The 20th century furniture is hot. American Furniture Designers: 1900 to the Present highlights the furniture produced by the 20 most important American furniture designers of the 20th and early 21st centuries plus a selection of the best-known European designers whose work is sold by Knoll International and Herman Miller. The designers are organized into five chapters. Introductions to each section summarize the evolution of furniture design as it evolved through the 20th and early 21st centuries. The book begins with the Arts and Crafts era before World War I; moves into the interwar period when Modernism gained a foothold in America; continues through the Postwar heyday of Mid-century Modern; highlights the furniture from the 1970s and into the 21st century with a focus on the foremost promoters of modern furniture, Knoll International and Herman Miller; and concludes with a selection of the top Studio Furniture makers and their innovative creations. The book focuses on the leading American designers from each of these periods including Gustav Stickley and Charles Rohlfs during the Arts and Crafts movement, Paul Frankl and Gilbert Rohde in the interwar period, Charles and Ray Eames and George Nelson for Mid- century Modern, and Wendell Castle and George Nakashima for Studio Furniture to name just a few. All their furniture is explained and profusely illustrated with 280 color photos. For anyone curious about the modern material culture that surrounds them, the book will explain everything about American furniture from 1900 into the 21st century: when it was made, where it was made, who made it, what it was made of, how it was designed, how long it was in production, and how the furniture related to its contemporaries.

This book contains over 100 fabulous step-by-step jewellery projects, including necklaces, pendants, bracelets, earrings, brooches, pins and hair-slides. It takes you from novice to expert, covering all aspects from bead purchase and storage to jewellery making and even display and selling. It features beads and components from worldwide sources in a dazzling variety of styles, colours, sizes and shapes. Easy-to-follow instructions cover a huge range of techniques from simple and traditional to modern and innovative. Extensive suppliers list ensures the reader has the pick of the best beads available.

Decorating with motifs is truly quick and easy. Use these wonderfully versatile decorating techniques and designs to create a special atmosphere and leave your own unique imprint -- on various articles in and around the house, for yourself or as prized gifts for family and friends. This book inspires in two parts. The first section is filled with colour photographs of completed projects, as well as numerous tips. The second section contains over 250 motifs to choose from and combine with the craft of your choice. The motif collection is divided into ten themes: Africa, cacti, shells, leaves...take a look -- you will find something to suit every taste and setting.

This book is a precious small volume on precious small boxes. Most of them were used to hold snuff, powdered tobacco, and were meant to be looked and admired from a close-up. These miniature masterpieces were a key accessory for every stylish man and woman in the eighteenth century. They reflect the culture and fashion of the period. Gold is the defining material of the fifty masterpieces presented here. Therefore the most surprising aspect for those first encountering such pieces is not only the variety of forms and decoration, but also the materials of these boxes, from porcelain to precious stones, enamel and mother-of-pearl. Echoing the shape of a gold box the volume features some of the most beautiful boxes in the famous collection of Sir Arthur Gilbert and his first wife Rosalinde. The collector couple ran a fashion business in London before moving to Los Angeles in 1949. Their passion for elegance, colour, beauty and craftsmanship is palpable in every single box. Gold Boxes explores the culture of the snuffbox for everyone intrigued by the period, its art and fashion, or rich symbolism.

Against the backdrop of an alienating, technologizing and ever-accelerating world of material production, this book tells an intimate story: one about a community of woodworkers training at an historic institution in London's East End during the present 'renaissance of craftsmanship'. The animated and scholarly accounts of learning, achievement and challenges reveal the deep human desire to create with our hands, the persistent longing to find meaningful work, and the struggle to realise dreams. In its penetrating explorations of the nature of embodied skill, the book champions greater appreciation for the dexterity, ingenuity and intelligence that lie at the heart of craftwork.

Manfred Bischoff (1947-2015) was one of the most innovative jewellery artists of our time. He designed items of jewellery that tell stories and enriched his language of forms through references to contemporary art, quotations from art history and philosophy, and inspiration from his bountiful world of ideas. Through this, he developed his own particular way of mounting his jewellery pieces on drawings, on which messages and titles appear in his own characteristic hand. In this book, his work is showcased in its entirety for the very first time, including early works, which attracted little attention in previous publications. The publication is oriented on the sequence of places that each had a major influence on his works: first Berlin, followed by further locations in Italy. The book not only documents Manfred Bischoff's multifaceted oeuvre with numerous illustrations and preliminary sketches; it also provides insights, via additional private photos and notes, into a remarkable artistic universe. Text in English and German.

Introducing a new woodworking series in the tradition of Tage Frid...a series filled with essential information required by woodworkers today. For the first time ever, all the techniques and processes necessary to craft beautiful things from wood have been compiled into three comprehensive volumes: The Complete Illustrated Guides. Highly visual and written by woodworking's finest craftsmen, these three titles -- Furniture & Cabinet Construction, Shaping Wood, and Joinery -- will establish a new standard for shop reference books.

Shape is critical to the ultimate success or failure of a piece of furniture. Knowing this, custom-furniture maker Lonnie Bird has taken the complex subject of shaping and in this book made it accessible to every woodworker. He guides the reader toward first visualizing, then drawing a shape, and then choosing the appropriate tool for creating it. Shaping techniques of all kinds are covered here -- from the simplest ones to more complex bending and carving.

The animal kingdom has been a source of inspiration for jewelers since the days of antiquity. Chosen for their symbolism, their beauty or their personality, a whole menagerie of creatures has been depicted in gemstones and precious metals, ranging from fantastical dragons, griffins and sphinxes, to wild beasts such as boars and big cats, to the delicate forms of birds, fish and even insects. The 130 pieces in this book have been specially selected from the magnificent jewelry collection of the Musee des Arts Decoratifs in Paris, and include necklaces and earrings, bracelets and brooches by legendary names such as Boucheron, Falize and Lalique. They stretch from the Renaissance revival of the 19th century to the elegant lines of Art Nouveau and beyond, through to the playful naivety of modernist designs by Jean Lurcat and Line Vautrin. Beautifully photographed by renowned photographer Jean-Marie del Moral, this second title in the series that began with Flora: The Art of Jewelry is packed with clever and witty works of art that will delight all lovers of jewelry and nature.

Master the art of green woodworking with key techniques and inspiring projects. Looking for a simpler and more natural way of working with wood? Then look no further than William Wall's Wood Craft. Learn how to make inspiring designs within beautiful wooden objects from fresh green wood, and become skilled in the crafts of whittling, axe-based furniture making, weaving and more! With green woodworking, there's no need for costly materials and machines. In fact, all you need to begin crafting is a log, an axe, and a hand knife! What are you waiting for? Dive straight in to discover: -25 step-by-step projects including annotated photographs and diagrams to pinpoint the detail of each project -Introductory chapter on understanding wood demonstrates how to read different pieces of wood -Detailed guide on sourcing a regular supply of fresh quality wood wherever you live Each technique is integrated with the examination of each key tool, so you can gain an understanding of how each tool works, learn the main grips and movements, and master key techniques with practice exercises. Discover how to build your very own equipment, from goblets to garden hurdles, candle holders to coat hooks, and so much more. Whether you're looking to develop a new skill this New Year, or you simply wish to hone your technique in woodworking by having projects to practice on, this all-encompassing woodworking guide can help to unleash your creativity and maximise your potential. Author William Wall has been crafting green wood for over 30 years and even teaches courses in green woodworking that range in skill level, from complete beginners to advanced crafts. Readers of Wood Craft can engage in project-based learning, and discover how to create genuinely desirable objects with innovative and inspiring designs. Let DK plant the seed of curiosity in the minds of our readers, and watch as it blossoms into a life-long love of woodworking. A must-have volume for those who wish to engage in a mindful craft that requires little space and few tools, whether you want to reconnect to your natural surroundings, find a creative way of relaxing, or perfect your skills in the subject.

This book presents a wealth of images that will spark the imagination of all who see them. There are times when all artists struggle for inspiration. This can be particularly true when you try to create patterns, textures and designs with which to decorate your work. In this book, Carolyn Genders presents a wealth of images - of both natural and manmade objects - that will spark your imagination as soon as you see them. The book also highlights how these images can be visually abstracted, refined and developed to create other beautiful patterns, designs and forms. The result is not only a useful guide to how the creative process works but also a visually glorious sourcebook of images. This book is a must for all - whatever field you work in and whether you are an amateur or a professional artist.

This beautiful illuminated manuscript, now in Vienna, Osterreichische Nationalbibliothek, is one of the earliest surviving examples of a unique group of Bibles containing the most extensive cycles of biblical illustrations juxtaposed with theological and allegorical interpretative images. The present moralized Bible was produced in Paris in the first half of the 13th century, and contains over 1000 exquisitely illuminated medallions accompanied by textual extracts and commentaries that act as captions to the illustrations and thus reveal, by word and image, the relevance of the Bible to contemporary life. They reflect the rapidly-changing world of the thirteenth century and highlight the many ideological problems prominent in the intellectual and political milieu of the time. It is a book that has long fascinated both historians and art-historians, since it stands out not only as one of the major artistic achievements of its time, but also as an important historical document for an understanding of medieval Europe. All illuminated pages of Codex 2554 are reproduced in full colour in this volume. In his commentary to the manuscript, Gerald Guest explains the origins of this type of Bible manuscript; he compares the work with other surviving examples, examines the style and meaning of the illuminations, poses the likely patrons and puts the creation of the moralized Bible in its intellectual and artistic context. The author has also translated all the French texts that accompany the illuminations into English.

The glamour and excitement of the world of Haute Jewelry is beautifully explored in the fourth edition of Jewelry International. The series brings together the world's most famous jewel;ers, presenting their most luscious pieces for your delectation. Jewelry International, the only series of its kind, features the world's most exquisite jewels and the companies that craft them. The most fabulous names in the world of Haute Jewelry, such as Andreoli, Arunashi, Assael, Bayco, Bulgari, Cartier, Cora, Daniella Kronfle, David Webb, de Grisogono, Dior Joaillerie, Gumuchian, Jacob and Co., Jewels Emporium, Ralph Lauren, and Zorab, will each have their own chapters, focusing on the history and significant pieces of each House

From the white plastic bed for the Prisunic catalogue (1966) to the Culbuto armchair issued by Knoll, and from the Lip watch to the private apartments of the Elysee Palace, Paris, (1983), the furniture and objects conceived by Marc Held have been emblematic of the renewal of French design, following the line of Scandinavians such as Alvar Aalto and Arne Jacobsen...With his gallery L'Echoppe on the rue de Seine, Paris, and then with his agency, the designer and architect Marc Held also took part in major projects for IBM and Renault. This book traces fifty years of design, whose success with the public at large has contributed to a great liberation in our style of life. The generosity of his vision has remained faithful to the humanist values that guided his childhood in Bagnolet, where he was born in 1932. Having settled in Greece, on the island of Skopelos, over twenty years ago, Marc Held still continues to build houses and furnish them with his creations, working closely with Greek craftsmen.

Chunghi Choo (b. 1938 in South Korea) is a world-renowned metalsmith and jewellery artist who is best known for her works that incorporate such techniques as electroforming and electro-applique. Choo's artwork is represented in major museums around the world, including the Metropolitan Museum of Art (US), the Victoria and Albert Museum (UK) and the Musee des Arts decoratifs (FR). In addition, she is professor emeritus of the University of Iowa (US), where she established a metals programme, which she brought to international prominence during her more than thirty years of service. Many of her students have since become critically acclaimed artists in the fields of fine arts, jewellery, textiles, metalsmithing and sculpture. This volume reviews Choo's remarkable career, showing selected pieces from the last six decades of extraordinary craftsmanship that earned her status as Elected Fellow of the American Craft Council. Works by thirty former students reveal Choo's influence on a subsequent generation.

It was destined for an event that was not only historic and public, but also sacred. The design was tasked to be temporary yet permanent and humble yet noble. Deliverables included plans, elevations, 3D digital and physical models, and a prayer to win. In April '2015", the Archdiocese of Washington DC solicited design entries from the students of the Catholic University of America for the furniture of Pope Francis' Mass during His visit to Basilica of the National Shrine of the Immaculate Conception. The central focus was the chair, ambo and altar; timeless pieces were desired. In addition to being visually, artistically and architecturally consistent and compliant to Catholic liturgy, practical considerations such as the need to transport, assemble and dismantle design elements in a short period of time were pivotal design requests. Students were encouraged to engage non-related disciplines to inform their designs. Their submissions exceeded all these requirements. This book is a collection of works submitted for the Papal Sanctuary Charrette Competition. The variety of student design submissions reflect the seemingly impossible task of integrating Pope Francis' humility with the grandeur of the Shrine's interior. Each entry resounds of theology, technology and sustainable imperatives bound into artful manifestations of design thinking.

An inspiring collection of the writings of two of the 20th century's most brilliant and influential designers An Eames Anthology collects for the first time the writings of the esteemed American architects and designers Charles and Ray Eames, illuminating their marriage and professional partnership of fifty years. More than 120 primary-source documents and 200 illustrations highlight iconic projects such as the Case Study Houses and the molded plywood chair, as well as their work for major corporations as both designers (Herman Miller, Vitra) and consultants (IBM, Polaroid). Previously unpublished materials appear alongside published writings by and about the Eameses and their work, lending new insight into their creative process. Correspondence with such luminaries as Richard Neutra and Eero Saarinen provides a personal glimpse into the advance of modernity in mid-century America.

Folk art was neither widely collected nor highly valued in the early 1900s, when globetrotting Chicago socialite and philanthropist Florence Bartlett (1881-19540 began buying indigenous works encountered on her travels and dreamed of founding a museum to celebrate cultural diversity. Beartlett realised her goal in 1953, when the Museum of International Folk Art opened in Santa Fe near her long-time summer home. 50 years later, Bartlett's vision lives on in an ever-expanding museum collection that includes contemporary pieces as well as centuries old textiles, woodwork, pottery and ethnic garb.

The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian miniscule; classically based scripts; and Gothic blackletter and chancery.

Classic study of penmanship, lettering and illumination covers fundamentals of acquiring a formal hand, creating manuscript books, techniques of illumination, lettering and methods of constructing and arranging letters, the Roman alphabet and its derivatives, lettering on metal, wood and stone, other topics. Many useful exercises. 250 illustrations.