William Howard Schuman, a celebrated figure in 20th-century music, was a composer and a copious writer on music and music education. Early on, as a composer, he received the attention of several musicians and writers such as Nathan Broder, Elliott Carter, and Leonard Bernstein. He was the recipient of numerous prestigious awards, including the Pulitzer Prize, a Guggenheim Fellowship, and the New York Music Critics Circle Award. After teaching at Sarah Lawrence College from 1935 to 1945 and serving as president of the Juilliard School from 1945 to 1962, Schuman assumed the presidency of Lincoln Center, where he successfully implemented that institution's artistic programs. Schuman, who composed in several genres, is perhaps best known for his orchestral compositions and choral music. This reference work provides a biography and a thorough catalog and guide to Schuman's writings and compositions and to the current research available on this gifted and multi-talented musician. An invaluable resource to music scholars interested in William Schuman's career, five sections provide accessible detailed information: a biography, works and performances, discography, bibliography, and bibliography of writings by Schuman. The biography traces Schuman's life and career with an emphasis on illustrating his compositional activity. The bibliography includes books, dissertations, articles, and reviews that chronicle Schuman's activities from his days as a young composer to his death in 1992. An author index, index of compositions, and general index complete this in-depth reference on William Schuman.

Written with grace, humor, and affection, Last Train to Memphis has been hailed as the definitive biography of Elvis Presley. It is the first to set aside the myths and focus on Elvis' humanity in a way that has yet to be duplicated. A New York Times Notable BookWinner of the Ralph J. Gleason Music Book Award "Elvis steps from the pages. You can feel him breathe. This book cancels out all others." --Bob Dylan From the moment that he first shook up the world in the mid 1950s, Elvis Presley has been one of the most vivid and enduring myths of American culture. Last Train to Memphis: The Rise of Elvis Presley is the first biography to go past that myth and present an Elvis beyond the legend. Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world. This volume tracks the first twenty-four years of Elvis' life, covering his childhood, the stunning first recordings at Sun Records ("That's All Right," "Mystery Train"), and the early RCA hits ("Heartbreak Hotel," "Hound Dog," "Don't Be Cruel"). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note. Last Train to Memphis takes us deep inside Elvis' life, exploring his lifelong passion for music of every sort (from blues and gospel to Bing Crosby and Mario Lanza), his compelling affection for his family, and his intimate relationships with girlfriends, mentors, band members, professional associates, and friends. It shows us the loneliness, the trustfulness, the voracious appetite for experience, and above all the unshakable, almost mystical faith that Elvis had in himself and his music. Drawing frequently on Elvis' own words and on the recollections of those closest to him, the book offers an emotional, complex portrait of young Elvis Presley with a depth and dimension that for the first time allow his extraordinary accomplishments to ring true. Peter Guralnick has given us a previously unseen world, a rich panoply of people and events that illuminate an achievement, a place, and a time as never revealed before.

Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and musicians from around the world. Detailed biographical essays place them in a broad historical context, showing how their luminous achievements influenced and guided contemporary and future generations, shaped the internal and external perceptions of their craft, and met the sensibilities of their audience.

A provocative re-examination of a major romantic composer, Rethinking Schumann provides fresh approaches to Schumann's oeuvre and its reception from the perspectives of literature, visual arts, cultural history, performance studies, dance, and film. Traditionally, research has focused on biographical links between the composer and his music, encouraging the assumption that Schumann was solitary, divorced from reality, and frequently associated with "untimeliness." These eighteen new essays argue from a multitude of perspectives that Schumann was in fact very much a man of his time, informed not only by music but also the culture and society around him. The book further reveals that the composer's reputation has been shaped significantly by, for example, changes in attitudes towards German romanticism and its history, and recent developments in musical scholarship and performance. Rethinking Schumann takes into account cultural and social-institutional frameworks, engages with ongoing and new issues of reception and historiography, and offers fresh music-analytical insights. As a whole, the essays assemble a portrait of the artist that reflects the different ways in which Schumann has been understood and misunderstood over the past two hundred years. The volume is, in short, a timely reassessment of this ultimately non-untimely figure's legacy.
While the essays consider some of Schumann's most famous music (Dichterliebe, Kinderszenen and the Piano Quintet), they also provide crucial adjustment to judgments against the composer's later works by explaining their musical features not as the result of diminishing creative capacity but as reflections of the political and social situations of mid-nineteenth-century German culture and technological developments. Schumann is revealed to have been a musician engaged by and responsive to his surroundings, whose reputation was formed to a great extent by popular culture, both in his own lifetime as he responded to particular poets and painters, and later, as his life and works were responded to by subsequent generations.

Esther Williamson Ballou was greatly admired by all who encountered her remarkable versatility as a musician and teacher. Although her music has continued to be performed over the years since her death in 1973, this volume is the first book-length study of her life and contributions to the musical world. The result of an extensive bibliographical search, and repeated contact with Esther's husband, Harold, and her friends and colleagues, James R. Heintze's bio-bibliography will provide the researcher with information about what materials exist and where they are located, that until now was not available.

All Music Guide's Stephen Thomas Erlewine has written, "Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better or worse." In this comprehensive analysis of David Bowie's career, author James Perone examines the many identities and styles Bowie has developed over the years, and in so doing provides a stunning chronicle of creativity at work. Born David Jones in a London suburb in 1947, David Bowie changed his name in the late '60s to avoid confusion with the singer David Jones of The Monkees. This name change would turn out to be a highly prescient act: for in incorporating an exceptionally wide variety of styles, Bowie would become the most notorious chameleon of the rock era. Due in large part to his early success in the glam rock subgenre and his claims of homosexuality (dismissed by many writers as a ploy to generate public interest and record sales), Bowie raised serious issues about sexual orientation in rock music, regardless of whether or not his claimed homosexuality was genuine or part of his on-stage character. His regular use of theatrical personae also raises interesting issues concerning authenticity and the perception of authenticity in rock music. Although Bowie has been primarily an album artist, his recordings of "Fame," "Golden Years," "Let's Dance," "China Girl," "Blue Jean," and "Dancing in the Streets," all made it into the Billboard top 10 singles charts. Of these, all but one was written or co-written by Bowie. Even more notable are the songs he wrote and recorded that have made an impact far in excess of their chart standing. These include "Space Oddity," "Rebel, Rebel,""Changes," "Modern Love," and "Young Americans." From his early 1970s albums like Hunky Dory and The Rise & Fall of Ziggy Stardust and the Spiders from Mars-in both of which he assumed the character of the fictional, androgynous Stardust-to Diamond Dogs, Heroes, Tin Machine, and Black Tie White Noise, Bowie's albums generated both significant word-of-mouth interest and some of the most contentious critical reactions of any artist of the rock era. This long overdue investigation lets Bowie's artistry speak for itself. After a biographical introduction, chronologically arranged chapters discuss the singer's fascinating--and iconoclastic--body of work. A discography and annotated bibliography conclude the book.

Mozart wrote some of the greatest serenades for wind ensemble. He was not alone in writing works for wind sextet, octet, or larger ensembles-Over 12,000 works for wind harmony by over 2,200 composers are extant. Describing this new genre, Wind Harmony, which is far larger and more influential than ever recognized, this sourcebook includes biographical details, discusses many of the works, and presents country surveys. There is also a survey of the way wind instruments developed at the critical time, and of performance practices. Companion volumes, the ^IWind Ensemble Catalog^R and the ^IWind Ensemble Thematic Catalog 1700-1900^R, are cross-referenced. Mozart wrote some of the greatest serenades for wind ensemble. He was not alone in writing works for wind sextet, octet, or larger ensembles-over 12,000 works for wind harmony by over 2,200 composers are extant. Describing this new genre, Wind Harmony, which is far larger and more influential than ever recognized, this sourcebook includes biographical details, discusses many of the works, and presents country surveys. There is also a survey of the way wind instruments developed at the critical time, and of performance practices. Companion volumes, the ^IWind Ensemble Catalog^R and the ^IWind Ensemble Thematic Catalog 1700-1900^R, are cross-referenced. The authors identify what must be the major part of surviving wind harmony music. There is far more material than previously recognized, and its character is far more varied than is usually thought. In this work, the music is placed in context: why it was written, where it was played, and how it influenced other genres. The authors have collected new material, corrected previous mistakes, and filled in missing material. Public and private libraries have been scoured and monasteries searched throughout greater Europe. The sourcebook will be helpful for scholars and students, librarians, players, and music sellers.

Offering commentary, musical analysis, and detailed interpretation of her songs' lyrics, this book examines the qualities of Sheryl Crow's music that have served to establish the artist's success and popularity. Sheryl Crow continues to be celebrated for her legacy as a singer-songwriter and pop culture icon. This book provides an introduction to Sheryl Crow's entire music catalog. Organized into chronological periods of time, the author weaves biographical facts throughout a narrative rich with details about her songs: how they were created, recorded, distributed, and modified in live performance. Accompanying commentary features song analysis-including song structure, chord progression, and melody-and provides fascinating insights into the lyrical content of Crow's songwriting. The work begins with Crow's upbringing, her musical roots and influences, and how they manifested themselves in her later career. Subsequent sections delve into her road to success and eventual stardom, revealing how her rise to fame and widespread popularity was littered with broken friendships, acrimony, and suicide. The last several chapters follows her life after a diagnosis of breast cancer and the adoption of her sons. The work also includes a chapter on B-sides and rare songs by Crow. Presents an in-depth and complete listening guide to all of Crow's songs, including B-sides and rarities Features insightful commentary with song analysis Includes a glossary of musical and technical terms for the non-specialist

A biography of Hungarian composer Zoltan Kodaly which discusses his life and works, including concert performances.

Ivor Cutler: A Life Outside the Sitting Room is the first biography of one of post-war Britain's most recognisable authors, poets and performers. Mr Cutler (as he preferred to be known) wrote and recorded some of the most unusual and memorable songs and poems in British popular culture, including the hilarious and unsettling 'Life in a Scotch Sitting Room' series. Described by fans and commentators as an outsider because of his eccentric behaviour on and off stage, in many ways he was an insider, working for thirty years as a primary school teacher, gathering a body of fans from the heart of the cultural and social establishment, and regularly appearing on mainstream media. He was one of the first - if not the first - performers to appear on BBC radio 1, 2, 3 and 4 and famously recorded more John Peel sessions than any other act except The Fall. This book is based on evidence from official documents, print and broadcast media; archive interviews with Ivor Cutler, his close friends and family, fans and collaborators; and new interviews with fans, friends and fellow performers. Contributors include musical and acting collaborators who have never been interviewed about their experiences with Mr Cutler.

The preponderance of early Black composers wrote choral music and even the most outstanding among them did not compose works for woodwinds. However, the later half of the twentieth century has witnessed a rise in compositions for woodwinds, both for solo and chamber ensembles by relatively unknown Black composers. This pioneering volume will become the standard source of information on nineteenth and twentieth century Black composers from three continents as well as their woodwind compositions. It contains the most current and complete biographical data on 90 African composers, Afro-American composers, Afro-Latin composers, and Afro-European composers, including their education and professional experience and information on their continuing musical influence. A distinctive feature is the separate, easy-to-use woodwind music index of both published and unpublished works for solo and chamber ensembles that groups the music by medium and numbers into 27 categories that contain some 430 works. Exact instrumentation, dedication or commission, premiere performance, and publisher are also found here. A list of abbreviations, key to publishers, collections, and manuscripts, and a discography of 38 recordings of woodwind works by 26 of the included composers complete the volume.

This first bibliography of woodwind music by Black composers is an excellent reference work for Black composers, for the woodwind repertoire, and for American music in general. It will be highly useful in college-level courses such as "Survey of Afro-American Music and Woodwind Literature" as well as to woodwind players, ensemble directors, and scholars.

This generously illustrated selection of fifty reviews and essays, written between 1914 and 1962 by thirty American critics, draws together some of the best, most influential, and most interesting writing on Montemezzi, revealing for the first time the full depth of his impact in the United States, the country to which he moved in 1939.

As a composer and as an author, Ned Rorem occupies a position of considerable influence and importance in American music. His numerous musical works are performed frequently, and his critical writings offer unmatched insights into contemporary music. This bibliography will serve as an important resource for those seeking more information about this distinguished American composer and his works. The book is divided into four sections: a brief biography, a complete list of works and performances, a discography of commercially produced sound recordings, and a bibliography of writings by and about Ned Rorem. The list of works and performances includes RoreM's plays and books, works in preparation, and his musical compositions. The latter are classified by genre and arranged alphabetically within each category. Each entry provides as much information as possible about the date of composition and publication, publisher, duration, medium of performance, literary source, commission, dedication, and dates of the premiere and subsequent performances. A directory of publishers and their addresses is also provided. Citations in the discography are arranged by label and number and include contents, performers, date of issue, and album title. The bibliographical section includes annotations or brief quotations from the cited item. Three appendixes complete the work. The first provides an alphabetical listing of RoreM's compositions, including individual songs in cycles, distinctive subtitles, working titles, and titles of unpublished works. Appendix II is a chronological list of compositions and Appendix III provides a list of the literary sources for RoreM's works. This unique reference tool belongs in all music reference collections.

Commemorating the 50th anniversary of the release of Pink Floyd's The Dark Side Of The Moon, this highly desirable album-sized package features rare and unseen backstage and onstage photography and reveals the visual conception of the original iconic album artwork. March 2023 marks the 50th anniversary of the release of The Dark Side Of The Moon by Pink Floyd. Designed by Pentagram to high specifications, this official book commemorating the band and the album will be a covetable package for the legions of Floyd fans out there - new and old. This date will also see the launch of a luxury box set containing a re-release of the album together with numerous related music items. This luxurious book presents rare and unseen backstage and onstage photography of the band during the album tours of 1972 to 1975. 129 candid black-and-white photographs by Storm Thorgerson, Jill Furmanovsky, Aubrey Powell, Storm Thorgerson and Peter Christopherson document the soundchecks, the shows and the after shows. A review of the October 1972 Wembley gig, originally published in Melody Maker, provides insight into one of the Floyd's most celebrated performances, and there is a complete listing of the tour dates. This beautiful book also reveals the visual conception of the iconic album artwork.

Audiences have long enjoyed Sergei Prokofievs musical score for Sergei Eisensteins 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. Prokofievs and Eisensteins work proved an enormous success, both as a collaboration of two of the twentieth centurys most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofievs music for Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofievs Alexander Nevsky from its inception through the present day. He considers the musics genesis as well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s.

Recognising one of the most-honoured performers of all time, A Celebration of Dolly Parton: The Activity Book is 2021's follow-up to A Celebration of David Attenborough: The Activity Book and The Unofficial Michelle Obama Activity Book. Spanning Dolly's long and illustrious career, The Activity Book includes: Illustrations and graphics to colour-in dedicated to Dolly's Greatest Hits Anagrams of our favourite Dolly songs A solution for when the daily 9 to 5 grind is transported to the working-from-home environment A tour of Dollywood: try to spot Dolly among the throngs of visitors and maze your way around to reunite her with her missing guitar Inspirational word clouds, quizzes, puzzles, games, drawings, facts, emotional rollercoaster graphs and much, much more Not just a musician, Dolly has used her vast fame and fortune for good: setting up The Dollywood Foundation, the My People Fund and, perhaps most famously, The Imagination Library which provides free books to children throughout their childhood. Dolly the Philanthropist sections are interspersed throughout the activities - providing information on her charitable endeavours, such as her recent contribution to the funding for research into the Moderna COVID-19 vaccine. But what do we really know about the woman behind the chart-toppers, successful enterprises and charitable foundations? Dolly's Wit & Wisdom punctuates the book, offering an insight into 'the living legend' - what makes her so likeable, why she is considered a queer icon, as well as valuable life advice on love, fashion and femininity to ensure you're as successful as 'Saint Dolly' herself.

The first book-length study in English of composer Mathias Spahlinger, one of Germany’s leading practitioners of contemporary music. One of the most stimulating and provocative figures on the new music scene on Germany, he has long been a touchstone for leftist, ‘critical’ composition there, yet his work has received very little attention in Anglophone scholarship until now.  Born in 1944, Spahlinger has risen only gradually to prominence in his native Germany and for many years was considered an outsider within the contemporary music scene. Yet, his position as one of the most venerable exponents of post-WWII modernism in his homeland is now undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Großen Berliner Kunstpreis (Berlin Art Prize – Grand Prize) from the city’s Akademie der Künste (Academy of Arts). Spahlinger is, however, becoming increasingly known as a significant figure within later twentieth-century music – in 2015, a festival in Chicago focused exclusively on his music, and he was a keynote speaker at a conference on Compositional Aesthetics and the Political at Goldsmiths, University of London. This new book provides an essential reference for scholars of new music and twentieth-century modernism. There are no other book-length studies of Spahlinger in English, though there is a monograph and a book of essays in German, and books of interviews. This original work promises a more critical perspective upon the composer and his aesthetics and political ideas compared to previous publications. The illustrations include musical examples. Its primary market will be a specialist musicological readership, including academics, researchers and composers, but the writing style such that it could be accessible also to undergraduates interested in the field. The discussion of aesthetic debates in post-war Germany, and the interesting reading of the work of Jacques Rancière, means that it could also have significant appeal across the disciplines of philosophy and critical theory.

"Francis Poulenc: A Bio-Bibliography" is a thorough presentation of the works of this often performed and critically appreciated 20th-century composer. George R. Keck traces events in Poulenc's life and offers a list of works and performances with the primary focus on those facts and influences which contributed to the development of the composer's distinctive musical style. Included in the text is a substantial discography as well as annotated entries by and about the composer which cover every phase of his career and affirm Poulenc's place in 20th-century music.

The highly selective annotated bibliography comprises the major portion of the text. Since Keck's documentation of the development of Poulenc's style covers only representative works, he includes a list of all of Poulenc's compositions, arranged both alphabetically and chronologically, in the two appendixes. A complete index of names, places, and titles concludes the book.

Malcolm Arnold's music encompassed a variety of forms from opera and ballet through orchestral and chamber music to film scores. His most famous film score, for which he won an Oscar award in 1957, is The Bridge on the River Kwai. In 1953 he was commissioned to compose Homage to the Queen, a ballet to celebrate the coronation of Queen Elizabeth II. Arnold was knighted by the Queen in 1993 in honor of his contributions to English music. As with the other volumes in the Greenwood Bio-Bibliographies in Music series, this work includes a brief biography, discography, complete list of works and performances, and an annotated bibliography. Music scholars, musicians, and those with an interest in the music of Malcolm Arnold will appreciate the extensive information gathered in this one volume. Since Malcolm Arnold has retired from composing, this book features the most complete list of his compositions, including some of his newly discovered early works. The works are listed alphabetically within genre. The author also provides a chronological listing of the works through which trends and developments in Arnold's compositions may be traced. Sir Malcolm Arnold's input with the project assures the accuracy and completeness of this bio-bibliography.

Carl Ruggles (1876-1971) was the epitome of the New England iconoclast. A composer of the American avant-garde movement, he wrote, in a very concise and dissonant style, a small body of truly unique musical works. He lived to be 95, composing to the very end of his life, but left behind a mere eight sanctioned works which he had rewritten and refined over decades. In the 1920s, he was at the focal point of ultra-modern music-making. Since there is currently a renewed interest in his work, this bio-bibliography is timely and needed, and of interest to scholars, students, and performers.

During the 1920s, had Edgard Varese or Charles Ives been asked to name America's greatest living composer, the response would have been Carl Ruggles. Forty years later, such eminent experts on American music as Nicolas Slonimsky, Virgil Thomson, and Aaron Copland would each describe Ruggles as our most technically refined composer. Ruggles, with Varese and Ives, was the standard-bearer of the atonal movement in this century's third decade. With the rise of American realism, he slipped out of the public eye. Recent years have seen a resurgence of performances of his works and research on his music; consequently, there is a need for this timely bio-bibliography.

In this memoir, iconic singer Linda Ronstadt weaves together a captivating story of her origins in Tucson, Arizona, and her rise to stardom in the Southern California music scene of the 1960s and '70s.
Tracing the timeline of her remarkable life, Linda Ronstadt, whose forty-five year career has encompassed a wide array of musical styles, weaves together a captivating story of her origins in Tucson, Arizona, and her rise to stardom in the Southern California music scene of the 1960s and '70s.
Linda Ronstadt was born into a musical family, and her childhood was filled with everything from Gilbert and Sullivan to Mexican folk music to jazz and opera. Her artistic curiosity blossomed early, and she and her siblings began performing their own music for anyone who would listen. Now, in this beautifully crafted memoir, Ronstadt tells the story of her wide-ranging and utterly unique musical journey.
Ronstadt arrived in Los Angeles just as the folkrock movement was beginning to bloom, setting the stage for the development of country-rock. As part of the coterie of like-minded artists who played at the famed Troubadour club in West Hollywood, she helped define the musical style that dominated American music in the 1970s. One of her early backup bands went on to become the Eagles, and Linda went on to become the most successful female artist of the decade.
In "Simple Dreams," Ronstadt reveals the eclectic and fascinating journey that led to her long-lasting success, including stories behind many of her beloved songs. And she describes it all in a voice as beautiful as the one that sang "Heart Like a Wheel"--longing, graceful, and authentic.