Even after acquiring the Doctor of Laws degree from both the
University of Berlin and the Sorbonne (discussed in a letter, along
with the effects of living in Europe during the Nazi era), Konrad
Wolff's enthusiasm for music was so overwhelming that he became a
professional musician in his mid-thirties. That enthusiasm is
contagious. The more one reads his work, the more one understands
music, but perhaps of greater importance, the more one loves
it.
This is the only collection of a substantial quantity of his
prolific writings (many never published before) under one cover.
With almost 200 musical illustrations and his engaging style of
writing, teachers, students, and sophisticated music lovers will
find articles such as Schubert's Reaction to Beethoven, Bach's Last
Work, and Beethovenian Dissonances in Listz's Piano Music a
pleasurable read and an easy way to learn. Correspondence with
Sviatoslav Richter, among others, and a brilliant debate between
Wolff and Alfred Brendel are unique contributions. Also impressive
is the breadth of Wolff's culture. As one scholar who had read the
manuscript exclaimed: The writing is so brilliant that it can be
applied to fields other than music, as well.
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