In 1812, Ludwig van Beethoven wrote three letters to an unnamed woman, whom he called "Immortal Beloved." The letters were discovered after Beethoven's death and ever since their discovery, there has been speculation regarding whom that Immortal Beloved might have been. In Beethoven's Immortal Beloved: Solving the Mystery, Edward Walden carefully and meticulously presents his case that the woman who Beethoven loved was Bettina Brentano, an artistic and talented musician in her own right. Setting the foundation for his argument, Walden begins the book with a general historical and sequential narrative that interweaves the lives of the three principle protagonists: Beethoven, the writer Johann Wolfgang von Goethe, and Bettina Brentano. Walden explores in detail the key elements of the factual narrative and shows how those elements support his claim that Bettina was the Immortal Beloved. In addition, Walden addresses the attacks other Beethoven scholars have made against Bettina and reveals how such attacks were mistaken or unjustified. Thoroughly and rigorously researched, yet presented in a clear and engaging style, Beethoven's Immortal Beloved will appeal to Beethoven scholars, music lovers, and general readers alike, who will be captivated by the solving of this fascinating mystery.

This book tells the intriguing story of Béla Bartók's viola concerto, a work left unfinished at his death in 1945. Drawing on interviews and documents that reveal previously unavailable information, it discuesses the commission, the reconstruction by Tibór Sérly, events leading up to the premiere, its reception over the second half of the twentieth century, the revisions, and future possibilities.

The first full-length study of Bartók's 1911 opera Duke Bluebeard's Castle, this book is an authoritative study of one of the twentieth century's enduring operatic works. It adopts a broad approach to the study of opera by introducing, in addition to the expected music-dramatic analysis, topics of a more interdisciplinary nature that are new to the field of Bartók studies, including a detailed literary study of the libretto and a gender-focused analysis of the opera's female character, Judith.

This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music.

I am Tommy Lee, born Thomas Lee Bass in Athens, Greece, on October 3, 1962, and raised in a suburb of California by an American father and a Greek mother. At seventeen, I joined Motley Crue and we became one of the baddest-ass rock bands in history. We sold over 40 million albums, we wreaked havoc, we scared parents, and we titillated too many fathers' daughters. I've been married three times: once for just a few days to a Penthouse Pet, for seven years to Heather Locklear, and then for five years to Pamela Anderson, with whom I have two beautiful sons. I've gotten into a lot of fights and I've been to jail a few times.

But this book isn't your typical journey in a straight line from day one to day now. I'm more interested in revealing what's most important about my life, like how I cook my steaks; what I think of the tabloids, the truth, my ex-wives, my ex-band, my music; and what an innocent observer might find hanging around my house any given Sunday. You'll get plenty of facts and I'll tell you a story, but my real mission here is to paint you a picture of my life. I want to show you how my memories smell.

I'd like to get into it now, so please take your seats. I advise you to keep your arms and legs inside the car at all times. If you have a pacemaker, a heart condition, or if you are pregnant or too damn short to reach the safety bar, I ask that you turn back immediately. Those with weak stomachs, strict morals, or chronic indigestion should put the book down now. For the rest of you, there's one truth that's real across the board: What you send out is what you get back. Send out the good, people, and it will come back to you. There's another thing I've learned over the years, in court, in fights, and in arguments with people I love: There isn't one truth, there are many. This book is my truth.

The definitive story of Amy Winehouse's life and career told through key photographs, memorabilia and recollections by those who knew her best. Curated by Amy's stylist and close friend Naomi Parry. Amy Winehouse left an indelible mark on both the music industry and pop culture with her soulful voice and bold 60s-inspired aesthetic. Featuring stories and anecdotes from a wide range of characters connected to Amy, specially commissioned photography of memorabilia, styled and dressed themed sets incorporating Amy's clothing, possessions and lyrics, and previously unseen archival images, this volume presents an intimate portrait that celebrates Amy's creative legacy. Interspersed throughout are personal reflections on Amy's life and work, provided by her friends, colleagues and fans. These include Ronnie Spector, Vivienne Westwood, Bryan Adams, Little Simz, Carl Barat, close friend Catriona Gourlay, Douglas Charles-Ridler (owner of the Hawley Arms), tattooist Henry Hate, goddaughter Dionne Broomfield and DJ Bioux. Each one has a personal story to share and together their anecdotes and reflections build into a complex picture of a much admired but troubled star. Vice Culture Editor Emma Garland puts these insights into context with an introduction that highlights the principal events and achievements in Amy's life and work, and the key characters that played a part in it. Organized broadly chronologically, the book features newly shot lyric sheets, sketches and ephemera together with contextual photographs and video stills, including album, single and promotional artworks and outtakes. Punctuating the story are photographs of dressed room sets each created, designed and styled especially for the book by Naomi Parry to evoke a period or aspect of Amy's life or personality, incorporating Amy's clothing, possessions, lyrics and other memorabilia. With kind support from the Winehouse family. With 300 illustrations in colour

This book combines a performance guide for violinists, an analytical study, an exploration of Bach's style, and an investigation of musical form and continuity. J.S. Bach's three sonatas and three partitas for solo violin have been mainstays of the violin concert repertoire since the mid-nineteenth century; their long performance history, evidenced in recordings as well as in editions, offers an opportunity to study the ways in which notions of Baroque style have evolved. Central to the book is the question what type of analysis is best applied to Bach's music: wherever possible, Lester draws his analytical tools from eighteenth-century techniques, developed for this repertoire.

Anton Rubinstein, a seminal figure in Russian music, was not only a great pianist but also a monumental influence in Russian music education. Rubinstein is responsible for laying the groundwork for Russia's tertiary educational system for the training of musicians and for establishing the use of Western structural forms in Russian music. He later became the foundation director of the St. Petersburg Conservatory. Detailing Rubinstein's pianistic and conducting repertoire, this work provides insight into Russian nineteenth-century performance practice, and the biography presents a sober assessment of Rubinstein's place in history. The author has researched valuable Russian sources to make this assessment of Rubinstein available in English and has provided informative guidelines for further research.

In attempting to reinstate Rubinstein as an important figure in the history of Russian and international music, this study makes available to conductors and musicologists updated information on an important nineteenth-century music figure and an aspect of Russian music that has either been forgotten or ignored. Researchers and scholars will appreciate the annotated thematic catalog that includes all of Rubinstein's many works for piano, the extensive repertoire lists, and the extensive bibliography.

Memories of You is a compilation of author Veta Gardner's recollections of her marriage with The Coaster's lead singer Carl Gardner. She tells of his early days struggling to be discovered as an artist, his successes, and their life together on the road with The Coasters. They had 17 wonderful years before tragedies began to complicate their lives. Last year Veta lost Carl to devastating illnesses and, in Memories of You, she shares that emotional journey.

Offers an overall assessment of Berlioz's musical achievement as we approach the bicentary of his birth in 2003. This is a full-length musical study of the composer taking into account the rediscovered "Messe solennelle", and discusses all aspects of his work, with emphasis on a few more popular pieces. The first section consists of a comprehensive biography of his musical works, tracing shifting patterns of productivity, approaches to genre, and the contrast between works which are aesthetically progressive or retrospective. The second section considers aspects of Berlioz's musical style, building upon earlier studies by the author and other scholarship; topics include Berlioz's practice of self-borrowing, his use of programmes and texts, characteristic rhetorical devices, and an emotional language. The third section takes four categories of works - song-forms, sacred music, symphonic works, and dramatic works - for more substantial analysis of selected passages and an overall critical assessment. This book is intended for students and the general readers interested in the life and music of Berlioz.

Frank Sinatra's influence on American popular culture has been wide reaching and long lasting. This diverse collection of essays written by historians, music critics, and popular culture personalities offers a myriad of perspectives and commentaries on this multitalented legend. The essays attest to the interest in Sinatra that has spanned six decades and shows no sign of diminishing--even after his death. From singer to actor, from mass media personality to humanitarian and cultural trendsetter, the many contributions of Frank Sinatra are brought to life in this entertaining volume. Written to appeal to Sinatra fans, these unique essays, including one by Frank Sinatra himself, are organized into three sections. The first examines Sinatra's fame and the ways in which his image was formed, the second looks at his music, and the final group of essays are personal reminiscences by the people who knew him. Together these essays will provide new material for the ever-growing dialogue about Frank Sinatra's place in and influence over twentieth-century American popular culture.

Darkthrone's A Blaze in the Northern Sky (1992) is a foundational keystone of the musical and aesthetic vision of the notorious Norwegian black metal scene and one of the most beloved albums of the genre. Its mysterious artwork and raw sound continue to captivate and inspire black metal fans and musicians worldwide. This book explores the album in the context of exoticism and musical geography, examining how black metal music has come to conjure images of untamed Nordic wildernesses for fans worldwide. In doing so, it analyzes aspects of musical style and production that created the distinctly "grim" sound of Darkthrone and Norwegian black metal.

This is the largest life-and-works of Musorgsky ever to have appeared outside Russia. Musorgsky created stunning masterpieces in such creations as his opera Boris Godunov and piano suite Pictures at an Exhibition - yet his life was tragic. It is this pathetic tale, interlaced with critical discussion of music, that is this book's concern.

'WHICH IS THE BEST BAND I'VE BEEN IN? THE SMALL FACES WERE THE MOST CREATIVE, THE FACES WERE THE MOST FUN,THE WHO WERE THE MOST EXCITING. THESE WERE ELECTRIFYING DAYS IN MUSIC. WE WERE ALL UNTRIED, UNTESTED. WHAT WAS STOPPING US? NOTHING.' As drummer with the Small Faces, Faces and later The Who, Kenney Jones' unique sense of rhythm was the heartbeat that powered three of the most influential rock bands of all time. Beginning in London's post-war East End, Kenney's story takes us through the birth of the Mod revolution, the mind-bending days of the late-1960s and the raucous excesses of the '70s and '80s. In a career spanning six decades, Kenney was at the epicentre of many of the most exciting moments in music history and has experienced everything the industry has to offer. He jointly created some of the world's most-loved records, hung out with the Stones, Beatles, David Bowie, Keith Moon and Rod Stewart, and suffered the loss of close friends to rock 'n' roll excess and success. The legacy created by Kenney and his band mates has influenced acts as diverse as Led Zeppelin, the Sex Pistols and Oasis. Now, for the very first time, Kenney tells the full story of how a young Cockney Herbert played his part in the biggest social transformation in living memory - the people, the parties, the friendships, the fall-outs, the laughter, the sadness, the sex, drugs, and a lot of rock 'n' roll, while also opening up about his own deeply personal battles and passions, too. This is a vivid and breath-taking immersion into the most exciting era of music history and beyond.

(Amadeus). President of The Juilliard School and then of Lincoln Center for the Performing Arts during the years 1945-1968, Schuman (1910-1992) was an "artistic catalyst" who was instrumental in shaping how America perceived and supported music, dance and drama in the second half of the twentieth century. His influence as an arts administrator, educator and composer caused him to be considered at one time as "probably the most powerful figure in the world of art music." Complex, driven, and filled with a confident optimism that characterized America at the time, Schuman thought of himself as "a part of many different worlds." Those worlds included his life as a composer of more than one hundred works in orchestral, choral, chamber, and operatic settings. His music has been characterized as "full of American directness in its vibrant rhythms and brilliant orchestrations." This first-ever complete biography of Schuman brings the many threads of his life together within the context of the personalities and events that shaped how we experience the arts in America in the twenty-first century.

George Crumb is a composer at the forefront of post-World War II American music, and never before has one volume combined a portrait of his life with a catalogue of his extensive work. David Cohen's "George Crumb: A Bio-Bibliography" corrects this by providing the reader and researcher with an overview of Crumb's life, career, and compositions; and an annotated guide to literature by and about the composer--including not only articles and books, but also album reviews, concert reviews, and interviews.

The biographical portion, written in close consultation with the subject, has resulted in perhaps the most complete and accurate biography currently in existence--an irreplaceable resource for anyone seeking a full understanding of 20th-century music.

This in-depth musicological and critical study examines how Bernard Herrmann's score for Alfred Hitchcock's "Vertigo" plays a crucial role in the articulation and development of the filM's narrative and how it affects readings of the film. Herrmann's collaboration with Hitchcock spanned eleven years and nine films, and Herrmann's film score for "Vertigo" is widely regarded as being one of his finest. Cooper considers the development of Herrmann's career up to 1958, providing a detailed discussion of his musical style. The explicit information about the structure of Herrmann's music is based on a study of Herrmann's autograph score.

Cooper examines not only the context of the filM's production, but also its reception and critical readings of the film. In addition, this study explores how the effects track co-operates with Herrmann's non-diegetic and diegetic score and concludes with a detailed musicological study. The author advances a new theory, in his discussion of signification, about the establishment of meaning in film music through association with images on the screen. This sophisticated musicological approach will appeal to film music and film communication scholars.

The first in-depth biography of the celebrated composer/lyricist who created Hello, Dolly!, Mame, and La Cage aux Folles This revealing and comprehensive book tells the full story of Jerry Herman's life and career, from his early work in cabaret to his recent compositions for stage, screen, and television. Stephen Citron draws on extensive open-ended interviews with Jerry Herman as well as with scores of his theatrical colleagues, collaborators, and close friends. The resulting book-which sheds new light on each of Herman's musicals and their scores-abounds in fascinating anecdotes and behind-the-scenes details about the world of musical theater. Readers will find a sharply drawn portrait of Herman's private life and his creative talents. Citron's insights into Herman's music and lyrics, including voluminous examples from each of his musicals, are as instructive as they are edifying and entertaining.