These colourful notebooks stylishly depict iconic London buildings illustrated by the founders of the ceramics company People Will Always Need Plates, most famous for their hugely successful range of plates, mugs and other objects. Their outstanding graphic illustrations combining clean lines and bold blocks of colour make a perfect gift for fans of design and architecture. This notebook, a design object in its own right, depicts the Barbican, one of the great brutalist designs of Chamberlin, Powell and Bon. Located in the heart of London, it is a venue for music, theatre and art exhibitions and houses a cinema, library, restaurants and a conservatory.

In 1833, the Select Committee for Public Walks was introduced so that 'the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures.' Music was seen as an important moral influence and 'musical cultivation ... the safest and surest method of popular culture', and it was the eventual introduction of the bandstand which became a significant aspect of the reforming potential of public parks. However, the move from the bull baiting of 'Merrie England' to the ordered recreation provided by bandstands has never been fully comprehended. Likewise, the extent of changes in leisure and public entertainment and the impact of music at seaside resorts often revolved around the use of seaside bandstands, with the subsequent growth of coastal resorts. Music in public spaces, and the history and heritage of the bandstand has largely been ignored. Yet in their heyday, there were over 1,500 bandstands in the country, in public parks, on piers and seaside promenades attracting the likes of crowds of over 10,000 in the Arboretum in Lincoln, to regular weekday and weekend concerts in most of London's parks up until the beginning of the Second World War. Little is really known about them, from their evolution as 'orchestras' in the early Pleasure Gardens, the music played within them, to their intricate and ornate ironwork or art deco designs and the impact of the great foundries, their worldwide influence, to the great decline post Second World War and subsequent revival in the late 1990s. This book tells the story of these pavilions made for music, and their history, decline and revival.

Designing the Olympics claims that the Olympic Games provide opportunities to reflect on the relationship between design, national identity, and citizenship. The "Olympic design milieu" fans out from the construction of the Olympic city and the creation of emblems, mascots, and ceremonies, to the consumption, interpretation, and appropriation of Olympic artifacts from their conception to their afterlife. Besides products that try to achieve consensus and induce civic pride, the "Olympic design milieu" also includes processes that oppose the Olympics and their enforcement. The book examines the graphic design program for Tokyo 1964, architecture and urban plans for Athens 2004, brand design for London 2012, and practices of subversive appropriation and sociotechnical action in counter-Olympic movements since the 1960s. It explores how the Olympics shape the physical, legal and emotional contours of a host nation and its position in the world; how the Games are contested by a broader social spectrum within and beyond the nation; and how, throughout these encounters, design plays a crucial role. Recognizing the presence of multiple actors, the book investigates the potential of design in promoting equitable political participation in the Olympic context.

This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduno Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others, become places for people to express their connections with places, for example, the Sydney Opera House. Garduno Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people's encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book is beneficial to academics, students and professionals of architecture.

A jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this meticulously researched book takes a fresh look at the historical influences that shaped the Sheldonian's development, including the Restoration of the English monarchy and the university's commitment to episcopal religion. The book explains just how novel Wren's design was in its day, in part because the academic theater was a building type without precedent in England, and in part because the Sheldonian's classical style stood apart in its university context. The author also points to a shift in the guiding motivation behind the architecture at Oxford: from a tradition that largely perpetuated medieval forms to one that conceived classical architecture in relation to late Renaissance learning. Newly commissioned photographs showcase the theater's recently restored interior. Published for the Paul Mellon Centre for Studies in British Art

2017 Seymour Medal from the Society for American Baseball Research 2016 Pete Delohery Award for Best Sports Book from Shelf Unbound When it opened in 1965, the Houston Astrodome, nicknamed the Eighth Wonder of the World, captured the attention of an entire nation, bringing pride to the city and enhancing its reputation nationwide. It was a Texas-sized vision of the future, an unthinkable feat of engineering with premium luxury suites, theater-style seating, and the first animated scoreboard. Yet there were memorable problems such as outfielders' inability to see fly balls and failed attempts to grow natural grass-which ultimately led to the development of AstroTurf. The Astrodome nonetheless changed the way people viewed sports, putting casual fans at the forefront of a user-experience approach that soon became the standard in all American sports. The Eighth Wonder of the World tears back the facade and details the Astrodome's role in transforming Houston as a city while also chronicling the building's storied fifty years in existence and the ongoing debate about its preservation.

Twenty different cinemas have graced Reading's streets over the years, many long forgotten and some of the earliest very short-lived. Picture Palace to Penny Plunge tells the story of the era of the single-screen cinema in Reading, from the travelling shows at the turn of the twentieth century, its heyday with the Vaudeville Electric Theatre in the 20s, through to today's multiscreen entertainment 'villages' and outdoor screenings. It traces the technological developments and how they influenced the types of buildings, the numbers of seats, prices, programmes, refreshments and ownership. It describes each cinema, in the order of its opening, and includes appendices listing some of the films made in or near Reading, and some of the film actors and directors with Reading connections. Illustrated throughout with contemporary photographs and drawings, this book will bring back happy memories and is a unique record of Reading's cinematic history.

Stadium construction has altered the physical landscape of many major metropolitan areas throughout North America and has had a profound psychological and economic impact on these urban centers. How athletic facilities have been constructed, from the ritual-centered beginning of stadium construction in ancient Greece to largescale construction of professional sports facilities in present day global centers, reveals a culture's values and priorities and how it defines its recreational needs. With in-depth analysis and research, Robert C. Trumpbour examines the political institutions, commercial entities, civic leadership, and media organizations that influenced new stadium construction. The author analyzes three significant recent historical periods: the Progressive Era when modern fireproof stadiums were first built; the late 1960s and early 1970s when multipurpose football stadiums were built in downtown areas to promote urban redevelopment; and the late 1990s when retro ballparks were built to employ novel measures for profiteering. Charting this evolution, Trumpbour convincingly argues that there has been a dramatic shift in the role of the media, one in which media access has emerged as a vital element in setting the ground rules for the stadium construction debate. Written in lucid, jargon-free prose, this book combines a detailed history of stadium construction with an analysis of current stadium issues that provides a rich, portrait of our cultural landscape.

Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio-Union Square's American Mutoscope and Biograph Company-to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created-once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduno Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others, become places for people to express their connections with places, for example, the Sydney Opera House. Garduno Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people's encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book is beneficial to academics, students and professionals of architecture.

This book introduces the concepts of theater planning, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author's extensive professional practice. This book is written for students in Theatre Planning courses, along with working practitioners.

Teatru Manoel is a historical monument of global importance and a living temple of the performing arts. Built in 1731 by order of Grand Master Antonio Manoel de Vilhena, whose name it still bears, it remains today one of the finest examples of theatre architecture in Europe. Named as one of the 15 most beautiful theatres by CNN in May 2014, the Manoel is also one of the oldest `working' theatres in the world and is Malta's national theatre. As incumbent custodians of this priceless gem, it is our responsibility not only to preserve and enhance it but also to sustain its relevance for the present and above all, the future. This book aims to present the many other facets that make up the institution that is the Manoel. First and foremost there is the theatre's role in the cultural environment of Malta as well as Europe. Secondly, there is the rich and chequered history of this 283-year-old building which has survived plagues, invasions, blockades, stiff competition, wars and economic downturns with a detailed account of the changes it has undergone both to its architecture and internal decor. Thirdly, and of no less importance, are the thousands of artistic productions that have involved great, renowned and not-so-renowned artists from every performing arts genre that have, over the centuries, graced its stage. Furthermore, this book, which covers the history, the architectural changes, the performers and performances over so many decades to date, ensures that this theatre's unparalleled contribution to Malta's cultural scene is acknowledged, appreciated and documented.

"A lucid, well-organized survey of the almost infinite variety of production spaces of western theatre. . . . Carlson's survey must be admired for its wealth of carefully researched and elegantly articulated information concerning the relation of urban planning, architecture, and interior and exterior theatre embellishment to the social, political, economic and occasionally even aesthetic purposes of those responsible for these 'signifiers.'" Theatre Journal In this generously illustrated volume, Marvin Carlson uses models from architectural and urban semiotics to show how a theatre building and its location within a city reflect society's attitudes and concerns."

Hamburg's new landmark, the Elbphilharmonie, with its unique architecture and acoustics, is not only a magnet for locals and tourists, but also for artists of all genres and from all over the world. Peter Hundert was allowed to accompany and portray the "heroes" of the Elbphilharmonie for over a year - artists, technicians, visitors. His pictures and original sounds from well over a hundred shows, rehearsals and sound checks are authentic testimonies to unadulterated emotions, intimate moments of highest concentration, deep contemplation, pure joy - and at the same time an exclusive look behind the scenes. They are inspiring glimpses of the people who fill this extraordinary concert hall with life and at the same time enter into a very personal dialogue with this special place.

This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building.
Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors and consultants, the stages to be achieved, including client's proposal feasibility, the process of briefing, design and building and eventually hand-over and opening night, with a consideration of the building use. Studies include the assessment of demand, site requirements, initial brief, building design and financial viability. Information requirements, as design standards, for the auditorium and platform/stage, and the support facilities, are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons.
THE CONTENT COVERS A WIDE RANGE OF PERFORMING ARTS (CLASSICAL MUSIC, POP/ROCK, JAZZ, MUSICALS, DANCE, DRAMA) AND PROVIDES INFORMATION ON EACH AS AN ART FROM AND NECESSITIES TO HOUSE PERFORMANCES.
* Comprehensive view of design and development including assessment of demand, site requirement, initial brief, building design and financial viability
* Coverage includes all categories including classical music, pop/ rock, jazz, musicals, dance and drama
* Links information to the design process and sequence of decision-making

Milan-based architecture firm Onsitestudio have designed a new training campus for Italian Serie A soccer club U.S. Sassuolo Calcio. Located in the town of Sassuolo, in the Emilia-Romagna region, and inaugurated in 2019, it is a functional-modernist yet highly atmospheric structure that provides the professionals of U.S. Sassuolo Calcio with state-of-the-art training facilities and offices. As part of a pioneering social engagement of the club, its playing fields and other amenities are also available to local amateur teams and for recreational sports. This book features the Mapei Football centre through newly taken colour and black-and-white photographs by Stefano Graziani and Filippo Romano, as well as floorplans, sections, and construction detail drawings. Complementary essays are contributed by Onsitestudio's founding partners Giancarlo Floridi and Angelo Lunati, British historian and football expert John Foot; and Italian architect and intellectual Pier Paolo Tamburelli.

In Cachan, a suburb south of Paris, Ateliers O-S Architectes was commissioned with transforming a local theatre building, originally built in the early twentieth century, into a thriving cultural centre. The commission went well beyond merely rebuilding and modernising an existing structure. Rather, the firm was tasked with creating an entirely new neighbourhood. Everything but the auditorium and stage of the old building was demolished and replaced with a more spacious, new complex including an additional hall, a new foyer and exhibition space, a restaurant, and new rooms for building and stage equipment. The neighbouring tennis court became a public park. Lever de Rideau presents the creation of Cachan's new Jacques Carat Theater. Designed to mimic a theatre programme, the book brings together short essays and interviews; portraits of key protagonists; a graphic short story; and ample illustrations, including plans and photographs by celebrated French photographer Cyrille Weiner, which show the building embedded in Cachan's urban fabric. Offering captivating behind-the-scenes insights, this unconventional book will be welcomed by readers interested in modern architecture and urban planning. Text in English and French.

The first and only guide to the history and architecture of America's famous opera houses

The American opera scene has grown with the country, spawning a proliferation of beautiful and enchanting opera houses. This unique guided tour covers almost 100 historical and contemporary opera houses dating from 1765 up to the present—halls such as the Academy of Music in Philadelphia, the San Francisco Opera House, and the Cullen Theater in Houston.

America's opera houses present an eclectic collection of buildings, from converted warehouses to ornate vaudevillian venues and modern concrete and glass structures. The National Trust Guide to Great Opera Houses in America celebrates this dynamic range of architectural types and styles, revealing how European elements were transformed into a distinctly authentic and vital part of America's architectural and musical heritage.

Grouped by geographic region, this easy-to-use resource contains important historical information on structures—some destroyed as well as those still standing—including dates, name changes, seating capacity, and more. Many of the buildings featured are National Historic Landmarks or are listed in the National Register of Historic Places. Almost 140 vintage and recent photographs bring to life these magnificent buildings and the operatic scenes enacted on their stages.

Whether used as a travel planner or an armchair reference, this definitive book is a must for music and theater enthusiasts, architects, designers, and preservationists—the perfect front row seat to the dramatic history of opera in America.

Bandstands of Britain is a historical celebration of one of the best-loved features still found in many of our Victorian parks, open spaces, squares and seaside towns. They are a reminder of a forgotten age of outdoor music and theatre. They act as a lingering memory of the class and sophistication that prevailed in the Victorian age. This book celebrates the bandstand in Britain - showcasing the elaborate and iconic pieces of Victorian architecture for what they are. Beautiful full-colour images are accompanied by a potted history of the evolution and devolution of the British bandstand.

St Cecilia's Hall is Scotland's oldest purpose-built concert hall and home to the University of Edinburgh's world-famous musical instrument collection. Comprising over 500 rare and beautiful instruments from across the globe - many of which are still played as part of the Hall's lively programme - the collection is housed in the newly refurbished Music Museum. This selection of highlights brings these fascinating instruments to a wider audience than ever.

This is "the" story of The Making of the Queen Elizabeth Olympic Park by the Olympic Delivery Authority. Situated in east London adjacent to Victoria Park, one of the world's earliest public parks built in the 19th century, the Park provides an innovative blueprint for contemporary urban park design and is recognised as an exemplar sustainable development for the 21st century. As a primary legacy of the London 2012 Olympic and Paralympic Games, the Park was conceived as a new piece of sustainable city, transforming a largely neglected, contaminated, post-industrial district, into a new community for up to 20,000 residents, shifting the centre of gravity of London eastwards.

Written by those at the heart of the project, it draws significantly on contributions from the many experts who have shaped and guided the creation of the Park, including interviews with the key players responsible for delivering the project. It provides the only authoritative account of the planning, design and construction of the Park beginning with the bid to host the games, setting out its historical, philosophical and physical context; describing the strategic fit within the Thames Gateway, Lower Lea Valley and Stratford City; explaining how One Planet Living principles developed by WWF and BioRegional underpinned sustainability throughout the project; and concludes with a 'Walk in Park' capturing its essence for both Games and Legacy.

Richly illustrated, it is a unique reference for those involved in the planning, design, delivery and management of sustainable urban parks and new communities on post-industrial and other land, and those seeking to host future Games and other large-scale international events.

Stadium and Arena Design highlights the multidisciplinary approach needed to create and run stadia, showing how each of the specialists involved have essential roles to play. International case studies are used to demonstrate how all these skills are brought together in stadium design best practice, to ultimately benefit the client, the performers, and the spectators. Stadium and Arena Design is an important reference for all construction professionals and practitioners involved in the design, construction and evaluation of stadiums internationally.

The first-ever inside story of how Scotland's ballrooms and dance halls remained a central part of Scottish culture throughout the 20th century. Told by the people who made it happen-the agents, managers, and promoters-and supported by anecdotes from the people who lived it: musicians, entertainers and the dancing public.

The theatre is the central theme of this fourth volume in our series titled 'Art Brut - The Collection', published to coincide with the fourth Art Brut Biennale. After exploring architecture, vehicles, and bodies, attention turns to the theatre, a theme that is developed in its various aspects. The simplest example is the depiction of theatrical architecture, as in the work of Eugen Gabritschevsky or Victorien Sardou. Other artists create works that are intimately connected to the world of theatre, however without necessarily being a part of it. For example, for Giovanni Battista Podesta or Vahan Poladian, a public stage is a place where they put on a 'performance' that responds to a society that consigns them to its margins. Their intrinsically ephemeral approach uses clothing or accessories as a means of communication and to have their voices or protestations heard. Other artists conceive whole cosmogonies that take the form of a gigantic staging of a fanciful, phantasmagoric world, as in the case of Aloise Corbaz, whose work is to be viewed as a 'Theatre of the universe', or in that of Marguerite Burnat-Provins, with her graphic work titled 'Ma Ville'. The book includes over 100 illustrations, many of which are published for the first time, carefully chosen to enable the reader to explore the theme of the theatre in Outsider Art, or Art Brut. Also available in the series: Vehicles ISBN 9788874396580, Architecture ISBN 9788874397105, Body ISBN 9788874397884.

Previous research on Joseph Urban (1872-1933) has focused on his architectural career; yet after moving from Vienna to the U.S. in 1912, he devoted much of his energies to the stage, especially productions for the Metropolitan Opera and the Ziegfeld Follies. A seminal figure in the history of American theater, he introduced to the U.S. the sophistication of European developments in stage design, experiments with lighting, and painterly effects which paralleled developments in modernist literature, painting, and dance.

Architect of Dreams documents more than 100 finely rendered watercolors, photographs, and three-dimensional stage models. Arnold Aronson (professor of theatre arts at Columbia University) contributes a major essay. In other essays, Derek E. Ostergard contextualizes Urban's architecture, and Matthew Wilson Smith examines Urban's work in film.