In this original memoir following Billy Idol from his childhood in England to his fame at the height of the punk-pop revolution, the iconic superstar tells the real story behind the sex, drugs and rock 'n' roll that he is famous for. A member of the punk rock revolution whose music crossed over into the pop mainstream during the 1980s, Billy Idol is a rock 'n' roll legend. Dancing With Myselfwill cover the events and the people who shaped his life, his music, and his career, including accounts of his childhood in England and the U.S., his year at Sussex University, his membership in the Bromley Contingent, his period spent hanging out with the Sex Pistols, his time in Siouxsie and the Banshees, Chelsea, and Generation X. Idol also tackles his successful solo career, which involved collaboration with Steve Stevens and, ultimately, some of the most influential, ground-breaking music videos ever seen on MTV. In Dancing With Myself, Idol renders detailed accounts of his life's highs and lows with the unapologetically in-your-face attitude and exuberance that made him famous. In part a survivor's story, but equally a very funny and always riveting account of one man's creative drive.

Contents Include: Childhood and Youth In Search of a Career The Teaching of Experience Marriage and Artistic Progress Growing Mastery Gradual Recognition and Fame Full Maturity Continued Creative Activity Fame at Home and Abroad The Elgar Festival and Knighthood Honours Continue Violin Concerto and Second Symphony 'Falstaff' and the War Music Chamber Music and Cello Concerto Music of the Last Phase Last Days and Unfinished Works Conclusion.'It is difficult to imagine that any one could draw a more intimate and helpful picture of a great man than Mr. Reed has done of Elgar. Even to those who knew Elgar's works well this book will be instructive and helpful' Manchester Evening NewsKeywords: Cello Music Music Chamber Chamber Music War Music Cello Concerto Violin Concerto Elgar Manchester Evening News Mr Reed Creative Activity Artistic Progress Knighthood Falstaff Great Man Mastery Maturity

The Beatles are not only a rock n' roll group, but a social and cultural phenomenon that have captivated music fans for decades. For many, John Lennon, Paul McCartney, George Harrison and Ringo Starr changed everything. This guide distils their amazing story into 101 informative and entertaining chapters, taking you from their rough and ready early Liverpool days through their world-shattering success in sound, stage and screen, to an afterlife that could never have been predicted when they first started out. Here, you'll find facts and figures about their chartbusting songs, albums and films, meet the people that helped them along the way, and visit milestones and controversies such as their first appearance on the Ed Sullivan show, meeting Elvis Presley, John Lennon's 'Bigger than Jesus' comments, experimenting with drugs and the avant-garde, and starting up Apple. The Beatles 101 is a perfect introduction for new fans, a refresher for superfans, and ideal reading for quizmasters everywhere.

David Guetta: The Songbook is a collection of 42 hit songs from the world’s biggest DJ, arranged for piano, voice and guitar for the first time in one book. This artist-approved songbook features a 4-page colour photo section and includes Number 1 hits such as Titanium, When Love Takes Over and Club Can’t Handle Me.

Howard Hanson details the career and works of a composer called by several critics "the most important figure in American music in the second quarter of the 20th century." Hanson's compositions elicited the broadest possible range of critical reaction. While early works from the 1920s were viewed as dissonant, avant-garde experimentations, within a decade his compositions in a similar style were viewed as solid, conservative works. Within this range, it was generally agreed that Hanson represented the best in solid compositional and orchestrational technique, and audiences greeted his new compositions with unquestioned approval throughout his 60-plus year career. As an important proponent of American music during his forty year tenure as Director of the Eastman School of Music, he conducted premieres of literally thousands of works by American composers and always encouraged young American composers.

Consisting of six studies that present hermeneutical analyses of Wagnerian dramas, this book discusses Wagner's mature single dramas from Hollander to Parsifal with reference to the concept of Romantic irony and the basic theoretical orientation of post-structuralism. Wagner is best known as a composer of mythological works, but these music-dramas contain basic problems that essentially contradict what is regarded as their mythological or legendary nature. They all self-referentially play out certain critical processes. Focusing on the very issue of interpretation, this work asks how Wagner's dramas use their legendary or mythological raw material in a specifically 19th-century Romantic way to create meaning. It is argued that by means of Romantic irony, internal self-reflection or self-consciousness, each work deconstructs its own mythological or legendary nature. Musicologists with an interest in Wagner's works, and literary scholars who are interested in interdisciplinary applications of literary-critical theory, will appreciate this unique application of literary, theoretical, and critical concepts to the understanding of his music-dramas. This work will also appeal to scholars of German literature and of German cultural history. It discusses Wagner's single dramas from Hollander to Parsifal.

John McCabe is a thoroughly documented bio-bibliography of one of Britain's leading composers. John McCabe has an international reputation, both as a composer and a pianist, whose compositions cover most of the established forms. The complete list of his works and performances have never before been presented in such detail. Articles and features by and about the composer contain annotations, often in the form of quotations from the material. National, academic, and public libraries, as well as specialized music libraries and archives, will find this work a valuable research tool. The work begins with a brief biography of John McCabe prepared with the composer's assistance and is followed by a complete list of works and performances classified by genre and arranged alphabetically by title of composition. Performance and publication information is provided for each work, including its first and other selected performances. A list of McCabe's publishers is followed by a discography of commercially produced sound recordings divided into sections on McCabe as a composer and as a performer. A bibliography of writings by and about McCabe includes gramaphone record reviews written by McCabe for the British journal Records and Recordings between 1967 and 1974. An alphabetical and a chronological list of compositions appear in appendices.

This work illuminates, identifies, and characterizes the influences and expressions of Bob Dylan's Political World throughout his life and career. An approach nearly as unique as the singer himself, the authors attempt to remove Dylan from the typical Left/Right paradigm and place him into a broader and deeper context.

CLAUDE DEBUSSY- HIS LIFE AND WORKS Translated from the French by MAIRE and GRACE O BRIEN. Originally published in 1933. PREFACE: IN this book on Claude Debussy I have avoided all biographical details the publication of which, might be deemed premature and indiscreet. The secrets of his private life belong to those who shared it and who bear his name. For the purposes of this book I have made use only of such documents as were originally intended for publication or which have by chance become public property. To my mind, the really interesting points in the life of a musician are his works, his activities, and his influence on his contemporaries. The book which I published in 1928 under the title of The Theories of Claude Debussy, musicien franfais, supplements the present work, revealing as it does the composer s ideas on music given to the public between the years 1901 and 1916. I have made frequent use of Debussys published correspondence: his letters to Vasnier and Ernest Chausson ( Revue Musicale, December 1925 and May 1926) and to the publisher, Durand ( Paris, Durand, 1927). I have also drawn on the reminiscences published by the Revue Musicale, in May 1926 ( articles by: Raymond Bonheur, Paul Dukas, Robert Godet, Andre Messager, Gabriel Pierne, Henri de Regnier, Marguerite Vasnier, Paul Vidal). I have likewise utilized the recollections to which Maurice Emmanuel refers in his study on Telleas et Melisande ( Paris, Mellotte, 1926). Contents include: I. CHILDHOOD. THE CONSERVATOIRE ( 1862-83) . i II. THE PRIX DE ROME ( 1883-4) 22 III. THE VILLA MEDICI ( 1885-7); THE ENVOIS DE ROME ( 1885-90) 32 IV. RETURN TO PARIS ( 1887). INFLUENCES . . 49 V. THE FIRST COMPOSITIONS ( 1888-93) . .66 VI. BEFORE PELLfiAS: THE QUARTET AND THE PROSES LYRIQUES ( 1892-9) . . .80 VII. & amp; lt; L APRfiS-MIDI D UN FAUNE; THE NOCTURNES; CRITIQUES ( 1894-1901) . . . .101 VIII. PELLfiAS ET MfiLISANDE ( 1892-1902) DEBUS SYISM 121 IX. CHAMBER MUSIC. C LA MER ( 1902-7) . . 152 X. VARIOUS COMPOSITIONS. LE CAS DEBUSSY ( 1907-10) ...... 181 XL IMAGES FOR ORCHESTRA; PRELUDES AND SONGS ( 1910-13) . . . . - 195 XII. DRAMATIC MUSIC, VARIOUS PLANS. LE MAR TYRE DE SAINT-SfiBASTIEN ( 1911) . . 217 XIII. JEUX. LA BOlTE A JOUJOUX ( 1913) . . 235 XIV. THE WAR. LAST YEARS ( 1914-18) . . .251 APPENDIX A ....... 274 B 274 C . . . - . . - 275. LIST OF ILLUSTRATIONS: Achille-Claude Debussy ( in 1867) . . . facing p. 2 Achille-Claude Debussy, while at the Conservatoire ( about 1874) ........ 10 New Year s Greetings to Madame Vasnier ( on the music of Mandoline) . . . ., , 18 Music Facsimile ( from Le Gladiateur) . between pp. 24 and 25 Villa Medici ( 1885) ..... facing p. 32 Debussy at the house of Ernest Chausson, 1893 . ., , 62 A few pages from the note-book of Maurice Emmanuel .... between pp. 84 and 85 Claude Debussy ( about 1895) .... facing p. 90 Claude Debussy ( about 1895) . . . -, , 101 Letter to Pierre Louys . . . ., , no Debussy at the house of Pierre Louys ( about 1895) . 112 Debussy at the piano ( about 1898) . ., , 116 Claude Debussy ( about 1900) . . ., , 121 Debussy and his first wife, Rosalie Texier ( about 1902) ., , 124 At the time of Telleas et Melisande 138 Debussy, photographed by Pierre Louys ( about 1900) *,, 15 Debussy, by Jacques-fimile Blanche ( 1903) - * 54 Letter to Jacques Durand ( August 1903) . . -, , * 57 Debussy and his first wife, Rosalie Texier, at Bichain ( about 1902)..... 158 Debussy at Pourville ( September 1904) . . -, , 168 Debussy outside his home ( about 1910). . 212 Letter to Andr6 Halle& quot; ( 27 August 1913) - 240 One of the 363 themes in Roman de Tristan* Debussy s note for the Fourth of a projected Series of Six Sonatas ..... Opening of the Finale of the Violin Sonata.

For the last 50 years, Clive James has been writing remarkable songs - witty, moving, sometimes satirical, often thrillingly poetic - with his musical partner, Pete Atkin. They've written more than 200 together, releasing the first album of their work in 1970 and the last in 2015. John Peel loved them. So did Kenny Everett. Stephen Fry is a huge fan. And Clive himself believes these songs are the best things he's ever done. Loose Canon explores the sparkling lyrics and brilliantly memorable tunes that have won Clive and Pete a fanatical cult following but still managed to remain the British music industry's best-kept secret. Stephen Fry has written an incredibly generous and enthusiastic foreword.

Barcelonian Gaspar Cassado (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassado, containing the results of seven years of research into his life and legacy, after following the cellist's steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassado's creative output: composition, transcription and performance, especially focusing on Cassado's plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassado's role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassado's works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassado's works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer's significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassado: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.

Billy May was a self-taught musician and arranger. In 1938, he received his first big break arranging and playing trumpet; first, for the Charlie Barnet band, and in 1940, the band of Glenn Miller. Settling in Hollywood in 1943, his first of many big breaks in radio was playing in Ozzie Nelson's band for the "Red Skelton ShoW." Shortly thereafter, May was asked by Nelson to be musical director to his new show, The Adventures of Ozzie and Harriet. He was also fortunate to play in the orchestra and write arrangements for John Scott Trotter on Bing Crosby's "Kraft Music Hall." Billy May's earliest collaboration with Frank Sinatra produced "Don't Fence Me In" for broadcast on December 23, 1944. Capitol Records paired Billy May and Alan Livingston to initiate a series of children's recordings with arrangements and compositions such as "Bozo the Clown" and the exceedingly popular "I Taut I Taw a Putty Tat." As a band leader and arranger, his signature included the prominent saxophone section glissando (sliding, or slurping) effect, and highly imaginative arrangements. His last great project was the documentation on record of swing era music, commissioned by Time-Life, and completed in 1973.

The discography covers Billy May as arranger and composer from 1944-1998, as sideman and arranger for others, his work on radio, television, movies, and international appearances, his road band, recordings, both domestic and foreign, and his transcriptions. Data is cross-indexed by song title and artist.

Sculthorpe is one of Australia's most prominent composers and is among the most important composers on the international scene. Although he is a distinguished academic and popular lecturer, Sculthorpe does not fit any ready-made category of composer or teacher. In a body of work that so far includes orchestral and chamber music in many genres and mediums, opera and other theater music, songs and choral music, and music for documentary and commercial films, radio, and television, he has established a personal musical style and public presence that have shaped the history of 20th-century music in Australia and the world. Owing to circumstances of place and time--Australia in the 20th century--he has been defining, or redefining, the role of composer for himself and his audiences. This book is a record of Sculthorpe's work and of its reception by composer colleagues, performers, critics, and audiences.

The ultimate pick-me-up to save you from the nine-to-five heartbreak blues. The Little Guide to Dolly Parton is your bible of devastating Dolly-isms. Yes, that's right, the most iconic and acclaimed female country singer in the history of music is so inventive and brilliant with her clever wisecracks and sage advice that popular culture has crowned her with an -ism after her name. No one else is as worthy. For more than five decades, Dolly has been laying down her own brand of whip-smart wit and wisdom to the world, with many quotes and quips becoming as famous as her lyrical genius, for which she has won too many song writing awards and honours to mention. Stacked to the rafters with more than 150 bite-size bon-mots, one-liners and ripostes - as well profound and sincere observations - The Little Guide to Dolly Parton is your new favourite life companion. 'I never think of myself as a star because, as somebody once said, "A star is nothing but a big ball of gas" - and I don't want to be that.' Reflecting on stardom during an interview with Billboard, 2014. 'I'm proud of my hillbilly, white trash background. To me that keeps you humble; that keeps you good. And it doesn't matter how hard you try to outrun it - if that's who you are, that's who you are. It'll show up once in a while.' Discussing her background, during an interview with Southern Living, 2014.

Maurice Ravel: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and theorist.

Elvis passed away in 1977 but his spirit lives on. His records still sell, his movies are still hugely popular and his concerts are still discussed by new generations of fans. The Elvis Presley estate has tens of thousands of photographs and miles of video footage from all eras of Elvis' career and fans' hunger for new imagery and information on the King remains unsated. This publication is a beautiful, desirable package, ideal for any Elvis fan. This book tells the personal story of Elvis and his relationships with those near and dear to him and contains more than 150 colour and black and white photographs from the Graceland archives, accompanied by insightful text from an author with a proven Elvis track record. To take you closer than ever before to the King, 30 items of rare memorabilia are carefully reproduced on the page, including personal letters, receipts, telegrams, publicity material and other fascinating items which provide new insight into the life of a legend. There are photographs of Elvis himself, Elvis with friends and family, and all manner of personal artifacts, including guitars, jewelry, clothing, vehicles and more.

In the nearly eight decades since his death from tuberculosis at age thirty-five, singer-songwriter Jimmie Rodgers has been an inspiration for numerous top performers--from Woody Guthrie, Lead Belly, Bill Monroe and Hank Williams to Elvis Presley, Johnny Cash, Dolly Parton, Bob Dylan, and Beck. How did this Mississippi-born vaudevillian, a former railroad worker who performed so briefly so long ago, produce tones, tunes, and themes that have had such broad influence and made him the model for the way American roots music stars could become popular heroes?
In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes---sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to such a broad public and set the stage for the stars who followed him.
Mazor goes beyond Rodgers's own life to map the varied places his music has gone, forever changing not just country music but also rock and roll, blues, jazz, bluegrass, Western, commercial folk, and muchmore. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew--not as an historical figure, but as a vibrant, immediate force.

"A composer of delicate and 'otherworldly' music, Catalani demands the re-evaluation that David Chandler herewith provides in a fascinating book which gathers together the earliest biographical writings on Catalani, the composer's earliest surviving letters, and some account of his cultural afterlife in the first age of recorded music. For anyone wanting to know more about Catalani, and the issues surrounding his career, this will be essential reading." -Konrad Dryden Dr. Dryden is Professor of Music at the University of Maryland University College Europe and author of 'Ruggiero Leoncavallo: Life and Works', 'Franco Alfano: Transcending Turandot' and 'Riccardo Zandonai: A Biography.'

"In The Return of Jazz, Andrew Wright Hurley has admirably demonstrated Berendt's influence upon the emerging jazz scene of the early Federal Republic. Hurley shows how Cold War politics and rejection of the National Socialist past heightened Berendt's sense of mission. For Berendt, jazz was more than an avocation; it was a program for social and cultural reform. It is to Hurley's credit that he raises so many important issues surrounding jazz's development in the second half of the twentieth century." - H-German

"This is a benchmark study, in showing why a subject that has been overlooked in jazz historiography should not have been. Its importance lies not just in recognising the importance of a major mediator and 'enabler' of postwar jazz; it also models the late twentieth century shift of the jazz centre of gravity away from the US and towards international fusions. In its balancing of cultural theory with the most painstaking empirical research this is, quite simply, essential reading not just in jazz scholarship, but in the larger field of cultural history and its methodologies." - Bruce Johnson Cultural History, University of Turku

Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt's most important writings and record productions. Particular attention is given to the "Jazz Meets the World" encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-"world music" demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt's powerful role as the West German "Jazz Pope" is explored, as is the groundswell of criticism directed at him in the wake of 1968.

'...probably the best book written about grunge' Paul Brannigan, Classic Rock 'Mudhoney are the jewel of Seattle.' Thurston Moore, Sonic Youth If rock fans associate Seattle primarily with Nirvana and Pearl Jam, time has shown that the city's most influential grunge band may well have been Mudhoney. They're still going strong and this is their story. Formed in early 1988 Mudhoney originally comprised Mark Arm, Matt Lukin, Dan Peters and Steve Turner and their debut single, 'Touch Me I'm Sick', was the catalytic force behind Nirvana and Pearl Jam who took grunge global. Mudhoney's would have been another story of half-forgotten pioneers paving the way for others who grabbed the prize... except they not only survived all the classic rock band excesses, but they also kept on producing great music. Bolstered by new member Guy Maddison, they celebrated their quarter-century with a superb 2013 album, Vanishing Point, and showed no signs of slowing down with the release of Digital Garbage in 2018 and Morning In America in 2019. Updated with a new chapter drawing on fresh interviews with the group, this book tells an unconventional tale of rock heroism about a band that missed out on superstardom but kept control of the music and triumphantly outlived their more famous disciples.

In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.

O.E.Deutsch's documentary biography of Mozart, first published in German in 1961 and translated into English in 1965, presented all the contemporary documentation on Mozart then known to scholars. During three decades of research more have come to light, and Dr Eisen himself has substantially augmented their number with a methodical search through contemporary research material - newspapers, diaries, memoirs, books and many others. This new edition presents all the material discovered since the English edition of the Deutsch volume, with full description and documentation. This book is essential reading for anyone concerned with the basic information on Mozart's life, his activities and the reception of his music.

My real story starts with a disaster, an unmitigated, pull-the-rug-from-under-you, clean-out-the-bank-account disaster. But had it not happened, The Police would never have risen to become the biggest rock band in the world; Jools Holland would not have ended up on TV; The Bangles, The Go-Go s, R.E.M., and many other music stars might never have made it either. It s strange how a fluke, a disaster, an unlikely event can lead to incredible results. But that is in essence what happened to me . . . Two Steps Forward, One Step Back tells the extraordinary story of a maverick manager, promoter, label owner, and all-round legend of the music industry. It opens in the Middle East, where Miles grew up with his father, a CIA agent who was stationed in Syria, Egypt, and Lebanon. It then shifts to London in the late 60s and the beginnings of a career managing bands like Wishbone Ash and Curved Air only for Miles s life and work to be turned upside down by a pioneering yet disastrous European tour. From the ashes of near bankruptcy, Miles enters the world of punk, sharing office space with Malcolm McLaren and Sniffin Glue, before shifting gears again as manager of The Police, featuring his brother, Stewart, on drums. Then, after founding IRS Records, he launches the careers of some of the most potent musical acts of the new wave scene and beyond, from Squeeze and The Go-Go s to The Bangles and R.E.M. Finally, the story comes full circle as Miles finds himself advising the Pentagon on how to win over hearts and minds in the Middle East and introducing Arabic music to the United States. Never let the truth get in the way of a good story, his father would tell him. Sometimes, though, the truth is all you need.