Alongside artistically experimental aspects of education, the ThinkingJewellery 'trademark' stands as a contextual leitmotif throughout the gemstones and jewellery study programme at Trier University/Idar-Oberstein campus. The aims of ThinkingJewellery comprise scientifically oriented research as well as discourse on the historical and societal interconnection of jewellery. Highlights are the ThinkingJewellery symposia, which are now accompanied by a series of periodicals. The new series discusses contributions to a contemporary theory of jewellery beyond disciplinary boundaries or typical categories. The texts envisioned for ThinkingJewellery 2 include 'On the Cultural History of the Gemstone', 'Goethe on Colour' and 'Cold Shine - Empty Glamour, on Jeff Koons's Celebration Series', which are based on lectures from the 2017 symposium.

Glass is a magical material through which light can shine. Throughout its millennial history, its colourful splendour and malleability have always exerted a particular fascination and a creative attraction. The book offers a profound and lavishly documented panorama of artistic glass design in Europe and the United States since the 1870s. Over many years Renate und Dietrich Götze have assembled one of the world’s most important collections of glass vessels, comprising some 500 exclusive objects. It reflects not only the collectors’ passion for this luminous material and its unlimited opportunities for inspiring the imagination, but also their tremendous expertise. The volume is a compendium of glass art with numerous artist biographies, a directory of the glass foundries, their techniques and symbols – and, above all: a feast for the eyes!

Everyone has different needs when it comes to coping with life's stressors, and children are no different. Some need quiet and soothing activities to calm them down, whereas others require more physical activity or intense sensory input to relax their minds and bodies. This resource comprises a collection of fun, flexible, tried-and-tested activities and make-it-yourself workbooks for parents and professionals to help a child in need of extra emotional support find the coping skills that fit them best. Each activity lists the materials required and includes clear directions for how to do it. There is something for every child: whether they are dynamic and creative or more cerebral and literal. Projects include making wish fairies, dream catchers, and mandalas; managing unstructured time with activities such as creating comics, dioramas and tongue twisters; and simple ideas for instant soothing, such as taking deep breaths, blowing bubbles, making silly faces, and playing music. Creative Coping Skills for Children also includes specific interventions for anxious or grieving children such as making worry dolls and memory shrines. This book is full of fun, easy, creative project ideas for parents of children aged 3-12, teachers, counselors, play therapists, social workers, and all professionals working with children.

Folk art was neither widely collected nor highly valued in the early 1900s, when globetrotting Chicago socialite and philanthropist Florence Bartlett (1881-19540 began buying indigenous works encountered on her travels and dreamed of founding a museum to celebrate cultural diversity. Beartlett realised her goal in 1953, when the Museum of International Folk Art opened in Santa Fe near her long-time summer home. 50 years later, Bartlett's vision lives on in an ever-expanding museum collection that includes contemporary pieces as well as centuries old textiles, woodwork, pottery and ethnic garb.

Joe Colombo (Milan, 1930-1971) was one of the greatest designers of the last century, visionary and ingenious, capable of giving shape to ideas that retain a striking relevance to this day. Trained first at the Brera Academy and then at the Polytechnic of Milan, Joe Colombo has expressed, in just 20 years of work, an absolutely innovative world view, placing man and his life at the centre of reflection, imagined a dynamic and transformable habitat both on a domestic and urban scale. A design in the round, aimed at satisfying every need - also thanks to technology and new materials - and to shape the space and its objects according to the different activities of the moment, be they working or social interactions. From here, the modular and dynamic furnishing accessories with futuristic lines, among which some pieces that have become iconic of Italian design stand out such as the Tube Chair, the Spider lamp (Compasso d'Oro 1967) or the Boby trolley (now at the MoMA in New York), the "monoblocks", such as the Mini-Kitchen or the Total Table with integrated dishes, up to the global housing unit, a visionary "machine", which encompasses all the needs of living. This volume constitutes the first catalogue raisonne of his work, of which about 180 projects are documented, divided between works still in production and historical works; introduced by the essays by Ignazia Favata - his historical collaborator - and Domitilla Dardi, it is completed by a critical anthology. Text in English and Italian.

Practical archive of extraordinarily beautiful and decorative letters of the alphabet splendidly ornamented with geometric and curvilinear motifs interwoven with royal and saintly figures, mythical creatures, knights in battle, exquisite florals and much more. A wonderful glimpse of the ancient art of manuscript illumination.

In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts. -- .

A major new look at the work of one of America's foremost self-taught artists Bill Traylor (ca. 1853-1949) came to art-making on his own and found his creative voice without guidance; today he is remembered as a renowned American artist. Traylor was born into slavery on an Alabama plantation, and his experiences spanned multiple worlds-black and white, rural and urban, old and new-as well as the crucibles that indelibly shaped America-the Civil War, Reconstruction, Jim Crow, and the Great Migration. Between Worlds presents an unparalleled look at the work of this enigmatic and dazzling artist, who blended common imagery with arcane symbolism, narration with abstraction, and personal vision with the beliefs and folkways of his time. Traylor was about twelve when the Civil War ended. After six more decades of farm labor, he moved, aging and alone, into segregated Montgomery. In the last years of his life, he drew and painted works depicting plantation memories and the rising world of African American culture. Upon his death he left behind over a thousand pieces of art. Between Worlds convenes 205 of his most powerful creations, including a number that have been previously unpublished. This beautiful and carefully researched book assesses Traylor's biography and stylistic development, and for the first time interprets his scenes as ongoing narratives, conveying enduring, interrelated themes. Between Worlds reveals one man's visual record of African American life as a window into the overarching story of his nation. Published in association with the Smithsonian American Art Museum

This book discusses the current trends in luxury and jewelry and presents how to make these sustainable for a better future. In the age of sustainability, we increasingly see how designers and consumers begin to think beyond a product's look&feel and operation, and are especially concerned about what has happened during its manufacturing process and what will happen once its useful life comes to an end. Today, consumers value that every industrial product and process should be sustainable, beneficial for the people, the economy and the planet, and so is the case for jewelry.

A multifaceted look at the work of award-winning American industrial designer Stephen Burks Through essays, photo-essays, and a conversation between Black designer Stephen Burks (b. 1969) and the late cultural critic bell hooks, this book contextualizes Burks's wide-ranging work while exploring design's influence on politics, society, and culture. Burks's work is underpinned by his belief in a pluralistic vision of design that is inclusive of all cultural perspectives; the award-winning designer has been commissioned by many of the world's leading design-driven brands to develop collections that engage hand production as a strategy for innovation. The book centers the industrial design and craft collaborations within Burks's workshop-based design practice and offers an opportunity to reflect on the potential of design at a time when racial, social, and environmental justice remain in jeopardy. Topics explored in the book include an overview of the designer's practice, from the foundational architecture culture of Chicago (Burks's birthplace) to his latest speculative project; the workshop-based collaborative ethos of his studio, Stephen Burks Man Made; and the politics of design. In the conversation between bell hooks and Burks, hooks brings her critical eye to design as it relates to the broader field of African American cultural production. Distributed for the High Museum of Art Exhibition Schedule: High Museum of Art, Atlanta (September 16, 2022-March 5, 2023)

Create exquisite paper jewelry with the look of copper, silver, and gold! Discover how the centuries old technique of quilling paper can give you modern, sophisticated jewelry without a high price tag. Author and quilling enthusiast Ann Martin shows you how to turn metallic-edged papers into stunning--and sturdy--earrings and pendants in The Art of Quilling Paper Jewelry. Whether you're an experienced jewelry maker looking for new techniques or a quiller who wants to turn your creations into one-of-a-kind jewelry, this guide to gilded paper jewelry has what you need. Pairing step-by-step illustrations with detailed tutorials on rolling coils, scrolls, and other unique quilled shapes, The Art of Quilling Paper Jewelry shows you how to create twenty eye-catching designs. With Ann's expert guidance and a few minimal tools and supplies, you can create your own wearable paper art and more!

This book packs in the combined wisdom of two writer-educators who are consummate problem solvers when it comes to jewellery making. Together they show the reader how to fix common screw-ups, try out new creative techniques, get more skilled at familiar methods, improvise tools and discover ways to save money, such as recycling gold and other precious metal scraps. From beading to setting a stone, understanding annealing to soldering your own silver chain, you can riffle through the book, experimenting with new innovations to create your unique jewellery designs. Packed with over 200 expert fixes, insider tips, and tricks of the trade, content is arranged by topic to enable any jewellery maker to achieve a striking and professional look to their earrings, necklaces, rings, and more. A must-have for anyone who makes their own jewellery, whether at beginner or intermediate level.

This volume constitutes the first in-depth study of modernism in design and performance in interwar Romania, covering the period 1924 to 1934. It focuses on Jewish avant-garde artists and cultural producers, as well as design educators, arts patrons, and women entrepreneurs. Based on extensive research in Romania, Latvia, Germany, and the United States, it highlights the transnational impact of Jewish cultural production and its contribution to avant-garde movements across Europe and further afield. It shows how Bucharest was connected to places such as Berlin, Paris, Riga and Chicago through modern design and experimental Yiddish theatre, and argues that the Schule Reimann was more influential in Romania than the Bauhaus. Drawing on scholarship from the fields of performance studies, design history, and art history, this volume makes a valuable new contribution to histories of modernism and avant-garde.

Improve your handwriting skills and calm your mind with this lovely, inviting companion workbook to The Lost Art of Handwriting. Practice your penmanship to perfection with this helpful handbook to mastering beautiful handwriting. Brenna Jordan of Calligraphy by Brenna and author of The Lost Art of Handwriting presents you with pages of wonderfully crafted letters, sayings, and quotes that you can use to practice your handwriting. The Zen-like repetition of cursive and printed letters will calm you and provide a sense of well-being as you make your way towards more legible, pleasing, and impressive handwriting that you can apply to correspondence, cards, artwork, and more. The Lost Art of Handwriting Workbook has everything you need to master calligraphy and provides a wonderful way to practice your handwriting every day.

Traditional Indian Jewellery is a vast and detailed publication covering the rich heritage of Indian jewellery and its significance in past and present Indian society. Jewellery plays an important part in the everyday lives, important moments, festivals and religious aspects of Indian culture. It is not only girls and women who wear jewellery, but also boys, men, temple statues and even animals. The book excels in its detailed descriptions, which accompany the sumptuous array of images. We discover why enamel is used in the north of India, the origin and significance of gold, the significance of setting gems in a certain order, and jewellery's spiritual importance. The book covers in detail the meaning of the use of flowers and birds in Hindu influenced jewellery, looking through the eyes of 17th century European travellers who visited the rich Mogul courts. This publication is the result of 35 years of research - travelling, studying, and talking to many people across the entire subcontinent of India, as well as having had unprecedented access to goldsmiths and enamellers; being shown techniques known only to one family, which have been transferred from generation to generation; and being granted access to beautiful and never before seen Royal collections.

Easy-to-follow guide has 60 step-by-step illustrations for making seats of cane, splint, rush, rope, twine, grass.

Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

Easy-to-follow diagrams and simple instructions enable even beginners to create a host of striking Native American designs. Color-coded patterns for buffalo, kachinas, eagles and more will add delightful ornamental touches to T-shirts, vests and blouses, lend distinctive touches to handbags, headbands, and belts, and enhance cushion covers, table linens, and other household accessories. An inexpensive do-it-yourself book for successfully completing dozens of beautiful projects for yourself, family and friends.

Woodturning is as popular as ever -- a constantly growing segement in the woodworking world and one of the most wide-reaching woodcrafts among artists and hands-on crafters. It s appeal is based on the short learning curve, the minimal equipment, and the sheer joy of learning to make something out of wood with one s own hands. But, unlike a lot of crafts that rely on individuality and creative thinking, the initial techniques of woodturning must be mastered. While at first liberating, these same techniques can eventually be confining because in mastering them, one must follow the lead of others. At a certain point, woodturners can feel that mastering the techniques has become the end in itself as they lose sight of their true pursuit: to create one s own original style. In fact, some woodturners, who believe they aren t creative enough, will simply continue to master techniques while imitiating the style of others. Terry Martin, the author of The Creative Woodturner and a woodturning artist, instructor, and photographer for over thirty-years, believes this goes against the fundamental nature of creating and being an artist. There is no right or wrong and the pursuit of originality should be the goal of every woodturner. Best of all, creativity can be learned and the ability to think and see in one s own artistic style can be achieved. The Creative Woodturner is not your usual how-to woodturning book. It won t tell you what a chuck is, how to sharpen a scraper, or how to turn a goblet. Instead, this book is a how-to for unlocking curiosity, how to break the rules, and for following one s own artistic path with confidence. Designed to give readers a wide-persepective on creativity, The Creative Woodturner begins first with insightful commentary, quotes, and examples from the woodturning and art community that will both inspire and inform. In addition, the author shares his Idea Tools: questions to ask during the planning and creative process that are as important to the creation of the woodturning project as any equipment in the shop. Finally, 16 one-of-a-kind projects from boxes and vessles to bowls and one-of-a-kind scultpures are featured that will spark the creative mindset of any woodturner. Each project is documented with instructions and crisp photography highlighting the key steps, techniques, and tasks necessary for completion. In taking the reader through each project, the author pulls back the curtain on his woodturning magic and shares his vision and how the Idea Tools and creative thinking emerges in each project. An inspiring and enjoyable read not only for woodturners, but for any artist, The Creative Woodturner will anyone to think and see differently so time is spent at the lathe or whatever creative pursuit it is -- creating the original ideas instead of imitating someone else."