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Books > Fiction > True stories > Crime
"Closed Eyes; Who's Killing Our Children" is a story of four
individual child abductions that have found no closure for the
families to this day. This is a factual story with an emotional
element that starts with a cold case investigation into the
abduction of seven year-old little Tracey Neef from the grounds of
her school in 1984. Tracey was found raped and dead a few short
hours later in the cold of a Colorado winter. The author follows a
trail of the bodies of children left behind by a skilled pedophilic
predator and culminates with the murder and rape of JonBenet
Ramsey. As each crime is researched numerous suspects surface.
Circumstances, witness statements and trace evidence point to only
one of these suspects. Although the author has obtained a legal
opinion that the public has a right to know the identity of this
suspect, his last name has been deleted from the manuscript. James
Benish presents the facts of these cold case child murders in
sequential order from the time of the abductions, through the years
of neglected follow-ups, ignored leads, and dismissal of evidence
and testimony that have left these murders in the ranks of the
unsolved. This is the first time in recent history that anyone has
suggested with credible logic, that there is a serial killer loose
in Colorado.
The Boston police officers who brutally beat Michael Cox at a
deserted fence one icy night in 1995 knew soon after that they had
made a terrible mistake. The badge and handgun under Cox's bloodied
parka proved he was not a black gang member but a plainclothes cop
chasing the same murder suspect his assailants were. Officer Kenny
Conley, who pursued and apprehended the suspect while Cox was being
beaten, was then wrongfully convicted by federal prosecutors of
lying when he denied witnessing the attack on his brother officer.
Both Cox and Conley were native Bostonians, each dedicating his
life to service with the Boston Police Department. But when they
needed its support, they were heartlessly and ruthlessly
abandoned.
A remarkable work of investigative journalism, "The Fence"
tells the shocking true story of the attack and its aftermath--and
exposes the lies and injustice hidden behind a "blue wall of
silence."
28 November 2000 was the day when the foundations of a young and
fragile Ukrainian democracy were fundamentally shaken. The national
deputies and the entirety of the Ukrainian population became aware
of the records made by the former officer of the State Security
Service, Mykola Melnichenko, which implicated the then President of
Ukraine, Leonid Kuchma, in being involved in the murder of an
independent journalist Georgiy Gongadze. The tape affair, or as it
became known in the West, the 'Kuchmagate', was an unprecedented
event in the history of modern Ukraine. Kuchmagate and the collapse
of the Orange idea is a story told by Volodymyr Tsvil, a close
associate of the main characters involved in the scandal, who
himself was directly involved in the affair. Tsvil provides a
unique insight into the events that followed immediately after the
outbreak of the Kuchmagate and reveals a web of complex
relationships between major Melnychenko and a plethora of
politicians, journalists, governments and NGOs who were keen to
obtain the contents of these records and use them for their own
purposes. The story of Kuchmagate and the collapse of the Orange
idea, however, is not merely a description of events which inspired
the Orange revolution in 2004. Many Ukrainians entertained the hope
that new people in the government could deliver their promises for
a just and free society. These hopes were shattered by the same
politicians' insincerity and personal interest in political
expediency demonstrated during the Kuchmagate. The hopes of
ordinary Ukrainians that justice would prevail were sidelined and
largely forgotten. Today, the Orange coalition and its leaders are
forgotten, marginalised or even imprisoned. In contrast, the
Kuchmagate affair is alive and to the present day is far from being
solved. The main question of who ordered the murder of Georgiy
Gongadze remains unanswered. In order to find an answer to this and
many other questions, more details about the Kuchmagate should be
revealed to the public. Tsvil's book makes one the first
contributions to this cause, providing first-hand information about
the development of the scandal in a clear and objective manner.
In 1573 there occurred a murder which would leave today's tabloid
editors salivating. George Saunders, a respected merchant tailor,
was killed by his wife's lover. Involved in the conspiracy were
Saunders' wife, her best friend, and a servant. All were found
guilty and hanged, but not before a suspended clergyman fell in
love with Mrs. Saunders and sought to have her pardoned. Murder was
relatively rare in Tudor times. When it did occur, especially if it
involved a female perpetrator and a love affair, it generated
widespread interest. The rise of Protestantism, and its
accompanying rise in literacy, had provided a strong impetus to
read about crime and to ponder the spiritual consequences of
breaking both the civil and the divine law. The English system of
criminal justice was open and popular, and familiar
elements--detection, investigation, the laying of charges, the
trial, verdict, sentence--were all well understood and closely
followed in the 16th century. Today, people are riveted by crime
and violence. But the obsession is not new, as this book shows in
vivid and exciting detail. John Bellamy's new book provides a
fascinating view of life in Tudor England and offers a new angle on
our love affair with murder as a literary form. It was in the Tudor
period, he argues, that popular attention was focused on the crime
of murder, for edification as well as entertainment. A 16th-century
murder inquiry was in many ways a community affair, capable of
arousing the interest of a substantial local audience, with the
members of the inquest often collecting evidence and statements for
twenty or thirty days. Detection, investigation, the laying of
charges, the trial, verdict, sentence--all ofthese familiar
elements were established in the 16th century. Strange, Inhuman
Deaths describes four well-documented cases that occurred between
1538 and 1573. Each of them is deeply rooted in source material,
whether legal records or pamphlets, plays or ballads, giving a rich
background and a wealth of local colour. The human stories they
contain are powerful and lively, and the motivations and
personalities that are revealed speak to us directly across the
centuries. Murder most foul, murder most English--the tradition
begins.
Derrick Rivas is a hardworking man who enjoys a successful career
in Arizona. But his life comes crashing to a halt when he discovers
his wife of seventeen years is having an affair.
At first, he hopes to repair his marriage, but he soon realizes
that his wife, Estella, has no intention of fixing things. After
finding out he wants a divorce, she delivers a dire warning: He
will pay for leaving her.
Her threat becomes clear soon after when she accuses him of
assault. Derrick knows the charges are false, but he takes them
seriously because his wife has an uncle that retired from the
sheriff's department and an aunt in magistrate court that wields an
influential gavel.
More disturbing, however, is Estella's threat that things are
about to get worse. Derrick is soon facing officers of the court
who want to harm and humiliate him by any means possible. They do
everything they can to bring about his downfall in "Disintegrating
Justice," a story based on actual events.
Five firefighters took off running for cover behind the fire engine
and the other gold/black trailer, a few closed their eyes as they
ran blindly into the darkness with flames chasing behind them
saying one prayer that seems to come to mind at a time like
this.... "Our Father Who..."
Principally an abridgement of the transcript of the trial as
published in: The Sacco-Vanzetti case. 2nd ed. Mamaroneck, N.Y.: P.
P. Appel, 1969; followed by a collection of remarks over the past
80 years about the trial and its significance.
"Since as early as the 1700s, New Orleans has been a city filled
with sin and vice. Those first pioneering citizens of the Big Easy
were thieves, vagabonds and criminals of all kinds. By the time
Louisiana fell under American control, New Orleans had become a
city of debauchery and corruption camouflaged by decadence. It was
also considered one of the country's most dangerious cities, with a
reputation of crime and loose morals. Rampant gambling and
prostitution were the norm in nineteenth-century New Orleans, and
over one-third of today's French Quarter was considered a hotbed of
sin. Tales in this volume of streets of the Crescent City in the
early 1900s and Kate Townsend, a prositute who was murdered by her
own lover, a man who later wass awarde her inheritance. Troy Taylor
takes a look back at New Orleans's early wicked days and historic
crimes" --Back cover.
This book contains actual 911 emergency and non-emergency calls
that came into the San Diego Police Department Communications
Division during my 19 years as a Police 911 Dispatcher. This book
represents the calls received as accurately as possible. I did not
embellish them to make the calls funnier or more exciting. These
are actual calls, often unbelievable, but they are real calls. This
book is a way for me to portray the "real world" of a 911
dispatcher. As you read through the book, I hope you can get a
sense of the many emotions that I felt during the course of my
shift. The Dark Side is the chapter I devoted to the more serious,
violent type of calls we get on a daily basis. I hope you enjoy the
book.
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