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Peter Dickinson: Words and Music (Hardcover)
Loot Price: R1,087
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Peter Dickinson: Words and Music (Hardcover)
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Articles, tributes and reminiscences of composer, pianist and
author Peter Dickinson are here brought together for the first
time. Peter Dickinson has made an enduring contribution to British
musical life, and his music has been regularly performed and
recorded by leading musicians. His writings, brought together here
for the first time, are equally noteworthy. Covering well over half
a century, the subjects are fascinatingly varied. Apart from
musical interests ranging from Charles Ives to John Cage, they
touch on literature; and Dickinson's meetings with W.H. Auden and
Philip Larkinare an intriguing insight that led to his Auden songs
and the chamber work Larkin's Jazz. American themes are prominent
in this collection. There are unique reviews of concert life in New
York from 1959 to 1961; an accountof the teaching programme at the
Juilliard School of Music at that time; three studies of Ives; and
features containing original material on Copland, Thomson and Cage,
all of whom Dickinson knew. Features on Erik Satie include the
imaginary discussion marking his centenary in 1966. Dickinson also
writes about his own music, providing an insight into what it was
like being a British composer in the later twentieth century. Peter
Dickinson was born inLancashire in 1934 and now lives in Suffolk.
His 80th birthday was marked by a whole variety of tributes,
including concerts, articles, broadcasts and various interviews -
some included in this book. PETER DICKINSON is aBritish composer
and pianist as well as author and editor of Boydell/URP books on
Berkeley, Copland, Cage, Barber and Berners. As a pianist,
Dickinson had a twenty-five-year, international partnership with
his sister, the mezzo Meriel Dickinson, for whom he wrote song
cycles to poems of E. E. Cummings, Gregory Corso and Stevie Smith.
He was a regular contributor to BBC Radio 3 and is widely read as a
critic on the Gramophone. He is an Emeritus Professor ofthe
Universities of Keele and London and is chair of the Bernarr
Rainbow Trust, for which he has edited several books on music
education.
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