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The Wyvern Collection - Medieval and Renaissance Enamels and Other Works of Art (Hardcover)
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The Wyvern Collection - Medieval and Renaissance Enamels and Other Works of Art (Hardcover)
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Works of art in enamel are among the most attractive, colourful and
revealing objects of the Middle Ages and Renaissance. Enamel was
employed to embellish a broad array of objects, including reliquary
caskets, crosses, book-covers, croziers, censers and pyxes for the
church and a wide range of tableware for the secular market. The
Wyvern Collection comprises many pieces of prime importance from
the twelfth to the sixteenth centuries. Among the highlights in
this volume are two extremely rare Romanesque enamels of c. 1160-70
from the Meuse Valley: the celebrated reliquary triptych probably
originally belonging to the Bishop of Liege, and a beautiful
phylactery (a reliquary designed to be suspended) with scenes from
the story of the True Cross, said to have come from the famous
abbey of Lobbes. Limoges enamels of the twelfth and thirteenth
centuries are particularly well represented, the 65 pieces making
up what is undoubtedly now the finest and most comprehensive
collection in private hands. The later painted enamels of Limoges,
from the fifteenth and sixteenth centuries, include remarkable
examples of the work of the principal enamellers, most notably
Pierre Reymond, and the spectacular horn of St Hubert, dated 1538
and signed by Leonard Limosin, which once belonged to Horace
Walpole at Strawberry Hill. The catalogue additionally includes
other outstanding works of art such as an important
Anglo-Carolingian chrismatory of the ninth century, a small group
of enigmatic twelfth-century drinking-cups and sumptuous examples
of German late medieval goldsmiths' work. Stained and painted glass
roundels, Italian Renaissance ceramics, luxurious textiles and
tapestries, and German and Italian armour are also catalogued. An
appendix presents several important pieces, recently acquired,
which supplement those published in the first two volumes. With
more than 250 objects, all specially photographed, this is more
than a handbook to an especially rich part of one of the greatest
private collections. It is a detailed and authoritative guide to
medieval and Renaissance enamels and other works of art, a stimulus
to further research and a feast for the eyes. With 400
illustrations in colour
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