Probably the most popular building of the last century, Sydney Opera House is the icon of modern Australia. It has repaid its Au$100 million cost many times over, both as a tourist attraction and as a cultural center; as a brand, it is priceless. The story of its creation is one of both triumph and tragedy: universally loved these days, it was attacked by press and public when under construction. It is a masterpiece of modern architecture, yet Jorn Utzon, its designer, walked out before completion. Opinions are still divided over who was at fault when he resigned after a row with the client in 1966, and the story continues to rouse powerful passions to this day. Now, nearly 40 years later, Utzon has been invited back to oversee the building's refurbishment.
Peter Murray's compelling and highly readable biography of the building presents both sides of the story. Using previously unpublished files and papers; Murray has managed to unravel one of the most intriguing architectural controversies of recent times - what really happened when they built Sydney Opera House?

This new edition of this standard work adds several new information the book, so that sound engineering and architects can better assess the acoustic value of a Rock and Pop Venue. In particular, new insights to the influence of sound absorbers in reflected and important ISO standards are included into the new edition. Based on the first ever scientific investigations on recommendable acoustics for amplified music conducted by the author, this book sets forward precise guidelines for acoustical engineers to optimize the acoustics in existing or future halls for amplified music. It Gives precise guidelines on how to design the acoustics in venues that present amplified music Debates essential construction details, including placement of sound system and use of possible building materials, in the architectural design of new venues or the renovation of old ones Portrays 75 well-known European Rock & Pop venues, their architecture and acoustic properties. 20 venues were rated for their acoustics by music professionals leading to an easy-to-use assessment methodology

Illustrating actual building design solutions that have been created to improve accessibility for disabled patrons and performers, the 'Journey Sequence' outlines the best examples of design innovation produced in response to new and upcoming legislation.

A knowledge of how to design for the disabled can be crucial in winning contracts and having designs accepted. This book shows how the practical implications have already been successfully approached.
Covering the whole sequence from parking, to entry, and including details of facilities for the visually and hearing impaired users, advice is given on the methods designers should use in assessing the requirements of disabled people. This is not a publication giving theoretical prescription but rather an illustrated record of achievements in buildings of all sizes where proper access to the disabled has been created. It includes 14 case studies and examples that illustrate the diverse ways that accessibility has been incorporated into arts buildings throughout the UK. This includes Cinemas, Theatres, Concert Halls, Opera Houses, Museums and Libraries. The author team highlights specific design details that are particularly unique, to stimulate the reader and show that creating better accessibility for the disabled both demands and creates innovative design.
* Be informed about the latest design solutions for disabled access
* Case studies show best practice to inspire your designs
* Gain an insight into unique solutions used by designers to make their venues inclusive

This book offers a rare chance to understand how sport and architecture come together to create an outstanding building type - a symbol of our times. Rod Sheard shares the experience and expertise of HOK LOBB in this beautifully illustrated book, offering practical advice and guidance on commissioning, designing and managing sports venues around the world. The award-winning work of this firm includes the Millennium Stadium, Cardiff, the Wembley National Stadium, London and the Stadium Australia in Sydney, commissioned for the Olympic Games 2000.

Rich and his contributing authors provide a political and economic analysis of sports stadium construction in the United States--the impact it has on the sports industry itself and on the host communities in which stadiums and arenas are built. The book brings together the research of leading academic analysts of sports in American society and gives a candid assessment of the claims and benefits the sports industry makes, in its continuing promotion of new stadium construction. Focusing on Baltimore, Cleveland, Chicago, Boston, Detroit, New Orleans, Toledo and Phoenix, the authors examine the topic from the perspectives of history, politics, and economics--and in doing so they raise several questions about taxpayer and community protection issues. Specifically, what do communities really get out of these facilities?

They point out that even as new and more expensive facilities are being built, Congress has not provided taxpayers and cities any real protection from the risks involved in stadium investment. Rich and his contributors examine how the pro-stadium coalitions mobilize and explain why stadium supporters manage to win most of their construction initiatives. In doing so, the contributors challenge the conventional wisdom that stadiums stimulate economic development and provide good jobs. On the contrary, they have not lived up to the promises owners made to their host communities. Neither have they generated high paying jobs nor have they met their operating costs. The book concludes with ways in which sports franchise owners can be held more accountable to their communities. The result is a powerful, well reasoned, skeptical but fair assessment of a growing phenomenon, and an important resource for professionals and academics in all fields of public policy administration and urban development and management.

This book presents a privileged insight into the design and construction of the award-winning Thomas P. Murphy Design Studio Building through a series of interviews with the main professionals responsible for its conception, design and construction: the lead architects Bernardo Fort-Brescia, Raymond Fort-Brescia and Thomas Westberg; the builders Thomas C. Murphy, Erin Murphy, Nick Duke and Jason Anderson; the curtain wall manufacturers Jose Daes and Carmen L. Guerrero, and the University of Miami Project Manager, Gary Tarbe. It also offers sumptuous, detailed photography to provide a thorough understanding of a building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future.

What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

Designing the Olympics claims that the Olympic Games provide opportunities to reflect on the relationship between design, national identity, and citizenship. The "Olympic design milieu" fans out from the construction of the Olympic city and the creation of emblems, mascots, and ceremonies, to the consumption, interpretation, and appropriation of Olympic artifacts from their conception to their afterlife. Besides products that try to achieve consensus and induce civic pride, the "Olympic design milieu" also includes processes that oppose the Olympics and their enforcement. The book examines the graphic design program for Tokyo 1964, architecture and urban plans for Athens 2004, brand design for London 2012, and practices of subversive appropriation and sociotechnical action in counter-Olympic movements since the 1960s. It explores how the Olympics shape the physical, legal and emotional contours of a host nation and its position in the world; how the Games are contested by a broader social spectrum within and beyond the nation; and how, throughout these encounters, design plays a crucial role. Recognizing the presence of multiple actors, the book investigates the potential of design in promoting equitable political participation in the Olympic context.

Tents, bandstands, displays, places for sitting, listening, seeing and being seen... Pavilions have myriad forms and as many functions. For architects and designers, they offer unique opportunities to experiment with form, construction, material, structure, surface and texture, often as prototypes for larger buildings or as purely artistic pursuits. A pavilion's particular location also offers rich possibilities for interaction with the landscapes, streetscapes and peoplescapes around it. Pavilions can be temples to digital interaction or provide oases of surreal calm and isolation. This is a selection of the best examples produced in recent years. From the cutting- edge forms of Sou Fujimoto to Zaha Hadid's Chanel pavilion, from small structures created entirely out of farm waste to a mirrored carapace conceived by Olafur Eliasson, each pavilion featured provides a lesson in the extreme possibilities of built form and demonstrates that many of the biggest ideas in architecture start small.

Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio-Union Square's American Mutoscope and Biograph Company-to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created-once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduno Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others, become places for people to express their connections with places, for example, the Sydney Opera House. Garduno Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people's encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book is beneficial to academics, students and professionals of architecture.

A jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this meticulously researched book takes a fresh look at the historical influences that shaped the Sheldonian's development, including the Restoration of the English monarchy and the university's commitment to episcopal religion. The book explains just how novel Wren's design was in its day, in part because the academic theater was a building type without precedent in England, and in part because the Sheldonian's classical style stood apart in its university context. The author also points to a shift in the guiding motivation behind the architecture at Oxford: from a tradition that largely perpetuated medieval forms to one that conceived classical architecture in relation to late Renaissance learning. Newly commissioned photographs showcase the theater's recently restored interior. Published for the Paul Mellon Centre for Studies in British Art

Twenty different cinemas have graced Reading's streets over the years, many long forgotten and some of the earliest very short-lived. Picture Palace to Penny Plunge tells the story of the era of the single-screen cinema in Reading, from the travelling shows at the turn of the twentieth century, its heyday with the Vaudeville Electric Theatre in the 20s, through to today's multiscreen entertainment 'villages' and outdoor screenings. It traces the technological developments and how they influenced the types of buildings, the numbers of seats, prices, programmes, refreshments and ownership. It describes each cinema, in the order of its opening, and includes appendices listing some of the films made in or near Reading, and some of the film actors and directors with Reading connections. Illustrated throughout with contemporary photographs and drawings, this book will bring back happy memories and is a unique record of Reading's cinematic history.

In this book, Eugene J. Johnson traces the invention of the opera house, a building type of world wide importance. Italy laid the foundation theater buildings in the West, in architectural spaces invented for the commedia dell'arte in the sixteenth century, and theaters built to present the new art form of opera in the seventeenth. Rulers lavished enormous funds on these structures. Often they were among the most expensive artistic undertakings of a given prince. They were part of an upsurge of theatrical invention in the performing arts. At the same time, the productions that took place within the opera house could threaten the social order, to the point where rulers would raze them. Johnson reconstructs the history of the opera house by bringing together evidence from a variety of disciplines, including music, art, theatre, and politics. Writing in an engaging manner, he sets the history of the opera house within its broader early modern social context.

This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduno Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others, become places for people to express their connections with places, for example, the Sydney Opera House. Garduno Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people's encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book is beneficial to academics, students and professionals of architecture.

Teatru Manoel is a historical monument of global importance and a living temple of the performing arts. Built in 1731 by order of Grand Master Antonio Manoel de Vilhena, whose name it still bears, it remains today one of the finest examples of theatre architecture in Europe. Named as one of the 15 most beautiful theatres by CNN in May 2014, the Manoel is also one of the oldest `working' theatres in the world and is Malta's national theatre. As incumbent custodians of this priceless gem, it is our responsibility not only to preserve and enhance it but also to sustain its relevance for the present and above all, the future. This book aims to present the many other facets that make up the institution that is the Manoel. First and foremost there is the theatre's role in the cultural environment of Malta as well as Europe. Secondly, there is the rich and chequered history of this 283-year-old building which has survived plagues, invasions, blockades, stiff competition, wars and economic downturns with a detailed account of the changes it has undergone both to its architecture and internal decor. Thirdly, and of no less importance, are the thousands of artistic productions that have involved great, renowned and not-so-renowned artists from every performing arts genre that have, over the centuries, graced its stage. Furthermore, this book, which covers the history, the architectural changes, the performers and performances over so many decades to date, ensures that this theatre's unparalleled contribution to Malta's cultural scene is acknowledged, appreciated and documented.

In Cachan, a suburb south of Paris, Ateliers O-S Architectes was commissioned with transforming a local theatre building, originally built in the early twentieth century, into a thriving cultural centre. The commission went well beyond merely rebuilding and modernising an existing structure. Rather, the firm was tasked with creating an entirely new neighbourhood. Everything but the auditorium and stage of the old building was demolished and replaced with a more spacious, new complex including an additional hall, a new foyer and exhibition space, a restaurant, and new rooms for building and stage equipment. The neighbouring tennis court became a public park. Lever de Rideau presents the creation of Cachan's new Jacques Carat Theater. Designed to mimic a theatre programme, the book brings together short essays and interviews; portraits of key protagonists; a graphic short story; and ample illustrations, including plans and photographs by celebrated French photographer Cyrille Weiner, which show the building embedded in Cachan's urban fabric. Offering captivating behind-the-scenes insights, this unconventional book will be welcomed by readers interested in modern architecture and urban planning. Text in English and French.

It's been the discussion point around every coffee table, dinner table and conference table. It's been lambasted and praised, vilified and celebrated by all. And it will most probably continue to stir emotions.

The drama of building Cape Town Stadium came with it's fair share of good intentions, back room lobbying, public arm wrestling, heavy negotiation and finally, compromise. The cool simplicity of the stadium's form belies the fiery trail it followed into existence. Bringing together the often contradictory views, Cape Town Stadium – Between The Lines describes the process of it's formation by those who have been intimately involved.

Within the multiplicity of narratives that have already been spun and will still play itself out; this is the telling of the story of the making of the stadium; from the inside, warts and all.

This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building.
Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors and consultants, the stages to be achieved, including client's proposal feasibility, the process of briefing, design and building and eventually hand-over and opening night, with a consideration of the building use. Studies include the assessment of demand, site requirements, initial brief, building design and financial viability. Information requirements, as design standards, for the auditorium and platform/stage, and the support facilities, are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons.
THE CONTENT COVERS A WIDE RANGE OF PERFORMING ARTS (CLASSICAL MUSIC, POP/ROCK, JAZZ, MUSICALS, DANCE, DRAMA) AND PROVIDES INFORMATION ON EACH AS AN ART FROM AND NECESSITIES TO HOUSE PERFORMANCES.
* Comprehensive view of design and development including assessment of demand, site requirement, initial brief, building design and financial viability
* Coverage includes all categories including classical music, pop/ rock, jazz, musicals, dance and drama
* Links information to the design process and sequence of decision-making

Hamburg's new landmark, the Elbphilharmonie, with its unique architecture and acoustics, is not only a magnet for locals and tourists, but also for artists of all genres and from all over the world. Peter Hundert was allowed to accompany and portray the "heroes" of the Elbphilharmonie for over a year - artists, technicians, visitors. His pictures and original sounds from well over a hundred shows, rehearsals and sound checks are authentic testimonies to unadulterated emotions, intimate moments of highest concentration, deep contemplation, pure joy - and at the same time an exclusive look behind the scenes. They are inspiring glimpses of the people who fill this extraordinary concert hall with life and at the same time enter into a very personal dialogue with this special place.

This book introduces the concepts of theater planning, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author's extensive professional practice. This book is written for students in Theatre Planning courses, along with working practitioners.

Stadium and Arena Design highlights the multidisciplinary approach needed to create and run stadia, showing how each of the specialists involved have essential roles to play. International case studies are used to demonstrate how all these skills are brought together in stadium design best practice, to ultimately benefit the client, the performers, and the spectators. Stadium and Arena Design is an important reference for all construction professionals and practitioners involved in the design, construction and evaluation of stadiums internationally.

Previous research on Joseph Urban (1872-1933) has focused on his architectural career; yet after moving from Vienna to the U.S. in 1912, he devoted much of his energies to the stage, especially productions for the Metropolitan Opera and the Ziegfeld Follies. A seminal figure in the history of American theater, he introduced to the U.S. the sophistication of European developments in stage design, experiments with lighting, and painterly effects which paralleled developments in modernist literature, painting, and dance.

Architect of Dreams documents more than 100 finely rendered watercolors, photographs, and three-dimensional stage models. Arnold Aronson (professor of theatre arts at Columbia University) contributes a major essay. In other essays, Derek E. Ostergard contextualizes Urban's architecture, and Matthew Wilson Smith examines Urban's work in film.

This richly illustrated exploration of the most remarkable London theatres features witty and engaging texts by actor Simon Callow, whose knowledge of the city's dramatic venues is intimate and wide-ranging. One of the most prominent photographers of the past 50 years, Derry Moore, captures the theatres from every angle, whether it's a velvet box seat at the Novello, the view from the Theatre Royal, Haymarket's proscenium, or the grand entrance of the foyer in the Apollo Victoria. Exquisite close-ups of architectural elements-such as flamboyant Rococo Baroque friezes, William Edward Trent's Art Deco mermaids, painted marble pilasters, and elaborately framed mirrors-highlight often unnoticed features and present each theatre's unique character. From the West End to the South Bank, Westminster to Hackney, the theatres profiled here come to life in ways we rarely see, when the seats are empty and the stages silent.

Bandstands of Britain is a historical celebration of one of the best-loved features still found in many of our Victorian parks, open spaces, squares and seaside towns. They are a reminder of a forgotten age of outdoor music and theatre. They act as a lingering memory of the class and sophistication that prevailed in the Victorian age. This book celebrates the bandstand in Britain - showcasing the elaborate and iconic pieces of Victorian architecture for what they are. Beautiful full-colour images are accompanied by a potted history of the evolution and devolution of the British bandstand.