In Chopin's set of 24 interconnected "Preludes (Op. 28)," we are
presented with 24 distinct compositional surfaces, aiming at as
many distinguishable emotional expressions. As such, the Preludes
stand as a virtual survey of the developing musical manners of the
19th century--which was, after all, the stylistic period in which
mood was promoted most energetically and frankly. Under analytic
investigation, the technical means to these varied expressive ends
can be discovered and assessed. 24 separate explorations reveal
themselves to the inquiring musician, who can investigate any or as
many of the pieces as is wished or needed. At the same time, the
Preludes form a fairly compelling total entity, related by precise
balances of mood and key, as well as certain subtler
interconnecting details.
The individual analyses aim at conjoined descriptive statements
that take into account the various separable, but ultimately fused,
musical elements: line and harmony in the pitch domain; rhythm in
terms of local detail, but also at the levels of meter, phrase, and
form; and the various expressive modifications of dynamics and
articulation. Form is seen to grow out of the harnessed progress of
these elements, which together determine expressive content. "The
Chopin Preludes," a centerpiece of 19th-century Romanticism, are
unique: two dozen distinct moods that seem to summarize the musical
manners of the time, they also function as an organic whole. This
book is a detailed guide through the "Preludes," both individually
and as a group. The analyses assess technical and expressive means
and ends.
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