William Daley's geometric ceramic vessels explore the synthesis
between interior and exterior, volume and surface, form and symbol.
Their unglazed surfaces echo architectural spaces and rhythms.
Daley is an innovative artist-educator who helped revolutionize
arts education post World War II. Success in his explorations led
to many commissions for large-scale public and private screens and
sculptures, executed in both bronze and ceramics. This
retrospective of the ceramic art of William Daley spans two
centuries, from the 1950s through the early 2000s. The text
includes an essay by Ruth Fine, Curator of Special Projects for
Washington's National Gallery of Art and a foreword by Daley's
gallery representative Helen Drutt English. Over 300 brilliant
images reveal the ceramic vessels Daley has created, including
commissioned work. Also included in the text are William Daley's
essays and articles on transforming mud to fired stoneware, his use
of "sacred geometry," descriptions of his process in building pots
and sculptural commissions, as well as his thoughts on teaching.
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