Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. If postmodernism depended upon ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make. Damon Taylor's original study considers these emotionally laden, highly authored works, often produced in limited editions and sold like art - objects such as a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair. Tracing the phenomenon back to the 'Dutch inflection' that began with Droog designers like Jurgen Bey and Hella Jongerius, Taylor conducts an analysis of the development of Design Art and looks for its origins in the uncanny explorations of surrealism. Offering a critique of Speculative Design, and an examination of the work of designers such as Mathias Bengtsson, whose work involves 'growing' furniture inside computers, Taylor asks what happens when the tangible melts into the datascape and design becomes a question of mobilities. In this way, Moving Objects examines contemporary issues of how we live with artefacts and what design can do.

In line with the works on decorators of the 1940s, '50s, '60s, and '70s, this book plunges us into the world of '80s and '90s. These have witnessed unprecedented experiments in the world of design and architecture. Composed of a rich introduction which gives a synoptic vision and 38 monographs that describe its many faces, this book makes and exceptionally creative period intelligible, and reveals through an abundant iconography, often unpublished, its formidable aesthetic richness. A new generation of designers stands out; among them Shiro Kuramata, Philippe Starck, Ron Arad, Bob Wilson, Elizabeth Garouste and Mattia Bonetti. All regenerate creation by refusing the elitism of their predecessors and by favouring the use of new materials. Some turn to recovery, such as the Creative Salvage group, and offer inventive and provocative furniture thanks to welding and assembly. Others, gathered in Italy around Ettore Sottsass and Memphis, combine unexpected colours and patterns to the playful use of plastic laminate. Sliding until the end of the '90s, the achievements presented in this book mark the desire for a dialogue between artistic references with a new relationship to the industrial aspect, at the dawn of the 21st century and its technological innovations. Text in English and French.

This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

An updated edition of the best-selling handbook, this all-encompassing guide for jewellery entrepreneurs of all levels covers key lessons for setting up, running and growing a jewellery business. From the college graduate looking to set up a workshop, to the established maker ready to expand their business, Setting up a Successful Jewellery Business equips creative jewellers with the essential knowledge and tools to operate a professional jewellery business. Encouraging individuals to define their business objectives and strategy for the future, the guide deals with topics including: * presenting your brand; * protecting your designs; * how much to charge for your work; * selling to shops, galleries and individuals; * creating your website and driving traffic to it; * managing your time and finances plus other essential business skills. Updated with two new chapters, an expanded section on social media and a revised appendix, this is an indispensable jeweller's companion that provides the resources to take your business forward.

Create gallery-quality pieces using found objects--paper, old fittings, bottle caps, wire, and more. Inspiration and instruction illustrated with the work of many different artists. * Inspiring examples of turning discarded items into beautiful wearable art * Large, striking photos of artistic pieces of jewelry * Step-by-step drawings illustrate basic joining techniques * Learn about ethical jewelry-making practices and material sources * Highlights the work of 23 found-object jewelry artists from around the world

Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers-to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.

This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

Italic and copperplate are easily the most popular styles among today's calligraphers. Well-illustrated, step-by-step instructions by an expert calligrapher explain every detail of mastering the two hands, from the basics of posture and practice to tips on texture, colour and commercial calligraphy.

Rattan stalks have been bent into furniture forms in the tropics for nearly a century. Design changes have provided variations from fancy items with bamboo before 1920, to streamlined, Deco-inspired forms of the 1940s, and practical, mass-produced styles in the 1960s and beyond. Today, each rattan style is recognized for its distinctive contribution to casual living spaces, indoors and out. In this book, over 400 color photographs of rattan furniture, period upholstery fabrics, and related art works are described in detail to present an inspiring variety of furnishings for every room in the house. Harvey Schwartz identifies the best pieces and explains what to look for in the market place. Beautiful floral bark cloth cushion covers and tropical scenes in prints and paintings are shown combined with fantastic rattan furniture to provide the best look for casual living.

"Gemstone Settings" is the most in-depth, technical guide to stone setting. Jewelry makers will enjoy an encyclopedic overview, which features an extensive summary of stone-setting and techniques for creating beautiful gemstone jewelry, from basic bezels and prongs to pave, carre, clusters, and numerous others--including cold joins, precious metal clay, settings for fragile stones, and settings that allow the stones to move.

You'll also discover detailed information about stones and metals--including their suitability, gorgeous photos and illustrations for visual support, what makes a design wearable and durable, and detailed information on pre-made versus handmade settings.

Step by step, learn how to set your most beloved precious, semiprecious, and organic stones with projects that range from elegant diamond masterpieces to earthy pearl or coral everyday favorites.

Add a touch of retro appeal to your stationery rotation with this off-beat refrigerator journal, featuring classic-cool colors, adorable illustrations, and a split binding that gives two distinct areas for writing! Everyday tasks, notes, and to-do lists can be recorded in the lower refrigerator section, while long-term plans and goals can be kept "on ice" in the freezer compartment. Show off your mid-century aesthetic and keep everything organized with the cheeky, on-trend Vintage Refrigerator Journal. This journal features: Split hardcover binding treatment; journal cover and interior pages are divided into two distinct sections that can be opened independently. Full-color illustrations throughout the interior. Matte laminate cover with spot gloss on "metal" elements.

An accessible and easy-to-use guide to the principles and elements of jewelry design, this resource helps jewelry makers of all skill levels take their designs from good to great. Instructor and expert Loretta Lam offers guidance on working with a wide array of materials, along with exercises to help you explore new design concepts before applying them to your work directly. Dozens of stunning examples from designers around the world help inspire anyone looking for a new source of creativity. Learn how to discover your personal inspiration and process, master the use of the design elements and principles, establish a design hierarchy and find your voice, draw on the inestimable value of critique, and more. You will keep this book close at hand and pick it up time and again for inspiration and as an essential reference.

For many women of Egypt, their jewelry is their bank-they wear their wealth in their gold. But jewelry in Egypt is also more than mere assets, and its design and manufacture reveal a great array of styles and a high degree of skill and artistry. In this lavishly illustrated book, Azza Fahmy, herself a world-renowned designer of jewelry based on traditional motifs, lays before us an Aladdin's cave of jewelry made in all corners of Egypt over the last one hundred years, collected through her extensive travels throughout the country. From the farms and villages of the Nile Valley and Delta, from the oases of the Western Desert and the mountains and wadis of Sinai and the Eastern Desert, from Nubia in the south, and from the crowded traditional neighborhoods of Cairo is displayed a cornucopia of gold and silver adornment-each area with its own distinctive favored style. Personal seals have been widely employed, and there is even jewelry for special occasions, such as the appeasement of malignant spirits, and for animals.In this completely redesigned edition of her bestselling book, in a new and elegant format, the author not only documents all these varieties and illustrates them with the finest examples, she also describes the techniques and skills involved in their production and the materials used, and recounts her own journey of learning as she apprenticed with the leading master jewelers to become the best known jeweler in Egypt, whose work is worn by world leaders, royalty, and connoisseurs of jewelry around the globe.

In over 60 lessons, learn the ABCs of lettering (literally) and basic styles: serif, sans serif, and script. Next, how to lay out a design, combine various styles into one cohesive piece, add shadows and dimension. Master more advanced letter styles, from faceted to ribbon to "vintage circus." Use banners, borders, flourishes. And finally, 12 projects to show off your newfound skills: including a Winter Wonderland Snow Globe; a smartphone-themed birthday card to text friends and family; a one-of-a-kind party invitation to create, photograph, and mail; and a bake sale sign guaranteed to put everyone who sees it in the mood for a cupcake!

Analysis of a group of images of kingship and queenship from Anglo-Saxon England explores the implications of their focus on books, authorship and learning. Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and functionwithin both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so mucha feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom. CATHERINE E. KARKOV is Professorof Art History at the University of Leeds.

This exquisite book by the founders of the studio May & Berry shows you how to create beautiful messages through the combination of hand lettering and watercolour. Broken down into easy-to-follow stages, you will soon learn how to use different pens and inks to produce gorgeous lettering, embellished with simple yet stunningly effective watercolour motifs. This practical book guides you gently through the materials and tools you need to get started, and sets you on your hand-lettering journey with some simple exercises. There are then ten pretty step-by-step projects for you to try, after which you'll be confidently creating your own handwritten artworks that you can display on your wall, send as notecards to loved ones, or use to decorate your journals and scrapbooks. At the back of the book there is a treasure trove of gorgeous botanical-style motifs and borders along with four delightful alphabets created by the authors in a variety of scripts - perfect for gently encouraging beginners and inspiring more experienced hand-lettering artists to play with new designs and styles. This is followed by six handy worksheets on which to practise your letter-writing technique. You'll soon find that hand lettering with watercolour is quick and fun to learn, and a wonderful skill that will bring you joy for many years to come.

Since 1965, the Association for Goldsmiths' Art and the German Goldsmiths' House Hanau have been organising the Silver Triennial International to promote contemporary silversmithing. The 20th competition demonstrates the variety of works at a high level: 121 silversmiths from 21 countries submitted hollow- and flatware or free-formed works. The focus is not only on technical and artistic aspects; a large number of the entries also have a socio-critical and contemporary historical background. An expert jury was again assembled this year: Dirk Allgaier, head of Arnoldsche Art Publishers, Stuttgart; Dr. Claudia Banz, curator for design at the Kunstgewerbemuseum Berlin; and JaKyung Shin, silversmith and assistant professor at Seoul National University, Korea, selected 67 impressive silver works. Text in English and German.

Advice from a recognized master penman how adults can improve letterforms, legibility, legibility and make written language both fun and expressive. Unlike traditional primary grade handwriting manuals that seek to introduce the basic techniques of written language to young students, The Art of Cursive Penmanship presents the subject of handwriting as a valuable and spontaneous skill for the adult. In this context, it remains an intimate ability of communication and expression; a personal asset for life. By internationally recognized master penman, Michael R. Sull, The Art of Cursive Penmanship focuses on practical self-study techniques designed to accommodate anyone's personal or professional schedule. With determined and consistent use, the daily application of these methods will result in progressive improvement of letterforms, legibility, letter spacing, creating one's signature, the appearance of an individual's penmanship, and the physical action of handwriting through proper posture, correct use of hand and arm muscles, paper position, and a comfortable speed of writing. Recommendations are also offered on the most efficient writing instruments to use, so that handwriting becomes a pleasant activity to be enjoyed, rather than an action merely to be effected.

Decorating with motifs is truly quick and easy. Use these wonderfully versatile decorating techniques and designs to create a special atmosphere and leave your own unique imprint -- on various articles in and around the house, for yourself or as prized gifts for family and friends. This book inspires in two parts. The first section is filled with colour photographs of completed projects, as well as numerous tips. The second section contains over 250 motifs to choose from and combine with the craft of your choice. The motif collection is divided into ten themes: Africa, cacti, shells, leaves...take a look -- you will find something to suit every taste and setting.

Jewellery art is a small but easily discernible voice amid the great choir that is the art scene. It has been the impetus for innovation and a seismograph for current discourse within the applied arts for several decades. Now, for the first time, the GRASSI Museum of Applied Arts is presenting its holdings of modern jewellery, ranging from the mid-twentieth century to the present day. Analysed and assembled, it provides insights into the multifaceted oeuvres of around 180 jewellery artists from around the world. The collection is broadly representative of the international developments in jewellery art and as such it especially grants a special view of the approaches from GDR before the unification. Images by 11 photographers from Leipzig show just how varied and versatile the perception of jewellery on a person can be. Text in English and German.