The role of motion pictures in the popularity of rock music became increasingly significant in the latter twentieth century. Rock music and its interaction with film is the subject of this significant book that re-examines and extends Serge Denisoff's pioneering observations of this relationship. Prior to Saturday Night Fever rock music had a limited role in the motion picture business. That movie's success, and the success of its soundtrack, began to change the silver screen. In 1983, with Flashdance, the situation drastically evolved and by 1984, ten soundtracks, many in the pop/rock genre, were certified platinum. Choosing which rock scores to discuss in this book was a challenging task. The authors made selections from seminal films such as The Graduate, Easy Rider, American Graffiti, Saturday Night Fever, Help!, and Dirty Dancing. However, many productions of the period are significant not because of their success, but because of their box office and record store failures. Risky Business chronicles the interaction of two major mediums of mass culture in the latter twentieth century. This book is essential for those interested in communications, popular culture, and social change.

JIMI is the ultimate tribute to the greatest guitar player in rock and roll history, celebrating what would have been Jimi Hendrix's 80th birthday on November 27, 2022. This comprehensive visual celebration is an official collaboration with Jimi's sister, Janie Hendrix, and John McDermott of Experience Hendrix L.L.C. JIMI significantly expands on the authors' previously published titles, including An Illustrated Experience, and features a new introduction by Janie, extensive biographical texts, and a trove of lesser known and never-before-published photographs, personal memorabilia, lyrics, and more. Additionally, JIMI includes quotations by legendary musicians, such as Paul McCartney, Ron Wood, Jeff Beck, Lenny Kravitz, Drake, Dave Grohl, and others who have spoken about Hendrix's lasting influence. In the four years before his untimely death at age 27, Jimi Hendrix created a groundbreaking musical legacy, one that includes revered classics such as "Purple Haze" and "Voodoo Child." His signature guitar playing, provocative songwriting, and charismatic performances have continued to inspire legions of musicians and fans alike.

In Breaks in the Air John Klaess tells the story of rap's emergence on New York City's airwaves by examining how artists and broadcasters adapted hip hop's performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York's African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.

This interdisciplinary volume explores the girl's voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls' online media culture. While girls' voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old cliches of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl's voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl's voice throughout adolescence; girl's participatory culture via youtube and rock camps, and representations of the girl's voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyonce, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women's and gender studies, media studies, and education to investigate the importance of girls' voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom.

This book is a comprehensive guide to a career in the music industry. Offering advice as to how to get into the business, it explains the main features of a wide range of jobs, such as management, production, promotion and merchandise through to the working lives of recording artists and session musicians.

This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women's achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied's musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers' perception of the genre and help promote awareness of women's contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.

Ronnie James Dio was a heavy metal icon and frontman of three of the best-selling, most influential and famous rock bands in history: Rainbow, Black Sabbath and his own multi-million selling band, Dio. Rainbow in the Dark is a rollercoaster ride through the extraordinary highs and lows of Dio's life, and takes us from his early days as a street gang leader and Doo-wop singer in '60s Vegas through to his breakout success with Rainbow and Black Sabbath in the '70s and the stadiums of US metal in the '80s - ending in Dio's dressing room at Madison Square Garden, in June 1986, at the peak of his worldwide fame with Dio. Tragically Dio passed away from cancer in 2010, but had already begun writing a memoir before his death. Edited by the world-renowned music biographer Mick Wall, with the involvement of Dio's wife of over 35 years and personal manager Wendy Dio, Rainbow in the Dark will honour and feature Dio's never-before-seen original manuscript, while drawing on the extraordinary collection of print and audio interviews with the man himself to produce a vivid, raw and faithful portrait of one of the world's greatest ever rock legends.

When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain's mother named the 27 Club. Now he's gone and joined that stupid club, she said in 1994, after being told that her son, the front man of Nirvana, had committed suicide. I told him not to... Kurt's mom was referring to the extraordinary roll call of stars who died at the same young age, including Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, and Jim Morrison of the Doors. All were talented. All were dissipated. All were 27. In this haunting book, author Howard Sounes conducts the definitive forensic investigation into the lives and deaths of the six most iconic members of the Club, as well as some lesser known members, to discover what, apart from coincidence, this phenomenon signifies. In a grimly fascinating journey through the dark side of the music business, Sounes uncovers a common story of excess, madness, and self-destruction. The fantasies, half-truths, and mythologies that have become associated with the Club are debunked. Instead, a clear and compelling narrative emerges, one based on hard facts, that unites these lost souls in both life and death.

Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Using the sources of musical history and philosophy, Erik Wallrup explores this extremely vague and elusive phenomenon, which is held to be fundamental to musical hearing. Wallrup unfolds the untold musical history of the German word for 'mood', Stimmung, which in the 19th century was abundant in the musical aesthetics of the German-Austrian sphere. Martin Heidegger's much-discussed philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or, to be more precise, musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music. Exploring mood, or attunement, is indispensable for a thorough understanding of the act of listening to music.

A Treatise on Possibility: Perspectives on Humanity Hereafter by Rou Reynolds is a companion guide to the critically acclaimed sixth Enter Shikari album Nothing Is True & Everything Is Possible. Human possibility. If we get our act together, our long-term potential is virtually infinite. And infinitely beautiful. But currently humanity is being guided not by wisdom, cooperation and self-reflection but by archaic systems and false assumptions. There are warning signs everywhere: ecological destruction, mental health crises and obscene levels of inequality. At a time when quite literally Nothing Is True & Everything Is Possible, Rou Reynolds has gone in deep, head first, exploring the predicaments of modernity. Using his lyrics to navigate the complicated web of problems, he arrives on the other side with his Treatise on Possibility. Hard-hitting and thought provoking, this is a unique perspective on humanity as we approach a point of great change.

This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.

The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass instrument. From the mid-1960s and throughout the 1970s, a melismatic and inconsistent approach towards the bass role ensued, which contributed to a major change in how the electric bass was used in performance and perceived in the sonic landscape of mainstream popular music. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, the book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982 as a prime source. Through interviews with players from this era, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass. This highly original book will be of interest not only to bass players, but also to popular musicologists looking for a way to instigate methodological and theoretical discussions on how to develop popular music analysis.

The Singer-Songwriter in Europe is the first book to explore and compare the multifaceted discourses and practices of this figure within and across linguistic spaces in Europe and in dialogue with spaces beyond continental borders. The concept of the singer-songwriter is significant and much-debated for a variety of reasons. Many such musicians possess large and zealous followings, their output often esteemed politically and usually held up as the nearest popular music gets to high art, such facets often yielding sizeable economic benefits. Yet this figure, per se, has been the object of scant critical discussion, with individual practitioners celebrated for their isolated achievements instead. In response to this lack of critical knowledge, this volume identifies and interrogates the musical, linguistic, social and ideological elements that configure the singer-songwriter and its various equivalents in Europe, such as the French auteur-compositeur-interprete and the Italian cantautore, since the late 1940s. Particular attention is paid to the emergence of this figure in the post-war period, how and why its contours have changed over time and space subsequently, cross-cultural influences, and the transformative agency of this figure as regards party and identity politics in lyrics and music, often by means of individual case studies. The book's polycentric approach endeavours to redress the hitherto Anglophone bias in scholarship on the singer-songwriter in the English-speaking world, drawing on the knowledge of scholars from across Europe and from a variety of academic disciplines, including modern language studies, musicology, sociology, literary studies and history.

For five decades, as a singer, musician, songwriter, and producer, Tim O'Brien has ceaselessly explored the vast American musical landscape. While Appalachia and Ireland eventually became facets of the defining myth surrounding him and his music, he has digested a broad array of roots styles, reshaping them to his own purposes. Award-winning biographer Bobbie Malone and premier country music historian Bill C. Malone have teamed again, this time to chronicle O'Brien's career and trace the ascent of Hot Rize and its broadening and enrichment of musical traditions. At the beginning of that career, O'Brien moved from his native West Virginia to the Rocky Mountain West. In just a few years, he became the lead singer, mandolin and fiddle player, and principal songwriter of beloved 1980s bluegrass band Hot Rize. Seeking to move beyond bluegrass, he next went to Nashville. O'Brien's success in navigating the shoals of America's vast reservoir of folk musical expressions took him into the realm of what is now called Americana. The core of Tim O'Brien's virtuosity is his abiding and energetic pursuit of the next musical adventure. As a traveler, he has ranged widely in choosing the next instrument, song, style, fellow musicians, or venue. Written with O'Brien's full cooperation and the input of family, friends, colleagues, and critics, Traveler provides the first complete, behind-the-scenes picture of a thoroughly American self-made musical genius-the boy who grew up listening to country artists at the WWVA Wheeling Jamboree and ended up charting a new course through American music.

The more I thought about it, the more I realised my career has been unusual. How did I manage to do everything wrong but still end up on the front cover of magazines, headlining world tours and achieving Top 5 albums? How did I attract such obsessive and fanatical fans, many of whom take everything I do or say very personally, which is simultaneously flattering but can also be tremendously frustrating? Even this I somehow cultivated without somehow meaning to. My accidental career. Limited Edition of One is unlike any other music book you will ever have read. Part the long-awaited memoir of Steven Wilson: whose celebrated band Porcupine Tree began as teenage fiction before unintentionally evolving into a reality that encompassed Grammy-nominated records and sold-out shows around the world, before he set out for an even more successful solo career. Part the story of a twenty-first century artist who achieved chart-topping mainstream success without ever becoming part of the mainstream. From Abba to Stockhausen, via a collection of conversations and thought pieces on the art of listening, the rules of collaboration, lists of lists, personal stories, professional adventurism (including food, film, TV, modern art), old school rock stardom, how to negotiate an obsessive fanbase and survive on social media, and dream-fever storytelling.

It has taken Liverpool almost half a century to come to terms with the musical, cultural and now economic legacy of the Beatles and popular music. At times the group was negatively associated with sex and drugs images surrounding rock music: deemed unacceptable by the city fathers, and unworthy of their support. Liverpudlian musicians believe that the musical legacy of the Beatles can be a burden, especially when the British music industry continues to brand the latest (white) male group to emerge from Liverpool as 'the next Beatles'. Furthermore, Liverpudlians of perhaps differing ethnicities find images of 'four white boys with guitars and drums' not only problematic in a 'musical roots' sense, but for them culturally devoid of meaning and musically generic. The musical and cultural legacy of the Beatles remains complex. In a post-industrial setting in which both popular and traditional heritage tourism have emerged as providers of regular employment on Merseyside, major players in what might be described as a Beatles music tourism industry have constructed new interpretations of the past and placed these in such an order as to re-confirm, re-create and re-work the city as a symbolic place that both authentically and contextually represents the Beatles.

This fascinating autobiography of the country music legend recounts the highs and lows, the struggles and hard-won triumphs of his remarkable life. The story takes us from Johnny Cash's childhood on an Arkansas cotton farm to his early years at Sun Records. We read of his life on the road and meetings with, and performances for, world leaders. There is also the darker side of his life: the years of addiction to amphetamines and pain killers, a suicide attempt and the spiritual awakening that pulled him through. He looks unsparingly at his turbulent past, but remains a man of honesty, humility and humour. His memoir reveals his friendships with Roy Orbison, Willie Nelson, Bob Dylan and Billy Graham.

In Generation Ecstasy, Simon Reynolds takes the reader on a guided tour of this end-of-the-millenium phenomenon, telling the story of rave culture and techno music as an insider who has dosed up and blissed out. A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music.

Divided into three sections, Linda Phyllis Austern collects eighteen, cross-disciplinary essays written by some of the most important names in the field to look at this stimulating topic. The first section focuses on the cultural and scientific ways in which music and the sense of hearing work directly on the mind and body. Part Two investigates how music works on the socially constructed, representational or sexualized body as a means of healing, beautifying and maintaining a balance between the mental and physical. Finally, the book explores the action of music as it is heard and sensed by wider social units, such as the body politic, mass communication, from print to sound recording, and broadcast technologies.

Originally published in 1966, this was the first book on this subject to be published for over a hundred years. It covers all facets including little-known types of Gaelic song, the bagpipes and their music, including the esoteric subject of pibroch, the Ceol Mor or 'Great Music' of the pipes. It gives a comprehensive review of the fiddle composers and their music, and of the Clarsach and its revival, with an example of all-but-extinct Scottish harp music. A chapter is devoted to the music of Orkney and Shetland and the book contains over 100 examples of music many of which were from the author's own collection and published here for the first time.

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The band's signature guitar sound from iconic single 'UFO' has been sampled in hundreds of hip hop records, and everyone from Karen O to Kathleen Hanna lists the South Bronx group as a direct influence. So why do the Scroggins sisters appear as nothing more than a footnote in the 1980s music scene? Through interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England, this book follows the story of a group of sisters who made it out of the New York projects and into the heart of the dancefloor. Come Away With ESG repositions ESG in their rightful place as punk pioneers and explains how their primal beats have paved the way for modern dance music today.

Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band - how they got to where they are, what drove them to greatness, and why it matters now. Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses - the quintessential Gen-X tale. Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves. Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia-the B-sides, the beloved deep cuts, the concert bootlegs-and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."

It is 1965, and Swinging London is coming into its prime years. The streets are alive with mods and rockers, playboys and good-time girls, all revelling in the blossoming artistic, creative and cultural energies of the decade. Amid the colour and chaos is a boy sporting drainpipe jeans, an immaculately tailored sports coat and a half-inch wide tie. A devoted fan of The Who, he looks the part in his pristine mod gear. As the lead singer of the Lower Third, his talent is shaping itself into something truly special. His name is Davie Jones. In ten years, he will be unrecognisable as fresh-faced boy of 1965, and in just over fifty years, his death will be mourned by millions, his legacy the story of the greatest rock star of all time. And through Bowie's transition from pop group member to solo performer, Phil Lancaster was by his side. As the drummer in Bowie's band, the Lower Third, Phil was there as the singer's musical stripes began to show, and was witness to his early recording techniques, his first experimental forays into drug-taking, and the band's discovery of his bisexuality in shocking circumstances. In this riveting - and often very funny - memoir, Phil tells the story of life alongside the insecure yet blazingly talented boy who became Bowie, at a critical crossroad of time and place in music history. What follows is an intimate, personal and important perspective on the genesis of one of the most iconic musicians of the twentieth century - one that gets under the skin of the man himself, before the personas and alter-egos masked the fascinating figure beneath them. At the Birth of Bowie is essential reading for anyone who knows what happened on Bowie's journey, but wants to understand how, and why, it ever began.