While often some of the most beautiful, opulent buildings in a town or city, a theatre is so much more than a space for the performance of a play. It is a cultural hub, a meeting place for people from all walks of life and, through the stories told there, brings people together in numerous ways. Indeed, theatres have been doing so for over two millennia. The theatre comes in many forms. From the more rigid and repeated (but no less attractive) designs of Greek and Roman theatres, the buildings that now house our shared cultural output boast some of the finest, most creative structures in the world. Huge and cathedral-like or modest, concrete and futuristic or neo-Renaissance, we are lucky that the physical constructions themselves recapture the ambition of the arts performed within. With chapters organised by continent and featuring theatres and opera houses - and any space for the performing arts - from the Americas, Africa, Asia, Europe and Australasia, Amazing Theatres of the World includes modern masterpieces and ancient remains, art deco delights and Baroque classics, taking in centuries of theatre building. Both the exterior and the interior of buildings are examined, as well as behind-the-scenes shots of dressing rooms and the mechanics of putting on a show. In so doing, we catch a glimpse of how the performing arts and their home has evolved over time. Illustrated with more than 190 photographs, Amazing Theatres of the World includes more than 150 of the most stunning theatres and opera houses.

Analyzing football as a cultural practice, this book investigates the connection between the sport and its built environment. Four thematic sections bring together an international multi-disciplinary range of perspectives with particular focus on the stadium.

Examples from architectural design, media studies and archaeology are used while studying advertising, economics, migration, fandom, local identities, emotions, gender, and the sociology of space. Texts and case-studies build up this useful book for lecturers and researchers in sociology, cultural studies, geography, architecture, sport and environment.

This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London's theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.

Contents:
Additional Papers. Preface. Conference Steering Committee. Foreword: Stadia and Arena Through the Ages. Part 1 Development and Planning. Part 2 Risk Management and Safety. Part 3: Structural Design and Construction. Part 4: Services and Environmental Design. Part 5: New Stadia Projects in the United Kingdom. Part 6: Successful Stadia Projects Around the World. Author Index. Subject Index.

This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London's theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.

This is a story of a young girl from a small town with a big dream that took her to Juilliard, Broadway, summer stock, the stage of the Metropolitan Opera and the Santa Fe Opera, and introduced her to her husband William Zeckendorf Jr. Her memoir overflows with the glamour of a life lived among the famous figures of mid-century New York society and the grit necessary to succeed in the professional world of dance. Fascinated by art and architecture, the vivacious ballerina Nancy Zeckendorf became a formidable development partner with her husband and a philanthropic leader in the performing arts - her fundraising ability is an art form unto itself. "I love hardware stores and tools," she said of her common-sense approach to construction projects. Indeed, Nancy was a guiding force in the expansion of the Santa Fe Opera, the Lensic Performing Arts Center, and the premier community of Los Miradores where she lives now in Santa Fe, New Mexico.

This book presents a privileged insight into the design and construction of the award-winning Thomas P. Murphy Design Studio Building through a series of interviews with the main professionals responsible for its conception, design and construction: the lead architects Bernardo Fort-Brescia, Raymond Fort-Brescia and Thomas Westberg; the builders Thomas C. Murphy, Erin Murphy, Nick Duke and Jason Anderson; the curtain wall manufacturers Jose Daes and Carmen L. Guerrero, and the University of Miami Project Manager, Gary Tarbe. It also offers sumptuous, detailed photography to provide a thorough understanding of a building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future.

Explores the Science and Practice Of Acoustics for Arts Centers Employing the experiences of a world-renowned acoustician celebrated for the successful design of multi-use performing arts centers, Acoustics of Multi-Use Performing Arts Centers examines the complexities of this venue and discusses the challenges and solutions that arise in the concept, design, construction and commissioning phases. This book addresses the various programming needs of a multi-use performing arts center (needs that can range from symphony, opera and ballet to highly-amplified concerts and Broadway productions) and provides instruction from the planning of the initial concept to the final tuning stages. While assuming a basic understanding of the principals of sound, construction and performance, the author includes architectural drawings drawn to scale and presents case studies with in-depth discussion of undocumented halls. He also provides a full chapter on tuning multi-use halls and offers an inside look at design options for adjustable acoustics that include stage, pit and hall design. In addition, the book: Covers the fundamentals of acoustics as it relates to initial stages of multi-use hall design Explores the concepts of acoustics in terms of new and renovated spaces Defines the basic components of the building structure Examines floors, walls, ceilings, shells, and finishes and how they can be designed to achieve acoustic excellence Discusses how to use and tune adjustable acoustic systems in a multi-use hall in order to achieve acoustic excellence Designed as a step-by-step guide to achieving outstanding acoustics in multi-use performance spaces, Acoustics of Multi-Use Performing Arts Centers serves students, architects, engineers, desig

Liverpool has gained a national and international reputation for popular music, most recently recognised in its designation as a UNESCO City of Music. This book examines Liverpool's popular music through the history of the places where it has been performed and examines their role and significance. It explores the richness of Liverpool's live performance scene and tells a story of changing music sites, sounds and experiences. In doing so it highlights music's contribution to the city's history and identity, and in turn shows how the city's architectural and urban form has shaped its musical life and character. The book shows how music is bound up with changes in the social, cultural and economic life of cities more generally, particularly provincial, `post-industrial' cities in the UK, Europe and US. It also highlights the significance of places that enable people to come together and collectively participate in music events. The book touches on groups and artists involved with many diverse musical style and brings new and fascinating information on well-known historic venues such as the Cavern Club and the Blue Angel, as well as new ones such as the Echo Arena. With a glossary of artists and venues, previously unpublished photographs, illustrations and music maps. Liverpool's musical landscapes are investigated in unprecedented detail and depth.

The Barbican Centre in the City of London is the largest multi-disciplinary arts centre in Europe. Designed by Chamberlin, Powell & Bon as part of the Barbican Estate and to provide homes for both the London Symphony Orchestra and the Royal Shakespeare Company, the building is internationally renowned not only as an example of radical, visionary architecture in the Modernist tradition, but also for its outstanding programme of more than 2,000 cultural events each year: plays, concerts, films, exhibitions and more. A new title in the Pocket Photo Books series of immersive visual guides to the experience of place, this compact album of more than one hundred photographs by Harry Cory Wright presents the dramatic spaces, rich textures and carefully selected materials of the Barbican Centre in all their detail. From the flowing, multi-level space of the foyer and the calm wooden-panelled concert hall to the surprising intimacy of the theatre and the soaring jungle of the conservatory, the Barbican Centre offers the visitor an extraordinary variety of experiences within a single building. This book captures their full range, providing exceptional insights into one of the most significant and exciting modern buildings in Britain and a thriving cultural hub in the heart of London.

Explores the Science and Practice Of Acoustics for Arts Centers Employing the experiences of a world-renowned acoustician celebrated for the successful design of multi-use performing arts centers, Acoustics of Multi-Use Performing Arts Centers examines the complexities of this venue and discusses the challenges and solutions that arise in the concept, design, construction and commissioning phases. This book addresses the various programming needs of a multi-use performing arts center (needs that can range from symphony, opera and ballet to highly-amplified concerts and Broadway productions) and provides instruction from the planning of the initial concept to the final tuning stages. While assuming a basic understanding of the principals of sound, construction and performance, the author includes architectural drawings drawn to scale and presents case studies with in-depth discussion of undocumented halls. He also provides a full chapter on tuning multi-use halls and offers an inside look at design options for adjustable acoustics that include stage, pit and hall design. In addition, the book: Covers the fundamentals of acoustics as it relates to initial stages of multi-use hall design Explores the concepts of acoustics in terms of new and renovated spaces Defines the basic components of the building structure Examines floors, walls, ceilings, shells, and finishes and how they can be designed to achieve acoustic excellence Discusses how to use and tune adjustable acoustic systems in a multi-use hall in order to achieve acoustic excellence Designed as a step-by-step guide to achieving outstanding acoustics in multi-use performance spaces, Acoustics of Multi-Use Performing Arts Centers serves students, architects, engineers, designers and acousticians.

Glory, Glory Lane is the life-affirming history - including a momentous last season - of a world-famous football stadium, home to Tottenham Hotspur for 118 years. A Victorian structure turned wraparound 21st-century all-seater, it became a theatre of dreams for supporters all attracted by teams which played the 'Spurs way' to achieve glory. The Lane gave a stage to a conveyor belt of legends from Cameron to Alli via Nicholson, Blanchflower, Greaves, Hoddle and Klinsmann. It provided unforgettable memories in unforgettable atmospheres - heart-lifting, heart-breaking, nerve-racking. Its story veers from founders obsessed by Harry Hotspur to Harry Kane via Harry Redknapp; through matches, personalities, ground developments and threatened closure, all with first-hand accounts. It's hard to imagine how a new GBP750m stadium can ever replace the edifice which shut its gates for the last time after Spurs played Manchester United in May 2017, having created a daunting legacy.

What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

Analyzing football as a cultural practice, this book investigates the connection between the sport and its built environment. Four thematic sections bring together an international multi-disciplinary range of perspectives with particular focus on the stadium.

Examples from architectural design, media studies and archaeology are used while studying advertising, economics, migration, fandom, local identities, emotions, gender, and the sociology of space. Texts and case-studies build up this useful book for lecturers and researchers in sociology, cultural studies, geography, architecture, sport and environment.

Many Americans know more about the stadiums that loom over their cityscapes or college campuses than they do about any other aspect of the nation's geography. Stadiums serve as iconic monuments of urban and university identities. Indeed, the power of sport in modern American culture has produced ?sportscapes landscapes literally shaped by their devotion to athletic competition. Curiously, given the importance of the secular cathedrals in American culture, historians have paid little attention to these edifices. The Rise of Stadiums in the Modern United States: Cathedrals of Sport seeks to remedy that oversight. This book will analyze stadiums from a variety of perspectives, paying special attention to the links between the ?built environment? in which Americans watch and play games and the larger social environments that the nation's sporting practices inhabit. The Rise of Stadiums in the Modern United States: Cathedrals of Sport explores the role of stadiums in shaping urban identities, determining the economics of intercollegiate athletics, influencing local and national politics.

This book was previously published as a special issue of the International Journal of the History of Sport.

Olympic Stadia provides a comprehensive account of the development of stadia including but not limited to: developments in running tracks, the introduction of lighting, improvements in spectator viewing standards and the introduction of roofs. Written by a world-renowned expert on sports architecture, the book: Systematically analyses every stadium from Athens 1896 to Tokyo 2020 Provides drawings, plans, elevations, photographs and illustrations in full colour Considers the fundamental changes wrought by the incorporation of the Paralympic Games Looks at the impact on host cities and their urban infrastructure, and considers the long-term legacies and massive investments that Olympic stadia require Explores the effects of the demands of the world's TV broadcasters. An invaluable and beautiful resource for practical insight and inspiration, this book makes essential reading for anyone interested in Olympic stadia.

Probably the most popular building of the last century, Sydney Opera House is the icon of modern Australia. It has repaid its Au$100 million cost many times over, both as a tourist attraction and as a cultural center; as a brand, it is priceless. The story of its creation is one of both triumph and tragedy: universally loved these days, it was attacked by press and public when under construction. It is a masterpiece of modern architecture, yet Jorn Utzon, its designer, walked out before completion. Opinions are still divided over who was at fault when he resigned after a row with the client in 1966, and the story continues to rouse powerful passions to this day. Now, nearly 40 years later, Utzon has been invited back to oversee the building's refurbishment.
Peter Murray's compelling and highly readable biography of the building presents both sides of the story. Using previously unpublished files and papers; Murray has managed to unravel one of the most intriguing architectural controversies of recent times - what really happened when they built Sydney Opera House?

This book introduces the concepts of theater planning, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author's extensive professional practice. This book is written for students in Theatre Planning courses, along with working practitioners.

In this book, Eugene J. Johnson traces the invention of the opera house, a building type of world wide importance. Italy laid the foundation theater buildings in the West, in architectural spaces invented for the commedia dell'arte in the sixteenth century, and theaters built to present the new art form of opera in the seventeenth. Rulers lavished enormous funds on these structures. Often they were among the most expensive artistic undertakings of a given prince. They were part of an upsurge of theatrical invention in the performing arts. At the same time, the productions that took place within the opera house could threaten the social order, to the point where rulers would raze them. Johnson reconstructs the history of the opera house by bringing together evidence from a variety of disciplines, including music, art, theatre, and politics. Writing in an engaging manner, he sets the history of the opera house within its broader early modern social context.

In this fully updated and redesigned edition of the essential and long-established Stadia, the authors offer their unrivalled expertise to all professionals who commission, plan, design, and manage high-quality sports venues. Ideas about the design and use of stadiums continue to evolve and this fifth edition includes the latest developments in the field. Including updated chapters on sustainability, masterplanning and services, a new chapter on branding activation, and new global case studies, the fifth edition of Stadia is the ultimate guide to all aspects of stadium design, from local club buildings to international showpieces. In addition to a wide array of international case studies, the authors draw on the experience of the design firm Populous who in recent years delivered the 2010 Yankees Stadium in New York; the 2010 Aviva stadium, Dublin; the 2004 Benfica stadium, Lisbon; the 2010 Soccer City FNB Stadium, Johannesburg; the 2012 Marlins Park, Miami; and the 2012 new Olympic Stadium, London.

In this fully updated and redesigned edition of the essential and long-established Stadia, the authors offer their unrivalled expertise to all professionals who commission, plan, design, and manage high-quality sports venues. Ideas about the design and use of stadiums continue to evolve and this fifth edition includes the latest developments in the field. Including updated chapters on sustainability, masterplanning and services, a new chapter on branding activation, and new global case studies, the fifth edition of Stadia is the ultimate guide to all aspects of stadium design, from local club buildings to international showpieces. In addition to a wide array of international case studies, the authors draw on the experience of the design firm Populous who in recent years delivered the 2010 Yankees Stadium in New York; the 2010 Aviva stadium, Dublin; the 2004 Benfica stadium, Lisbon; the 2010 Soccer City FNB Stadium, Johannesburg; the 2012 Marlins Park, Miami; and the 2012 new Olympic Stadium, London.

Illustrating actual building design solutions that have been created to improve accessibility for disabled patrons and performers, the 'Journey Sequence' outlines the best examples of design innovation produced in response to new and upcoming legislation.

A knowledge of how to design for the disabled can be crucial in winning contracts and having designs accepted. This book shows how the practical implications have already been successfully approached.
Covering the whole sequence from parking, to entry, and including details of facilities for the visually and hearing impaired users, advice is given on the methods designers should use in assessing the requirements of disabled people. This is not a publication giving theoretical prescription but rather an illustrated record of achievements in buildings of all sizes where proper access to the disabled has been created. It includes 14 case studies and examples that illustrate the diverse ways that accessibility has been incorporated into arts buildings throughout the UK. This includes Cinemas, Theatres, Concert Halls, Opera Houses, Museums and Libraries. The author team highlights specific design details that are particularly unique, to stimulate the reader and show that creating better accessibility for the disabled both demands and creates innovative design.
* Be informed about the latest design solutions for disabled access
* Case studies show best practice to inspire your designs
* Gain an insight into unique solutions used by designers to make their venues inclusive

Peter Murray's compelling and highly readable biography of the building presents both sides of the story. Using previously unpublished files and papers, Murray has managed to unravel one of the most intriguing architectural controversies of recent times - what really happened when they built Sydney Opera House...

This book offers a rare chance to understand how sport and architecture come together to create an outstanding building type - a symbol of our times. Rod Sheard shares the experience and expertise of HOK LOBB in this beautifully illustrated book, offering practical advice and guidance on commissioning, designing and managing sports venues around the world. The award-winning work of this firm includes the Millennium Stadium, Cardiff, the Wembley National Stadium, London and the Stadium Australia in Sydney, commissioned for the Olympic Games 2000.

Tents, bandstands, displays, places for sitting, listening, seeing and being seen... Pavilions have myriad forms and as many functions. For architects and designers, they offer unique opportunities to experiment with form, construction, material, structure, surface and texture, often as prototypes for larger buildings or as purely artistic pursuits. A pavilion's particular location also offers rich possibilities for interaction with the landscapes, streetscapes and peoplescapes around it. Pavilions can be temples to digital interaction or provide oases of surreal calm and isolation. This is a selection of the best examples produced in recent years. From the cutting- edge forms of Sou Fujimoto to Zaha Hadid's Chanel pavilion, from small structures created entirely out of farm waste to a mirrored carapace conceived by Olafur Eliasson, each pavilion featured provides a lesson in the extreme possibilities of built form and demonstrates that many of the biggest ideas in architecture start small.