Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements. The book is designed primarily for researchers and teachers of music theory to make the search for analytical source material easier and faster than previously possible. The anthologies cited are all currently in print or are generally available in music libraries. The book lists all excerpts, complete compositions, and movements contained in the anthologies, providing information concerning the type of score (full, piano reduction, etc.) employed, source of the excerpt, and specific theoretical topics. This is the only book that details anthologies in a manner that makes a search quick and easy.

All Music Guide's Stephen Thomas Erlewine has written, "Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better or worse." In this comprehensive analysis of David Bowie's career, author James Perone examines the many identities and styles Bowie has developed over the years, and in so doing provides a stunning chronicle of creativity at work. Born David Jones in a London suburb in 1947, David Bowie changed his name in the late '60s to avoid confusion with the singer David Jones of The Monkees. This name change would turn out to be a highly prescient act: for in incorporating an exceptionally wide variety of styles, Bowie would become the most notorious chameleon of the rock era. Due in large part to his early success in the glam rock subgenre and his claims of homosexuality (dismissed by many writers as a ploy to generate public interest and record sales), Bowie raised serious issues about sexual orientation in rock music, regardless of whether or not his claimed homosexuality was genuine or part of his on-stage character. His regular use of theatrical personae also raises interesting issues concerning authenticity and the perception of authenticity in rock music. Although Bowie has been primarily an album artist, his recordings of "Fame," "Golden Years," "Let's Dance," "China Girl," "Blue Jean," and "Dancing in the Streets," all made it into the Billboard top 10 singles charts. Of these, all but one was written or co-written by Bowie. Even more notable are the songs he wrote and recorded that have made an impact far in excess of their chart standing. These include "Space Oddity," "Rebel, Rebel,""Changes," "Modern Love," and "Young Americans." From his early 1970s albums like Hunky Dory and The Rise & Fall of Ziggy Stardust and the Spiders from Mars-in both of which he assumed the character of the fictional, androgynous Stardust-to Diamond Dogs, Heroes, Tin Machine, and Black Tie White Noise, Bowie's albums generated both significant word-of-mouth interest and some of the most contentious critical reactions of any artist of the rock era. This long overdue investigation lets Bowie's artistry speak for itself. After a biographical introduction, chronologically arranged chapters discuss the singer's fascinating--and iconoclastic--body of work. A discography and annotated bibliography conclude the book.

Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. In the years since its premiere-as a dance work at the Library of Congress in 1944-it has become one of Copland's most widely performed scores, and the Martha Graham Dance Company still treats it as a signature work. Over the decades, the dance and the music have taken on a range of meanings that have transformed a wartime production into a seemingly timeless expression of American identity, both musically and visually. In this Oxford Keynotes volume, distinguished musicologist Annegret Fauser follows the work from its inception in the midst of World War II to its intersections with contemporary American culture, whether in the form of choreographic reinterpretations or musical ones, as by John Williams, in 2009, for the inauguration of President Barack Obama. A concise and lively introduction to the history of the work, its realization on stage, and its transformations over time, this volume combines deep archival research and cultural interpretations to recount the creation of Appalachian Spring as a collaboration between three creative giants of twentieth-century American art: Graham, Copland, and Isamu Noguchi. Building on past and current scholarship, Fauser critiques the myths that remain associated with the work and its history, including Copland's famous disclaimer that Appalachian Spring had nothing to do with the eponymous Southern mountain region. This simultaneous endeavor in both dance and music studies presents an incisive exploration this work, situating it in various contexts of collaborative and individual creation.

A favorite country music artist, Eddy Arnold has been recording since 1944. This work details each recording session, as well as the records on which each song appeared, and includes 104 songs that were never released. An appendix lists basic biographical information. Of interest to music historians, discographers, and fans, this is the most comprehensive discography available on Eddy Arnold, whose career spans six decades.

This reference work details Frank Sinatra's extensive creative accomplishments and includes biographical information as it relates to his art. A valuable tool for researchers and fans, this book provides access to extensive data, collected from disparate sources, including the first published listing of Internet resources. The information is divided into three parts, each arranged alphabetically, and covers his music, film, radio, and television appearances, and his concerts and humanitarian contributions. A thorough bibliography provides important information on locating additional resources. The only American performer to span seven decades of recording (1930s-1990s), Sinatra is regarded as an American icon. The wealth of information in this reference attests to Sinatra's well-earned reputation as an American musical legend. This reference aptly includes information not only about his creative endeavors but about his humanitarian efforts as well. Because Sinatra is recognized and admired for his musical talent, a large portion of this reference is devoted to his songs and recordings. The alphabetical arrangements of song entries includes information on the songs, record labels, arrangers, and recording dates. Three appendices at the end of the volume provide additional information about the recordings. The encyclopedia concludes with the many awards and honors bestowed upon Sinatra.

The only sourcebook that provides information necessary to make "Gospel Hymns Nos. 1 to 6 Complete" a useful research tool and an aid to the study of popular culture in the United States during the last half of the 19th century. For the first time, students and scholars will have access, in a single source, to biographical, historical, and bibliographical data concerning the writers of the hymn texts, the composers of the hymn tunes, and the various routes by which the hymns found their way onto the pages of that large collection of gospel and traditional hymnody. DEGREES"Gospel Hymns Nos. 1 to 6 Complete" contains 739 songs gathered from a series of six earlier published works.

The data in this volume will add to the breadth and depth of "Gospel Hymns Nos. 1 to 6 Complete" and thus, for the first time, identify the significance of its contributions to the history of American culture. A strong introduction establishes the historical significance of the collection of gospel hymns and songs. The entries for both the authors of the words and the composers of the music are arranged alphabetically, followed by the dates of birth and death (if known), a biographical sketch, and references to the number of the hymn, its title, first line, and accompanying tune. Dates of composition and initial publication are included where possible.

The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music.

Fanny Hensel created some of the most imaginative and original music of her era, making her arguably the most gifted female composer of the nineteenth century. While Hensel has finally stepped out of the shadow of her famous brother, Felix Mendelssohn, as scholars have begun to study her life and writings, her music has remained surprisingly underexamined. This collection places Hensel's music at the center, focusing on the genre that not only made up more than half of her creative output but also, as Hensel herself put it, "suits her best": song. In eleven new essays, leading scholars in the fields of music theory and musicology consider Hensel's songs from a wide range of angles, covering topics such as Hensel's fascination with particular poets and poetic themes; her innovative harmonic, melodic, rhythmic, and textual strategies; and her connection to larger literary and musical trends. The chapters also provide insight into Hensel's efforts to break free from the constraints placed on her as a woman and her place in the larger history of the nineteenth-century Lied. Drawing on diverse biographical, historical, cultural, and musical contexts for their detailed discussions of Hensel's songs, the authors underline Hensel's historical importance and deepen our understanding and appreciation of her compositions. This volume, in short, finally gives Fanny Hensel and her songs the stage that they deserve.

Since forming the seminal art rock band Throwing Muses while still in her teens, Kristin Hersh has been at the forefront of alternative music, acclaimed for her raw, visceral and poetic songwriting. Here, collected for the first time, are the lyrics to one hundred songs, curated by the woman who wrote them. From Throwing Muses classics like 'Bright Yellow Gun' to solo material such as 'Your Ghost' and her songs with 50 Foot Wave, Nerve Endings encapsulates one of the most fascinating and honest careers in modern rock music.

'Just be yourself, there is no one better.' From her girl squad to the Swifties to the world at large, Taylor's the BFF of the pop music world. As the go-to shoulder to cry on and chronicler of heartbreak, she relates her personal life and experiences in a 'dear diary' style in her music, but the artist is even more popular than her hit songs. One of the most followed on social media, she is a defender of the underdog, open about her feminist and pro-choice views and frequently speaks up against sexism and LGBTQ discrimination. This collection of Taylor's relatable, inspiring and hugely optimistic quotes and lyrics reveals a caring, generous personality who is all about 'the feels' and following your dreams. Sparkling with positivity and feel-good vibes, Taylor is always there to give you the best advice and lift you up when you're down – she's your own personal cheerleader. SAMPLE FACT: Swift has so far won a whopping 11 Grammys, smashing several records for the most wins as artist and as female artist.

The series of biographical sketches published by "Brainard's Musical World" between 1877 and 1889 is notable for the diversity of the musicians profiled and for the entertaining personal information provided. This period witnessed the establishment of musical institutions and attitudes toward music that have shaped American music to the present day. The biographies present a cross-section of American musicians in the late 19th century, including singers, instrumentalists, writers, teachers, and composers. Among the musicians included are some of America's most prominent conductors, such as Theodore Thomas and Leopold Damrosch; composers, such as John Knowles Paine and George F. Root; writers, such as John S. Dwight and Amy Fay; teachers, such as William Mason and Erminia Rudersdorff; and performers, such as Emma Abbott and Maud Powell. Scores of less familiar musicians who were also instrumental in shaping America's music are included as well. Originally intended for general readers, the biographical sketches not only shed light on musical topics but also include personal information that is seldom found in a traditional dictionary and which speaks to the attitudes and concerns of the late 19th century society.

This work will be of value to scholars and researchers of 19th-century American music and to those interested in the development of popular song. Entries are alphabetically arranged and include select bibliographies. A general bibliography and index are also included.

Wolfgang Flur was a member of Kraftwerk from 1973 to 1987, contributing to albums such as Autobahn (1974), Radioaktivitat (1975), Trans-Europa Express (1977), Die Mensch-Maschine (1978), Computerwelt (1981) and Electric Cafe (1986). He continues to record music with his solo album Eloquence being released in 2015.

A practical guide for guitarists searching for new repertoire that includes women composers, this unique work lists musical works by instrumentation followed by biographies of each composer. The format first leads users to available pieces in possible ensembles and then to the biographical section, which introduces them to the composers, many of whom have been completely unknown in the guitar world. Appendixes list addresses for composers and publishers. Indexes cross reference composers with their works. Instrumentation entries include titles, composer names, publisher names, specific instruments, and length and description of the piece for indication of style. In the biographical entries, sources are given to guide the reader to more complete information about the composer. These features, combined with valuable appendixes, indexes, and cross-referencing capabilities from section to section, make this work easy to use.

From Mozart's fabulous legato that "flowed like oil" to Beethoven's oceanlike surge, from Clara Schumann's touch "sharp as a pencil sketch" to Rubinstein's volcanic and sensual playing, The Great Pianists brings to life the brilliant, stylish, and sometimes eccentric personalities, methods, and technical peculiarities of history's greatest pianists.Pulitzer Prize-winning critic and author Harold C. Schonberg presents vivid accounts of the artists' performances, styles, and even their personal lives and quirky characteristics-- such as Mozart's intense competition with Clementi, Lizst's magnetic effect on women (when he played, ladies flung their jewels on stage), and Gottschalk's persistent nailbiting, which left the keys covered with blood. Including profiles of Horowitz and Van Cliburn, among others, and chapters detailing the playing and careers of such modern pianists as de Larrocha, Ashkenazy, Gilels, Gould, Brendel, Bolet, Gutierrez, and Watts, The Great Pianists is a comprehensive and fascinating look at legendary performers past and present.

An annotated reference guide to Barber's life, works and achievements, it will prove valuable for anyone seeking information on him.

A concise musical biography traces the Beastie Boys' story from the New York punk scene through a blockbuster career that spans more than 20 years. Ever since they hit the big time with their 1986 rock/rap debut Licensed to Ill, the first rap album to reach #1 on the Billboard 200, the Beastie Boys have been a cultural bellwether, the likes of which was unseen before or since. Their association with MTV made the Beasties instant poster children for an unprecedented phase of integration, both musical and racial. Their music, a pastiche of sounds that spans decades and genres, influenced the course of popular music and continues to do so today. Beastie Boys: A Musical Biography tells the story of the band, from its beginnings through its ongoing critical and commercial success. Fans can read about the group's origins, the training of its members, its awards and accomplishments, and its influence on pop culture. Authoritative yet concise, this lively overview covers everything from the band's unique sound to their collaborations with leading filmmakers on their award-winning videos. A timeline captures key events in the life of the band and its members Photos show the band members and their performances A selected discography reviews the band's work over the years

In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander's death.

Dyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer-Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances..

He was the "Man in Black," a country music legend, and the quintessential American troubadour. He was an icon of rugged individualism who had been to hell and back, telling the tale as never before. In his unforgettable autobiography, Johnny Cash tells the truth about the highs and lows, the struggles and hard-won triumphs, and the people who shaped him.

In his own words, Cash set the record straight -- and dispelled a few myths -- as he looked unsparingly at his remarkable life: from the joys of his boyhood in Dyess, Arkansas to superstardom in Nashville, Tennessee, the road of Cash's life has been anything but smooth. Cash writes of the thrill of playing with Elvis, the comfort of praying with Billy Graham; of his battles with addiction and of the devotion of his wife, June; of his gratitude for life, and of his thoughts on what the afterlife may bring. Here, too, are the friends of a lifetime, including Willie Nelson, Roy Orbison, Bob Dylan, and Kris Kristofferson. As powerful and memorable as one of his classic songs, Cash is filled with the candor, wit, and wisdom of a man who truly "walked the line."

This, the second edition, was significantly revised and expanded. It incorporates a substantial amount of new material - notably three sections on the operas Hugh the Drover, Sir John in Love and The Poisoned Kiss. Also Wilfrid inserted into the final chapter A Double Man's Last Harvest, an account of the late A minor sonata for violin and piano.