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Books > Fiction > True stories > Crime
Guilty as charged. If reading true crime is a guilty pleasure, this
collection of stunning heists and unspeakable murders from the
front pages of history will leave no doubt about the verdict. Three
unsuspecting men's lives cut short at the hands of their lovers in
Gangland Chicago, a mysterious and murderous trapper chased across
unforgiving Arctic mountains in sub-zero temperatures, a notorious
band of outlaws' ill-fated bank robbery, a little-known but starkly
detailed look at Lizzie Borden's handiwork with her famous ax, a
body in a trunk and a suspect halfway across the world thinking
he's pulled it off are among the enticing and unsettling tales in
this arresting collection. Here are stories sure to intrigue and
shock readers and put them on the edges of their seats. That's the
point after all, and The Greatest Crime Stories Ever Told will not
disappoint. From a first-person account of the infamous Lufthansa
robbery that netted millions, to the beguiling society bank robber
so confident he broke into the same New York City bank twice to
pull off the biggest haul in history, to the mysterious and brutal
murders of a quiet farm family in a close-knit but suspicious
community that offered an unusual number of suspects, The Greatest
Crime Stories Ever Told is a fascinating and darkly enticing
contribution to the wildly popular true crime genre. Here are not
only the suspects, obvious or not, but the detectives who wanted
them in prison and were willing to put their own lives at risk to
do so. Did the perpetrators get away with their perfidies? Did the
rule of law prevail in the end? Were the right people caught and
prosecuted? Readers will have to decide for themselves.
Very few women are wartime rapists. Very few women issue commands
to commit sexual violence. Very few women play a role in making war
plans that feature the intentional sexual violation of other women.
This book is about those very few women. Women as Wartime Rapists
reveals the stories of female perpetrators of sexual violence and
their place in wartime conflict, legal policy, and the punishment
of sexual violence. More broadly, Laura Sjoberg asks, what do the
actions and perceptions of female perpetrators of sexual violence
reveal about our broader conceptions of war, violence, sexual
assault, and gender? This book explores specific historical case
studies, such as Nazi Germany, Serbia, the contemporary case of
ISIS, and others, to understand how and why women participate in
rape during war and conflict. Sjoberg examines the contrast between
the visibility of female victims and the invisibility of female
perpetrators, as well as the distinction between rape and genocidal
rape, which is used as a weapon against a particular ethnic or
national group. Further, she explores women's engagement with
genocidal rape and how some orchestrated the ethnic cleansing of
entire regions. A provocative approach to a sensationalized topic,
Women as Wartime Rapists offers important insights into not only
the topic of female perpetrators of wartime sexual violence, but to
larger notions of gender and violence with crucial cultural, legal,
and political implications.
Venture back to the Hudson Valley of 1912 in this unique look at a
salacious historical murder. The Grace murder was Walden's "Lizzie
Borden" case, and author Lisa Melville offers a fascinating
snapshot of a village's past as she chronicles one of the most
infamous murders of its time. Murder was a rare occurrence in the
small village of Walden, New York, 60 miles north of Manhattan. The
Grace case was scandalous, involving sex, lies and a violent murder
which rocked Walden, a small riverside community known for
manufacturing knives. The "Lizzie Borden" case is still one of the
most famous murder cases in America. The Grace case possessed
similarly startling characteristics to the Borden case in the
violence of the murder and family connection, but it also involved
bigamy. Grace not only abandoned his first wife and three children,
but he married a second woman and left her while she was pregnant
with their child. He also stole her family's money to make his
escape. Grace used this money to help finance a new life for
himself in Walden, a life that included yet another wife. Despite
the titillating facts of the murder, the Grace case has nearly been
forgotten. Until now.
A lifeless newborn baby is found discarded in a motel Dumpster.
Authorities quickly arrest the infant's teenage parents, charging
them with murder. Did Amy Grossberg and Brian Peterson, in fact,
murder their own baby? Tammy Wynette died suddenly at a relatively
young age, and yet no autopsy was performed? Was someone trying to
hide the real cause of death? Did Sam Sheppard (later dubbed "The
Fugitive" based on a television series) really kill his wife? And
if not, who committed the murder? Things are not always as they
appear, as world-renowned forensic pathologist Dr. Cyril Wecht
shows in this riveting behind-the-scenes look at nine famous cases.
In the nationally known baby case involving Amy Grossberg and Brian
Peterson, Dr. Wecht reviews the evidence and comes to a startling
conclusion. In fascinating detail, he demonstrates how the tools of
forensic pathology often uncover murky, long-hidden secrets that
crack seemingly unsolvable crimes. Writing in the first-person Dr.
Wecht leads you into the heart of the investigation, focusing each
chapter on a single engrossing drama. He reveals the most startling
evidence that shows why JonBenet Ramsey's killer most likely came
from within her home, why O.J. Simpson probably had an accomplice
in the murder of Nicole Simpson and Ron Goldman, shocking
revelations about Robert Berdella's grisly torture and sex-abuse
crimes against young men, and many intriguing facts about other
infamous cases. If you find the fictional plots of such dramas as
C.S.I. exciting, you will be amazed by the true stories told by Dr.
Wecht, with the help of two top-flight veteran reporters, Greg
Saitz and Mark Curriden, in this amazing real-life thriller. As
this intriguing page-turner proves, the science of forensic
pathology has changed the face of detective work forever. From the
Trade Paperback edition.
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5 Screenplays
(Hardcover)
George N. Rumanes
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George N. Rumanes, who now lives in Los Angeles with his family,
is a writer who works in the film industry. His second novel, The
Man With The Black Worrybeads, a worldwide best seller, will be
filmed in Hollywood, Greece and North Africa.
During the past seven years, Mr. Rumanes wrote five original
camera ready screenplays and he is now finishing, Between the Palm
and the Cypress Trees, his next novel.
THE SCREENPLAYS:
The Land of Gods and Lovers
Vector One
Mystery George
Malvasia
Two Ladies and the Mob
"This is an extraordinary and ground-breaking book, a wonderfully
creative mix of fact and theory, imagination and drama. Anyone with
an interest in law, history, or, for that matter, great
storytelling will fall in love with A Death at Crooked Creek. The
startling origin of the complex 'intention exception' to the
hearsay evidence rule becomes canvas on which a grand and
marvelously detailed tale is told. This is modern narrative at its
best: a marriage of spectacular writing and hard, documented truth
presented by a brilliant author who doubles as a gifted and
fastidious legal scholar and historian." -Andrew Popper, American
University One winter night in 1879, at a lonely Kansas campsite
near Crooked Creek, a man was shot to death. The dead man's
traveling companion identified him as John Hillmon, a cowboy from
Lawrence who had been attempting to carve out a life on the
blustery prairie. The case might have been soon forgotten and the
apparent widow, Sallie Hillmon, left to mourn-except for the
$25,000 life insurance policies Hillmon had taken out shortly
before his departure. The insurance companies refused to pay on the
policies, claiming that the dead man was not John Hillmon, and
Sallie was forced to take them to court in a case that would reach
the Supreme Court twice. The companies' case rested on a crucial
piece of evidence: a faded love letter written by a disappeared
cigarmaker, declaring his intent to travel westward with a "man
named Hillmon." In A Death at Crooked Creek, Marianne Wesson
re-examines the long-neglected evidence in the case of the Kansas
cowboy and his wife, recreating the court scenes that led to a
significant Supreme Court ruling on the admissibility of hearsay
evidence. Wesson employs modern forensic methods to examine the
body of the dead man, attempting to determine his true identity and
finally put this fascinating mystery to rest. This engaging and
vividly imagined work combines the drama, intrigue, and emotion of
excellent storytelling with cutting-edge forensic investigation
techniques and legal theory. Wesson's superbly imagined A Death at
Crooked Creek will have general readers, history buffs, and legal
scholars alike wondering whether history, and the Justices, may
have misunderstood altogether the events at that bleak winter
campsite.
Illuminates the life and image of one of New York City's most
fashionable criminals-Celia Cooney Ripped straight from the
headlines of the Jazz Age, The Bobbed Haired Bandit is a tale of
flappers and fast cars, of sex and morality. In the spring of 1924,
a poor, 19-year-old laundress from Brooklyn robbed a string of New
York grocery stores with a "baby automatic," a fur coat, and a
fashionable bobbed hairdo. Celia Cooney's crimes made national
news, with the likes of Ring Lardner and Walter Lippman writing
about her exploits for enthralled readers. The Bobbed Haired Bandit
brings to life a world of great wealth and poverty, of Prohibition
and class conflict. With her husband Ed at her side, Celia raised
herself from a life of drudgery to become a celebrity in her own
pulp-fiction novel, a role she consciously cultivated. She also
launched the largest manhunt in New York City's history,
humiliating the police with daring crimes and taunting notes.
Sifting through conflicting accounts, Stephen Duncombe and Andrew
Mattson show how Celia's story was used to explain the world, to
wage cultural battles, to further political interest, and above
all, to sell newspapers. To progressives, she was an example of
what happens when a community doesn't protect its children. To
conservatives, she symbolized a permissive society that gave too
much freedom to the young, poor, and female. These competing
stories distill the tensions of the time. In a gripping account
that reads like a detective serial, Duncombe and Mattson have
culled newspaper reports, court records, interviews with Celia's
sons, and even popular songs and jokes to capture what William
Randolph Hearst's newspaper called "the strangest, weirdest, most
dramatic, most tragic, human interest story ever told."
Gianni Russo was a handsome twenty-five-year-old mobster with no
acting experience when he walked onto the set of The Godfather and
entered Hollywood history. He played Carlo Rizzi, the husband of
Connie Corleone, who set up her brother Sonny, played by James
Caan, for a hit. Russo didn't have to act - he knew the Mob inside
and out, from his childhood in Little Italy, to Mafia legend Frank
Costello who took him under his wing, to acting as a messenger to
New Orleans Mob boss Carlos Marcello during the Kennedy
assassination, to having to go on the lam after shooting and
killing a member of the Colombian drug cartel in his Vegas club (he
was acquitted of murder when the court ruled this as justifiable
homicide). Along the way, Russo befriended Frank Sinatra, who
became his son's godfather, and Marlon Brando, who mentored his
career as an actor after trying to get Francis Ford Coppola to fire
him from The Godfather. Russo had passionate affairs with Marilyn
Monroe, Liza Minelli and scores of other celebrities. He went on to
star in The Godfather: Parts I and II, Seabiscuit, Any Given Sunday
and Rush Hour 2, among many other films in which he also acted as
producer. Hollywood Godfather is his no-holds-barred account of a
life lived on the edge. It is a story filled with violence,
glamour, sex - and fun.
In 1912, a prosperous Illinois farm family-Charles; his wife,
Mathilda; their fifteen-year-old daughter, Blanche; and boarding
schoolteacher Emma Kaempen-were brutally murdered, the crime
concealed by arson, and the family's surviving son, handsome Ray
Pfanschmidt, arrested. He was convicted by the press long before
trial. In Lies Told Under Oath, author Beth Lane retells the story
of the murders, the trial, the verdict, and the aftermath.
Using information culled from actual trial transcripts and
newspaper accounts, Lane presents the day-to-day testimony as Ray's
battle for his life surged through three courtrooms-the drama
complicated by brilliant attorneys, allegations of perjury, charges
of rigged evidence, jailhouse informants, legal loopholes, conflict
over the large estate being inherited by the alleged murderer, and
appeals to the state supreme court. The remaining family became
divided over Ray's guilt while his fiancee staunchly stood by
him.
"Lies Told Under Oath" provides a fascinating, historical
account of the times and the people-when science was in its
infancy, telephones meant shared party lines, bloody evidence was
contested (or contrived), and automobiles competed with bloodhounds
and buggies. It captures the essence of an emotional crime that
rocked this small Illinois community.
Donna Freed was six years old when her sister casually revealed
that she and her siblings were all adopted, a subject her parents
refused to discuss. The revelation fractured Donna's sense of
identity. The death of her tricky yet treasured adoptive mother
died left Donna feeling exposed, her life un-witnessed without a
mother to look over her. When she became a mother herself, Donna
felt compelled to track down her birth mother. Trawling through
records of the now notorious Louise Wise Adoption Service, many
previously redacted, she uncovered an explosive and salacious
story, one of the biggest true crime investigations to grip the USA
in the late 1960s.
"Tragedy in Tin Can Holler" is a captivating must read true story
of a family's past transgressions revealing a family member who was
a serial killer that got away with murder during the great
depression, incest and child abuse, lies and betrayals and domestic
violence buried for decades! The vicious murder of the author's
mother haunted her for 48 years, but discovering the truth about
her mother's murder was just the tip of the iceberg. Her story is
spell-bounding as she unveils the hidden secrets that shocked the
residents of 3 counties in southeast Tennessee. This book has also
been made into a documentary. This hard cover version has some new
material.
This glittering, "wild romp of a story, boldly and beautifully
told" (Neal Thompson, author of The First Kennedys) explores the
darkly intertwined fates of infamous socialite Ann Woodward and
literary icon Truman Capote, sweeping us to the upper echelons of
Manhattan's high society-where falls from grace are all the more
shocking. When Ann Woodward shot her husband, banking heir Billy
Woodward, in the middle of the night in 1955, her life changed
forever. Though she claimed she thought he was a prowler, few
believed the woman who had risen from charismatic showgirl to
popular socialite. Everyone had something to say about the
scorching scandal afflicting one of the most rich and famous
families of New York City, but no one was more obsessed with the
tale than Truman Capote. Acclaimed for his bestselling nonfiction
book In Cold Blood, Capote was looking for new material and
followed the scandal from beginning to end. Like Ann, he too had
ascended from nobody to toast of the town, but he always felt like
an outsider, even among the exclusive coterie of high society women
who adored him. He decided the story of Ann's turbulent marriage
would be the basis of his masterpiece-a novel about the dysfunction
and sordid secrets revealed to him by his high society
"swans"-never thinking that it would eventually lead to Ann's
suicide and his own scandalous downfall. "A 20th-century morality
tale of enduring fascination" (Laura Thompson, author of The
Heiresses), Deliberate Cruelty is a haunting cross between true
crime and literary history that is perfect for fans of Furious
Hours, Empty Mansions, and Midnight in the Garden of Good and Evil.
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