Framing a favorite picture, whether a gallery piece of a child's drawing, can be easy and inexpensive thanks to this revised and updated edition of a classic bestseller. This new and updated edition contains everything anyone might need to know about the craft of picture framing along with new sections on using power tools and framing fabric art. It also includes a complete directory of suppliers. 450 b&w photos. 20 drawings.

From an award-winning calligrapher and well-known arts educator and author: a generously illustrated text offering full coverage of the art of calligraphy from the left-handed writer's point of view, presenting every facet of the subject, from correct hand, pen and nib positions to composition and page layout.

Rattan stalks have been bent into furniture forms in the tropics for nearly a century. Design changes have provided variations from fancy items with bamboo before 1920, to streamlined, Deco-inspired forms of the 1940s, and practical, mass-produced styles in the 1960s and beyond. Today, each rattan style is recognized for its distinctive contribution to casual living spaces, indoors and out. In this book, over 400 color photographs of rattan furniture, period upholstery fabrics, and related art works are described in detail to present an inspiring variety of furnishings for every room in the house. Harvey Schwartz identifies the best pieces and explains what to look for in the market place. Beautiful floral bark cloth cushion covers and tropical scenes in prints and paintings are shown combined with fantastic rattan furniture to provide the best look for casual living.

A new approach to the work of self-taught artist James Castle that focuses on how his drawings and practice resonate with earlier masters Drawing on the collections of the William Louis-Dreyfus Foundation and the James Castle Collection and Archive, this volume features more than 90 of James Castle’s (1899–1977) landscapes and architectural-interior views, including works that have never been published before. Broadening the discussion of Castle’s work beyond the common emphasis on the role of the artist’s deafness and isolation in rural Idaho, Larry J. Feinberg places the self-taught artist in a larger artistic and cultural context and foregrounds Castle’s prowess as a draftsman. He shows how the artist’s evocative and unconventional images use techniques such as a “bending,” intuitive perspective and subtle shifts of focus. Comparing the descriptive and expressive effects that Castle achieves in his soot drawings with studies by Rembrandt and showing how Castle’s manipulation of space has much in common with Piranesi and M. C. Escher, this study expands our understanding of the artist’s evocative and unconventional images in new and exciting ways. Distributed for the Santa Barbara Museum of Art Exhibition Schedule: Santa Barbara Museum of Art (June 25–September 17, 2023)

It seems bizarre that in a place as crowded, noisy and expensive as London there are still wasted unused spaces. The relentless drive for regeneration across Britain's capital deceives us into thinking that every spare building and patch of ground is under development. But this vast metropolis of more than 10 million people hides many secrets and unexpected treasures from the city's unique 2000-year history. In Abandoned London, read about the Abbey Mills Pumping Station, a facility created in 1858 to deal with 'the Great Stink', and now London's Italian-Gothic cathedral of sewage; or the subterranean Finsbury Park underground reservoir, a space capable of holding five million gallons of water and today used as an occasional movie location; or the remnants of Highgate's overground steam railway station, now a protected bat habitat; or the Clapham deep-level shelters, constructed in World War II and designed to provide protection for locals against aerial bombing raids; or the Haggerston public baths, part of an early 20th century building programme devised to improve London's hygiene. These photographs of abandoned places capture a moment in time. Some of the buildings have since been demolished or refurbished, but many are still there, neglected and uncared for. These places have great value and a rich significance, offering us a glimpse of past worlds.

Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck

Through meticulous research, this book explores the Italian twentieth-century jewellery and goldsmithing landscape. This is the first time this topic has been investigated in such a comprehensive manner, having previously only been dealt with limited to specific producers or production areas. Following the evolution of an art that has developed over thousands of years, this volume contains over three hundred images illustrating jewellery produced between 1900 and 1990. The chapters follow a chronological order and systematically look at the political and economic events influencing the fate of jewellery, as well as the fashion, the role of women, the artistic and architectural experiences, and the tastes of the time. Alongside the most prominent maisons feature less-known jewellers of doubtless creativity and artistic quality. Detailed biographies of each of the jewellers mentioned are included at the end of the volume.

The first major publication to explore the prolific career of Kaffe Fassett, one of the most recognized names in contemporary craft and design Kaffe Fassett (b. 1937) is one of the most recognized names in contemporary craft and design with work encompassing knitting, needlepoint, quilting, textile design, mosaic, painting, and drawing. Fassett's sense of color and pattern has inspired makers around the world; his early successes include knitwear designs for fashion designers such as Bill Gibb and Missoni, and in more recent years he has collaborated with the luxury fashion house Coach. His inimitable eye can translate the most everyday of details into the basis for one of his colorful, sophisticated, maximalist designs. This book explores Fassett's career and work in context for the first time, highlighting and widening the scope of his output over more than five decades. Drawing on original artworks, photographs, and archival material, it illuminates the work of this distinctive, influential artist and designer. Essays from design and fashion historians sit alongside striking visual material and insightful interviews with Fassett that provide additional context about this prolific artist. Published in association with the Fashion and Textile Museum Exhibition Schedule: Fashion and Textile Museum, London (September 23, 2022-March 12, 2023) Dovecot Studios, Edinburgh (March 31-July 8, 2023) Millesgarden Museum, Sweden (September 2023-February 2024)

The Golden Age of Ironwork, by Henry Jonas Magaziner, covers ironwork from roughly 1840 to 1930. Thus, it includes cast iron, which prevailed during the nineteenth century and hand wrought iron, which triumphed from about 1900 to 1930. With 173 photographs by Robert Golden the books describes this golden period. There are also a few examples of contemporary ironwork

Following the critical and commercial success of Pattern and Ornament in the Arts of India, Henry Wilson has turned for this companion volume to a single theme. But what a theme: the variety of floral motifs in the exquisitely wrought details of India's architectural wonders is boundless, and one can only marvel at the way in which the basic elements of wood, stone and plaster have been transformed into masterworks of decorative art. From the illustrious Mughal Empire during its greatest period of monument-building and artistic creativity to the time of British rule, which brought with it an unprecedented period of peace that allowed great wealth to be concentrated on the arts, the richness of India's architecture is overwhelming. Henry Wilson's fine photographs reveals the skill, patience and pictorial imagination of the many thousands of craftsmen who have turned to floral motifs and rendered them with precision and life-enriching creativity. Juxtaposed with the photographs are Wilson's own graphic transpositions of the designs - a wealth of detailed drawings, all created by hand but with a stencil-like clarity that helps us understand the original historical patterns. The result is an invaluable sourcebook that will appeal not only to those interested in one of the world's oldest civilizations and greatest cultures, but also to anyone seeking inspiration for their own graphic creations.

From ceramics to silversmithing, calligraphy to textiles, hot glass to bookbinding, crafts have played a rich and complex role in the social, cultural, and artistic history of twentieth-century Britain. This all-encompassing book is the first to survey the full range of individual craft disciplines and key practitioners from the pre-World War I years of the Arts and Crafts Movement to the 1990s. Tanya Harrod shows how the crafts movement emerged in response to generalized anxiety about the production, commodification, and consumption of objects in a highly industrialized society. Caught between the more powerful disciplines of fine art, architecture, and design for industry, crafts have defined and redefined themselves throughout the century. The book begins with the craft revival of the early 1900s, tracing the complex legacy of John Ruskin and William Morris. The author then discusses how the Arts and Crafts Movement was forced to reexamine its aims during the Great War; how the development of the crafts was closely connected to the development of modernism between the wars; and how during World War II the idea of the handmade, often in the form of vernacular craft discovered in remote pockets of England, played a significant part in propagandizing a national culture worth defending. The book also explores the postwar beginnings of a countercultural workshop-based craft movement led by Bernard Leach and the continuing redefinition of crafts as the government-funded Crafts Council pushed them toward the fine arts and then the government attempted in the 1980s to recast them as exemplars of enterprise culture. Harrod describes the increasingly blurred division between craft and design for mass production at the conclusion of the book. Along with historians, educators, artists, craftspersons, and collectors, readers with an interest in British cultural history will find in this book much to delight and fascinate. This book accompanies an exhibition of British crafts, "The Pleasures of Peace: Craft, Art and Design in Britain from the 1940s to the 1960s," that will open at the Sainsbury Centre at the University of East Anglia in spring 1999. Published in association with the Bard Graduate Center for Studies in the Decorative Arts

From the artist behind the popular Pigeon Letters website, a complete guide to learning and perfecting brush lettering, a forgiving style of modern calligraphy that encourages creative expression and imprecision, including basic skills, flourishes, and project ideas. The Ultimate Brush Lettering Guide has something for everyone--from beginners that have never used a brush pen, to seasoned letterers looking for a new style or ideas for creative flourishes. From choosing the best pens and paper and knowing the different styles of lettering, to adding color to your finished pieces--this book covers it all. The book includes templates for labels, cards, handmade bunting, and word collages. It even includes a how to guide for posting your best work on social media. Each lesson builds on itself, unlocking endless opportunities inside the playful art of brush lettering. As a self-taught artist who left her day job to pursue a creative life, Peggy Dean is the ideal teacher for artists and non-artists alike.

A Visual Dictionary of Decorative and Domestic Arts provides a common and unambiguous vocabulary for the parts of handcrafted decorative, domestic, and artistic items. Terminology for a broad array of object types is presented alongside original 3D illustrations that facilitate objective referencing. The reference enhances learning, labeling, and discussing various craft items in great physical detail. Sixty-four 3D graphic illustrations provide an effective visual format for identifying the vocabulary/location of the parts on individual objects. The dictionary is divided into five major sections: -Decorative Objects such as a basket, jar/jug, flatware -Domestic Furnishings such as a bed with bedding, upholstered chairs, tables -Artistic Works and Tools such as books, prints, paintings, photographs, and sculpture -Jewelry Adornment Items such as earrings, necklaces, pins, and watches -Accessory Articles such as a hat, pipe, comb, and fan The thoroughness of the annotations makes this volume an essential tool for museum curators and conservators, librarians, connoisseurs, buyers and dealers; artists and crafts persons, collectors, designers, registrars and anyone with an interest in visual history.

Maximizing reader insights into the principles of designing furniture as wooden structures, this book discusses issues related to the history of furniture structures, their classification and characteristics, ergonomic approaches to anthropometric requirements and safety of use. It presents key methods and highlights common errors in designing the characteristics of the materials, components, joints and structures, as well as looking at the challenges regarding developing associated design documentation. Including analysis of how designers may go about calculating the stiffness and endurance of parts, joints and whole structures, the book analyzes questions regarding the loss of furniture stability and the resulting threats to health of the user, putting forward a concept of furniture design as an engineering processes. Creating an attractive, functional, ergonomic and safe piece of furniture is not only the fruit of the work of individual architects and artists, but requires an effort of many people working in interdisciplinary teams, this book is designed to add important knowledge to the literature for engineer approaches in furniture design.

The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewellery artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American's Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint. Jeannine Falino takes an in-depth look at the twists and turns of Jocz's long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz's place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewellery scene of the late 20th century.