Dr. Hilary Koprowski is the pioneer of live polio vaccine, the first researcher to advance the diagnostic and therapeutic use of monoclonal antibodies, and the developer of the "gold standard" rabies vaccine. A world-reknowned maverick in biomedical research, Koprowski's research methods were often considered controversial and even radical. Nonetheless, he acquired key positions in many research organizations, such as the Rockefeller Foundation, Lederle Labs, and Wistar Institute, initiating landmark studies from cancer research to multiple sclerosis. One of his crowning achievements, the successful crusade for monoclonal antibodies, resulted in his founding of Centocor, a forerunner in the corporate world of biomedicine. This account of Koprowski's life history is a mixture of personal interviews, anecdotes, and legends of the art and science behind the man.

THE ULTIMATE EDITION - EXPANDED AND UPDATED WITH MORE THAN 70,000 WORDS OF NEW MATERIALCritically acclaimed in its previous editions, The Complete David Bowie is recognized as the foremost source of analysis and information on every facet of Bowie's work. The A-Z of songs and the day-by-day dateline are the most complete ever published. From his boyhood skiffle performance at the 18th Bromley Scouts' Summer Camp, to the majesty of his final masterpiece Blackstar, every aspect of David Bowie's extraordinary career is explored and dissected by Nicholas Pegg's unrivalled combination of in-depth knowledge and penetrating insight.* The Albums - detailed production history and analysis of every album.*The Songs - hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities - from 'Absolute Beginners' to 'Ziggy Stardust', from 'Abdulmajid' to 'Zion'.* The Tours - set-lists and histories of every live show.* The Actor - a complete guide to Bowie's career on stage and screen.* Plus - the videos, the BBC radio sessions, the paintings, the internet and much more.

This is the first book to focus exclusively on Vincent Persichetti, whose widespread influence as composer, conductor, and educator has had a significant impact on twentieth-century American music. A gifted pianist, Persichetti often performed the works of others as well as his own, and many of his compositions have become classics of the twentieth-century repertoire. Because of his long teaching career and guest appearances at universities throughout the United States, Persichetti became an important figure in American musical education as well, and is the author of the definitive textbook on twentieth-century harmony. The present volume contains the most extensive selection of biographical material ever published on Persichetti, and provides a listing of his compositions by chronology and opus number. It details the premiere of each work and describes other major performances, which are cross-referenced to citations in the bibliography and discography. Following the annotated bibliography of more than 507 entries on all aspects of Persichetti's style and music is an annotated bibliographical section on Persichetti's writings. There is an extensive discography of commercially produced recordings which includes, for each selection, information on performers date of issue and recording company. In addition, the appendixes provide alphabetical, chronological, and opus-number-order listing of all his works. This volume, Number 16 in The Music Reference Collection: Bio-Bibliographies in Music, is intended as an introduction to Persichetti's life and work, and it provides a source of useful research materials for scholars, educators performers, historians, and professionals in the field of music.

Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacre, Arnold Shaw, and Dick Shurman Fifty years after Charley Patton's death in 1934, a team of blues experts gathered five thousand miles from Dockery Farms at the University of Liege in Belgium to honor the life and music of the most influential artist of the Mississippi Delta blues. This volume brings together essays from that international symposium on Charley Patton and Mississippi blues traditions, influences, and comparisons. Originally published by Presses Universitaires de Liege in Belgium, this collection has been revised and updated with a new foreword by William Ferris, new images added, and some essays translated into English for the first time. Patton's personal life and his recorded music bear witness to how he endured and prevailed in his struggle as a black man during the early twentieth century. Within this volume, that story offers hope and wonder. Organized in two parts--""Origins and Traditions"" and ""Comparison with Other Regional Styles and Mutual Influence""--the essays create an invaluable resource on the life and music of this early master. Written by a distinguished group of scholars, these pieces secure the legacy of Charley Patton as the fountainhead of Mississippi Delta blues.

This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.

Ulrich thinks he got the ultimate fan trip-to play, record, and tour with his favourite band, Dead Can Dance. His memoir details the early days, from signing with 4AD, recording their first album, then heading off on tour with the Cocteau Twins. There follow insights into the legendary period of the 4AD label of the 1980s; contributing to This Mortal Coil; guesting with Wolfgang Press, Pieter Nooten and Michael Brook, and Modern English; and touring the US for the first time in 1990. Following his departure from DCD, Ulrich remained close with Brendan Perry and Lisa Gerrard, and his memoir tracks their parallel paths over the following decades. A must for fans of Dead Can Dance and the 4AD label, and at the same time, a fascinating slalom through the ups and downs of trying to pursue a vision through the music industry.

To this day, they were, their fans believe, the best band in the world. Critics and sales figures told a similar story. Yet for all their brilliance and adoration - their famously energetic live shows routinely interrupted by stage invasions - The Smiths were continually plagued by their reticence to play the game, and by the time of 1987's Strangeways Here We Come, they had split. Tony Fletcher's A Light That Never Goes Out - part celebration, part paean - moves from Manchester in the nineteenth-century to the present day to tell the complete story of The Smiths. The product of extensive research and unprecedented access, it will serve to confirm The Smiths as one of the most important and influential rock groups of all time.

Alphabetically arranged entries summarize the professional careers of over 500 percussionists from various musical venues. Due to the shrinking global village, ethnic percussion was rediscovered and incorporated into the concert hall. Since percussion transcends all musical styles, it often is featured center stage as a solo or ensemble in heterogeneous musical settings. These excerpts represent percussionists who spent the majority of their lives performing as collaborative or solo artists or working as inventors or manufacturers of percussion instruments. Where applicable, select discographies, bibliographies, and videographies accompany the entries.

This detailed reference will appeal to professional percussionists, instructors, and percussion historians. Data has been compiled from numerous disparate sources and entries are cross referenced. Individual bibliographies include articles by or about the person and a general bibliography lists broader reference works. Discographies and videographies reflect samples of an artist's work. Select photographs complement the text.

To study this composer is to study the tastes and trends of the American people from 1912 through World War II. This bio-bibliography presents Carpenter's life and works, as well as the contemporary views, reviews, and criticisms that reveal historical attitudes and prejudices of American life in those troubled times. Looking back several decades, it is possible to discover what was enduring, what was transitory, and what elements would become important to our present state of musical composition. This volume includes a biography, a list of works and performances, a discography, and an annotated bibliography and will be of interest to students of music, dancers and choreographers, history buffs, and music lovers alike. Throughout, one will find many gems from reviews.

Although Carpenter was an American with a Harvard education who quoted American popular tunes, he was also an eclectic. He wrote many works in a French impressionistic style, some with Germanic forms, and sometimes borrowing Spanish, Russian, and Oriental melodies, rhythms, and instruments. He was inspired by programmatic ideas and even wrote the program notes for his Adventures in a Perambulator suite. Humor and fantasy can be found in this suite, which depicts a baby's stroll through the park with its nurse, and in Krazy Kat, his jazz pantomime based on George Herriman's cartoon strip. Jazz first appeared at the Metropolitan Opera House in the 1926 production of Skyscrapers, Carpenter's ballet of work and play. Carpenter was born in Park Ridge, Illinois, 28 February 1876 and died 26 April 1951 in Chicago. New recordings of his music have recently been issued in LP and CD formats.

THE TIMES TOP 10 BESTSELLER A GUARDIAN, TELEGRAPH, THE TIMES, IRISH TIMES, ROUGH TRADE, MOJO, CLASH, ROLLING STONE, UNCUT BOOK OF THE YEAR From award-winning musician and composer Warren Ellis comes the unexpected and inspiring story of a piece of chewing gum. FEATURING AN INTRODUCTION BY NICK CAVE 'Warren has turned this memento, snatched from his idol's piano in a moment of rapture, into a genuine religious artefact.' NICK CAVE 'Such a mad, happy book about art and music and obsession. I'm so glad I got to read it. It made the world feel lighter.' NEIL GAIMAN 'In praise of meaning-rich relics and magical things. Totally heartwarming project.' MAX PORTER 'A unique study of a fan's devotion, of transcendence and of the artistic vocation - it's got depth and great warmth. It's a beautiful piece of work.' KEVIN BARRY I hadn't opened the towel that contained her gum since 2013. The last person to touch it was Nina Simone, her saliva and fingerprints unsullied. The idea that it was still in her towel was something I had drawn strength from. I thought each time I opened it some of Nina Simone's spirit would vanish. In many ways that thought was more important than the gum itself. On Thursday 1 July, 1999, Dr Nina Simone gave a rare performance as part of Nick Cave's Meltdown Festival. After the show, in a state of awe, Warren Ellis crept onto the stage, took Dr Simone's piece of chewed gum from the piano, wrapped it in her stage towel and put it in a Tower Records bag. The gum remained with him for twenty years; a sacred totem, his creative muse, a conduit that would eventually take Ellis back to his childhood and his relationship with found objects, growing in significance with every passing year. Nina Simone's Gum is about how something so small can form beautiful connections between people. It is a story about the meaning we place on things, on experiences, and how they become imbued with spirituality. It is a celebration of artistic process, friendship, understanding and love. 'This is such a beautiful f*@king book. Thank you, Warren. I highly recommend this motherf*@ker.' FLEA 'A beautifully written book about the power of music and objects. I powered through it in two days.' COURTNEY BARNETT 'A moving, inspiration insight into a beautiful mind.' JIM JARMUSCH 'The year's most eccentric and joyful musical memoir.' DAILY TELEGRAPH (Books of the year) '[Nina Simone's Gum] is a metaphor for [Ellis'] creativity - the blossoming of a small idea into something bigger and bolder - but also a journey inside the impulsive, improvisatory mind of Warren Ellis, his passions, obsessions and superstitions.' OBSERVER '[A] beautiful, strikingly idiosyncratic book - part memoir, part essay, part conceptual art project, all testament to humans at their strangest and best . . . [Ellis] sees signifiance where others might not.' MOJO 'A glorious piece of object fetishism . . . Marvel as Ellis' collection of eccentric personal mementos morphs into a celebration of the intangible wonder of music.' UNCUT 'Wonderful.' THE TIMES 'The most peculiar book I've ever read.' CRAIG BROWN, MAIL ON SUNDAY 'Delightful . . . A joy from start to finish.' BIG ISSUE 'A joyous work full of love, connection, creativity and gratitude.' THE SPECTATOR 'Completely charming and joyful . . . glorious.' LA REVIEW OF BOOKS 'Beautiful . . . remarkable.' NEW EUROPEAN

Carpet Burns is Tom Hingley's account of his life as lead singer of Inspiral Carpets, one of the big three bands of the Manchester movement who, along with The Stone Roses and Happy Mondays, changed music for a generation. Tom's own words provide an account of what it felt like to be in the eye of a pop hurricane and what happens when the hits end and the arguments kick in.

Anthony Milner, who is recognized as Britain's leading Catholic composer, has been widely praised for his ability to combine freshness and originality with a thorough grounding in the historic traditions of music. Although his choral works on religious themes have attracted a wide audience, his instrumental works also have a prominent place in the modern repertoire. This new bio-bibliography is the first book devoted to Milner's music and career. It provides fully annotated catalogues of his compositions, performances and reviews of his works, and his achievements as a teacher, writer, and lecturer. The volume begins with a biographical survey of the life and works of Anthony Milner. A works and performances section presents a catalogue arranged alphabetically by genre and supplying descriptive notes and information on commissions, texts, scoring, and publication. A bibliography of some 400 references by or about Milner lists books, articles, magazine and newspaper reviews, published or broadcast talks, lectures and interviews, record album essays, and other publications. Quotations or summaries of the contents are provided. The volume includes a complete discography as well as several supplemental lists that will help the reader locate specific information. A research tool for performers, conductors, music critics, and specialists in musicology or church music, this work will be a useful addition to collections in contemporary, choral or liturgical music.

Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.

Shooting at the Moon celebrates the music and lyrics of Kevin Ayers, one of the great bohemian voices of British music. Kevin Ayers was an English singer-songwriter who was a major influential force in the English psychedelic movement and a founding member of the band Soft Machine in the 60s. With introductions by Galen Ayers, Josh Payne and Robert Wyatt, this book includes all the lyrics from Ayers' solo career and documents a period of the UK music scene between Psychedelia and Glam Rock. Immerse yourself in the world of this influential cult singer-songwriter, with pages from his own notebooks, exclusive photographs, Ayers' own collages and the occasional recipe.

First published in 2011, this text provides citations to the core Holst literature. The volume is intended for students and researchers, as well as those seeking an introduction to Holst. The inclusion of materials for the non- specialist seems entirely appropriate as Holst devoted much of his career to teaching amateur musicians. The contents of this book presents a selective, annotated list of essential materials published through the end of 2009, although a very few exceptions were made for a limited number of post-2009 print and web resources.

Presenting information heretofore difficult or impossible to find in English, this work opens a window on the colorful panorama of Finnish music. The 500-plus entries present historical and modern composers, the accomplishments of hundreds of internationally acclaimed performing artists, as well as more general articles on folk music, early manuscripts and publications, cantors and hymnals, early Roman Catholic, Eastern Orthodox, and Lutheran music, leading orchestras and choral groups, festivals, and much more. No other such extensive and comprehensive work on Finnish music exists in any language other than Finnish and Swedish. This English-language dictionary makes the subject available to readers throughout the world. In addition to the entries, chronologies of Finnish history and Finnish music, as well as a map of Finland, correlate history and locations with the entries. A general bibliography and entry-specific bibliographies offer further resources. The Dictionary interprets a sometimes limited amount of available information, describing forms and styles of compositions, operatic roles performed, the content of scholarly work, and significant and unusual events in the lives of the musicians.

This biography offers students and general readers an insightful look into Jerry Garcia's creative genius as a founding member of The Grateful Dead and the various influences on his work as he contributed to the countercultural movement in the United States.

As a founding member of The Grateful Dead, Jerry Garcia became famous for his work as a key creative force in this band. Known for free flowing jam sessions, psychedelic drug use, and a loyal fan base, The Grateful Dead combined a variety of genres, including blues, folk and country rock to create new and different sounds than those used by other popular bands at the time, including The Rolling Stones and The Beatles. Garcia contributed significantly to an era in American music that was influenced by social changes, war, and political strife. Yet Garcia's creative genius expanded beyond the fame that came as lead guitarist and vocalist for the Dead. From the time he was a young boy learning to play the piano in the Excelsior district of San Francisco, Garcia explored various genres and forms of music and visual art. This biography offers students and general readers an insightful look into Garcia's creative genius and the various influences on his work as he contributed to the counter-cultural movement in the United States.

Niemen Enigmatic is the fourth album in the career of Czeslaw Niemen, arguably one of the greatest Polish musicians of all time (from pop and rock to jazz-rock and avant-garde). The book asks how significant was this album? How enduring is its popularity? Has the popularity and meanings changed over time? It does this by unpacking its production, which was unprecedented in the history of the Polish popular music due to its large number of musicians with varied backgrounds, including progressive rock, mixing jazz, rock and soul with classical music. It also examines its appeal to different segments of Polish population, and failure to reach foreign audiences, despite Niemen himself privileging this album, especially its centrepiece, Bema pamieci zalobny rapsod (Mournful Rhapsody in Memoriam of Bem aka A Funeral Rhapsody in Memory of General Bem aka Mourner’s Rhapsody), in his attempt to make a career abroad.

At ninety, musician and singer Tony Bennett is as vibrant and productive as ever. In addition to his prodigious musical output, including albums, concerts, and personal appearances, this beloved and enduring artist has written his second book. In 2012's Life Is a Gift, Tony reflected on the lessons he has learned over the years. Now, in Just Getting Started, he pays homage to the remarkable people who inspired those lessons. In his warm and inviting voice, Tony talks about who and what have enriched his own life, including Charlie Chaplin, Judy Garland, Dr. Martin Luther King, Jr., Cole Porter, Amy Winehouse, Fred Astaire, Lady Gaga, members of his family, significant places, and more. Just Getting Started chronicles the relationship Tony has enjoyed with each one of these legends, entertainers, humanitarians, and loved ones, and reveals how the lessons and values they imparted have invaluably shaped his life. As enchanting and unforgettable as his music, Just Getting Started is a beautiful compilation of reflections every Bennett fan will treasure, and a perfect introduction for those just getting to know this remarkable star and humanitarian.

Bright Star of the West traces the life, repertoire, and influence of Joe Heaney, Ireland's greatest sean-nos ("old style") singer. Born in 1919, Joe Heaney grew up in a politically volatile time, as his native Ireland became a democracy. He found work and relative fame as a singer in London before moving to Scotland. Eventually, like many others searching for greater opportunity, he emigrated to the United States, where he worked as a doorman while supplementing his income with appearances at folk festivals, concerts and clubs. As his reputation and following grew, Heaney gained entry to the folk music scene and began leading workshops as a visiting artist at several universities. In 1982 the National Endowment for the Arts awarded Heaney America's highest honor in folk and traditional arts, the prestigious National Heritage Fellowship. Heaney's works did not become truly popular in his homeland until many years after his death. Today he is hailed as a seminal figure of traditional song and is revered by those who follow traditional music.
Authors Sean Williams and Lillis O Laoire address larger questions about song, identity, and culture. They explore the deep ambivalence both the Irish and Irish-Americans felt toward the traditional aspects of their culture, examining other critical issues, such as gender and masculinity, authenticity, and contemporary marketing and consumption of sean-nos singing in both Ireland and the United States. Comingling Heaney's own words with the authors' comprehensive research and analysis, Bright Star of the West weaves a poignant critical biography of the man, the music, and his continuing legacy in Ireland and the United States."