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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts
Wire and bead jewellery is one of the hottest subjects in
jewellery-making today, and this book comes from two of the
best-known teachers in the field, Janice Berkebile and Tracy
Stanley. With beautiful designs, more than 500 how-to photographs
that teach you visually, and accessible and accurate instructions,
this book is a dream come true for jewelers. This is jewellery with
texture and impressive wirework. This book of artful wirework
instruction and 24 great projects will become the cornerstone of
your jewellery-making library.
Put your wood carving skills to practical use! This must-have book
features 13 projects with step-by-step instructions and photography
for creative and elegant walking sticks. Including projects for
both intermediate and advanced wood carvers, painting and finishing
instructions are provided, as well as helpful information on types
of wood used for walking stick shanks, methods for joining a head
to a shank, and more. From a simple lyre-shaped thumb stick and a
gent's walking stick to derby sticks with the head of a fox, eagle,
Labrador retriever, black swan, and other animals, you'll enjoy
putting your carving skills to the test by creating these
beautifully useful walking sticks and canes. Author Paul Purnell is
a self-taught wood carver for 15 years who specializes in birds,
animals, and other wildlife. His carving style includes a mixture
of tools, and he has carved projects for The Guild of Master
Craftsman's Wood Carving and Woodworking Crafts magazines.
Have you every wondered where the nineteenth century country
furniture found in today's American antique marketplace came from?
It will surprise the reader to learn that much of it came from
Quebec, Canada. Warren Johansson has written a guide to the sources
and kinds of Quebec country antiques currently i the United States.
It also presents a brief history of the Quebec-American antique
trade as well as the personal collecting experiences of the author
and his family from the mid-1950s to the early 1980s. Amply
illustrated with both black and white and color photographs, as
well as line drawings and maps, this is an important reference
work. A price guide is included.
Designing and making a coffee table represents a unique project for
the craftperson, offering the reward and satisfaction of building a
beautiful and yet fairly simple piece of furniture. A coffee table
project requires forethought and planning. It also helps to develop
confident handskills and the attitude to do one's best, especially
for someone just beginning to explore furniture making. Creating
Coffee Tables: An Artistic Approach takes the novice as well as the
advanced woodworker through a fully illustrated step-by-step
process from design to applying a finish. Drawing from his study at
the renowned College of the Redwoods Fine Woodworking Program,
cabinetmaker and author Craig Vandall Stevens takes the
craftsperson through the sequence of events necessary to design and
build a coffee table. 350 detailed photographs illustrate selecting
and laying out lumber, the use of woodworking machines and
handtools, sharpening, milling and preparing parts, joinery,
resawing and making sawn veneers, shaping with handtools, assembly,
and choosing and applying a finish.
'Jewellery in all its guises has been a signifier of glamour in the
pages of Vogue since the magazine's inception in 1916...the
jewellery always commands the image - infinitely powerful and
desirable, inventive and extraordinary.' - Alexandra Shulman 'This
book sparkles with glamour and flamboyance.' - Daily Mail 'From
simple strings of gleaming pearls to showstopping tiaras, this book
is perfect for anyone with a true love of jewels.' - Conde Nast
Traveller Illustrated with fabulous images from Vogue's archive,
Vogue: The Jewellery is the ultimate book for fashion and jewellery
lovers. From couture to costume jewellery, the brilliant pieces
featured on the pages of British Vogue for more than a century have
encapsulated the fashion zeitgeist of each new age for which they
were created. Adorning princesses and rock chicks alike, the jewels
shown in Vogue: The Jewellery reveal a dazzling array of styles and
moods - from fairytale romance to Jazz-age glamour, sculptural
modernism to timeless elegance. On every page sumptuous jewellery
is the star of the show, nourishing dreams in us all. Carol Woolton
has curated a collection of more than 300 fabulous images within
five thematic chapters: Show-stoppers, Rock Chick, Minimalist,
Exotic and Classic. From diamond-encrusted tiaras and intricate jet
chokers to sculptural silver cuffs and simple strings of pearls,
the book provides an evocative celebration of a century of
jewellery, while showcasing British Vogue's best photographers
including Norman Parkinson, David Bailey, Arthur Elgort, Corinne
Day, Cecil Beaton and Tim Walker. Now available in a new format
with a luxurious real cloth cover, at a more pocket-friendly price
of GBP30, this is essential reading for fashionistas everywhere.
Many of the great modern classic furniture designs of the twentieth
century are still in production and available to the public in
America and abroad. There are also many recent designs destined to
become classics, because they share many of the same qualities of
modern furniture already in museum collections and sought after by
collectors. This volume, with 600 color photographs and detailed
captions of a representative sample of the best modern furniture
available, is the first source book to focus only on designs that
are currently in production, and to present them in full color. It
is both a history of modern design and an international shopping
catalog. The indexes of 250 designers and companies and the list of
sources will enable the reader to locate each item for purchase or
for additional information. This book will serve as an
indispensable and handy reference for decorators, interior
designers, architects, and collectors, plus acquaint the general
public with extraordinary designs that are generally only known to
the trade.
A new, larger format edition of the Royal School of Needlework's
classic reference work on beadwork embroidery. Shelley Cox presents
an expert guide to all aspects of bead embroidery, including
information on counted thread beadwork, bead embroidery, beaded
surface embroidery, and fringing. Here you will find stitches and
technique for every sort of needlework that involves beads.
Decorative effects are explored too, making this a fantastic source
book and an invaluable reference for beadwork. The Royal School of
Needlework (RSN) teaches hand embroidery to the highest standard
and is well respected all over the world. It not only upholds the
traditions of English embroidery that go back many hundreds of
years, but is constantly taking embroidery forwards in new and
innovative ways. This series of Essential Stitch Guides has been
produced in close collaboration with the RSN with the aim of
providing a set of definitive works on traditional embroidery
techniques. All of the authors were chosen by the RSN and all are
graduate apprentices of the Royal School.
Modern Dried Flowers is a contemporary guide to the sustainable art
of preserving and styling stems. Versatile, chic, environmentally
mindful, affordable and low maintenance - there are many reasons to
love dried flowers. Whether for weddings and special events or
simply to bring a touch of ethereal charm to your home, these
timeless, reimagined arrangements can bring a room to life. Modern
Dried Flowers offers nature-led inspiration and step-by-step
instructions to gain all of the basic skills, tools and techniques
necessary to grow, cut, dry and style your stems to perfection.
Author and celebrated florist Angela Maynard is a founding leader
of the classic craft's revival, and here she reveals her secrets
and dispenses expert advice so that you too can master the art of
everlasting beauty and wow-worthy decor, no matter what your style.
In this practical and visually stunning guide, you will find: 20
beautifully photographed projects, from wearable keepsakes to
majestic seasonal centrepieces; Tips to get creative with the
leftover materials; A handy index of suitable flowers which
outlines characteristics, symbols and best combinations. Play with
texture and colour, discover unusual blooms and botanicals, and
create something truly original that lasts a lifetime.
In the early days of television, people attempted to protect
themselves from the new machines with bright talismans--creative
lamps that provided back light that was believed to protect the
eyes. These lamps took on fantastic forms, the most popular among
them being panthers and other animals like Siamese cats. They came
in any number of forms, though, and sometimes doubled as vases or
planters. Herein nearly 400 photos explore the many forms of TV
lamps, from a barnyard full of horses, roosters, ducks, and swans,
to all manner of conveyances like boats, wagons, and cars, and an
international collection of people and faces. Current market values
are provided for the collector and antiques dealer.
This is a new, revised edition of an essential book on pyrography.
It offers updated with current work practices and an extended
gallery of inspirational work from the very best pyrography
artisans. It features 12 design projects that are presented in
clear step-by-step process. This new revised edition of Stephen
Poole's detailed guide to pyrography will be updated with some
current work practices and an extended gallery of inspirational
work from the very best pyrography artisans. Stephen's book
comprehensively covers the subject from the history of the craft,
materials and equipment required through to all the skills to
create 'burnt wood art decoration'. Starting with basic tracing,
Poole explores all the techniques to recreate lifelike textures and
shading to conjure up inspiring images of nature, still-life and
atmospheric scenes. The author gives indispensible instruction
specifically on pyrography for woodturned objects and how to
protect and finish the work. Projects include: rolling pin, wooden
spoon, earrings, brooch, frame, key ring, jotter board, breadboard,
cheese platter
The elegant yet practical chrome and brass houseware specialties
created by Chase Brass & Copper Company during the 1930s are
synonymous with Art Deco. Reprinted here for the first time are the
company's 1934 and 1935 catalogs, issued at the height of Deco's
popularity. Objects by such industrial design pioneers as Lurelle
Guild, Walter Von Nessen, Russel Wright and Harry Laylon are
pictured, with full descriptions, inventory information, and
current price guide. Introductory comments are by Leslie Pina and
Donald-Brian Johnson, co-authors of Higgins: Adventures in Glass
and the forthcoming book on Chase Chrome. Their remarks focus on
Chase's contribution to Art Deco style, Chase history, and the
unique features of each catalog. A must have for Deco collectors,
as well as all admirers of 20th century decorative arts.
For many women of Egypt, their jewelry is their bank-they wear
their wealth in their gold. But jewelry in Egypt is also more than
mere assets, and its design and manufacture reveal a great array of
styles and a high degree of skill and artistry. In this lavishly
illustrated book, Azza Fahmy, herself a world-renowned designer of
jewelry based on traditional motifs, lays before us an Aladdin's
cave of jewelry made in all corners of Egypt over the last one
hundred years, collected through her extensive travels throughout
the country. From the farms and villages of the Nile Valley and
Delta, from the oases of the Western Desert and the mountains and
wadis of Sinai and the Eastern Desert, from Nubia in the south, and
from the crowded traditional neighborhoods of Cairo is displayed a
cornucopia of gold and silver adornment-each area with its own
distinctive favored style. Personal seals have been widely
employed, and there is even jewelry for special occasions, such as
the appeasement of malignant spirits, and for animals.In this
completely redesigned edition of her bestselling book, in a new and
elegant format, the author not only documents all these varieties
and illustrates them with the finest examples, she also describes
the techniques and skills involved in their production and the
materials used, and recounts her own journey of learning as she
apprenticed with the leading master jewelers to become the best
known jeweler in Egypt, whose work is worn by world leaders,
royalty, and connoisseurs of jewelry around the globe.
Goldsmiths' products examined, combining discussion of object with
analysis of inscription and design, and literary and archaeological
evidence for smiths and their work. Throughout the Anglo-Saxon
period, goldsmiths produced work of a high standard in both design
and craftsmanship, both for personal adornment, and to embellish
bookbindings, reliquaries, vessels and weapons. Some works are well
known, particularly the magnificent gold and garnet regalia from
Sutton Hoo, but this represents only a fraction even of the
surviving work, and much more has been lost. This book is the first
to look at the goldsmiths' products through the eyes of both a
specialist in the period and a practical craftsman, combining close
examination of the surface and structure of the objects with
analysis of inscriptions and evidence for design, and with literary
and visualsources of evidence for smiths and their work.
Archaeological and documentary evidence for workshops, tools and
working processes is also assessed, and up-to-date technical
information on materials and techniques is juxtaposed with new
practical research to throw light on manufacturing and decorative
processes, and, more widely, to give a fresh idea of the position
of the goldsmith in his society. Dr ELIZABETH COATSWORTH is Senior
Lecturer inthe Department of History of Art and Design, Manchester
Metropolitan University; Dr MICHAEL PINDER is Senior Lecturer in
the Department of Architecture, Landscape and 3DD, at the same
university.
The mellow tones of antique natural oak have become popular accents
in a growing number of households in America today. Furniture made
over the last hundred years in dense oak, which holds the crisp
edges of fine carving detail and displays strong designs have come
to be appreciated by the descendants of their first owners. This
first generation of mass-produced American furniture which utilized
the ingenuity of the machine age for its construction, and the
inspiration of catalog marketing for its distribution, has now come
to be appreciated for its special forms and solid materials. Its
recent popularity has caused the values for oak furniture to rise
significantly. With hundreds of examples shown in color photographs
the book is arranged by types of furniture from armoires to tables.
Hundreds of chairs are shown to display the great variety of styles
that were made. Famous makers such as Larkin, Stickley, and more
are well represented. This new study is a welcome addition to the
literature of American antiques. A newly updated price guide is
included.
An engaging history of studio furniture, Speaking of Furniture:
Conversations with 14 American Masters is a fresh, interesting, and
in-depth examination of the modus operandi of 14 accomplished-and
diverse-furniture makers. The colourful, informative study includes
expository conversations with James Krenov, Wendell Castle, Jere
Osgood, Judy Kensley McKie, David Ebner, Richard Scott Newman, Hank
Gilpin, Alphonse Mattia, John Dunnigan, Wendy Maruyama, James
Schriber, Timothy S. Philbrick, Michael Hurwitz, and Thomas Hucker.
The insightful interviews illuminate how these creative and gifted
craftspeople arrived professionally and what their craft means to
them individually. In his interpretive and elucidatory Foreword,
Edward S. Cooke, Jr. maps out and gives the background on the
parameters of the studio furniture world. Author and furniture
maker Roger Holmes offers an insider's perspective on the art and
craft of producing exquisite contemporary furniture in his
conversational Introduction and maintains, "Art or craft, this is
very personal work." This elegant presentation skilfully sheds
light on the thought processes and techniques of a celebrated and
exceptional gathering of studio furniture makers who are as unique
as they are stellar. As sculptor and furniture designer Wendell
Castle remarks, 'What I admired was that...fine art and craft were
the same thing.'
This is the definitive book about brass objects. Large sections are
devoted to andirons, candlesticks, fireplace accessories, kettles
and tobacco boxes. There are useful dating charts for andirons and
candlesticks. Each of these sections is more complete than any
previous volume, and could have been published as a separate book.
Smaller sections include horse brasses, scientific and occupational
instruments, and table wares. The development of artistic styles in
brass are fully illustrated and explained in their historical
context. The accompanying text explains the composition of brass,
eighteenth century method of sand casting, and ways to identify old
copies and fakes. A fascinating eighteenth century brass-makers
catalog is reproduced in its entirety at the end of the book.
Unusual brass items from many private collections, museums and
antiques dealers are presented and compared. Very few of these
items have ever been published before.
The Herman Miller Furniture Company was devoted to manufacturing
period reproduction furniture until pioneer industrial designer
Gilbert Rohde walked into their Grand Rapids showroom in 1930. A
devout modernist, Rohde convinced D. J. De Pree to focus on modern
furniture throughout the 1930s, and to produce exclusively modern
furniture by the time Rohde died in 1944. This exact reprint of the
1940 product catalog and supplement from the Herman Miller Archives
is an historic document showing hundreds of Art Deco and other
classic modern furniture designs, all by Rohde. His use of exotic
veneers, tubular steel, bentwood, and plastics was innovative and
important in the evolution of modernism. His revolutionary modular
seating and cabinets laid the foundation for mid-century design.
More than 160 new items were added to the line in the short span of
a year, and this catalog will complement rather than repeat the
equally important 1939 catalog. With a current price guide, it will
be an invaluable tool for the researcher, collector, dealer, and
museum curator.
Little magazines made modernism happen. These pioneering
enterprises were typically founded by individuals or small groups
intent on publishing the experimental works or radical opinions of
untried, unpopular, or underrepresented writers. Recently, little
magazines have re-emerged as an important critical tool for
examining the local and material conditions that shaped modernism.
This volume reflects the diversity of Anglo-American modernism,
with essays on avant-garde, literary, political, regional, and
African American little magazines. It also presents a diversity of
approaches to these magazines: discussions of material practices
and relations; analyses of the relationship between little
magazines and popular or elite audiences; examinations of
correspondences between texts and images; feminist modifications of
the traditional canon or histories; and reflections on the emerging
field of periodical studies. All emphasize the primacy and
materiality of little magazines. With a preface by Mark Morrisson,
an afterword by Robert Scholes, and an extensive bibliography of
little magazine resources, the collection serves both as an
introduction to little magazines and a reconsideration of their
integral role in the development of modernism.
The word "calligraphy" literally means "beautiful writing." It is
an art form that can be found in most civilizations with a written
script. Originally developed to stress the importance of culture,
religion and philosophy, over time calligraphy in most languages
has developed into a purely artistic expression. In Japan, kanji
characters from the panese writing system are used in calligraphy.
"An Introduction to Japanese Kanji Calligraphy" is an exploration
of this Asian art form, and examines how calligraphic poetry
developed in Japan. Written by a Japanese shodo master, "An
Introduction to Japanese Kanji Calligraphy" is a wonderful
introduction to a beautiful art.
Green products have become a key aspect of virtually all areas of
our lives. This book presents cutting-edge lighting and lamp
designs by designers from all over the world that through their use
of recycling techniques, natural materials, and new technologies
are both exceptionally environmentally friendly and highly stylish.
"The Artist Blacksmith" is the essential handbook for anyone
interested in bringing a creative, contemporary approach to this
ancient craft, and for those already hooked who want to improve and
expand their skills. Topics covered include the range and use of
tools and materials; fundamental blacksmithing processes; working
at the anvil; drawing down, bending, upsetting, and spreading; hot
cutting; punching; and finally, twisting and joining. Illustrated
with over 200 diagrams and photographs, "The Artist Blacksmith"
will provide an introduction to the beginner and valuable
information for the more experienced smith looking to expand their
workshop.
Works of art in enamel are among the most attractive, colourful and
revealing objects of the Middle Ages and Renaissance. Enamel was
employed to embellish a broad array of objects, including reliquary
caskets, crosses, book-covers, croziers, censers and pyxes for the
church and a wide range of tableware for the secular market. The
Wyvern Collection comprises many pieces of prime importance from
the twelfth to the sixteenth centuries. Among the highlights in
this volume are two extremely rare Romanesque enamels of c. 1160-70
from the Meuse Valley: the celebrated reliquary triptych probably
originally belonging to the Bishop of Liege, and a beautiful
phylactery (a reliquary designed to be suspended) with scenes from
the story of the True Cross, said to have come from the famous
abbey of Lobbes. Limoges enamels of the twelfth and thirteenth
centuries are particularly well represented, the 65 pieces making
up what is undoubtedly now the finest and most comprehensive
collection in private hands. The later painted enamels of Limoges,
from the fifteenth and sixteenth centuries, include remarkable
examples of the work of the principal enamellers, most notably
Pierre Reymond, and the spectacular horn of St Hubert, dated 1538
and signed by Leonard Limosin, which once belonged to Horace
Walpole at Strawberry Hill. The catalogue additionally includes
other outstanding works of art such as an important
Anglo-Carolingian chrismatory of the ninth century, a small group
of enigmatic twelfth-century drinking-cups and sumptuous examples
of German late medieval goldsmiths' work. Stained and painted glass
roundels, Italian Renaissance ceramics, luxurious textiles and
tapestries, and German and Italian armour are also catalogued. An
appendix presents several important pieces, recently acquired,
which supplement those published in the first two volumes. With
more than 250 objects, all specially photographed, this is more
than a handbook to an especially rich part of one of the greatest
private collections. It is a detailed and authoritative guide to
medieval and Renaissance enamels and other works of art, a stimulus
to further research and a feast for the eyes. With 400
illustrations in colour
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