William Daley's geometric ceramic vessels explore the synthesis between interior and exterior, volume and surface, form and symbol. Their unglazed surfaces echo architectural spaces and rhythms. Daley is an innovative artist-educator who helped revolutionize arts education post World War II. Success in his explorations led to many commissions for large-scale public and private screens and sculptures, executed in both bronze and ceramics. This retrospective of the ceramic art of William Daley spans two centuries, from the 1950s through the early 2000s. The text includes an essay by Ruth Fine, Curator of Special Projects for Washington's National Gallery of Art and a foreword by Daley's gallery representative Helen Drutt English. Over 300 brilliant images reveal the ceramic vessels Daley has created, including commissioned work. Also included in the text are William Daley's essays and articles on transforming mud to fired stoneware, his use of "sacred geometry," descriptions of his process in building pots and sculptural commissions, as well as his thoughts on teaching.

The ultimate illustrated guide to the sculpture parks and trails of England, Scotland, Ireland and Wales. This exciting guide to the sculpture parks, trails and gardens of England, Ireland, Scotland and Wales is the perfect book for those who like art and the outdoors. Divided up into countries and regions, the book is informative as well as beautifully illustrated with fabulous images of sculptures by a broad array of international artists. It provides information on all the major sculpture venues of interest, featuring the best and most established, while also providing a wide range of other interesting places to visit and explore. Each feature provides directions of how to get there, along with an overview of the park or trail, and lists sculptures of particular interest and quality, while maps of each area will help you find places close by to visit. This makes it easy to see which places are suited to you depending on your preferences, level of interest and time available. This fully revised 2nd edition provides updated information and new entries for England, as well as brand new sections providing thorough coverage of Scotland, Ireland and Wales. The ideal guide for those with a passion for both nature and sculptures.

Techniques Using Slips examines the many techniques of using slips - liquid clay which can be used for decoration on its own or covered with glaze - such as brushing, dipping, trailing and sgraffito amongst others, and uses contemporary potters' works as illustrations. It explains how to make up slips and englobes, as well as ways of using them at higher temperatures, both with and without glazes. The book is illustrated with working potters in action, showing their own personal styles and how they have adapted traditional methods to suit their work today in a modern context. As well as examples of techniques, there are many images of beautiful finished pieces to show what can be achieved.

Porcelain and bone china have fascinated patrons, collectors and makers for centuries. This practical book looks at their composition, making methods and decorative techniques, as well as glazes and firing processes. It examines their different characteristics and explains how designers have worked with these clays within the ceramic industry. This new edition includes an additional chapter that introduces emerging technologies and new materials. It is a beautiful book that gives an authoritative account of these enduring materials, which ceramicists enjoy so passionately. It includes over 250 colour illustrations of instructional photos and inspiring finished pieces.

This book opens up a neglected chapter in the reception of Athenian drama, especially comedy; and it gives stage-centre to a particularly attractive and entertaining series of vase-paintings, which have been generally regarded as marginal curiosities. These are the so-called `phlyax vases', nearly all painted in the Greek cities of South Italy in the period 400 t0 360 BC. Up till now, they have been taken to reflect some kind of local folk-theatre, but Oliver Taplin, prompted especially by three that have only been published in the last twelve years, argues that most, if not all, reflect Athenian comedy of the sort represented by Aristophanes. This bold thesis opens up questions of the relation of tragedy as well as comedy to vase-painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential `export'. It also enriches appreciation of many key aspects of Aristophanic comedy: its metatheatre and self-reference, its use of stage-action and stage-props, its unabashed indecency, and its polarised relationship, even rivalry, with tragedy. The book has assembled thirty-six photographs of vase-paintings. Many are printed here for the first time outside specialist publications that are not readily accessible.

This richly illustrated book presents the life of an artist whose career spans some of the most important developments in the American Clay Movement. With Fire is the story of ceramic artist Richard Hirsch, and an examination of the work for which he is so widely celebrated. This richly illustrated book presents the life of an artist whose career spans some of the most important developments in the American Clay Movement. Hirsch established a connection with the legendary Raku and Ohi families, whose influence created a lasting pedagogical and creative link to the West that continues today. SCOTT MEYER is Professor of Ceramics at the University of Montevallo in Alabama. He has authored numerous articles and is the recipient of many awards for creative excellence and teaching. Meyer's work with Richard Hirsch has spanned studio, kiln, writing and instructional workshops.

This book explores porcelain wares produced by the Reinhold Schlegelmilch Porcelain Factory [marked R. S. Prussia], of Suhl, Germany, and sold to America from 1888 through 1900. The wonderfully molded and decorated plates and platters, tea sets, pitchers, clocks, and decorative objects are described with over 760 beautiful color images. An entire chapter is devoted to the company's charming toy china sets. Displayed are wares formed from a variety of molds (including Fleur-de-Lis and Melon) and patterns (outline transfer, King George, and Coraline patterns, to name a few). Newly discovered mold patterns are included, along with a history of the company's early operations, wholesale and trade catalog pages illustrating wares exported to the United States, the manufacturer's marks employed during this early period, a bibliography, and several appendices. This book will guide all collectors of Victorian porcelain to recognize the early pieces marked R. S. Prussia.

The housewares for every purpose-including the well-known Autumn Leaf Pattern dinner wares, the stories of the salesmen who delivered them, and the history of the Jewel Tea Company that sent them forth are explored in great detail in this fascinating book. Over five hundred color and historic black & white photographs accompany the text. Among the product lines explored are Jewel Tea dining services and all the accoutrements to set the perfect table, kitchen wares and cookbooks, household products recommended to furnish the new bride's home, sales items for men only, and toys for children which may stir fond memories of your own. The chapter on unusual sales and premium items found only in collectors' homes today will delight all who are interested in this major twentieth century firm.

Pottery tells us about religion, daily life, humour, trade, sex, folklore and creativity. Bearing the imprint of their maker more than any other crafted object, ceramics give us a unique physical link to the past, often the only evidence of long-forgotten civilizations that have otherwise crumbled to dust. From ancient Egyptian canopic death jars to ethereally beautiful porcelain, and from lewd Renaissance novelties to sleek contemporary vessels, Around the World in 80 Pots is an eclectic journey across time and cultures. Expertly selected from the unrivalled collection of the University of Oxford's Ashmolean Museum, this compendium shows that humankind's oldest craft is the perfect prism through which to view human history.

This beautifully designed and illustrated book celebrates the career of Jonathan Horne FSA, international authority on English pottery and for forty years a London dealer at the top of his field. With over thirty essays the book covers a broad range of subjects by specialists from around the world including curators, academics and archaeologists. Subjects include the first pottery in James Fort, America; shipping containers for Atlantic ceramic cargoes; Delftware exports to the West Indies; recent archaeological discoveries in London; an 18th-century duke's bill for creamware; delftware, stoneware and Jonathan's Coffee-House; the 16th-century Rheinland stoneware industry in England and William Greatbatch revisited. Contributors include David Gaimster, Aileen Dawson, Timothy Wilson, Janine Skerry, Leslie Grigsby, Ivor Noel Hume, Gaye Blake Roberts, Jan Daniel van Dam, Jacqueline Pearce, Robin Hildyard and Michael Archer. Encompassing a broad range of new research this book is a lasting tribute to Jonathan Horne's many services to English pottery, a subject to which his insight, warmth and scholarship has contributed so much.

"An excellent guide for those aspiring to take up pottery making. [...] While nothing can replace hands-on instruction, this book comes close." Library Journal Starred Review Ready, set, throw! If you've ever wanted to try your hand at the pottery wheel, or if you have ever taken a class and walked away wishing you knew more, you've come to the right place. Welcome to the wheel, from artist and instructor Julia Claire Weber. In The Beginner's Guide to Wheel Throwing, you'll find all you need to develop the skills (and patience) you need to make your first forms. You'll start at the beginning of the process with a tour through a typical ceramics studio, a discussion of the best clays for throwing, as well as a variety of centering methods. Then unleash your creativity with the chapters that follow. You'll find: Starter projects like cups, bowls, and plates to hone your skills. Tutorials on important topics like trimming and handles. A unique decal workshop, unlocking the potential of image transfer. Throughout the book, skill-building is front and center, with tips and tricks to help you crack the code and make pieces you're proud of. Gallery work from some of today's top artists are sure to inspire potters of all levels. What will you make first? For beginners and those returning to ceramics, the Essential Ceramics Skills series from Quarry Books offer the fundamentals along with fresh, contemporary, and simple projects that build skills progressively.

This text explains simply, step-by-step, how even inexperienced amateurs can achieve excellent results when they embark on porcelain restoration. Would-be restorers are introduced to the many options available and encouraged to discover which techniques suit their individual circumstances.;Each stage in the process is illustrated and there is advice on the functions and uses of specialist tools. The book should prove of use to the experienced professional restorer as well as the novice.

This lively, photo-filled reference book is a delight for all interested in figural pottery. The American Bisque Pottery, operating in Williamstown, West Virginia from 1919 to 1982, and the American Pottery Company produced popular cookie jars, ashtrays, doorstops, sprinkle bottles, banks, planters, lamps and much more. Many of these items have never been pictured in any book before. With American Bisque in hand, you will be able to identify little-known pieces including airbrushed planters of yarn dolls as well as the most sought-after cookie jars.

Only recently recognized for its many contributions to ceramics found throughout the world, the Scottish pottery industry has existed for more than two hundred years. Rather than compete with England's famed potteries to the south, Scotland focused on the export market, sending its colorful and decorative wares to America, Canada, and many parts of Southeast Asia. Widely enjoyed, these popular and affordable wares were usually not marked. Their Scottish origin, therefore, remained largely unknown and--until now--unappreciated. This book sets the record straight. Over 630 striking color photographs showcase the multi-hued dinnerware, vases, plaques, figurines, and other ceramic items that can now be rightfully attributed to the prolific Scottish potteries. Separate, descriptive chapters feature brief histories of the most important potteries, a discussion of the wares produced, listings of the pottery descriptions and patterns, plus relevant readings. Additional chapters highlight spongeware techniques, Scottish jugs, and the "Glasgow Girls"--talented pottery painters from the late nineteenth century. This invaluable resource also includes values for all items, a helpful glossary, and a detailed index.

A comprehensive survey of ceramic wares produced by the Trenton Potteries Company of Trenton, New Jersey, throughout its existence, from 1892 to 1950 is presented with particular attention to the artware lines of in the 1930s and 1940s. Over 290 vibrant color photographs illustrate these beautiful deco vases, lamps and wall pockets, and neo-classical centerpieces, candlesticks, and jardinieres. Also included are a brief history of the company, a review of its manufacturer's marks, advice for collectors, a bibliography, and an index. Current market values are included in the captions.

The human figure in sculpture is a powerful form, capable of great expression and depth. Sculpting the figure in any medium is a rewarding practice, but one that presents special challenges for the maker. Tanya Russell, founder and principal of the Art Academy in London, details the whole creative process for sculpting the figure, from the fundamental conceptual and practical considerations through to the finished and presented work. She covers essential tools and equipment, methods for building armatures, and the processes for creating not only realistic, but also abstract and expressive figures, in a variety of styles and materials. Techniques are supported by practical exercises with step-by-step instructions and images. The book is filled with the inspiring works of contemporary sculptors, all of whom are tutors, students, or alumni of the Art Academy. Modelling and Sculpting the Figure is an essential companion for beginners and established artists alike.

The revised edition of our successful Raku book. Completely re-designed, black and white images have been replaced with colour and many new makers have been added to the gallery of artists, which is an overview of the contemporary scene and makes up about a third of the book. The text is almost completely re-written and updated with recent developments. This book is a comprehensive overview of raku, covering the history, clay types and firing of raku, as well as the glazes, techniques and reduction processes. The new edition also looks at the development of raku over the last 20 years, and at changes in the way it is perceived.

East Greek Pottery provides the only dedicated study of the pottery created by the Greek settlers along the western coast of Turkey between 1100 and 500 BC. The authors examine in detail significant developments in shape, material and decoration from the emergence of the protogeometric style in the eleventh century to the fifth century BC, when competition from Athenian imports forced craftsmen to use only very simple ornamentation. The twenty-three chapters offer a comprehensive style-by-style analysis of both familiar and lesser-known pottery types, including Grey ware, relief ware and archaic trade amphorae.
With full illustration, thorough referencing and authoritative interpretation of the archaeological evidence, this volume is a unique and accessible guide to an area of study which has often been neglected.

"Radical and inspiring ... Yanagi's vision puts the connection between heart and hand before the transient and commercial" - Edmund de Waal The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.

Ceramics are an unparalleled resource for women's lives in ancient Greece, since they show a huge number of female types and activities. Yet it can be difficult to interpret the meanings of these images, especially when they seem to conflict with literary sources. This much-needed study shows that it is vital to see the vases as archaeology as well as art, since context is the key to understanding which images can stand as evidence for the real lives of women, and which should be reassessed.
Sian Lewis considers the full range of female existence in classical Greece - childhood and old age, unfree and foreign status, and the ageless woman characteristic of Athenian red-figure painting.

Fired Clay in Four Porcelain Clusters examines how energy use in the ceramics-making industry has evolved as a result of technological advancements and changing social norms and ideas in environmental conservation. Three main research themes are highlighted. First, the book examines how the evolving use of energy fuels has impacted the developmental history of the ceramics-making industry, especially with regard to productive output. The second theme focuses on energy use by networks of specialists and technicians in ceramics-making artistic clusters and how ceramicist communities in the world organize themselves institutionally to maximize resource-sharing. Third, at a cognitive level, the volume studies changes in production and design, environmental thinking, energy use, and aesthetic trends among ceramicists and consumers. The four cities or towns of Arita, Hong Kong, Jingdezhen, and Yingge are the settings for this research.

This exquisite gift book explores the phenomenon of 'garnitures', or matching sets of ceramic vases. From the 1650s such sets were used in elite European interiors as an integral part of the decorative scheme; displayed on chimney-pieces, cupboards, tables or over doors, they 'garnished' the interior and so enhanced the status of the owner. The fashion began in Europe using mismatched Chinese porcelain beakers and jars. As imports of Chinese porcelain ceased between 1657 and 1683, European potters at Never and Delft copied the originally exotic forms, unifying the sets with matching patters, or with metal mounts. The fashion continued throughout the 1700s, with almost every ceramic manufactory producing examples, but came to its conclusion during the Arts and Crafts period, when the singular vase became the rage and many sets were broken up and dispersed. This book brings together some of the National Trust's most important sets of garnitures, showing them in their historic context, many have never been published before.

In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.

The classic porcelain painting from Meissen ranks among the most beautiful and precious of all that the porcelain art has produced. The author shows, in many colored step-by-step illustrations, how the porcelain painter can personally create decorations in the Meissen manner. Especially popular are the thirty-six flower motifs and the classic onion pattern, as well as the green grapevine decoration.