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Books > Arts & Architecture > Art forms, treatments & subjects > Ceramic arts, pottery, glass > Ceramics
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Hyper Effigy
(Paperback)
Brian Getnick; Introduction by Mathew Timmons; Contributions by Grace Hadland
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R830
R713
Discovery Miles 7 130
Save R117 (14%)
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Ships in 18 - 22 working days
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The Miller Ceramic Art Collection features masterpieces
highlighting the artistic ideals of numerous luminaries of
mid-twentieth century to early twenty-first century American
ceramic art. In addition, the collection includes important
examples of European and Japanese ceramic artworks of the same
period. Marlin Miller's profound understanding of materials began
with ceramic engineering. His interest in brick and its role in
architecture informs a keen eye for surface texture, dimension and
materiality. The publication is a comprehensive presentation of one
of the world's most distinguished private collections of
contemporary studio ceramics, and an observation on the correlation
between ceramics and architecture. With contributions by Meghen
Jones, Sequoia Miller, Michael McKinnell and Wayne Higby.
WINNER OF THE AMERICAN CERAMIC CIRCLE AWARD 2021 A fascinating
exploration of the inspiration behind, and development of,
classically inspired sculpture and other ornamental wares in black
basalt, the famous stoneware perfected by Josiah Wedgwood in 1768.
Wedgwood, with prescience, said of his new creation: 'Black is
Sterling and will last forever.' This volume presents approximately
120 examples of ornamental black basalt, including portrait busts,
statues, and vases, ewers, and other fully three-dimensional,
ornamental forms. Works in low relief include tablets, plaques,
medallions, and cameos. The volume also features essays by renowned
subject specialists and individual, fully illustrated catalogue
entries which will be grouped into three chapters and organized
according to the era-Classical Antiquity, 16th- and 17th-Centuries,
18th Century-of the design sources used by Wedgwood and his
contemporaries to create their basalt wares.
For over 25,000 years, humans across the globe have shaped,
decorated, and fired clay. Despite great differences in location
and time, universal themes appear in the world's ceramic
traditions, including religious influences, human and animal
representations, and mortuary pottery. In Global Clay: Themes in
World Ceramic Traditions, noted pottery scholar John A. Burrison
explores the recurring artistic themes that tie humanity together,
explaining how and why those themes appear again and again in
worldwide ceramic traditions. The book is richly illustrated with
over 200 full-color, cross-cultural illustrations of ceramics from
prehistory to the present. Providing an introduction to different
styles of folk pottery, extensive suggestions for further reading,
and reflections on the future of traditional pottery around the
world, Global Clay is sure to become a classic for all who love art
and pottery and all who are intrigued by the human commonalities
revealed through art.
A Passion for Porcelain brings together papers delivered at an
international symposium held in 2018 at the Gardiner Museum,
Toronto, Canada, in honour of Meredith Chilton, C.M., one of the
foremost scholars and curators of 18th century European porcelain.
Authored by leading scholars in the field, the essays take us on a
journey from Sevres, France to Japan via Boston, US, where we
encounter both revered artists and anonymous makers, together with
passionate collectors past and present. The contributions also
explore the medium of porcelain in the context of artistic rivalry
and gift exchange, as an object of fashion and scientific curiosity
and as a symbol of status and power. Together they reveal the
versatility of the medium, changing perceptions and endless
possibilities for porcelain scholarship.
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