In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.

This book outlines a powerful process for designing and creating beautiful work that is practical to make and sell. Perspectives from 22 master artisans fuse with industrial product design techniques and the author's own craftwork experience, focusing sharp insight on the process of creating original work. To use this book, begin with its suggestions for gathering ideas, brainstorming designs, and committing to an ambitious new project. Next, follow the supplied framework for evaluating, changing, and critiquing your work. Apply the book's design guidelines to make your work more visually powerful, useful, and simple to create. Finally, use this guide's advice to grow as an artisan: Find your voice, develop your skills, sell your work, and (if you want) make craftwork a career. Packed with insights from glassworkers, ceramicists, woodworkers, fiber artists, metalworkers, and more, it provides a solid framework to build on for craftspeople who want to produce spectacular work.

Pyrography is the art of burning a design into wood using a heated metallic point. Most books on the market take a fairly traditional approach to the subject, limited to using pure burning onto a range of wooden surfaces. The Art of Pyrography goes far beyond this. Cherry Ferris takes the subject to new heights, incorporating mixed media, unusual supports and innovative techniques to elevate the craft to an artform. The book is suitable for beginners as well as more advanced pyrographers, and is well-suited to artists from other media who want to experiment with new ideas and incorporate pyrography into their practice. Pyrography machines are easily obtainable from online suppliers and major craft stores. The Art of Pyrography begins with an overview and history of the subject, a tools and equipment section, an introduction to the basic techniques and information on surfaces that you can safely burn. The book moves onto how to transfer designs onto surfaces and incorporate a mixed media approach by looking at shading techniques, introducing colour into your work, playing with backgrounds and how to finish, protect and display your finished pieces. Four shorter mini burns complement ten longer step-by-step projects that walk the reader through the techniques and materials used. A troubleshooting and safety section is also included, making this a one-stop shop to get all your pyrography questions answered. Chapters include: Colour: Incorporating coloured pencils, paint, and inks Using resin to finish your work - which results in a beautiful glass-like finish Using gold leaf to add a touch of magic.

Representing the third generation of Vuittons, Gaston-Louis's wide interests and voracious curiosity were intimately bound with the future of the family business. A collector since his childhood, Gaston-Louis Vuitton (1883-1970) accumulated hundreds of objects over his lifetime. In addition to forming a collection of trunks - his first motivation and the one he announced publicly - his roving eye lit upon rare antique travel articles, locks and escutcheons, hand tools, perfume bottles, African masks, walking canes, vintage children's toys, books, hotel labels (usually fixed on customers' trunks), printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosites industrielles, or quirks of the trade, as Gaston-Louis liked to call them. He described himself as an `unrepentant collector', delighted by the `joy of the treasure hunter, the toil of the collector, [...] an inexhaustible source of inspiration'. This is a collection that will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste and interests of someone who lived through the height of the Art Deco period - indeed, someone whose life was defined by the rigours and the rewards of world travel. It exhibits the highest design and production values for discerning international voyagers in search of the sources of luxury creativity.

Wooden puzzles are great projects both for the woodworker who builds them and for the end user who'll derive hours of pleasure trying to solve them. They can be built from scraps of wood with just a few tools that any hobbyist woodworker will have in his or her shop. The key to successful puzzle-making is in maintaining a high level of accuracy so that puzzles go together (and come apart) smoothly and satisfyingly. Menold explains how to build a number of jigs that will allow you to make wooden puzzles to the same exacting tolerances that this master puzzle maker achieves with his collection of classic puzzles.

While often less celebrated than their male counterparts, women have been vital contributors to the arts for centuries. Works by women of the frontier represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression by women of this time period is as remarkable as the women themselves. In Frontier Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass explores the rich history of women's creative expression from the beginning of the Federalist era to the end of the nineteenth century. Focusing particularly on Western artistic style, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, including *Folk music, frontier theatrics, and dancing *Quilting, stitchery, and beadwork *Sculpture and adobe construction *Writing, translations, and storytelling Individual talents highlighted in this volume include basketry by Nellie Charlie, acting by Blanche Bates, costuming by Annie Oakley, diary entries by Emily French, translations by Sacajawea, flag designs by Nancy Kelsey, photography by Jennie Ross Cobb, and singing by Lotta Crabtree. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as applique, libretto, grapevine, farce, coil pots, and quilling. With its informative entries and extensive examinations of artistic talent, Frontier Women and Their Art is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.

In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewellers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewellers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.

Paint the classic subjects that inspired ancient Chinese masters. This book introduces the venerable art of painting with ink on rice paper using traditional techniques developed over a thousand years ago. It is ideal for a beginner hoping to practice a large variety of techniques and subjects. With this practical guide, you will learn to paint: Towering landscapes The elegant Four Gentlemen Plants like bamboo, orchids, plum blossoms, and chrysanthemums Five animals from the Chinese Zodiac The basic strokes used in calligraphy And more! Known as a "soft martial art," brush painting is as meditative as it is artistic. As you move through the lessons and exercises, you'll gain insight into and appreciation for the symbolism, historical context, techniques, and mindfulness associated with this ancient art form.

Jennifer Way's study The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America. Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the 'Free World', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration's aid programs for South Vietnam to survey the craft industry in South Vietnam and manage its production, distribution and consumption abroad and at home. Way shows how Wright and his staff brought American ideas about Vietnamese history and culture to bear in managing the making of Vietnamese craft.

First published in 1969, English Cursive Book Hands rapidly established itself as a key resource for the study and teaching of palaeography. It covers the changes in handwriting that arose from the mid-twelfth century, tracking the growth and development of the cursive script that came to dominate book production in medieval England. This reprint is a re-issue of the 1979 second edition published by Scolar Press. This study sets out the nature of the developments which took place in English book hands, from the mid-twelfth century, largely determined by two factors: the increasing demand for books, and the increase in the size of the works to be copied. The secularization of learning and the rise of the universities created a voracious demand for texts and commentaries. At the same time improving standards of literacy led to a demand from a wide range of patrons for books of a more general nature. In such circumstances speed and ease of writing became increasingly important. Scribes began to use different kinds of handwriting for different classes of books, and as a result a new 'hierarchy' of scripts arose, each with its own sequence of development. Towards the end of the thirteenth century the cursive script which had recently been evolved for the preparation of documents was introduced into books. A hierarchy also arose in the cursive script itself, as scribes began to devise more than one way of writing depending on the degree of formality they required. Eventually the varieties of cursive usurped the functions of other scripts in the copying of nearly all kinds of books and documents. English Cursive Book Hands illustrates the developments which took place in the cursive handwriting used in England for writing books.

The centre-lathe is by far the most versatile machine tool in the workshop, but as soon as you depart from plain turning between centres, the question arises 'how to hold the work'. This book explains the methods and techniques required. A fundamental requirement of lathe operation, for accuracy and safety, is the ability to hold any workpiece securely and, preferably, repeatedly on the machine. While few problems arise with straightforward work on a properly aligned lathe, the variety of jobs undertaken by small workshops and model engineers is bound to give rise to occasions when how to hold work requires consideration. When great accuracy is essential, working methods and lathe set-up are vital for an acceptable result. In this book Tubal Cain discusses in his inimitable, practical style all aspects of the subject with the whys and hows, including basic lathe alignment.

The story of an innovative designer and farsighted art entrepreneur and the important role he played in the dissemination of 19th-century Aestheticism This book follows the phenomenal rise of Daniel Cottier (1838-1891) from an apprentice coach painter in Glasgow to the founder of Cottier & Co., a fine and decorative arts business with branches in London, New York, Sydney and Melbourne. This gifted designer and brilliant art entrepreneur keenly spotted one of the key aspects of late nineteenth-century bourgeois culture - its focus on family, home and church - and seized the artistic and commercial opportunities of the building and decorating boom that it brought about. Cottier was a proponent of the Aesthetic movement, an international trend in the history of culture, art and design from the mid-1860s to the late 1890s: he understood the era's desire for beauty and realised the economic possibilities of its commoditisation. Beyond biography, therefore, this book illuminates a significant event of late nineteenth-century cultural history - Aestheticism's cult of beauty meeting with the bourgeoisie's financial ability to possess it. Distributed for the Paul Mellon Centre for Studies in British Art

In response to popular demand for this classic reference, this enlarged and renewed edition will be even more valued by historians and collectors. Long considered the "bible" by silverplate collectors, it has continued to be the most comprehensive reference in the silverplate world. This one volume contains a complete history of silverplating materials, the refining process, and design changes. Drawn from many sources, this lovely book has color illustrations as well as over 500 line cuts and black and white photographs. There is also a chapter on the care and restoration of silverplate that contains much helpful advice for the collector. This new edition features--for the first time--a price guide of current values.

Are you ready for even more letter love?! Practice is the key to beautiful lettering, and this gold spiral-bound book lays flat and provides plenty of space for practice. Bestselling author, Instagram sensation, and lettering extraordinaire Chalkfulloflove presents Hand Lettering 201, diving deeper into the fine points of creating exquisite hand lettering: - New alphabets styles - Advanced color and design techniques - A series of six projects to hone your skills - Tips and tricks to take your lettering to the next level Pssst! Christmas is right around the corner, and this makes a perfect gift!

As well as fulfilling a functional need, furniture has always been an index of status. From the throne of Tutankhamen or the bed of State of Louis XIV to the austere Shaker chest or the Charles Eames chair and later modern pieces from Europe, the Far East and the United States, the style of each piece tells much about the outlook of the makers and the needs and skills of the time. This absorbing history traces the development of furniture design and production, from the days of ancient Egypt to the present, describing what articles were made in each period, how they were made, and what were the social and economic conditions that affected style and finish. The author discusses techniques such as joinery, turning, veneering, marquetry, polishing, upholstery, bentwood work and lamination. Many examples are shown in the illustrations, which are invaluable recognition sources and a lively visual accompaniment to the text.

This exhibition catalogue for a show at the Neue Sammlung (Design Museum) in Munich documents the first solo show by Swiss jewellery artist Therese Hilbert, former student of Max Froehlich in Zurich and Hermann Ju nger in Munich. It features 250 works, going back 50 years and beginning with her earliest, unknown pieces through to her newest work created in 2020. One of her life-long passions is volcanoes: she has climbed many of them and has used them as a theme in her jewellery design for many years. The sense of heat below the surface of her minimalist designs underlines her passion for the subject. Her work is in the collections of the Design Museum (Munich), the National Gallery of Victoria, the Dallas Museum of Art, and Museum of Arts and Design (New York). Features texts by Heike Endter, Otto Kunzli, Ellen Maurer-Zilioli, Pravu Mazumdar, Angelika Nollert, Warwick Freeman and Petra Hoelscher. Text in English and German.

This is the third book in a series devoted to the splendid jewelry collection of the Musee des Arts Decoratifs in Paris. Following on from Flora and Fauna, the theme this time is the human figure, perhaps the most intimate and involving of subjects. Jewelry has always been a vehicle for the deepest of human emotions: remembrance, faith, devotion, love, belonging and mourning. The museum's collection begins in the Byzantine era and ranges through the medieval and Renaissance periods and beyond, with mythological figures and biblical scenes represented on pendants and rings. In the 19th century, Rene Lalique, Alphonse Fouquet and the Maison Vever produced brooches and necklaces that were the very embodiment of elegant sophistication and technical brilliance, while in the 20th century, artists such as Pablo Picasso and Alberto Giacometti joined jewelers like Jean Lurcat, Line Vautrin and Claude Lalanne in creating works that interpret the body in a deeply personal way. Wonderfully photographed by Jean-Marie del Moral, Figures is packed with striking and witty works of art that will charm all lovers of jewelry.

Roger Billcliffe’s ground-breaking catalogue raisonné of the furniture of Charles Rennie Mackintosh first appeared over four decades ago.

This fourth edition has been completely revised and updated to take account of the host of discoveries and developments in Mackintosh scholarship that have taken place since the book’s first publication.

Among the 900 illustrations, many items that were previously shown in black and white now appear in colour.

An impressive and stimulating work of scholarship, this is the only comprehensive work on the furniture of Charles Rennie Mackintosh, the most important British designer and architect since Robert Adam.

After an introduction in which Billcliffe perceptively analyses Mackintosh’s career and scholarly interpretations of it, the main part of the book is arranged as a chronological catalogue of Mackintosh’s work as a furniture designer. In a working life of only 25 years, Mackintosh designed over 300 items of furniture, a number all the more impressive given that the majority of pieces were produced in the periods 1897–1905 and 1916–18.

As well as the entries on individual designs and pieces, the catalogue includes essays on all Mackintosh’s major commissions for interiors and on his designs in general at specific periods of his career.

Contemporary photographs are used extensively to show interiors (many of them now destroyed) as they were at the time of their completion. Untraced pieces of furniture are listed by reference to the job books that record the details of designs by Mackintosh or the firms of which he was a member.

Working without the use of the potter's wheel, the Pueblo Indians in the American Southwest created beautiful ceramic ware for both utilitarian and ceremonial use. A classic in the field, this book is the first comprehensive account of historic Pueblo pottery, and results from years of study by Larry Frank, an authority on this and other North American Art Forms, and lengthy technical research by Francis Harlow, an internationally known scientist. Illustrating the text are dozens of superb photographs by Bernard Lopez. With nearly two hundred examples, the authors appraise the aesthetic value of Pueblo pottery as rivaling that of any ware made by Neolithic societies, whether in America, Europe, the East of Africa. This book captures that beauty and informs the reader.

Winner of the National Book Critics Circle Award A Smithsonian Book of the Year A New York Review of Books "Best of 2020" Selection A New York Times Best Art Book of the Year An Art Newspaper Book of the Year A powerful document of the inner lives and creative visions of men and women rendered invisible by America's prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.

Animal Puzzles for the Scroll Saw - 2nd Edition is a newly expanded version of the wildly popular pattern book that scroll saw artists have come to love With over 50 patterns for upright standing and interlocking puzzles, woodworkers will have plenty of charming puzzles to sell at craft shows or to give to loved ones as special gifts. And with a handy getting started section that includes information to ensure success, new scrollers will learn how to choose wood, blades, to transfer patterns and more. Experienced scrollers will find useful information to customize patterns and to create their own patterns from personal photographs. New realistic patterns include a playful scene of 4 cats, a smart beagle, a lovely cairn terrier, a soulful American cocker spaniel, a fun rough collie, an alligator, adorable panda bear, Frisian pony, caribou, sly red fox, bison and others - each with full color photographs of the finished puzzles.

Stickmaking Handbook is a fantastic introduction to the wonderful world of creating a wide range of traditional walking sticks, market sticks and crooks; there are 21 projects in total. Suitable timbers are covered in detail as well as alternative materials such as ram's horn, antler, buffalo and cow's horn. Techniques and tips on straightening sticks, fitting handles and fixing a ferrule are thoroughly explained. Stickmaking Handbook also discusses seasoning timbers, shaping, carving and shanking handles as well as a wide range of colouring and finishing methods.

Silver metal clay is an accessible, easy to use material that allows unique, hallmark-quality jewellery to be made at home with simple tools. This practical book introduces the various forms of silver metal clay and their relative merits. Packed with images; seventeen step-by-step projects; full instruction and advice, Making Metal Clay Jewellery is an invaluable resource for all jewellers who want to learn and develop their skills with this versatile material.