for SATB and organ This moving and prayerful arrangement of the well-known traditional song was written in memory of Nelson Mandela. Rutter treats the melody in simple yet varied ways, with a mixture of unison and four-part choral textures, into which the organ is gently interwoven. The piece reaches a dynamic and emotional peak in the fourth and final verse, before a quiet and reflective ending.

for SATB and organ Archer's setting of this well-known Christmas text is lilting and buoyant, with a memorable melody and charming organ interludes. Suitable for liturgical or concert use, the carol features great textual variety, building to a rousing finish that is sure to fill audiences with Christmas cheer!

In this volume fifteen musicologists from five countries present new findings and observations concerning the production, distribution and use of music manuscripts and prints in seventeenth-century Europe. A special emphasis is laid on the Duben Collection, one of the largest music collections of seventeenth-century Europe, preserved at the Uppsala University Library. The papers in this volume were initially presented at an international conference at Uppsala University in September 2006, held on the occasion of the launching of The Duben Collection Database Catalogue on the Internet. For the first time, the entire collection had been made acessible worldwide, covering a vast number of musical and philological aspects of all items in the collection.

for children's choir and piano Written for Children's International Voices, this delightfully uplifting piece will appeal to children's choirs everywhere. A highly singable melody alternates between unison and two parts, and the words, written by the composer, are full of excited optimism for the future. Rutter skilfully combines a flowing character with a strong rhythmic pulse, and the piano accompaniment provides harmonic support throughout.

for solo soprano and SSATB Written for the wedding of the composer's niece in 2012, this piece affectionately sets a poem of the same title by Robert Burns. It was first performed by Chantage in London's Church of Scotland, St Columba's, conducted by James Davey. With something intrinsically Scottish about it, this tender setting of the well-loved poem, although written specifically for a wedding, would suit almost any occasion.

for SATB and piano or orchestra Written for the Mormon Tabernacle Choir, this new arrangement of the well-known spiritual is presented in two versions: one for mixed chorus and the other for men's voices. Each version opens gently with an effective unaccompanied unison section, and the accompaniment and further choral parts are gradually added. In classic Wilberg style, the piece builds up verse by verse with expanding textures, via two upward modulations, towards a grand and triumphant climax, leaving no doubt about the joy expressed in the text. Orchestral material is available on hire/rental.

for TTBB and piano or orchestra Written for the Mormon Tabernacle Choir, this new arrangement of the well-known spiritual is presented in two versions: one for mixed chorus and the other for men's voices. Each version opens gently with an effective unaccompanied unison section, and the accompaniment and further choral parts are gradually added. In classic Wilberg style, the piece builds up verse by verse with expanding textures, via two upward modulations, towards a grand and triumphant climax, leaving no doubt about the joy expressed in the text. The male-voice version of He's got the whole world in his hands features on the CD 'Men of the Mormon Tabernacle Choir', with the Orchestra at Temple Square, conducted by Mack Wilberg (SKU 5053126). Orchestral material is available on hire/rental.

for soloists, SATB, and organ Written for the Choir of Wells Cathedral, of which Matthew Owens is Organist and Master of the Choristers, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist, who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other, smaller, solo roles of Judas (tenor), Pilate (tenor), Jesus (bass), and Pilate's wife (alto) continue in the same vein, with four-part choral interspersions from the crowds, soldiers, and priests providing a contrast in texture. The hymn 'When I survey the wondrous cross', set to the Rockingham hymn tune, appears twice throughout the work, and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn, and may also optionally double the choir during the narrative.

for SAA and piano Exhibiting Chydenius's unique style, this contemplative ballad sets a wistful text by American lyrical poet Sara Teasdale. The close harmonies, persuasive melodies, and appealing syncopations in the voices are underpinned by a stylistic piano part with a rhythmic chord pattern that creates a sense of build and drive. The Kiss is ideal for upper-voice choirs looking for an evocative concert piece.

for SAATB unaccompanied A piece made famous by the award-winning a cappella group Vocado, Coffee Time is an upbeat dedication to the down time we all crave, for sharing thoughts, silence, and that aroma! Founded on classic a cappella style and sense of fun, the piece boasts an infectious melody and bossa nova rhythm, with sumptuous key changes, scat rhythms, and contrasting sections. The piece is perfect for vocal groups or small- to medium-size choirs, and has the makings of a great encore or competition piece.

for TTBB and piano or organ or small orchestra Originally published in versions for SA and SATB voices, this classic Rutter anthem has now been adapted by the composer for performance by male-voice choirs. The flowing choral melodies perfectly complement the positive message of the well-known thanksgiving text by F. S. Pierpoint, and the gentle, arpeggiated keyboard part provides a supportive harmonic accompaniment.

for unison or 2-part choir and organ or piano This setting of the well-known hymn text 'Christ the Lord is risen again!' features bright vocal lines and an energetic accompaniment. The scoring is flexible, allowing performance with either one or two vocal parts made up of upper, lower, or mixed voices. Offprinted from The Oxford Book of Easy Flexible Anthems.

for TTBB (and two soloists) unaccompanied This is a stirring arrangement of the gospel classic for unaccompanied male voices, with two idiomatic solos. The popular text uses the imagery of combat to express faithfulness to God, and Jefferson's characterful arrangement of the familiar melody features swing rhythms, jazz harmonies, and scat-style accompaniments. Also available in an SATB version.

for SATB and organ, small ensemble, or orchestra With a restrained tempo and expressive harmonies, this tender anthem sets an extract from the Book of Common Prayer that implores God to listen to our prayers. Originally published as the sixth movement in Chilcott's Requiem, Thou knowest, Lord contains a new organ accompaniment specially prepared for this leaflet edition. Choirs can alternatively perform this anthem with a small ensemble or orchestral accompaniment, with parts available for hire/rental from the hire library.

for SATB with keyboard Setting a 15th century text, this popular carol on the birth of Jesus is flowing and expressive. It has been recorded by the Cambridge Singers (directed by John Rutter) on the Collegium CD Christmas Night (COLCD 106). Full scores and parts for John Rutters accompaniment for string orchestra are available on sale.

All children must have an opportunity to share the joy of choral music participation - whether in school, church, or community choirs. What happens before the singing begins, is critical to supporting, sustaining, and nurturing choirs to give every child the opportunity to experience the wonder of choral singing. Based on years of experience conducting and teaching, Barbara Tagg brings a wealth of practical information about ways of organizing choirs. From classroom choirs, to mission statements, boards of directors, commissioning, auditioning, and repertoire, Before the Singing will inspire new ways of thinking about how choirs organize their daily tasks. The collaborative community that surrounds a choir includes conductors, music educators, church choir directors, board members, volunteers, staff, administrators, and university students in music education and nonprofit arts management degree programs. For all these, Tagg offers a wealth of knowledge about creating a positive environment to support artistry, creativity, dedication, and a commitment to striving for excellence.

for SATB and organ or orchestra This gentle yet uplifting carol was commissioned for the Choir of King's College, Cambridge, and was first performed during the 2012 Festival of Nine Lessons and Carols. Rutter's gift for melody is in evidence throughout the work, with a sense of hushed awe leading to moments of glorious optimism. The text, written by the composer, is inspired by the fifteenth-century Corpus Christi Carol.

for SSATB and organ This attractive and uplifting anthem sets the text of the Eastertide Vidi aquam antiphon. Different parts of the text are treated to contrasting musical ideas, including extended melismatic upper-voice passages and mainly homophonic full-choir sections, and the undulating organ part represents the flowing water of the text. A welcome addition to a service or concert programme for all fans of Gabriel Jackson's music. Commissioned by the Friends of Lincoln Cathedral for their 75th anniversary and first performed by the Choir of Lincoln Cathedral with Charles Harrison (organ), directed by Aric Prentice, on 25 June 2011.

For SATB (divisi) with 2 soprano solos

for SSA, piano, and optional bass and drum kit This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the expectation of the listener by setting each classic text in a different jazz-inspired style-from the laid-back swing of 'The Echoing Green' and ballad-like setting of 'The Lamb' to a lilting jazz waltz, 'The Little Boy Lost/The Little Boy Found'. The voices are underpinned by a stylistic piano part, which may be played as written or serve as a guide, and a part for bass and drum kit is available separately for jazz trio accompaniment. Ideal for performance individually or as a suite, these innovative songs will make a colourful addition to any concert programme.

for SATB unaccompanied Let nothing trouble you is a striking and atmospheric setting of a prayer by the Spanish mystic, St Teresa of Avila. This work is both comforting and meditative, reflecting the mood of the text, and the music adds a beautifully haunting quality, through the use of a murmuring two-note motif, widely arching melodies, and reflective imitation. Commissioned by The Genesis Foundation for Harry Christophers and The Sixteen, this piece has been recorded by them on the disc 'O Guiding Night' (COR16090).