Was Arizona Donnie Clark, AKA Kate "Ma" Barker the mastermind behind the Barker gang terrorizing the Midwest during the early years of the great Depression? Or was she a terrible mother who urged her sons to criminal behavior for her own financial gain? Or does the truth lie somewhere in between. This lively retelling of the legend of Ma Barker and her boys is full of action, intrigue, and the answers to mysteries that have lingered for more than 70 years.

The inside story-from the organizer himself--of the largest unrecovered cash haul in history. This full account brings readers behind the heist memorialized in Goodfellas, a crime that has baffled law enforcement for decades. From Henry Hill himself, The Lufthansa Heist is the last book he worked on before his 2012 death. On December 11, 1978, a daring armed robbery rocked Kennedy Airport, resulting in the largest unrecovered cash haul in world history, totaling six million dollars. The perpetrators were never apprehended and thirteen people connected to the crime were murdered in homicides that, like the crime itself, remain unsolved to this day. The burglary has fascinated the public for years, dominating headlines around the globe due to the story's unending ravel of mysteries that baffled the authorities.One of the organizers of the sensational burglary, Henry Hill, who passed away in 2012, in collaboration with Daniel Simone, has penned an unprecedented "tell-all" about the robbery with never-before-unveiled details, particulars only known to an insider. In 2013, this infamous criminal act again flared up in the national news when five reputed gangsters were charged in connection to the robbery. This latest twist lends the project an extraordinary sense of timing, and the legal proceedings of the newly arrested suspects will unfold over the next year, continuing to keep the Lufthansa topic in the news.

In the fall of 1961, KGB assassin Bogdan Stashinsky defected to West Germany. After spilling his secrets to the CIA, Stashinsky was put on trial in what would be the most publicized assassination case of the entire Cold War. The publicity stirred up by the Stashinsky case forced the KGB to change its modus operandi abroad and helped end the career of Aleksandr Shelepin, one of the most ambitious and dangerous Soviet leaders. Stashinsky's testimony, implicating the Kremlin rulers in political assassinations carried out abroad, shook the world of international politics. Stashinsky's story would inspire films, plays, and books,including Ian Fleming's last James Bond novel, The Man with the Golden Gun. A thrilling tale of Soviet spy craft, complete with exploding parcels, elabourately staged coverups, double agents, and double crosses, The Man with the Poison Gun offers unparalleled insight into the shadowy world of Cold War espionage.

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we're comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, 'There are no female serial killers'. Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers fourteen gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts in cunning, cruelty, and appetite for destruction. Each chapter explores the crimes and history of a different subject, and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist cliches that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone, Lady Killers dismisses easy explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch), delving into the complex reality of female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a bloodcurdling, insightful, and irresistible journey into the heart of darkness.

Out of the annals of the author's own family history comes this story of the strange death of a popular circuit judge in a mysterieous shooting that remained unsolved for many years. "Who shot the Judge?" remained an unsettled question, despite all efforts to find the answer. This is the account of a hunting accident in the north woods of Michigan and the effects of such unsolved mystery on members of the family and others. The story concludes with a surprise ending and alludes to the question of the degree to which such unhealed grief might affect even succeeding generations. The prompting to write the story was born for the author in an experience of personal healing in a prayer group, from which the author emerged with a compelling sense that this story had to be written. He could never seem to let it go. The judge was the author's own grandfather, whom he, of course, never knew.

It is one of the greatest mysteries of the twentieth century. How did Marilyn Monroe die? Although no pills were found in her stomach during the autopsy, it was still documented in the Los Angeles coroner's report that she had swallowed sixty-four sleeping pills prior to her demise. In "Marilyn Monroe: A Case for Murder," biographer Jay Margolis presents the most thorough investigation of Marilyn Monroe's death to date and shares how he reached the definitive conclusion that she was murdered.

Margolis meticulously dissects the events leading up to her death, revealing a major conspiracy and countless lies. In an exclusive interview with actress Jane Russell three months before her death, he reveals Russell's belief that Monroe was murdered and points the finger at the man she held responsible. While examining the actions of Peter Lawford, Bobby Kennedy, and Monroe's psychiatrist, Dr. Ralph Greenson, Margolis establishes a timeline of her last day alive that leads to shocking revelations.

In August 1962, Marilyn Monroe's lifeless body was found on her bed, leaving all to wonder what really happened to the beautiful young starlet. "Marilyn Monroe: A Case for Murder" provides a fascinating examination of one of the most puzzling deaths of all time.

The years just before 1880 until about 1885 are considered the "outlaw years," when lawlessness developed a law of its own and planned an empire. Operating along the Natchez Trace, an overland trading and postal-rider route that in places was barely a trail, the outlaws preyed upon the traffic along this line. Their plans were laid in the dives under the bluffs of the river towns--Natchez and Vicksburg and as far south as New Orleans. By far the bloodiest were the Harpes, who were capable of spectacular murders solely to amuse their comrades. Another gang of outlaws under John Murrell even threatened national stability for a time in his plot to steal slaves and organize insurrection in order to disorganize the government and establish his own state. This conspiracy was discovered and defeated by a store clerk who joined the outlaws and lived several perilous months among them. He was almost hung by Murrell's secret partisans among the "respectable" elements. After the overthrow of the "outlaw empire" in 1885, the scene shifted: the frontier advanced; outlaw violence changed its forms, but it never again reached the terrible and magnificent range of the "outlaw years."

The pleasant neighborhoods of the Crescenta Valley offer no hint of the many violent and heinous crimes that have occurred between the San Gabriel and Verdugo Mountains. But ties to such macabre episodes as the Onion Field murder and the search for the Hillside Strangler left lasting scars here. Infamous criminals such as mafia boss Joe "Iron Man" Ardizzone, red-light bandit Caryl Chessman and accused yacht bomber Beulah Overell have left a black eye on La Cresecenta's history--not to mention the "Rattlesnake Murder," "Female Bluebeard" and "Santa Claus Killer." Join historians Gary Keyes and Mike Lawler as they expose the crimes and criminals that have inflicted murder and mayhem in Glendale, La Crescenta, Montrose and La Canada Flintridge.

On November 12, 1971, Bernard Patterson, a much decorated Vietnam War hero turned real-life version of Don Quixote, Butch Cassidy, and Robin Hood all rolled into one, robbed the Northern National Bank in Mars Hill, Maine. He escaped with $110,000; at the time, the largest bank robbery in the history of the state. A tunnel rat and paratrooper in Vietnam who rose to the rank of sergeant, he was awarded four bronze stars and recommended for a silver star for valor. He returned home to northern Maine broke and disillusioned. Wearing dark glasses, dressed in a Marx Brother's ankle length coat and wearing a blue wig, he robbed the bank, even though he was recognized by the elderly teller. He initially escaped by paddling a rubber raft down the Prestile Stream. This was the beginning of a comic, outrageous, implausible journey that took him across the United States, then to Europe and North Africa before finally surrendering to authorities in Scotland Yard after he had spent most of the money. Along the way, he lived a raucous life of wine and women while hobnobbing in aristocratic hangouts and giving money to those he perceived to be in need; all the time staying just a heartbeat ahead of law enforcement officials. He motor biked across Europe, hoodwinked border officials, bought a camel and got lost in the North African desert. Returned to the United States for prosecution, he was convicted and imprisoned. Released several years later, he moved back to northern Maine, where he continued to lead a reckless life that included running a "pot farm," until he died at age 56 in 2003. When asked by a friend why he had robbed the bank, he responded, "The VA wouldn't give me a loan, so I decided to take one out on my own."

The historical context of family violence is explored, as well as the various forms of violence, their prevalence in specific stages of life, and responses to it made by the criminal justice system and other agencies. The linkage among child abuse, partner violence and elder abuse is scrutinized, and the usefulness of the life-course approach is couched in terms of its potential effect on policy implications; research methods that recognize the importance of life stages, trajectories, and transitions; and crime causation theories that can be enhanced by it.

Lofortovo prison, built by Catherine the Great, was reputed to have niches in the walls of an underground hallway where executioners with silenced pistols concealed themselves before emerging to shoot in the back of the head an enemy of the state being walked along the corridor. Persistent rumors told of beatings and tortures at Lofortovo, but I kept repeating to myself: This is the new Russia, not the old Soviet state. The men taking me in have been pleasant, even courteous. No threats. No raised voices. "Just a few questions and you'll be on your way again."

Another eight-by-fifteen room. Three steel tablets meant as beds. One sink, one toilet, one small mirror embedded into the concrete, no bars, one opaque window. It was cold in the cell—not freezing, but 45 degrees Fahrenheit, kept at that temperature to make me miserable. I paced for a while. Nervous. Upset. Confused. Unable to sleep. Everything in the world went through my mind: I will get out of here, I won't get out of here, best-case scenario, worst-case scenario...

I lay down on the mattress, under the blanket, and was so cold that I had to put on my sport coat to keep from shivering. It was dim but not dark, as there was a light on in my cell that never went out. Every few minutes the quality of light coming from outside the opaque glass would change, and I guessed that the guards were checking in on me, making sure I hadn't tried to commit suicide or send a message from the Flash Gordon transmitter concealed in my wedding ring....
There was no sleep that night.
—from TORPEDOED

He was an innocent man: Edmond Pope—former Naval Intelligence officer, then private businessman, in Russia looking for some answers. Little did he know that he was looking in some very dangerous places.

There was the top-secret operation: Western military and intelligence agencies out to steal one of Russia's crown jewels—the plans to a submarine torpedo that traveled an astonishing 300 miles per hour.

There was the new man in charge: Vladimir Putin—former head of the KGB, now boss of all Russia and a man who wanted to set an example at almost any cost.

It would all come together, and the result would be an incredible story of duplicity, secrets, and lies. Now, for the first time ever, Edmond Pope tells the real story of what led to his becoming the first American since Francis Gary Powers to be convicted of espionage in Russia. Combining a gripping account of his arrest, trial, and 253-day imprisonment with a deeply disturbing look at today's Russia—where you can trust no one, and everything is for sale—his book reads like a John Le Carré novel come to life. And with a large dollop of espionage—insider information and secret submarine warfare technology, Pope's enthralling memoir will also remind readers of the best of Tom Clancy or Blind Man's Bluff.

Torpedoed reveals that the new Russia isn't that different from the old, that a fresh Cold War is brewing, and that Americans in Russia are at risk. With vivid portraits of Russians devoted to framing an American and Americans devoted to justice—Pope's wife Cheri first and foremost among them— it moves from dank Moscow prison cells to the White House to the inner rooms of the Kremlin. And like the secret torpedo in question, Edmond Pope's harrowing story races to a conclusion of devastating impact.

A victim of violent abuse at the hands of his stepfather, Lenny spent much of his teenage life in borstal as he began to follow a life of crime. However, it was his ability as a fighter that was to turn his life around. Lenny McLean inspired fear in many, but respect from all, as he became a bare-knuckle fighting legend. His fame became even greater in later life, appearing in Guy Ritchie's Lock, Stock and Two Smoking Barrels just as his autobiography was reaching the top of the bestsellers chart. Lenny's untimely death from cancer in 1998 marked the beginning of the end of the old Cockney way of life and interest in his story has only increased since his passing, inspiring documentaries as well as a feature film, My Name is Lenny. In these unedited conversations between Lenny and his 'book man' Peter Gerrard, featuring many anecdotes that did not appear in The Guv'nor, we get to see the man behind the public image. As he looks back on his life, these transcripts reveal Lenny's humour and charm as well as the volatility that made him one of the most notorious figures ever to emerge from the East End.

Press coverage of the 1888 mutilation murders attributed to Jack the Ripper was of necessity filled with gaps and silences, for the killer remained unknown and Victorian journalists had little experience reporting serial murders and sex crimes. This engrossing book examines how fifteen London newspapers - dailies and weeklies, highbrow and lowbrow - presented the Ripper news, in the process revealing much about the social, political, and sexual anxieties of late Victorian Britain and the role of journalists in reinforcing social norms. L. Perry Curtis surveys the mass newspaper culture of the era, delving into the nature of sensationalism and the conventions of domestic murder news. Analyzing the fifteen newspapers - several of which emanated from the East End, where the murders took place - he shows how journalists played on the fears of readers about law and order by dwelling on lethal violence rather than sex, offering gruesome details about knife injuries but often withholding some of the more intimate details of the pelvic mutilations. He also considers how the Ripper news affected public perceptions of social conditions in Whitechapel. 'It is a major contribution to cultural history', Christopher Frayling, Rector of the Royal College of Art, London 'An excellent book that offers a new angle on an always fascinating subject', John Davis, Queen's College, Oxford L. Perry Curtis, Jr., is professor of history and modern culture and media at Brown University, Rhode Island.