This book of a significant private collection of eighteenth-century Meissen porcelain has been expertly catalogued and photographed. With over 100 specially commissioned photographs to showcase the objects in the round and close-up, as well as to highlight their important features. There are detailed entries for each item, whilst the introductory essay helps to shed light on these beautiful pieces of Meissen porcelain, many of them extremely rare, and are placed into their historical context. Anyone with an interest in the decorative arts of the eighteenth-century will find this book a feast for the eyes.

The brightly colored tin-enameled earthenware called maiolica was among the major accomplishments of decorative arts in 16th-century Italy. This in-depth look at the history of maiolica, told through 140 exemplary pieces from the world-class collection at the Metropolitan Museum, offers a new perspective on a major aspect of Italian Renaissance art. Most of the works have never been published and all are newly photographed. The ceramics are featured alongside detailed descriptions of production techniques and a consideration of the social and cultural context, making this an invaluable resource for scholars and collectors. The imaginatively decorated works include an eight-figure group of the Lamentation, the largest and most ambitious piece of sculpture produced in a Renaissance maiolica workshop; pharmacy jars; bella donna plates; and more. Published by The Metropolitan Museum of Art / Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (08/29/16-02/26/17)

This illustrated history highlights the diversity and innovation of American ceramics in the late nineteenth and early twentieth centuries, as artists responded to historical precedents and emerging modernist styles around the world Between the early 1880s and the early 1950s, pioneering American artists drew upon the rich traditions and recent innovations of European and Asian ceramics to develop new designs, decorations, and techniques. With splendid new photography, this book showcases these American interpretations of international trends, from the Arts and Crafts and Art Deco movements, through the modernism of Matisse and the Wiener Werkstatte, to abstracted, minimalist styles. Illustrations of more than 180 exemplary works-some of these never before published-accompany engaging essays by two of the foremost experts on American art pottery. The featured makers include Rookwood, Grueby, and Van Briggle potteries, as well as artists including Maija Grotell, George E. Ohr, Frederick Hurten Rhead, Louis Comfort Tiffany, Rockwell Kent, Adelaide Alsop Robineau, and Leza McVey. A vivid and accessible overview of American ceramics and ceramists of the late nineteenth and early twentieth centuries, this publication reveals how diverse and global sources inspired works of astonishing ingenuity and variety by artists working in the United States. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 2021-October 2022)

Glass as an art form has an ancient tradition; the archaeological record suggests that artisans in Egypt and Mesopotamia were fabricating glass vessels and ornaments during the fourth millennium BCE. Its durable nature, range of colours, malleability, and most of all, its optical transparency are qualities that have made glass a premiere art medium. Over a lifetime, Frederick Birkhill has explored the unique qualities of glass and the numerous techniques and intricacies of working with it. The result of these decades of study is a body of work that is extraordinary in scope, technical expertise, and sheer virtuosity. This book, from The Artist Book Foundation honours this gifted artist. From his time in England at Burleighfield House, the studio of stained-glass artist Patrick Reyntiens, to his unprecedented visit to Lauscha, the village in East Germany famous for both its art and scientific glass production, and his subsequent career as an explorer, teacher, and master of the glass arts, Birkhill has devoted himself to furthering the appreciation of the medium and sharing his vast experience with colleagues, collectors, and students. His works appear in numerous museum collections, including those of The Corning Museum of Glass, the Museum of Arts and Design, the Mint Museum, the Detroit Institute of Arts, and the Smithsonian. Complementing the scholarly contributions by authors with significant backgrounds in the glass arts, the book features in its extensive plate section the lavish photography of Henry Leutwyler, which offers readers an opportunity to examine the complex details and artistic mastery of Birkhill's oeuvre. In addition, the monograph offers a glossary of glass-art terms, a detailed chronology of the artist's life, his extensive exhibition history, and a list of the numerous awards he has received. For those who are passionate about the glass arts, this monograph will be a feast for the eyes.

Transform your plain pottery into exciting, colourful and contemporary pieces for the home in a trice! You don't need pottery classes, or even a kiln to glaze your creations - you can make gorgeous items quickly and easily by painting plain, shop-bought ceramic items and baking them in a domestic oven. With 22 colourful projects to make, there are decorative plates, bowls, cups and pots, vases, a lamp - and even earrings and a necklace. With simple techniques to follow, all explained in clear and simple terms, you just need a few brushes, some ceramic paints and some plain pottery and away you go! If you love painted ceramics, patterns and making little gifts - this book is for you!

Complete instructions, patterns, material lists, and step-by-step photos for 18 projects-panels, boxes, candleholders, sun catchers, ornaments, and more-suitable for beginners. All great looking and using the newest styles of glass-many have the contemporary look popular on Etsy and Pinterest. With this companion to Stackpole's Basic Stained Glass Making, you can use your new skills to create beautiful art. For each project, finished project photos, full-size pattern, materials list, and technique photos and instruction are presented, along with variations of some patterns. Includes expert advice for the basic techniques of glass cutting, grinding, foiling, and soldering.

Like clay, all glaze materials come from the earth. Traditionally, stones, plants, and other natural materials provided the elements for ceramic surface decoration. In an age of synthetic and mass-produced glazes, handmade glazes from locally sourced ingredients allow artists to produce unique pieces that reflect their surrounding landscapes. In Natural Glazes, Miranda Forrest guides readers through the process of experimentation and discovery to make amazing hues from organic materials. Whether a glaze is mixed from scratch or local items are added to a commercial glaze, this concise book teaches the essential steps. A variety of glaze materials is available in any location, and Forrest shows artists how to recognize and gather appropriate ingredients and prepare them for blending. She explains how to work with vegetation and organic materials such as grass, wood, and seashells, giving step-by-step directions for mixing glazes and testing sample blends for optimal results. Natural Glazes covers application and firing techniques such as raku and offers health and environmental safety information. Natural Glazes contains full-color photographs of completed works, charts and tables providing firing times and other data, and insightful essays from other ceramic artists specializing in natural glaze work. Using found materials in glazes is a creative way to add a local touch to ceramics. With Natural Glazes, inspiration may be as close as your own backyard.

In deepening our understanding of the symposium in ancient Greece, this book embodies the wit and play of the images it explains: those decorating Athenian drinking vessels from the sixth and fifth centuries B.C. The vases used at banquets often depict the actual drinkers who commissioned their production and convey the flowing together of wine, poetry, music, games, flirtation, and other elements that formed the complex structure of the banquet itself. A close reading of the objects handled by drinkers in the images reveals various metaphors, particularly that of wine as sea, all expressing a wide range of attitudes toward an ambiguous substance that brings cheer but may also cause harm.

Not only does this work offer an anthropological view of ancient Greece, but it explores a precise iconographic system. In so doing it will encourage and enrich further reflection on the role of the image in a given culture.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A paragon of modern design, this book charts the history, rise and fall of the world's best-selling patented teapot.

-- A unique mix of design and commentary by Walter Moorcroft.
-- Gives a rare glimpse into the life and works of the Moorcroft family and company.

Memories of Life and Living is a personal reflection by the renowned potter, Walter Moorcroft. on a life spanning eight decades. Walter inherited the factory from his famous father. William, when he was only 28.

This is a richly illustrated process volume. including many color plates of the author's designs to which are added his personal views and comments. The memoir contains descriptions of significant event and amusing anecdotes taken from Walter's diaries. This fascinating and often wryly humorous book is accompanied by a wealth of illustrations, providing a documentary of the family.

More than a dozen patterns for rectangular panel-style lamps feature easy-to-replicate continuous designs. Some patterns include foil inlays; all feature beautiful but not overly detailed designs that ensure successful completion.

Not long ago, pottery was a lost art in Chihuahua, Mexico. But in the 1970s, near the ruins of Casas Grandes, an art revolution was born. Inspired by ancient pottery fragments from a tradition that had disappeared before the arrival of the first Europeans, a self-taught woodcutter-turned-artist reinvented an entire ceramic technology. Today Casas Grandes pottery, made by hand from local clays and mineral colors by a handful of artists, claims high prices and sets the standard for contemporary pottery. Photographer Sandra Smith traveled to Mata Ortiz to photograph the potters and to record their reflections on their work. Her portraits document their techniques--collecting and preparing the clay, forming by hand, sanding, and painting. They also capture intimate moments between artists and their art. For anyone who has ever admired Casas Grandes pottery, "Portraits of Clay" is a beautiful introduction to the potters and their work.

Sharing their insights in compelling interviews, 38 of today's Black ceramists demonstrate a diversity of studio practices and ways of using clay, together with more than 250 stunning photos of their work. Especially crucial in light of the times, this book helps disperse the fog of noninclusion. With the goal of giving the artists the recognition long overdue them, donald a clark and Chotsani Elaine Dean begin by grounding us in history and context. The authors take us through time, explaining recent important research from Drayton Hall in South Carolina, for example, and other work that has helped honor the contributions, presence, and experiences of African Americans in ceramic history in America. Bringing us to today, clark and Dean present for each of 38 contemporary ceramic artists an introduction, an interview with the artist, and photos highlighting some of their work. This important and necessary information, with its impact on the medium as a whole, is beautifully and engagingly presented to makers and craft appreciators alike.

Miquel Barceló is one of the most interesting artists active today. For over 40 years, his poetics has embodied different languages such as painting, sculpture, graphics and publishing, in a great and very original artistic pathway. The International museum of Ceramics in Faenza (MIC) devoted an outstanding solo exhibition to the Spanish artist. Curated by Irene Biolchini and Cécile Pocheau Lesteven, it was the first anthological event devoted to Barceló's ceramic production, from his debut to the present day. The event included a special project created by the artist just for the MIC Faenza in a dialogue with works in the collection, covering the history of ceramics. This selection of key ceramic pieces from the MIC collection, dating back to 3000 BC, alongside the works of Barceló are all presented here through illustrations and accompanying text. Text in English and Italian.

The ceramicist Theres Stampfli (b. 1952) and the musician Peter K Frey (b. 1941) have been working together under the name TONundTON since 1990. The artist duo always operate in terms of location, frequently searching for deserted buildings robbed of their function, such as a former reservoir or a transformer tower dependent on a power supply. The artists successfully revitalise the abandoned locations with sensitive, often anthropomorphic ceramics and sounds that fill the entire room. Even when intervening in museums, their installations alter the overall perception of space. In doing so, the two artistic disciplines come together to form a collective project, both audibly and visually. TONundTON is the first major documentation of their work. A soundtrack belonging to each of the images can be played by accessing QR codes in order to unite the acoustic and visual performances. Text in English and German.

An inspirational book on the craft, sure to entice some into becoming potters themselves.

The Chinese are famed as the first to have discovered and mastered the techniques needed to produce porcelain. Yet carefully crafted ceramics are valued not only for their beauty, but also as precious cultural artifacts shedding light on the period in which they were produced. Chinese ceramics represent works of art both in themselves and as a medium for painting, poetry, calligraphy and sculpture. This accessible, introductory survey takes the reader through the rich history of Chinese ceramics from primitive pottery to delicate porcelain, complemented by full-color illustrations throughout.

The fragile beauty of glass has ensured its popularity through the ages in forms ranging from simple beakers to ornate decorative masterpieces. This beautifully illustrated book traces the story of glass from its origins in Mesopotamia some 5000 years ago, to the creation of the elegant vessels of the Islamic Near East, the superb mastery of Renaissance Venice and the creation of modern glassware for daily use.

This book, which accompanies an exhibition at the Fondation Baur, explores the intriguing story of porcelain glaze at the end of the 18th century in China, in the 19th century in France, and in the work of two 20th century ceramic artists. Part one investigates the development of opaque glazes for use on porcelain and copper during the 18th century in work from three collections: Alfred Baur's vast collection of imperial ceramics; the Canton glazes of the Zubov Foundation; and export porcelain from the Ariana Museum in Geneva. The second part begins in France, in the 19th century, at the Sevres factory, tracing the various journeys to China to bring back samples of colour, analyse them chemically, and tirelessly attempt to reproduce them. The catalogue ends in the present, with the experiments conducted by the American-born artist Fance Franck (1927-2008) on "sacrificial red" and the work on colour carried out by the Austrian ceramist Thomas Bohle. Text in English and French.

Since her debut in 1995, the Danish ceramist Gitte Jungersen (b. 1967) has gained much attention for her innovative work with ceramic glazes. She experiments with extremely active glazes that melt and run during firing, and form individual masses and cracks in a way that is reminiscent of geological processes. After cooling, the works appear as congealed traces, balancing on the edge between chaos and control. Whether we can expect an imminent dissolution, or a new narrative is taking shape is open to question. The objects give rise to a feeling of something uncontrollable and catastrophic, yet at the same time her ceramics have a sensually enticing feel to them as well as great visual appeal. For the first time, an overview is being presented of Gitte Jungersen's work from 1995 to 2017, with comprehensive illustrated documentation of around sixty pieces.

Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.

The history of ceramics is rooted in the history of mankind. Jamaican Ceramics: A Historical and Contemporary Survey is a comprehensive examination of the development of ceramics from pre-history to the present day. This visually rich, exciting and authoritative book is an unprecedented survey which sheds light on the fascinating historical and modern contemporary Jamaican ceramics. Norma Rodney Harrack, herself a practicing ceramic artist, offers an expert's insight and provides a valuable resource to ceramists, students, collectors, enthusiasts and users of ceramics. The chapters each focus on key thematic areas - from early ceramic history to the influence of European ceramic practices to the syncreticism and continuity of African Jamaican pottery traditions - with full discussions on how the canon of Jamaican ceramics has developed over centuries. Harrack's many years of teaching and investigation have guided much of the primary research for this project.

The first book about the iconic decor and lifestyle company MacKenzie-Childs, this gorgeous exploration offers to fans and newcomers alike a full immersion in the charm and handcrafted beauty that have made MacKenzie-Childs sought after for beautiful style. With over 250 color photos, plus inside insights from MacKenzie-Childs creative director Rebecca Proctor, this treasury reveals how the MacKenzie-Childs vision and style have impacted our living spaces. The book's photos and stories allow looks into the company's many facets, from the design studio, to hand painting in the workshop, to the popular shop in Soho and the annual summer Barn Sale celebration on the farm. Learn about the ceramics, furniture, porcelain, Entertaining Kitchen, and more. With the thousands of MacKenzie-Childs collectors in mind, the book includes photo identification guides to all MacKenzie-Childs patterns from 1983 to 2020.

This lavishly illustrated publication on the Broehan Museum's collection, established in 1973 by entrepreneur and collector Karl H. Broehan (1921-2000), surveys the main trends in the history of design between 1890 and 1940. From French Art Nouveau and the British Arts and Crafts movement, the book proceeded to Jugendstil and the German Werkstatten, Viennese Modernism and the international Art Deco movements, then all the way on to the functionalist design of the 1930s. It uses 100 objects or pairs of objects to vividly communicate the history of art and collecting. A special section is devoted to the artists of the Berlin Secession. A must for fans of Jugendstil, Art Deco and functionalist design!