In July of 1884, pianist Calixa Lavallee performed a recital of
works by American composers that began a highly influential series
of such concerts. Over the course of the next decade, hundreds of
all-American concerts were performed in the United States and
Europe, a movement that fostered both the development and the
perception of American music as a unique art form. "A Tidal Wave of
Encouragement"-the title of which is derived from one observer's
description of the movement-is the first in-depth study of this
significant period in American music. Providing a comprehensive
history of the Concerts as well as detailed accounts of the intense
critical debate surrounding them, author E. Douglas Bomberger
reveals how one decade shaped the future of American classical
music and very much impacted the way we hear it today.
The movement, crucial in focusing discussion on American music
and providing performance opportunities for composers and musicians
for whom no such opportunities had before existed, was far more
extensive and widespread than most scholarship had credited it.
This oversight is due in large part to the dearth of objective
studies of the Concerts; previous considerations have tended either
toward the merely nostalgic or toward the unnecessarily
disparaging. Bomberger's work is a corrective to this, as well as
much-needed historical and critical account of a project whose
influence had yet to be fully acknowledged.
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