and acquaintances), spreading its merry bouquet wherever it goes.

In "We Learn Nothing," satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn't change you? Why do we fall in love with people we don't even like? How do you react when someone you've known for years unexpectedly changes genders?
With a perfect combination of humor and pathos, these essays, peppered with Kreider's signature cartoons, leave us with newfound wisdom and a unique prism through which to examine our own chaotic journeys through life. These are the conversations you have only with best friends or total strangers, late at night over drinks, near closing time.
This edition also includes the sensationally popular essay "The Busy Trap," as seen in the "New York Times."

Framing Gotham City as a microcosm of a modern-day metropolis, Gotham City Living posits this fictional setting as a hyper-aware archetype, demonstrative of the social, political and cultural tensions felt throughout urban America. Looking at the comics, graphic novels, films and television shows that form the Batman universe, this book demonstrates how the various creators of Gotham City have imagined a geography for the condition of America, the cast of characters acting as catalysts for a revaluation of established urban values. McCrystal breaks down representations of the city and its inhabitants into key sociological themes, focusing on youth, gender, sexuality, race and ethnicity, class disparity and criminality. Surveying comic strip publications from the mid-20th century to modern depictions, this book explores a wide range of material from the universe as well as the most contemporary depictions of the caped crusader not yet fully addressed in a scholarly context. These include the works of Tom King and Gail Simone; the films by Christopher Nolan and Tim Burton; and the Batman animated series and Gotham television shows. Covering characters from Batman and Robin to Batgirl, Catwoman and Poison Ivy, Gotham City Living examines the Batman franchise as it has evolved, demonstrating how the city presents a timeline of social progression (and regression) in urban American society.

Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title. Kirkman's story is a fanboy's dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator's complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era.

a comic about dinosaurs finding meaning, together from the international bestselling team behind dinosaur therapy, @dinosandcomics including exclusive, never-before-seen bonus comics posing questions such as 'do I exist?', 'how should I live?', 'what is beauty?' in each comic, dinosaur characters explore how to exist in the modern world and meditate on what it means to 'live well'. suitable for grown-ups.