This is an open access title available under the terms of a CC BY-NC-ND 4.0 International License. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations, thanks to a generous grant from the Andrew W. Mellon Foundation. The histories of East and West Germany traditionally emphasize the Cold War rivalries between the communist and capitalist nations. Yet, even as the countries diverged in their political directions, they had to create new ways of working together economically. In Designing One Nation, Katrin Schreiter examines the material culture of increasing economic contacts in divided Germany from the 1940s until the 1990s. Trade events, such as fairs and product shows, became one of the few venues for sustained links and knowledge between the two countries after the building of the Berlin Wall. Schreiter uses industrial design, epitomized by the furniture industry, to show how a network of politicians, entrepreneurs, and cultural brokers attempted to nationally re-inscribe their production cultures, define a postwar German identity, and regain economic stability and political influence in postwar Europe. What started as a competition for ideological superiority between East and West Germany quickly turned into a shared, politically legitimizing quest for an untainted post-fascist modernity. This work follows products from the drawing board into the homes of ordinary Germans to offer insights into how converging visions of German industrial modernity created shared expectations about economic progress and living standards. Schreiter reveals how intra-German and European trade policies drove the creation of products and generated a certain convergence of East and West German taste by the 1980s. Drawing on a wide range of sources from governments, furniture firms, industrial design councils, home lifestyle magazines, and design exhibitions, Designing One Nation argues that an economic culture linked the two Germanies even before reunification in 1990.

Since ancient times, fashion jewellery in Italy has been, and still is, an important component of clothing. The history of fashion cannot be written without mentioning its jewels. This book presents 200 Italian fashion jewels that, spanning from the era of La Dolce Vita to the Pret a Porter of the Eighties, from '90s Minimalism to the Neo Baroque of the new millennium, define the aesthetic mirror of society and show the transformation of styles and customs, ambitions and conquests of women, the evolution of shapes and innovations of materials and new technologies. DIVA! Italian Glamor in Fashion Jewellery tells about fashion jewellery in its creative intersections with Italian excellence: craftsmanship, design and fashion. It is a typically Italian story based on the ability to combine creativity, manufacturing and industry, art and technology, beauty and innovation. The masters of costume jewellery enter a dialogue with the great stylists and the talents of design, three heterogeneous visions with a single great protagonist: the Italian fashion jewel. Text in English and Italian.

The last thing on Lizzie's mind is catching the bouquet When her best friend's wedding venue catches fire, Lizzie Martin is on the case to find somewhere new. By some miracle, a space opens up at Halesmere House, and it makes perfect sense to move the event to the Lake District artists' residence. But Lizzie has painful memories of Halesmere... And when she bumps into Cal, her first love, she is forced to confront the past. Now a sought-after blacksmith, Cal has his own studio at Halesmere and the two must find a way to get along if this wedding isn't going to be a complete disaster. It soon becomes apparent that their attraction hasn't waned, but can Lizzie put their shared past behind her and learn to trust the man who left her once before? An emotional and heartwarming romance for fans of Phillipa Ashley, Heidi Swain and Sue Moorcroft.

In Conscious Crafts: Whittling, maker Barnaby Carder, aka Barn the Spoon, reveals the meditative nature of the whittling process and its empowering skill set for creating, and mindfulness. Making is mindfulness made practical, and whittling is a renowned and rewarding craft. Drawing on the traditions of green woodworking, Barn the Spoon has created 20 modern makes, ranging from simple tools including the classic spoon to decorative items such as animals and woodprints. He shares the basic techniques to whittling and shows how these can be developed for different projects, as well as reconnecting us to nature's raw materials. Packed with inspiring ideas and practical guidance, Conscious Crafts: Whittling gives you the simple skills to get started with this fulfilling craft, and explores how the joy of creating your own unique makes can enrich your well-being. Clean photography, contemporary step-by step illustration and heart-affirming text are neatly carved together to celebrate handwork and the act of crafting for a sustainable future. The projects: light pull; letter opener; chopsticks; pickle fork; spoon rack; toaster tongs; plant label; comb; hair pin; drop spindle; crochet hook; knitting needle; button; pliers; bird; horse; whistle; tent peg; walking stick; double ended hook; heart or floret decoration; and woodprint. The Conscious Crafts series places mindfulness and well-being at the heart of making. Picking out proven meditative crafts and bespoke authors, these practical, contemporary guides are an inviting introduction to reconnecting head, heart, and hands. Also available from the Conscious Crafts series: Pottery, Quilting and Knitting.

Get bold and inventive with two of the most beautiful fabric craft materials, beads and ribbons, with this practical compendium showing you how to create lovely accessories and ornaments for every room in the home. There are 100 projects using beads, ribbons and tassels, as well as scores of ideas and inspirations for creating fabulous decorative items. Learn how to make exquisite tie-backs, bags, wreaths, stationery, gift-wrap and cards, cushions, trims, picture frames, lampshades, cord pulls and much more. This inspirational guide to the art of working with beads, ribbons and threads illustrates all the key techniques such as how to use a bead loon and a pin board for beadwork, a warping frame and skirt board for tassels, and ribbon weaving and embroidery methods to embellish your work. Presented in an easy-to-follow format, with techniques to suit all levels, this beautiful craft book allows you to create exquisite decorations with confidence and success.

Berlin-based architect and rapper Van Bo Le-Mentzel is the founder of the popular Hartz IV Moebel initiative and website, whose rallying cry is "Build more Buy less " Hartz IV Mobel was born when Le-Mentzel registered for a weekend woodwork class. At the end of the class, he had constructed a chair; he posted the design online, dubbed it the "24-Euro Chair" and Hartz IV Mobel was born. Crowd-sourcing further ideas online, Le-Mentzel created a subculture of DIY enthusiasts, who are constructing beautiful modernist furniture at incredibly low cost. Proudly declaring itself a "crowd-sourced book," "Hartz IV Moebel" shows you how to build your own furniture with minimal resources and cost (Hartz IV is the name of Germany's social welfare benefit). Amateurs worldwide have followed these instructions and built a cube sofa, a "Berliner Hocker," a "24-Euro Chair" or a "100-Second Lamp." This inspirational volume offers both a practical guide and manifesto for affordable furniture.

Award-winning carver and fishing enthusiast Rich Rousseau shares his fish-tested designs for creating a variety of fresh and saltwater lures. These are fun and easy projects for anyone who enjoys fishing, carving or collecting. It includes a full-colour gallery of historic and contemporary wooden lures, accompanied by an introduction from top collector Butch Bartz. Making a usable fishing lure from a scrap of wood and some paint is a fun and easy project for anyone who enjoys fishing, carving or collecting. Divided into three main chapters this covers everything from what to know about choosing the right wood, types of lures, extra options to add to a lure, how to dress a hook and full-sized bonus patterns to help develop skills. Along with the wonderful lures that can be made by hand, there is a full-colour gallery of historic and contemporary wooden lures, accompanied by an introduction from top collector Butch Bartz. Rousseau's love of lure making and fishing in general is evident in the Fun Fish Facts and entertaining stories that are littered throughout.

Maud Lewis has become one of Canada's favourite folk artists, and her buoyant winter pictures of nature, pets, farm animals, and people at work and play are among her most charming. Her hands were twisted with arthritis, but Maud earned her living by painting Christmas cards and pictures and selling them from her tiny, gaily painted one-room house beside the highway near Digby, Nova Scotia.Originally issued in 1997 and now available in this updated edition, Christmas with Maud Lewis paints a portrait of how this spirited woman celebrated the season in her life and art. Maud's vision of Christmas embraces skaters sliding every which way, passengers leaning over the box of a horse-drawn sleigh, smiling oxen in their best harness, and bluebirds beside their snow-covered house. The paintings in Christmas with Maud Lewis are from the large collection of the Woolaver family.

Framing a favorite picture, whether a gallery piece of a child's drawing, can be easy and inexpensive thanks to this revised and updated edition of a classic bestseller. This new and updated edition contains everything anyone might need to know about the craft of picture framing along with new sections on using power tools and framing fabric art. It also includes a complete directory of suppliers. 450 b&w photos. 20 drawings.

For more than a century, Rolex has stood apart as the most legendary brand of watch in the world. A Rolex conveys many things: a luxury timepiece, a tool of power for movers and shakers and the symbol of passage into adulthood. New labels pop up, styles come and go, but the brand at the top never changes. Ever the record setter-the Daytona that had belonged to Paul Newman was auctioned by Phillips in New York in October 2017 for $17.8 million- it comes as no surprise that Rolex is the most collected watch brand in the world. The Vintage Watch Company is the only store of its kind in the world, with a devoted client base of devoted Rolex aficionados, from royalty to sporting legends to stars of the silver screen. Throughout, father and son, John and David Silver have been carefully cataloguing and amassing one of the largest pictorial records of vintage Rolex watches in the world. Published to celebrate the company's 25th anniversary in late 2020, the book contains a unique pictorial collection of vintage Rolex watches that have passed through the shop during the past 25 years. More than 1800 watches have been photographed and are described in detail in the book. From early Rolex pocket watches to the world's first wristwatches, elegant in their simplicity yet revolutionary in their impact, to the very first Submariners, iconic Daytonas and jewel-encrusted Crown Collections, the mesmerizing archive of vintage timepieces charts the extraordinary rise of an extraordinary brand. Choose from the First Rolex Submariner, later coined the James Bond, or the Early GMT-Master made for Pan Am transatlantic pilots. Read about the First Explorers made famous by the 1953 Everest Expedition or the later Explorer II worn by Steve McQueen. Marvel at Early Vintage collections, from the Officer's Pocket Watch to the Ladies' Diamond; from the Oyster and the Stella & Stone collections, to the Sport Collection. This book is a perfect gift for all lovers of luxury retail as well as passionate collectors of Rolex watches who will want to read about the models they own.

A tour through the Yale University Art Gallery’s holdings of American art, one of the most exceptional museum collections of its kind This volume presents an engaging selection of highlights and introduces readers to the richness and diversity of the Yale University Art Gallery’s holdings of American art. An introductory essay outlines pivotal moments in the three-hundred-year history of collecting, exhibiting, and teaching with American art at Yale and commemorates the fiftieth anniversary of the founding of the Friends of American Arts at Yale, whose support continues to ensure the excellence of the collection. The more than one hundred object entries that follow create a narrative that charts the multiplicity of experiences and accomplishments of artists and artisans living and working in North America—from the earliest days of European settlement to the present. Among the catalogued objects are works by some of the best-known names in American art as well as recent acquisitions and masterpieces that represent diverse American identities. A dazzling range of media is displayed, including paintings and sculpture, medals, prints and drawings, photographs, jewelry, furniture, and decorative arts. Each object is illustrated with a full-page image and is accompanied by a one-page discussion that focuses on its contribution to the history of American art.     Distributed for the Yale University Art Gallery

Disrupting Craft presents the work of Tanya Aguiniga, Sharif Bey, Dustin Farnsworth, and Stephanie Styjuco, four artists who take innovative approaches to their selected mediums. They share a fascination with themes of identity, and the practise of their art as a means of engaging socially with communities in collective activity. The featured artists work in a remarkable variety of media including earthenware pottery, textiles and weaving, sculptural materials and woven plastic fabrics, and wood, metal and mixed media. Their visual sensibilities range from traditional African beaded culture, to digital media, the products of modern-day capitalist economies in the developing world, to post-industrial rust-belt of the American Midwest. Each is actively engaged in an artistic dialogue within their local and wider community, presenting mementos of bygone cultural eras and making sense of it for the present moment. Disrupting Craft is the second publication, and exhibition, devoted to the work of contemporary American craft practitioners and artists since the Renwick Gallery re-opened in fall 2015, following a major restoration and renovation.

Now back in print, "the ultimate book-lover's gift book" (Los Angeles Times) In 1561-62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand's grandson, the Emperor Rudolf II, commissioned Europe's last great manuscript illuminator, Joris Hoefnagel (1542-1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date-a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay's words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.

Beads are one of the great New Orleans symbols, as much a signifier of the city as a pot of scarlet crawfish or a jazzman's trumpet. They are Louisiana's version of the Hawaiian lei, strung around tourists' and conventioneers' necks to demonstrate enthusiasm for the city. The first in a new LSU Press series exploring facets of Louisiana's iconic culture, Mardi Gras Beads delves into the history of this celebrated New Orleans artefact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. Beads are a big business based on valuelessness. Approximately 130 shipping containers, each filled with 40,000 pounds of Chinese-made beads and other baubles, arrive at New Orleans's biggest Mardi Gras throw importer each Carnival season. Beads are an unnatural part of the natural landscape, persistently dangling from the trees along parade routes like Spanish moss. They clutter the doorknobs of the city, sway behind its rearview mirrors, test the load-bearing strength of its attic rafters, and clog its all-important rainwater removal system. Mardi Gras Beads traces the history of these parade trinkets from their origins in Twelfth Night festivities through their ascent to the premier parade catchable by the Depression era. Veteran Mardi Gras reporter Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.

Arkansas Made is the culmination of the Historic Arkansas Museum's exhaustive investigations into the history of the state's material culture past. Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over the sate. The work of these artisan groups documented and collected here has been the driving force of the Historic Arkansas Museum's mission to collect and preserve Arkansas's creative legacy and rich artistic traditions. Arkansas Made demonstrates that Arkansas artists, artisans, and their works not only existed, but are worthy of study, admiration, and reflection.

Over the past 30 years, research on archaeological textiles has developed into an important field of scientific study. It has greatly benefitted from interdisciplinary approaches, which combine the application of advanced technological knowledge to ethnographic, textual and experimental investigations. In exploring textiles and textile processing (such as production and exchange) in ancient societies, archaeologists with different types and quality of data have shared their knowledge, thus contributing to well-established methodology. In this book, the papers highlight how researchers have been challenged to adapt or modify these traditional and more recently developed analytical methods to enable extraction of comparable data from often recalcitrant assemblages. Furthermore, they have applied new perspectives and approaches to extend the focus on less investigated aspects and artefacts. The chapters embrace a broad geographical and chronological area, ranging from South America and Europe to Africa, and from the 11th millennium BC to the 1st millennium AD. Methodological considerations are explored through the medium of three different themes focusing on tools, textiles and fibres, and culture and identity. This volume constitutes a reflection on the status of current methodology and its applicability within the wider textile field. Moreover, it drives forward the methodological debates around textile research to generate new and stimulating conversations about the future of textile archaeology.

Michelle Ong established Carnet, her Hong Kong-based boutique jewelry house, over twenty-five years ago, and her unique one-off creations draw on Chinese motifs and her love of European culture and craftsmanship. Her multi-hued jewels crystallize natural forms with invisible mastery. The hovering translucency of dragonfly wings, the succulence of ripe fruits, the whisper-light touch of a feather, the seductive fragility of black lace, meticulously hand-wrought from silver, the velvet petals of an anemone, a voluptuously curled seashell, the evanescence of a floating cloud evoked in a scroll of diamonds: each jewel is a miniature sculptural work of art. Jade, China's imperial gemstone, is reworked into an Art Deco-style cocktail ring. Her Chinese dragon, a fiercely benign creature, writhes in blackened gold and pave-set emeralds, breathing a stream of fiery rubies. Ong's work is now acknowledged among the greatest names in high jewelry, renowned for her sublime designs, idiosyncratic colour combinations and deft craftsmanship. This volume will be required reading by serious collectors and aficionados, and a source of deep delight for all those seeking inspiration from the finest of contemporary jewelry creators.

Charles (1907-1978) and Ray (1912-1988) Eames are among the most important designers of the 20th century, and the story of the Eames Office is that of visual and material culture in the post-war, modern period. The World of Charles and Ray Eames charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. This definitive monograph explores the era-defining work of the Eames Office, a `laboratory' active for over four decades, where the Eameses and their collaborators produced a vast array of pioneering and influential projects - from architecture, furniture and product design to film, photography, multi-media installation and exhibitions, as well as new models for arts education. Themes include `The Eames Office: Life in Work', `At Home with the Eameses', `Information Machines', `The Seeing Eye', `Office USA: Communicating "America" at Home and Abroad', and `The Art of Living'. Alongside newly commissioned texts by leading design experts, The World of Charles and Ray Eames will include contemporaneous reviews and magazine articles, writings by Charles and Ray Eames themselves, personal correspondence and a comprehensive reference section.

An Assembly of Iconic, Forgotten and New Vitra Characters During Milan's Design Week 2018, the Vitra exhibition "Typecasting," curated by Robert Stadler, presented 200 objects in the former sports hall La Pelota in the city's Brera district. In addition to generous photographic documentation of the event, this eponymous publication , designed by Zak Group, critically investigates how design evolves under the influ ence of social media. By presenting the objects as characters, "Typecasting" is as much about furniture as it is about ourselves. Whereas furniture's practical function is a given, its representational role has dramatically evolved: furniture and objects become props for self-staging on social media and online.

The Lacock Cup is a rare object with a unique English history. Made in the 1430s, it is one of a handful of pieces of secular silver from the Middle Ages, which both survived the changing culture of Tudor fashion and the turmoil of the Reformation. Originally created as a drinking cup for feasting in the fifteenth century, the Cup later became a sacred chalice for the community of Lacock in Wiltshire at the parish church of Saint Cyriac. With an unbroken local heritage of over 400 years, this piece was a central feature of religious ceremony until the late twentieth century. The remarkable story of this special cup is brought to life in this short and accessible book. Its history, from drinking vessel to holy chalice, opens a window into the culture of late medieval England and having survived the centuries in near perfect condition, it acts as a witness to these times of great change. Charting the journey of the Cup, from fifteenth century medieval society, through the Reformation and later Civil War to the present day, this book will also explore the Cup's role as a communion vessel in its local setting of Lacock, and its treatment at the British Museum where it has been on loan since 1962. The Cup remained in irregular use by the parish until the 1980s, and this story of over 500 years of outstanding care and use provides a fitting conclusion to one of England's most important silver objects.

Today, Italian architect and designer Carlo Mollino (1905-73) is known chiefly for his furniture designs. He is famous also for his erotic polaroid photography of the 1960s, which has been subject of many exhibitions and has lost nothing of its great appeal to the fashion world today. Much less attention has so far been given to Mollino's architecture, and a comprehensive critical study of his work in this field has been lacking. Yet his built work, although relatively small, constitutes a seminal contribution to modernism that is uniquely marked by a strong relationship with Surrealism. Based on years of research and drawing on rich archival material as well as on Mollino's own writings, this new book is the overdue tribute to an extraordinary personality in 20th-century architecture. It features an exemplary selection of his key designs, both built and unrealised, lavishly illustrated with images and reproductions of previously unpublished plans, drawings, and documents. Rounded out with scholarly essays by expert authors, this is a long-awaited addition to the library of architecture lovers, professionals, and scholars.