Maximizing reader insights into the principles of designing furniture as wooden structures, this book discusses issues related to the history of furniture structures, their classification and characteristics, ergonomic approaches to anthropometric requirements and safety of use. It presents key methods and highlights common errors in designing the characteristics of the materials, components, joints and structures, as well as looking at the challenges regarding developing associated design documentation. Including analysis of how designers may go about calculating the stiffness and endurance of parts, joints and whole structures, the book analyzes questions regarding the loss of furniture stability and the resulting threats to health of the user, putting forward a concept of furniture design as an engineering processes. Creating an attractive, functional, ergonomic and safe piece of furniture is not only the fruit of the work of individual architects and artists, but requires an effort of many people working in interdisciplinary teams, this book is designed to add important knowledge to the literature for engineer approaches in furniture design.

A guide to green woodworking, with detailed patterns to create beautiful projects. Discover hundreds of projects for working with unseasoned wood in this essential book. Ray Tabor, an unparalleled expert in green woodworking guides you through this old, traditional craft. Whether you are new to the craft and are looking for a simple project like a spoon or a bowl or want something challenging, you will find it here. The 300 patterns for the home and garden range from wattle gates to lemon juicers, from chairs, benches and stools to baskets, whistles and door wedges. Green woodworking involves the use of freshly felled timber (unseasoned wood), and embraces a number of traditional woodland crafts, including turning and carving. All patterns come with detailed dimensions in both metric and imperial. Each item has annotated black-and-white patterns, a brief description, historical information and details of the materials that should be used. Includes the simplest of woodland designs to more advanced, with something to suit every skill level. Both a historical record and a sourcebook for those looking to use their green woodworking skills to make traditional items of beauty, this is the perfect book for anyone interested in whittling, woodland crafts and woodworking.

In recent years, there has been a real revival and appraisal of the works of the mid-century modern movement among architects and interior designers: the furniture, lighting and objects designed by Alvar Aalto, Charles & Ray Eames, Eileen Gray, Poul Henningsen, Arne Jacobsen, Pierre Jeanneret, Finn Juhl, Vladimir Kagan, Poul Kjaerholm, Florence Knoll, Le Corbusier, Ludwig Mies van der Rohe, Borge Mogensen, Serge Mouille, George Nakashima, George Nelson, Verner Panton, Ico Parisi, Charlotte Perriand, Gio Ponti, Jean Prouve, Sergio Rodrigues, Jean Royere, Eero Saarinen, Arne Vodder, Jules Wabbes, Ole Wanscher, Hans J. Wegner, Jorge Zalszupin and many others is integrated in their most exclusive projects and their best pieces are sold at record prices at Christies, Philipps, Sotheby's... In the U.S., the mid-century modern movement in interiors, product and graphic design and architecture was a reflection of the International and Bauhaus movements including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Brazilian and Scandinavian architects were very influential, with a style characterised by clean simplicity and integration with nature. In Europe, the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by the Scandinavian Moderns and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects and the movement known as New Brutalism. This chic, over-sized coffee table book is an essential object for all mid-century design aficionados, interior designers with a passion for the modernist 1950s and for refined readers seeking inspiration for their own interiors. In 20 reports, interior designers and passionate collectors of mid-century furniture, lighting, objects and artworks show how carefully selected touches of high-end mid-century modernism can contribute to a unique living environment.

In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.

Jennifer Way's study The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America. Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the 'Free World', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration's aid programs for South Vietnam to survey the craft industry in South Vietnam and manage its production, distribution and consumption abroad and at home. Way shows how Wright and his staff brought American ideas about Vietnamese history and culture to bear in managing the making of Vietnamese craft.

Utilizing fewer tools and expressing a get-it-done attitude, this useful manual makes the violin-making process easy for the everyday crafter. Using step-by-step instructions and hundreds of detailed drawings and color photographs, the obscure language and unfamiliar techniques of instrument-making are given a populist overhaul in this newly revised and expanded resource. Requiring only basic tools and everyday woods, aspiring luthiers can begin each new project with full-size component cutouts, which are included for each instrument piece. An inspiring full-color gallery of violins made by other amateur crafters is also included. From cutting and shaping each piece to assembly and performance, the theory that only elite crafters can make wood instruments is debunked.

First published in 1969, English Cursive Book Hands rapidly established itself as a key resource for the study and teaching of palaeography. It covers the changes in handwriting that arose from the mid-twelfth century, tracking the growth and development of the cursive script that came to dominate book production in medieval England. This reprint is a re-issue of the 1979 second edition published by Scolar Press. This study sets out the nature of the developments which took place in English book hands, from the mid-twelfth century, largely determined by two factors: the increasing demand for books, and the increase in the size of the works to be copied. The secularization of learning and the rise of the universities created a voracious demand for texts and commentaries. At the same time improving standards of literacy led to a demand from a wide range of patrons for books of a more general nature. In such circumstances speed and ease of writing became increasingly important. Scribes began to use different kinds of handwriting for different classes of books, and as a result a new 'hierarchy' of scripts arose, each with its own sequence of development. Towards the end of the thirteenth century the cursive script which had recently been evolved for the preparation of documents was introduced into books. A hierarchy also arose in the cursive script itself, as scribes began to devise more than one way of writing depending on the degree of formality they required. Eventually the varieties of cursive usurped the functions of other scripts in the copying of nearly all kinds of books and documents. English Cursive Book Hands illustrates the developments which took place in the cursive handwriting used in England for writing books.

When first published in 1987, "The Art of Turned Bowls" was a work ahead of its time. Now, considering the resurgence in popularity of this woodworking genre, the book is perfectly poised for rediscovery. Retooled with fresh full-color photographs of contemporary bowls featuring the work of award-winning turners from around the world, Richard Raffan's classic has been totally updated to meet the demands of today's turner. With a unique talent for making even the most abstract ideas accessible, the world's most admired turning teacher offers an invaluable wealth of design advice. Practical, informative, and undeniably inspiring, this new edition also expands its exploration of form and developing profiles. Along with a good lathe and a reliable set of tools, "The Art of Turned Bowls "belongs in the shop of every serious bowl turner.

Representing the third generation of Vuittons, Gaston-Louis's wide interests and voracious curiosity were intimately bound with the future of the family business. A collector since his childhood, Gaston-Louis Vuitton (1883-1970) accumulated hundreds of objects over his lifetime. In addition to forming a collection of trunks - his first motivation and the one he announced publicly - his roving eye lit upon rare antique travel articles, locks and escutcheons, hand tools, perfume bottles, African masks, walking canes, vintage children's toys, books, hotel labels (usually fixed on customers' trunks), printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosites industrielles, or quirks of the trade, as Gaston-Louis liked to call them. He described himself as an `unrepentant collector', delighted by the `joy of the treasure hunter, the toil of the collector, [...] an inexhaustible source of inspiration'. This is a collection that will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste and interests of someone who lived through the height of the Art Deco period - indeed, someone whose life was defined by the rigours and the rewards of world travel. It exhibits the highest design and production values for discerning international voyagers in search of the sources of luxury creativity.

Chinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for 'Chinese', the style also incorporated influences from other Asian countries, helping to shape the period's popular fantasy of the 'exotic Orient'. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved. In this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.

While often less celebrated than their male counterparts, women have been vital contributors to the arts for centuries. Works by women of the frontier represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression by women of this time period is as remarkable as the women themselves. In Frontier Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass explores the rich history of women's creative expression from the beginning of the Federalist era to the end of the nineteenth century. Focusing particularly on Western artistic style, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, including *Folk music, frontier theatrics, and dancing *Quilting, stitchery, and beadwork *Sculpture and adobe construction *Writing, translations, and storytelling Individual talents highlighted in this volume include basketry by Nellie Charlie, acting by Blanche Bates, costuming by Annie Oakley, diary entries by Emily French, translations by Sacajawea, flag designs by Nancy Kelsey, photography by Jennie Ross Cobb, and singing by Lotta Crabtree. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as applique, libretto, grapevine, farce, coil pots, and quilling. With its informative entries and extensive examinations of artistic talent, Frontier Women and Their Art is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.

Peter Dormer presents a series of lively, clearly argued discussions about the relevance of handcraft in a world whose aesthetics and design are largely determined by technology. Indeed, one of the key questions discussed in the book is what makes the difference between a craft and a modern technology. What role does the craftsperson play in the professional life of the designer? Is the craft of design itself threatened with deskilling by technology? And what are we to make of the emergence this century of that separate arts activity we call 'the studio crafts'. What are the cultural barriers that prevent the studio crafts from being regarded simply as either art of design? Most important of all, what are the values that encourage people to want to make things themselves despite the apparent marginality of crafts?;These are among the questions discussed in this collection of essays written by distinguished writers who include T.A. Heslop, Slade Professor of Art, University of Cambridge; Dr Paul Greenhalgh, Head of Research at the Victoria and Albert Museum; and Rosemary Hill, writer and broadcaster and biographer of Pugin.

In response to popular demand for this classic reference, this enlarged and renewed edition will be even more valued by historians and collectors. Long considered the "bible" by silverplate collectors, it has continued to be the most comprehensive reference in the silverplate world. This one volume contains a complete history of silverplating materials, the refining process, and design changes. Drawn from many sources, this lovely book has color illustrations as well as over 500 line cuts and black and white photographs. There is also a chapter on the care and restoration of silverplate that contains much helpful advice for the collector. This new edition features--for the first time--a price guide of current values.

Wire jewelry has never been more popular--but you've never seen projects like this before! In Fine Art Wire Weaving, award-winning author Sarah Thompson shares her secrets to creating wire jewelry that's nothing short of spectacular. Using super-fine wires to create 20 delicate, sophisticated pieces, you'll achieve that "wow" factor, all under the guidance of an expert jewelry teacher. You'll learn how to work with these fine wires successfully, as well as what to do when one of your projects goes awry. Using techniques in layering, symmetry, and dimensional shaping, you'll come away with a strong foundation in wire working so you can create your own one-of-a-kind pieces. Paired with beautiful, 4-color photographs, Thompson gives you step-by-step instructions to creating jewelry to pretty to keep for yourself-but that you won't want to give away!

The first major publication devoted to weaver and designer Dorothy Liebes, reinstating her as one of the most influential American designers of the twentieth century At the time of her death, Dorothy Liebes (1897–1972) was called “the greatest modern weaver and the mother of the twentieth-century palette.� As a weaver, she developed a distinctive combination of unusual materials, lavish textures, and brilliant colors that came to be known as the “Liebes Look.� Yet despite her prolific career and recognition during her lifetime, Liebes is today considerably less well known than the men with whom she often collaborated, including Frank Lloyd Wright, Henry Dreyfuss, and Edward Durrell Stone. Her legacy also suffered due to the inability of the black-and-white photography of the period to represent her richly colored and textured works. Extensively researched and illustrated with full-color, accurate reproductions, this important publication examines Liebes’s widespread impact on twentieth-century design. Essays explore major milestones of her career, including her close collaborations with major interior designers and architects to create custom textiles, the innovative and experimental design studio where she explored new and unusual materials, her use of fabrics to enhance interior lighting, and her collaborations with fashion designers, including Clare Potter and Bonnie Cashin. Ultimately, this book reinstates Liebes at the pinnacle of modern textile design alongside such recognized figures as Anni Albers and Florence Knoll. Published in association with Cooper Hewitt, Smithsonian Design Museum  Exhibition Schedule: Cooper Hewitt, Smithsonian Design Museum (July 7, 2023–February 4, 2024)  

Pyrography is the art of burning a design into wood using a heated metallic point. Most books on the market take a fairly traditional approach to the subject, limited to using pure burning onto a range of wooden surfaces. The Art of Pyrography goes far beyond this. Cherry Ferris takes the subject to new heights, incorporating mixed media, unusual supports and innovative techniques to elevate the craft to an artform. The book is suitable for beginners as well as more advanced pyrographers, and is well-suited to artists from other media who want to experiment with new ideas and incorporate pyrography into their practice. Pyrography machines are easily obtainable from online suppliers and major craft stores. The Art of Pyrography begins with an overview and history of the subject, a tools and equipment section, an introduction to the basic techniques and information on surfaces that you can safely burn. The book moves onto how to transfer designs onto surfaces and incorporate a mixed media approach by looking at shading techniques, introducing colour into your work, playing with backgrounds and how to finish, protect and display your finished pieces. Four shorter mini burns complement ten longer step-by-step projects that walk the reader through the techniques and materials used. A troubleshooting and safety section is also included, making this a one-stop shop to get all your pyrography questions answered. Chapters include: Colour: Incorporating coloured pencils, paint, and inks Using resin to finish your work - which results in a beautiful glass-like finish Using gold leaf to add a touch of magic.

Modern Dried Flowers is a contemporary guide to the sustainable art of preserving and styling stems. Versatile, chic, environmentally mindful, affordable and low maintenance - there are many reasons to love dried flowers. Whether for weddings and special events or simply to bring a touch of ethereal charm to your home, these timeless, reimagined arrangements can bring a room to life. Modern Dried Flowers offers nature-led inspiration and step-by-step instructions to gain all of the basic skills, tools and techniques necessary to grow, cut, dry and style your stems to perfection. Author and celebrated florist Angela Maynard is a founding leader of the classic craft's revival, and here she reveals her secrets and dispenses expert advice so that you too can master the art of everlasting beauty and wow-worthy decor, no matter what your style. In this practical and visually stunning guide, you will find: 20 beautifully photographed projects, from wearable keepsakes to majestic seasonal centrepieces; Tips to get creative with the leftover materials; A handy index of suitable flowers which outlines characteristics, symbols and best combinations. Play with texture and colour, discover unusual blooms and botanicals, and create something truly original that lasts a lifetime.

Make adorable mini plushies with Sew Your Own Ice Cream Animals by Klutz! The follow-up to the cute and popular Sew Your Own Donut Animals and Sew Squishy Cubes. In this adorable kit, kids can sew four ice cream animal treats with an extra topping of personality! Each scoop is its own animal so you can swap them around and put them in a sundae or on a cone. Included in the kit: a booklet for guidance and inspiration pre-cut felt pieces embroidery threads in different colours and a needle stuffing four pom-poms paper sundae dish paper ice cream cone. What is Klutz? Klutz is a premium brand of book-based activity kits, designed to inspire creativity in every child. Our unique combination of crystal-clear instructions, custom tools and materials and hearty helpings of humour is 100% guaranteed to kick-start creativity. Super-clear instructions Open-ended Creativity Rewarding Reading Skills to Build On Everything You Need

A beautifully illustrated guide to the world of Victorian stained glass and its manufacturers and designers. Victorian stained glass - magnificent, colourful and artistic - adorns countless British churches, municipal buildings and homes. Across the decades, several artistic movements influenced these designs, from the Gothic Revival, through the Arts and Crafts Movement and into Art Nouveau as a new century dawned. Historian Trevor Yorke shows how craftsmen re-learned the lost medieval art of colouring, painting and assembling stained glass windows - but also, in this age of industry, how windows were templated and mass produced. Showcasing the exquisite glass generated by famous designers such as A.W.N. Pugin, Pre-Raphaelites William Morris and Edward Burne-Jones, and by leading manufacturers such as Clayton and Bell, this beautifully illustrated book introduces the reader to many wonderful examples of Victorian stained glass and where it can be found.

Create your own fashion accessories and jewelry through 20 DIY macrame projects. Illustrated step-by-step directions for projects at three different skill levels will guide you through the making of your own unique scarves, handbags, belts, decorative embellishments, and jewelry, including bracelets and necklaces. Give your designs a unique, personal style by choosing from a wide variety of materials, including satin cotton, wool, rattan, and fancy yarns. Illustrated descriptions of the basic knots used in macrame are provided, as well as information about knitting techniques, color selection, and creating embellishments for textiles, such as fringe and netting. This book is perfect for both beginner and seasoned hobbyists who want to learn a new craft and the fashionista who wants to create her own fashion accessories.